A country house is a large house or mansion in the countryside, usually associated with the aristocracy or landed gentry. Most often, the term refers to English country houses or estate houses in Scotland. Other countries, however, have similar structures, and the concept has been exported elsewhere.
"Country House" is a song by English alternative rock band Blur. It was released as the lead single from the band's fourth album The Great Escape on 14 August 1995. "Country House" was the first of two Blur singles to reach number one on the UK Singles Chart (the second being 1997's "Beetlebum").
In an interview for the South Bank Show, Damon Albarn explained that it was inspired by former Blur manager Dave Balfe, who left Blur's label Food Records and bought a house in the country.
The song is about a man who retires to an expensive country house to escape the pressures of the city. The cover art features a horizontally-flipped image of Neuschwanstein Castle in Bavaria.
"Country House" received a great deal of media attention when Blur's label Food Records moved the original release date to the same day as Oasis's "Roll with It". The British media had already reported an intense rivalry between the two bands and this clash of releases was seen as a battle for the number one spot, dubbed the 'Battle of Britpop'.
An English country house is a large house or mansion in the English countryside. Such houses were often owned by individuals who also owned a town house. This allowed them to spend time in the country and in the city—hence, for these people, the term distinguished between town and country. However, the term also encompasses houses that were, and often still are, the full-time residence for the landed gentry. These people were central to the landed gentry that ruled rural Britain until the Reform Act 1832. Frequently, the formal business of the counties was transacted in these country houses.
With large numbers of indoor and outdoor staff, country houses were important as places of employment for many rural communities. In turn, until the agricultural depressions of the 1870s, the estates, of which country houses were the hub, provided their owners with incomes. However, the late 19th and early 20th centuries were the swan song of the traditional English country house lifestyle. Increased taxation and the effects of World War I led to the demolition of hundreds of houses; those that remained had to adapt to survive.
In a country house with the windows lit by burning wicks
And the walls held up by wood and bricks and ghosts that wander through
An old man died, but the help won't come till Monday next
And he's gone to meet the architects of the only world he knew
And he's lonesome
And the family mourned, at the wake he lay in front of them
Just as silent as he'd ever been to any young child's eyes
And by buried skin, they shed their laughter and their tears
The pain of all those early years where innocence had died
But now they're lonesome
Memorials that we may build
They won't the holes forever fill
There is a deep and aching chill
That settles in our bones
'Cause we're lonesome
Did you ever love somebody?
Did you ever lose someone?
'Cause we're lonesome
A country house is a large house or mansion in the countryside, usually associated with the aristocracy or landed gentry. Most often, the term refers to English country houses or estate houses in Scotland. Other countries, however, have similar structures, and the concept has been exported elsewhere.