Park West (Irish: Páirc an Iarthair) is a large business campus within greater Ballyfermot, notably Cherry Orchard, Dublin, Ireland, with some residential development.
There are over 300 companies with 10,000 employees.
Located just inside the M50 orbital motorway in west Dublin, the development comprises several million square metres of office and retail space, along with an Aspect hotel, a private hospital, and three apartment complexes.
Park West is in the administration of Dublin City Council, and Dublin postal districts Dublin 10 and Dublin 12, chiefly the latter.
Park West is home to Europe's tallest wind and water mobile sculpture, Wave by Angela Conner. It is a 39.3 metre (129 feet) tall sculpture made of polystyrene covered with layers of carbon resin. It is fixed into a 7.6 metre (25 foot) pit filed with 9.5 tonnes of lead.
The campus is accessible by road (primarily the (New) Nangor Road, as well as Killeen Road and Cloverhill), bus (routes 79A and 151) and rail at the Park West and Cherry Orchard railway station. At a moderate distance to the south is the Kylemore stop on the Luas red line.
Wave is the third album by Antônio Carlos Jobim, released in 1967 on A&M Records. It is known as Jobim's most successful album to date (# 5 US JAZZ ALBUMS 1967,# 114 US ALBUMS 1968), and it was listed by Rolling Stone Brazil as one of the 100 best Brazilian albums in history.
Strings
The wave (known as the Mexican wave in the anglosphere outside North America) is an example of metachronal rhythm achieved in a packed stadium when successive groups of spectators briefly stand, yell, and raise their arms. Immediately upon stretching to full height, the spectator returns to the usual seated position.
The result is a wave of standing spectators that travels through the crowd, even though individual spectators never move away from their seats. In many large arenas the crowd is seated in a contiguous circuit all the way around the sport field, and so the wave is able to travel continuously around the arena; in discontiguous seating arrangements, the wave can instead reflect back and forth through the crowd. When the gap in seating is narrow, the wave can sometimes pass through it. Usually only one wave crest will be present at any given time in an arena, although simultaneous, counter-rotating waves have been produced.
While there is general disagreement about the precise origin of the wave, most stories of the phenomenon's origin suggest that the wave first started appearing at North American sporting events during the late 1970s and early 1980s. Krazy George Henderson led a wave in October 15, 1981 at a Major League Baseball game in Oakland, California. This wave was broadcast on TV, and George has used a videotape of the event to bolster his claim as the inventor of the wave. On October 31, 1981, a wave was created at a UW football game in Seattle, and the cheer continued to appear during the rest of that year's football season. Although the people who created the first wave in Seattle have acknowledged Krazy George's wave at a baseball stadium, they claimed to have popularized the phenomenon, since Krazy George's wave was a one-time event.
Night (1960) is a work by Elie Wiesel about his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–45, at the height of the Holocaust toward the end of the Second World War. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about the death of God and his own increasing disgust with humanity, reflected in the inversion of the parent–child relationship as his father declines to a helpless state and Wiesel becomes his resentful teenage caregiver. "If only I could get rid of this dead weight ... Immediately I felt ashamed of myself, ashamed forever." In Night everything is inverted, every value destroyed. "Here there are no fathers, no brothers, no friends," a Kapo tells him. "Everyone lives and dies for himself alone."
Wiesel was 16 when Buchenwald was liberated by the United States Army in April 1945, too late for his father, who died after a beating while Wiesel lay silently on the bunk above for fear of being beaten too. He moved to Paris after the war, and in 1954 completed an 862-page manuscript in Yiddish about his experiences, published in Argentina as the 245-page Un di velt hot geshvign ("And the World Remained Silent"). The novelist François Mauriac helped him find a French publisher. Les Éditions de Minuit published 178 pages as La Nuit in 1958, and in 1960 Hill & Wang in New York published a 116-page translation as Night.
Gazpacho are an art rock band from Oslo, Norway. The original core band of Jan-Henrik Ohme (vocals), Jon-Arne Vilbo (guitars) and Thomas Andersen (keyboards, programming, producer) started making music together in 1996 and the band has since expanded with Mikael Krømer (violin, co-producer), Lars Erik Asp (drums) and Kristian Torp (bass).
Gazpacho's music has been described by one critic as being "classical post ambient nocturnal atmospheric neo-progressive folk world rock". The music has been compared to A-ha, Radiohead, Marillion and Porcupine Tree.
Without the backing of a major label, Gazpacho is one of many bands now using the Internet to promote their music, specifically their own website and its forum, online shopping and MySpace. This allows the band to hold down full-time jobs, yet still manage to release an album a year with total artistic control over their compositions and distribution.
Childhood friends Jon-Arne Vilbo and Thomas Andersen had played together in a band called Delerium before, which in their own words "whittled away." After several years of separation, the two friends met again and started making music together again. Andersen had met Jan-Henrik Ohme through his work as radio commercial producer and brought him into the jam sessions, which laid the foundation for Gazpacho as it exists today.
"Noch'" (ночь, Night) is a song by Anton Rubinstein. It appeared in German as Die Nacht ("Des Tages letztes Glühen"), a song for 2 voices & piano, Op. 48/7.
The song became popular, with new English words by Sonny Miller as "Come Back My Love" (1941), in arrangement by Bernard Grün (sometimes mis-credited as "Green").
Walking at the desert paths
feeling uncertain for tomorrow
my unexpected fears
are looking for my mind
Watching my life day by day
lost in empty pictures
trying to escape from monotony
misery unable to cry out for help
Reflections
are leading me to a heaven
I already lost
empty horizons are my visions
and this is where I can only be
far beyond the sky
I lay down my wings
till the clouds
will uncover the sun
When the moonless night
will come again feeling uncertain
walking in a desert path of my pain
the moonless night will come again