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2:08
Vanessa Bruno - Moonlight
Une fille stellaire, une fille solaire qui s’accroche à la lune et débarque sur une terre ...
published: 02 Feb 2012
Author: Vanessa Bruno
Vanessa Bruno - Moonlight
Une fille stellaire, une fille solaire qui s’accroche à la lune et débarque sur une terre inconnue, un sol non foulé, immaculé comme sa tenue blanche.
Est-ce la fin du réel, le début d’un rêve ?
Le nouveau film Vanessa Buno réalisé par Stéphanie Di Giusto offre un visage, celui de Kate Bosworth.
Elle habite une maison irréelle, posée là dans le désert d’un espace temps improbable, où tout devient possible, comme défier l’apesanteur et le temps.
Son passé ressurgit. Il est léger et inconscient : une main d’enfant qui caresse son visage, une piscine sous le soleil de la Californie, des rires, des vies.
Kate fonce et ne se retourne plus, il y avait les souvenirs et maintenant il y a l’horizon, l’avenir à inventer, à imaginer, comme dans un conte futuriste.
Elle se révèle enfin à la lune, telle une jeune femme messie illuminée d’une pensée tellurique.
Au-delà de cet onirisme, le film est à l’image de la collection Vanessa Bruno, une candeur de ton dont l’enveloppe – la douceur nacrée des vêtements – s’exile au-delà des contingences du quotidien.
Un style, une mode en guise de protection solaire contre une grisaille environnante dont la silhouette et le visage de l’actrice Kate Bosworth rayonnent d’espoir.
Un film en apesanteur où l’imaginaire règne et sauvegarde une pureté que rien n’entrave. Une fille la tête dans la lune, qui s ‘accroche à ses rêves. Ou direction les étoiles ?
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A stellar girl, a radiant girl who clutches onto the moon and arrives in an unknown land, on unmarred ground, as immaculate as her white ensemble.
Is this the end of reality, the beginning of a dream?
The new Vanessa Bruno film directed by Stephanie Di Giusto presents a face, that of Kate Bosworth.
She lives in an illusory house, set in the desert of an improbable space-time where anything is possible, whether weightlessness or challenging the course of time.
Her past resurfaces. It is airy and subconscious: a child's hand caressing her face, a swimming pool in sunny California, laughter, life.
Kate rushes forth and doesn’t look back, there were memories and now there is the horizon, a future to invent, to imagine, like a futuristic fairy tale.
She finally reveals herself to the moon, like a young woman messiah illuminated from within by telluric thoughts.
Beyond its dreamlike nature, the film is a reflection of the Vanessa Bruno collection, a candor of tone in which the shell – the pearly softness of the clothes – is exiled beyond the contingencies of everyday life.
A Style, a mode of dress in lieu of sunscreen against the surrounding somber grayness from which the silhouette and the face of actress Kate Bosworth radiate hope.
A weightless film where imagination reigns and safeguards a purity that nothing can hinder. A girl with her head in the clouds, who clings to her dreams. Or on towards the stars?
5:19
SOULARDOUZANT
Pour les 12 ans du mag, nous avons décidé de faire les chose en grand. Nous avons choisi d...
published: 02 Jun 2010
Author: Soul Bmx Magazine
SOULARDOUZANT
Pour les 12 ans du mag, nous avons décidé de faire les chose en grand. Nous avons choisi de faire une bonne grosse jam sur des spots parisiens sur lesquels nous avons rajoutés des modules construits spécialement. Des centaines de riders étaient là ainsi que les meilleurs riders français et les teams Federal, BSD, DUB et WTP.
La police est arrivé trop tot et nous n'avons pas pu hélas voir tous les spots mais nous avons de toute façon gardé le meilleur pour la fin en construisant un park DANS la piscine Molitor, site protégé situé en face de Roland Garros, dans l'ouest parisien.
Un grand merci à Nike 6.0 pour le soutien apporté!
www.soulbmxmag.com
For the 12th birthday of SoulBMXMag , we decided to make a big jam in Paris on some sweet street spots where we added some ramps.
Hundreds of riders were there with the best french riders & the Federal, BSD, Dub & WTP teams to.
The police came too early to hit all the spots but the last one we had planned was the best one : a park made just for the jam located in a historical old swimming pool in Paris from the 19th century.
Thanks to Nike6.0 to make it possible
www.soulbmxmag.com
2:07
Butterfly - Dolphin Kick, Arms Up!
One of the most common ways to practice the dolphin kick is on your back...with fins...wit...
published: 20 Nov 2008
Author: Glenn Mills
Butterfly - Dolphin Kick, Arms Up!
