- published: 06 Jun 2016
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Dennis Muren, ASC (born November 1, 1946) is an American film special effects artist & supervisor, most notable for his work on the films of Steven Spielberg, James Cameron and George Lucas. He has won nine Oscars for Best Visual Effects.
Muren was born in Glendale, California, the son of Charline Louise (née Clayton) and Elmer Ernest Muren. He developed an interest in film-making and special effects from an early age. While studying business at Pasadena City College, Muren spent $6500 to make Equinox, a short science fiction film. Tonylyn Productions, a small film company, liked the film enough to distribute it. Tonylyn hired film editor Jack Woods to direct additional footage in order to make Equinox into a feature-length movie. When the feature-length Equinox was released in October 1970, Muren was credited as a producer in spite of having directed much of the film and creating the special effects himself. Despite mixed to poor reviews the movie made enough money for Muren to recoup his $8000 investment, and in the years since it has become a minor cult classic.
Star Wars is an American epic space opera franchise, centered on a film series created by George Lucas. It depicts the adventures of various characters "a long time ago in a galaxy far, far away".
The first film in the series, Star Wars (later subtitled Episode IV: A New Hope), was released on May 25, 1977 by 20th Century Fox and became a worldwide pop culture phenomenon. It was followed by the similarly successful sequels The Empire Strikes Back (1980) and Return of the Jedi (1983); these three films constitute the original Star Wars trilogy. A prequel trilogy was later released between 1999 and 2005, which received a more mixed reaction from critics and fans, compared to the original trilogy. All seven films were nominated for or won Academy Awards, and were commercial successes, with a combined box office revenue of $4.38 billion, making Star Wars the fourth highest-grossing film series. The series has spawned an extensive media franchise—the Star Wars expanded universe—including books, television series, computer and video games, and comic books, resulting in significant development of the series's fictional universe. Star Wars also holds a Guinness World Records title for the "Most successful film merchandising franchise." In 2012, the total value of the Star Wars franchise was estimated at USD $30.7 billion, including box-office receipts as well as profits from their video games and DVD sales.
The New Yorker is an American magazine of reportage, commentary, criticism, essays, fiction, satire, cartoons, and poetry. It is published by Condé Nast. Started as a weekly in 1925, the magazine is now published 47 times annually, with five of these issues covering two-week spans.
Although its reviews and events listings often focus on the cultural life of New York City, The New Yorker has a wide audience outside of New York. It is well known for its illustrated and often topical covers, its commentaries on popular culture and eccentric Americana, its attention to modern fiction by the inclusion of short stories and literary reviews, its rigorous fact checking and copyediting, its journalism on politics and social issues, and its single-panel cartoons sprinkled throughout each issue.
The New Yorker debuted on February 21, 1925. It was founded by Harold Ross and his wife, Jane Grant, a New York Times reporter. Ross wanted to create a sophisticated humor magazine that would be different from perceivably "corny" humor publications such as Judge, where he had worked, or Life. Ross partnered with entrepreneur Raoul H. Fleischmann (who founded the General Baking Company) to establish the F-R Publishing Company and established the magazine's first offices at 25 West 45th Street in Manhattan. Ross edited the magazine until his death in 1951. During the early, occasionally precarious years of its existence, the magazine prided itself on its cosmopolitan sophistication. Ross famously declared in a 1925 prospectus for the magazine: "It has announced that it is not edited for the old lady in Dubuque."
New Yorker may refer to:
Turn On the Bright Lights is the debut studio album by the American rock band Interpol, released in August 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through independent record label Matador Records. Upon release, the record peaked at number 101 on the UK Albums Chart. It reached number 158 on the Billboard 200 in the United States, as well as spending 73 weeks in the Billboard Independent Albums, peaking at number five.
"PDA", "NYC", "Obstacle 1" and "Say Hello to the Angels" were the singles from Turn On the Bright Lights, and a video was shot for each with the exception of "Say Hello to the Angels".
The album was certified Gold by the RIAA on August 29, 2011 for shipments of 500,000 copies.
A remastered version of the album was released in 2012 to commemorate its tenth anniversary. It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos.
