KMC

Kmc and KMC may refer to:

KMC (musician)

Ken Marlon Charles a.k.a. KMC (born January 5, 1971) is a soca artist from Trinidad. Famous for hits like "Soul on Fire", "Soca Bashment" and "Bashment to Carnival" KMC is signed to the US-based record label Sequence Records. Considered to be one of Trinidad's top soca artists, KMC has over sixteen years experience in the music industry. He has made a name for himself as a solo artist, songwriter, producer and frontman of the band Red, White & Black.

Early years

KMC is one of nine children. He was born and raised in the village of Rio Claro and then moved to Chaguanas, where he has resided for the past eleven years. The road to success for KMC has been filled with both high and low moments. Probably the lowest was the day when, strapped with hunger, he resorted to cracking open a dry coconut in the yard of his one-room home in Laventille, putting a milk pan on a kerosene burner and flavoring the coconut with only a little end of curry powder.

Career

KMC always had a passion for music. As a young child he used to sneak about and listen to the bands in his village. "At the age of seven, I used to go under the house by the band and when they weren't around I would play the drum set." As time marched on, the same energy and precociousness that brought the young KMC to the drum set also brought him to teach himself how to play music. "Music is something I was never taught. I was never taught to play the keyboard. I learned to do everything on my own. Love is what made me master it. Everything I do is by ear and not by reading," he proclaims.

Trance

Trance denotes any state of awareness or consciousness other than normal waking consciousness. Trance states may occur involuntarily and unbidden.

The term trance may be associated with hypnosis, meditation, magic, flow, and prayer. It may also be related to the earlier generic term, altered states of consciousness, which is no longer used in "consciousness studies" discourse.

Etymology

Trance in its modern meaning comes from an earlier meaning of "a dazed, half-conscious or insensible condition or state of fear", via the Old French transe "fear of evil", from the Latin transīre "to cross", "pass over". This definition is now obsolete.

Working models

Wier, in his 1995 book, Trance: from magic to technology, defines a simple trance (p. 58) as a state of mind being caused by cognitive loops where a cognitive object (thoughts, images, sounds, intentional actions) repeats long enough to result in various sets of disabled cognitive functions. Wier represents all trances (which include sleep and watching television) as taking place on a dissociated trance plane where at least some cognitive functions such as volition are disabled; as is seen in what is typically termed a 'hypnotic trance'. With this definition, meditation, hypnosis, addictions and charisma are seen as being trance states. In Wier's 2007 book, The Way of Trance, he elaborates on these forms, adds ecstasy as an additional form and discusses the ethical implications of his model, including magic and government use which he terms "trance abuse".

Trance (Steve Kuhn album)

Trance is an album by American jazz pianist and composer Steve Kuhn recorded in 1974 and released on the ECM label.

Reception

The Allmusic review by Thom Jurek awarded the album 4 stars stating "This is jazz that touches on fusion, modal, and the new spirit of the music as ECM came into the 1970s as a player. There is restlessness and calm, tempestuousness and serenity, conflict and resolution, and -- above all -- creativity and vision".

Track listing

Personnel

References

Standing Stone (album)

Standing Stone is Paul McCartney's second full-length release of original classical music (coming after 1991's Liverpool Oratorio) and was issued shortly after Flaming Pie's release in 1997. The world premiere performance was held at The Royal Albert Hall on 14 October 1997.

History

Following up on 1991's Paul McCartney's Liverpool Oratorio, the Standing Stone project was composed out of a long poem McCartney authored and was performed by the London Symphony Orchestra and conducted by Lawrence Foster at EMI's Abbey Road Studios. Unlike Liverpool Oratorio, this new project is not an operatic performance of a story, but an instrumental one, though it employs the use of a choir.

The cover for the album is actually one of the many photos taken by Linda McCartney during late 1969/early 1970 that would initially be seen on the inside gatefold cover of Paul's first album McCartney. Incidentally, this project was her husband's last release before Linda died of breast cancer on 17 April 1998, having been diagnosed almost three years earlier.