Lies is a commune in the Hautes-Pyrénées department in south-western France.
Electra Heart is the second studio album by Welsh singer Marina Diamandis, professionally known as Marina and the Diamonds. It was released on 27 April 2012 by 679 Artists and Atlantic Records. Diamandis collaborated with producers including Liam Howe, Greg Kurstin, Dr. Luke, Diplo, and StarGate during its recording, and subsequently transitioned from the new wave musical styles seen throughout her debut studio album The Family Jewels (2010). Their efforts resulted in a concept album inspired by electropop music, a distinct departure from her earlier projects; its lyrical content is united by the topics of love and identity. Diamandis created the titular character "Electra Heart" to represent female stereotypes in popular American culture.
Music critics were divided in their opinions of Electra Heart, expressing ambivalence towards Diamandis' shift in musical style and its overall production. The record debuted at number one on the UK Albums Chart with first-week sales of 21,358 copies. In doing so, it became Diamandis' first chart-topping record there, although it was then distinguished as the lowest-selling number-one record of the 21st century in the country. The project was eventually certified silver by the British Phonographic Industry for exceeding shipments of 60,000 units. Electra Heart performed moderately on international record charts, including a peak position at number 31 on the US Billboard 200, and became Diamandis' highest-charting project in the United States at the time.
"Lies" is the fifteenth single from British pop rock band, McFly, released on 15 September 2008. "Lies" did not feature on the promotional 10-track copy of the album Radio:Active which was given away in The Mail on Sunday in July 2008, however it features as one of the four additional tracks on the retail edition of the album, which was released on 22 September 2008. The lead vocals for the song are split between band members Danny Jones and Tom Fletcher, with vocal contributions from bassist Dougie Poynter.
"Lyrically, Lies is definitely the darkest song we've ever written," says Tom Fletcher, who shares vocals on the track with Danny Jones. "It's about a real bitch of a girl who is out for herself and doesn't care who she uses to get what she wants. We did have a girl in mind when we wrote it, but really it's an amalgam of several girls we have met along the way. We hope she burns in hell at the end. A real good time tune then!" On 17 September 2008 the song was added to BBC Radio 1's A-List and BBC Radio 2's A-List.
The camel (or long knight) is a fairy chess piece that moves like an elongated knight. When it moves, it can jump to a square that is three squares horizontally and one square vertically, or three squares vertically and one square horizontally, regardless of intervening pieces; thus, it is a (1,3)-leaper. Below, it is given the symbol L from Betza notation.
The camel is a very old piece, appearing in some very early chess variants, such as Tamerlane chess. It is still known as such in fairy chess problems.
The camel by itself is worth about two pawns (appreciably less than a knight), because of its colorboundedness and lack of sufficient freedom of movement on an 8×8 board. However a camel and a bishop and a king can force checkmate on a bare king (assuming that the attacking pieces are not on the same color); a camel, a knight and a king can force checkmate on a bare king, but not easily (there are thirteen types of fortress draws); a camel, a wazir and a king can sometimes force checkmate on a bare king, but it can take up to 77 moves. Even if they are on different colours, two camels cannot checkmate a lone king. While the rook versus camel endgame is a draw in general, there are more winning positions than there are in rook versus knight and rook versus bishop: the longest win takes 35 moves. (All endgame statistics mentioned are for the 8×8 board.)
Camel (1822 – 6 November 1844) was a British Thoroughbred racehorse. He won five of his seven races, including the Port Stakes in 1825, but his appearances were limited by leg problems. Throughout his racing career he was owned by Charles Wyndham. After retiring from racing Camel became a successful stallion, siring St. Leger winners Touchstone and Launcelot and becoming British Champion sire in 1838.
Camel was a brown colt bred by George Wyndham, 3rd Earl of Egremont, and foaled in 1822. He was sired by Whalebone, who won the Newmarket Stakes and Epsom Derby in 1834. After retiring from racing he was a successful stallion, becoming Champion sire twice. Amongst his other progeny were Derby winners Lap-dog and Spaniel, as well as the top sire Sir Hercules. Camel's dam was an unnamed daughter of Selim. Camel was owned by Egremont's son Charles Wyndham.
Camel was due to race the colt Peter Proteus in a match race at Newmarket on 21 April 1825, but Peter Proteus paid a forfeit and was withdrawn. They following day he contested the Newmarket Stakes, facing eight rivals. Cramer was the pre-race favourite at 6/4, with Camel second favourite at 3/1. The race was won by 17/1 outsider Crockery, with Camel finishing second. On 3 May he started as the 5/4 favourite for a £50 race for three-year-olds over the Rowley Mile at Newmarket. Ridden by W. Arnull, Camel won the race from Adeliza. At Newmarket's Second October meeting he beat Dahlia, Mortgage and 1000 Guineas winner Tontine in a race for one-third of a subscription of 25 sovereigns each. At the beginning of November he beat Tarandus in a match race over five and a half furlongs at Newmarket. Two days later Camel lost a match against the filly Scandel.
Camel is the first studio album by English progressive rock band Camel. It was released in 1973. The bonus track "Homage To The God Of Light" was originally released in Peter Bardens's solo album The Answer in 1970.
By August of 1972, Camel were signed to MCA Records. They quickly entered the studio to record their first self-titled album, Camel. A collection of individual songs, chiefly from Andrew Latimer and Peter Bardens, the album was greeted with muted success and MCA did not take an option for a second album. By then, the group had acquired the management team of Geoff Jukes and Max Hole of Gemini Artists (later to become GAMA Records) and had moved to Decca Records, where they would remain for the next 10 years.
Camel gigged 9 months of the year and firmly established a reputation for their live sound in the UK, Switzerland, Belgium, and the Netherlands. They shared the stage with other artists such as Stackridge, Barclay James Harvest, Gong, Hawkwind, Pink Fairies, Global Village Trucking Company, and Spyro Gyra.