Visual effects legend Dennis Muren of Industrial Light & Magic stops by The Star Wars Show to answer fan questions and discuss his career journey — including cold calling Ray Harryhausen. ACADEMY AWARD® and Oscar® ©Academy of Motion Picture Arts and Sciences Visit Star Wars at http://www.starwars.com Subscribe to Star Wars on YouTube at http://www.youtube.com/starwars Like Star Wars on Facebook at http://www.facebook.com/starwars Follow Star Wars on Twitter at http://www.twitter.com/starwars Follow Star Wars on Instagram at http://www.instagram.com/starwars Follow Star Wars on Tumblr at http://starwars.tumblr.com/
Dennis Muren, the senior visual-effects supervisor for Industrial Light & Magic, talks with David Denby about his craft and his sources of inspiration. Still haven’t subscribed to The New Yorker on YouTube? ►► http://bit.ly/newyorkeryoutubesub CONNECT WITH THE NEW YORKER Web: http://www.newyorker.com Twitter: http://twitter.com/NewYorker Facebook: http://www.facebook.com/newyorker Google+: http://plus.google.com/+newyorker Instagram: http://instagram.com/newyorkermag Pinterest: http://www.pinterest.com/thenewyorker Tumblr: http://newyorker.tumblr.com The Scene: http://thescene.com/thenewyorker Want even more? Subscribe to The Scene: http://bit.ly/subthescene Dennis Muren on digital special effects - The New Yorker Conference - The New Yorker
Dennis Muren describes how Industrial Light and Magic made the Imperial Walkers walk. Spoiler: They did it very, very slowly.
Subscribe to France 24 now : http://f24.my/youtubeEN FRANCE 24 live news stream: all the latest news 24/7 http://f24.my/YTliveEN If you've ever flown through the trenches of the Death Star in "Star Wars", been entranced by the magic of "Willow" or watched in awe as dinosaurs walked the earth again in "Jurassic Park", you'll have experienced the legend that is our guest. As the go-to special effects man for Steven Spielberg, James Cameron and George Lucas, he has nine Oscars - the most of anyone else alive. Dennis Muren joins Eve Jackson and film critic Lisa Nesselson in the studio. Visit our website : http://www.france24.com Subscribe to our YouTube channel : http://f24.my/youtubeEN Like us on Facebook : https://www.facebook.com/FRANCE24.English Follow us on Twitter : https://twitte...
Redwoods, multiple cameras and the speederbike chase all explained by Return of the Jedi's visual effects expert Dennis Muren.
Worin gleichen sich Rennautos und Raumjäger? Es liegt alles in den Spezialeffekten. In diesem Video erläutert uns Dennis Muren die Denkweise hinter den Effekten in Die Rückkehr der Jedi-Ritter. #StarWars #StarWarsDeutschland
The ILM Special Effects master, Dennis Muren, talks to CGS-TV about his creative journey and multi-award winning work on movies like Star Wars, Terminator 2, and Jurassic Park
For Dennis Muren, one of the biggest challenges in creating effects for the Star Wars films was the breadth of locations, as he discusses in this featurette. Each film featured multiple settings and specific effects required for those settings -- Return of the Jedi had outer space, the desert, and the forest, all which had different types of vehicles and creatures to animate. "Once you figured out how the walker was going to walk," Muren says, "then you've got to figure out still how the tauntaun was going to be moving around, because it's a completely different type of character. Then [you have to figure out] how you're got to have the speeder bikes working."
Visual effects legend Dennis Muren of Industrial Light & Magic stops by The Star Wars Show to answer fan questions and discuss his career journey — including cold calling Ray Harryhausen. ACADEMY AWARD® and Oscar® ©Academy of Motion Picture Arts and Sciences Visit Star Wars at http://www.starwars.com Subscribe to Star Wars on YouTube at http://www.youtube.com/starwars Like Star Wars on Facebook at http://www.facebook.com/starwars Follow Star Wars on Twitter at http://www.twitter.com/starwars Follow Star Wars on Instagram at http://www.instagram.com/starwars Follow Star Wars on Tumblr at http://starwars.tumblr.com/
Dennis Muren, the senior visual-effects supervisor for Industrial Light & Magic, talks with David Denby about his craft and his sources of inspiration. Still haven’t subscribed to The New Yorker on YouTube? ►► http://bit.ly/newyorkeryoutubesub CONNECT WITH THE NEW YORKER Web: http://www.newyorker.com Twitter: http://twitter.com/NewYorker Facebook: http://www.facebook.com/newyorker Google+: http://plus.google.com/+newyorker Instagram: http://instagram.com/newyorkermag Pinterest: http://www.pinterest.com/thenewyorker Tumblr: http://newyorker.tumblr.com The Scene: http://thescene.com/thenewyorker Want even more? Subscribe to The Scene: http://bit.ly/subthescene Dennis Muren on digital special effects - The New Yorker Conference - The New Yorker
Wider Vantages Are Needed Now, Times 18 | A Symposium Florian von Donnersmarck, born in Germany and raised there and in Brussels and the United States, studied politics and philosophy at Oxford and went on to direct The Lives of Others, a film about an East German Stasi agent, and The Tourist, a light-hearted thriller set in Venice and starring Angelina Jolie and Johnny Depp. http://donnersmarck.com/florian.html Dennis Muren is the senior visual effects supervisor and creative director of Industrial Light & Magic (ILM). Recipient of eight Academy Awards for Best Achievement in Visual Effects, Muren is actively involved in the evolution of ILM as well as the design and development of new techniques and equipment. In June 1999, Muren became the first visual effects artist to be honored wit...