One of the most common ways to practice the dolphin kick is on your back...with fins...with your arms in streamline. This is great for learning how to dolphin, and provides a good workout for your abs. But if you want to kick it up a notch, and REALLY work your abs and thighs, try dolphin kick with your arms in the air.
4:59
Amber Doll > Tilikum 5minute Excerpt
Performance: Amber Hawk Swanson (amberhawkswanson.com)
Tech Assistance: Renato Velarde
Mus...
published: 16 Jan 2012
Author: Amber Hawk Swanson
Amber Doll > Tilikum 5minute Excerpt
Performance: Amber Hawk Swanson (amberhawkswanson.com)
Tech Assistance: Renato Velarde
Music: Occurrence (occurrencemusic.com)
I am forever in search of community. I join these communities, not as an artist, but as someone who wants to belong. The needs, identities, personalities, quirks, and outliers of each community become my obsession. Part of this obsession revolves around the performances of individuals belonging to the community and the reception and interpretation of these performances from outsiders. These communities shape my work, my perceptions, and myself; incidentally, they often lead me to new communities.
My performance and video, Amber Doll >Tilikum, is a result of moving into and out of several different communities. For the piece, I transformed my identical, life-like sex doll into a replica of the bull orca, Tilikum, who lives in captivity at SeaWorld Orlando and has been involved in the deaths of three people. To create my replica of Tilikum, I assembled his anatomy from similar, either in look or function, parts from Amber Doll. She and Tilikum share a PVC skeletal structure, posable steel joints, styrofoam filler, silicone flesh, and eyes. Her belly button became his blow hole, her breasts and hands evolved into his tail, and I used part of her skull to create Tilikum’s broken teeth.
I conducted the ten-day, thirty-hour Amber Doll > Tilikum transformation alone in my studio, but broadcast every moment of it on my Livestream Channel to an audience of thousands worldwide.The live audience viewer minutes watched totaled 33,100 in the US as well as: Armenia, China, Ecuador, Estonia, Germany, India, Israel, Korea, Oman, Peru, Turkey and Venezuela. I blogged, Facebooked, and Tweeted my progress, and relied on my viewers’ in-the-moment responses to carry me through the physically and emotionally difficult performance.
What is the link between a synthetic sex partner and an organic captive whale? And why Tilikum? These are the questions that I began to answer through the process of the transformation.
Amber Doll came to life after the unwanted sexual attention and objectification I received after completion of The Feminism? Project which involved imaging myself in provocatively sexual contexts during reenactments of a variety of women's definitions of feminism. After completing the project—lonely and seeking the companionship of a girlfriend but not yet out as queer—I discovered an online forum maintained by a community of primarily hetero-outsider men who own life-like sex dolls, RealDolls, made of a PVC skeleton and silicone flesh and penetrable in three ribbed orifices. Inspired by the fulfillment they found in their relationships with what they termed “synthetics” over “organics,” I ordered a RealDoll of my own. I acquired Amber Doll, herself a literal object, as a prop for my work and academic interests but also to become the companion I desired in my personal life. I abandoned Amber Doll at a number of venues, allowing the public to explore and interact—often violently—without interference. Amber Doll was able to act as a surrogate to my own experiences of objectification.
Two years later, while Amber Doll’s severely damaged body was hanging, alone, on a stand in my studio; I learned of Tilikum.
On February 24, 2010, Tilikum made headlines for killing Dawn Brancheau, a 40-year-old trainer with sixteen years of experience at SeaWorld. The trainer was dismembered following a popular “Dine with Shamu” show while twenty tourists looked on from above a whale tank and from an underwater viewing area. As I learned more about Tilikum, and orcas in captivity, the furtive violence inflicted on these intelligent mammals became apparent. Orcas thrive in communities; they spend the entirety of their lives within these tightly-knit families. Tilikum was captured in the wild, and removed from his community. The trauma and stress of this captivity have been documented in nearly all captive orcas, including Tilikum. Signs of stress include broken teeth, often from chewing on the metal bars of the enclosure, and collapsed dorsal fin, often accredited to the physical deterioration from lack of adequate space to swim. Tilikum’s body, much like that of Amber Doll’s, presents a physical manifestation of emotional trauma.
The story of Tilikum and his body as a spectacle shared remarkable similarities with my relationship with Amber Doll. By allowing others openly to explore and violate Amber Doll, I disrupted the social norms of public and private space. The deviance Tilikum performed through his body, by killing his trainer, was an act of defiance against those who objectify him. The trainer’s body becomes a spectacle that takes the attention away from his body—the focus is still on Tilikum—but he now owns a presence.
The idea of this shift from object to action and spectacle to presence gave Amber Doll new purpose. I no longer needed Amber Doll to be my object;
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