War

So Naïve in Retrospect

So Naïve in Retrospect

Laura Poitras at the Whitney

Bed Down Location projects images of several night skies—over Pakistan, Somalia, and Yemen—onto the ceiling of a dimly lit square space. There is a platform in the middle of the room on which you lie down and then look up at the skies. The title refers to the sleeping place of a military or intelligence target, and so what you’re supposed to do while lying on the platform and looking up is imagine that you are the potential target, that a drone might be circling far overhead and preparing to end your life.

We Can Keep the American People Safe

We Can Keep the American People Safe

David Foster Wallace was not especially interested in politics over the course of his life, and what interest he did exhibit was not driven by much of a political intelligence. He supported both Ronald Reagan and Ross Perot, although the absence of politics from his correspondence suggests that neither position was strongly held or carefully thought out. In a Rolling Stone cover story on the 2000 John McCain campaign that has since become a fixture of his anthologies, he describes American politics as a sentimental battle between cynicism and real feeling, political gamesmanship and public-spiritedness, the last of which Wallace yokes McCain into symbolizing. (He also says that McCain could be the country’s first “real leader” since JFK.) Wallace had a lifelong suspicion of cable news, but the textures of his political thought could sometimes appear to be drawn from that medium.

Introduction

Introduction

The following symposium does not pretend to be definitive about a difficult and in many ways tragic situation. But it does hope to shed light on some aspects of post-Maidan Ukraine that are less often discussed in the West. Anastasiya Osipova reflects on the emotional pressure of life in Kyiv; Tony Wood asks where neoliberal reforms are going to take Ukraine; Sophie Pinkham describes the logic of decommunization; Keith Gessen looks at Western media depictions of the Russia-Ukraine conflict over the past two years; and Nina Potarskaya recalls the trials and tribulations of the Ukrainian left since the protests began on Maidan in November 2013.