Film de Dennis Muren et Jack woods Genre : Fantastique Durée: 1 h 20 min Avec Frank Bonner, Edward Connell et Barbara Hewitt Une bande détudiants se rend dans la forêt pour aller au chalet dun de leurs professeurs. Arrivés sur les lieux, ils découvrent que le chalet a été complètement détruit et que leur professeur a disparu. Non loin de là, un vieillard hystérique les interpelle. Il leur donne un livre, le Necronomicon, qui est la cause de la disparition du professeur. Les jeunes étudiants tentent de trouver des réponses dans le livre, mais la lecture de celui-ci entraîne louverture dune dimension parallèle qui laisse séchapper plusieurs créatures maléfiques. Les étudiants devront trouver un moyen de combattre les créatures pour ne pas en être victime
Mark Frauenfelder, Dennis Muren and Robyn Miller discuss the film EQUINOX, a special effects film directed by Dennis in 1967 which has gone on to become a cult classic and an inspiration to other filmmakers. Footage from the film was recently used in Robyn Miller's The Immortal Augustus Gladstone.
Denis Muren of ILM and Ben Burtt of Skywalker Sound discuss their work on the Indiana Jones movies and prepping them for Blu-ray
Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. From his humble beginnings as an alien patron in the iconic Cantina sequence from 'Star Wars: A New Hope', to pioneering stop-motion techniques used throughout 'Empire Strikes Back' and 'Return of the Jedi', to seamlessly merging practical animation and CGI in Jurassic Park and beyond. In 'My Life in Monsters', VICE chronicles Tippett's legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood's digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian 'Mad God'. WATCH NEXT: LARPing Saved My Life - http://bit.ly/1Yu04Zz C...
● Yo boys, Vandaag ga ik H1Z1 spelen met de grootste retard van de groep: Dennis! Mocht je dit nou leuk vinden ram dan massaal op dat blauwe duimpje en vergeet niet te abonneren op mijn kanaal voor meer! Enjoy the video! ^^ ► Kanaal Dennis: https://www.youtube.com/user/DennisWaYs ●Stay up-to-date!: https://www.youtube.com/user/SanDDayHD ► Wil je me ook op social media volgen? Check this out! ● Mijn twitter: https://twitter.com/SanDDayHD ● Mijn instagram: https://www.instagram.com/officialsanddayhd/ ● Mijn snapchat: SanDDayHD ● Mijn zakelijke E-mail: SanDDayHD@Gmail.com ►Playlist: ● #AskSanDDay : https://www.youtube.com/playlist?list=PLrdzwtwl0UFxQlTDbnpiGowCUoG8hpS-W ● Race to 10.000 points: https://www.youtube.com/playlist?list=PLrdzwtwl0UFyhAlr2gYdVJE4tKbTTPSTt ● Road to 2-t...
"SP FX: The Empire Strikes Back" was a television documentary special which originally aired on CBS on September 22, 1980 in the United States. Hosted by actor Mark Hamill, it is a behind-the-scenes look at the creation of the special effects (SP FX) in the second Star Wars film, Star Wars Episode V: The Empire Strikes Back, which was released that year. The special was written by Richard Schickel and directed by Robert Guenette, who had both previously worked on the 1977 special The Making of Star Wars. The special was hosted by Mark Hamill, who plays Luke Skywalker in the original Star Wars trilogy. It features behind-the-scenes footage from Star Wars Episode V: The Empire Strikes Back, and shows the making of various special effects sequences including the Imperial probe droid, the T...
ABONNÈR PÅ PREBZ OG DENNIS ► http://bit.ly/PrebzogDennis KJØP T-SKJORTER HER ► http://rakkerklaer.no Hva er Rakkerriket? Rakkerriket er en norsk Minecraft let's play serie i Tekkit. Der Dennis, Preben, Ruben og Sondre prøver sitt aller beste å bli bedre i både Minecraft og Tekkit. Vi kan garantere at dette er den dårligste guiden du finner på hvordan spiller man Minecraft eller generelt hjelp til Tekkit. Fordi vi er elendige! Hvor laster man ned Minecraft? Du kan kjøpe Minecraft her: https://minecraft.net/ Hvor laster man ned Tekkit? Last ned Tekkit her: http://www.technicpack.net/download FØLG OSS PÅ SOSIALE MEDIA ▼ ● Instagram: http://www.instagram.com/PrebzogDennis ● Facebook: http://www.facebook.com/PrebzogDennis VÅRE SNAPCHATS ▼ Preben ► taakelyset Dennis ► denniserteit Ruben ...
Visual effects legend Dennis Muren of Industrial Light & Magic stops by The Star Wars Show to answer fan questions and discuss his career journey — including cold calling Ray Harryhausen. ACADEMY AWARD® and Oscar® ©Academy of Motion Picture Arts and Sciences Visit Star Wars at http://www.starwars.com Subscribe to Star Wars on YouTube at http://www.youtube.com/starwars Like Star Wars on Facebook at http://www.facebook.com/starwars Follow Star Wars on Twitter at http://www.twitter.com/starwars Follow Star Wars on Instagram at http://www.instagram.com/starwars Follow Star Wars on Tumblr at http://starwars.tumblr.com/
For Dennis Muren, one of the biggest challenges in creating effects for the Star Wars films was the breadth of locations, as he discusses in this featurette. Each film featured multiple settings and specific effects required for those settings -- Return of the Jedi had outer space, the desert, and the forest, all which had different types of vehicles and creatures to animate. "Once you figured out how the walker was going to walk," Muren says, "then you've got to figure out still how the tauntaun was going to be moving around, because it's a completely different type of character. Then [you have to figure out] how you're got to have the speeder bikes working."
In this interview with Dennis Muren of Industrial Light & Magic, the visual effects legend discusses the thought behind how starships maneuver in Return of the Jedi and the Star Wars films as a whole. "I thought about what the attitude of the pilot might be," he says, and explains that he added skids and sharp turns that recall how race cars behave. Doing so adds a layer of connection and familiarity to the audience, and makes the effect feel right.
The ILM Special Effects master, Dennis Muren, talks to CGS-TV about his creative journey and multi-award winning work on movies like Star Wars, Terminator 2, and Jurassic Park
In this featurette from Lucasfilm, legend Dennis Muren of Industrial Light & Magic discusses creating the visual effects of Return of the Jedi. Muren says that the production schedule was tighter on Return of the Jedi and that it also had the most effects compared with the first two films in the series, as it was the most action oriented. While there was no mandate to make Return of the Jedi include faster starships or action, "it just came out that way." Muren is proud of the work in the film, saying that "we got a lot better," and that the effects were more refined than in previous efforts. ILM no longer had to "fight the technology," and could concentrate on creating stunning imagery.
In this vintage interview, Dennis Muren of Industrial Light & Magic talks about creating the memorable rancor creature from Return of the Jedi -- and how the original idea for bringing the monster to life didn't work. Dragonslayer, which Muren had just finished working on, used new Go-Motion technology and had proved expensive; thus, there was an effort to keep the cost down for Return of the Jedi. George Lucas suggested creating the rancor as a man in a suit, and Phil Tippett had the idea of having one person inside the creature, with two other people on the sides manipulating the arms, matted out. But it didn't work. "You can't fool people with that stuff," Muren says. They then decided on the idea of using an 18-inch tall rod puppet. It was worked from below, controlled by four to fiv...
Jurassic Park Interview with the effects artists who brought the film to life: Dennis Muren, Phil Tippett and John Rosengrant
In San Rafael, on November 23rd 2014 Dennis Muren showed Star Wars: Episode II Attack of the Clones 3D for the first time in the United States. This is his setup for the film.
Dennis Muren is presented with the VES Lifetime Achievement Award at the 5th Annual VES Awards by George Lucas.
3DVF meets Dennis Muren, Legendary VFX Supervisor at Industrial Light and Magic for 40 years Interview 3DVF en compagnie de Dennis Muren, légendaire superviseur VFX du studio Industrial Light and Magic dépuis plus de 40 ans Plus d'infos : http://www.3dvf.com/actualite-18633-interview-3dvf-rencontre-avec-legendaire-dennis-muren-40ans-vfx-chez-ilm.html
Visual effects legend Dennis Muren of Industrial Light & Magic stops by The Star Wars Show to answer fan questions and discuss his career journey — including cold calling Ray Harryhausen. ACADEMY AWARD® and Oscar® ©Academy of Motion Picture Arts and Sciences Visit Star Wars at http://www.starwars.com Subscribe to Star Wars on YouTube at http://www.youtube.com/starwars Like Star Wars on Facebook at http://www.facebook.com/starwars Follow Star Wars on Twitter at http://www.twitter.com/starwars Follow Star Wars on Instagram at http://www.instagram.com/starwars Follow Star Wars on Tumblr at http://starwars.tumblr.com/
Dennis Muren, the senior visual-effects supervisor for Industrial Light & Magic, talks with David Denby about his craft and his sources of inspiration. Still haven’t subscribed to The New Yorker on YouTube? ►► http://bit.ly/newyorkeryoutubesub CONNECT WITH THE NEW YORKER Web: http://www.newyorker.com Twitter: http://twitter.com/NewYorker Facebook: http://www.facebook.com/newyorker Google+: http://plus.google.com/+newyorker Instagram: http://instagram.com/newyorkermag Pinterest: http://www.pinterest.com/thenewyorker Tumblr: http://newyorker.tumblr.com The Scene: http://thescene.com/thenewyorker Want even more? Subscribe to The Scene: http://bit.ly/subthescene Dennis Muren on digital special effects - The New Yorker Conference - The New Yorker
Dennis Muren describes how Industrial Light and Magic made the Imperial Walkers walk. Spoiler: They did it very, very slowly.
Subscribe to France 24 now : http://f24.my/youtubeEN FRANCE 24 live news stream: all the latest news 24/7 http://f24.my/YTliveEN If you've ever flown through the trenches of the Death Star in "Star Wars", been entranced by the magic of "Willow" or watched in awe as dinosaurs walked the earth again in "Jurassic Park", you'll have experienced the legend that is our guest. As the go-to special effects man for Steven Spielberg, James Cameron and George Lucas, he has nine Oscars - the most of anyone else alive. Dennis Muren joins Eve Jackson and film critic Lisa Nesselson in the studio. Visit our website : http://www.france24.com Subscribe to our YouTube channel : http://f24.my/youtubeEN Like us on Facebook : https://www.facebook.com/FRANCE24.English Follow us on Twitter : https://twitte...
Redwoods, multiple cameras and the speederbike chase all explained by Return of the Jedi's visual effects expert Dennis Muren.
Worin gleichen sich Rennautos und Raumjäger? Es liegt alles in den Spezialeffekten. In diesem Video erläutert uns Dennis Muren die Denkweise hinter den Effekten in Die Rückkehr der Jedi-Ritter. #StarWars #StarWarsDeutschland
The ILM Special Effects master, Dennis Muren, talks to CGS-TV about his creative journey and multi-award winning work on movies like Star Wars, Terminator 2, and Jurassic Park
For Dennis Muren, one of the biggest challenges in creating effects for the Star Wars films was the breadth of locations, as he discusses in this featurette. Each film featured multiple settings and specific effects required for those settings -- Return of the Jedi had outer space, the desert, and the forest, all which had different types of vehicles and creatures to animate. "Once you figured out how the walker was going to walk," Muren says, "then you've got to figure out still how the tauntaun was going to be moving around, because it's a completely different type of character. Then [you have to figure out] how you're got to have the speeder bikes working."
Con James-Earl Jones, Stan Winston, Steven Spielberg, Dennis Muren, Michael Lantieri.
Vous ne connaissez pas forcément son nom, mais Dennis Muren est une légende du cinéma fantastique. Depuis 40 ans, Il est l'homme derrière les effets spéciaux les plus incroyables d'Hollywood. Collaborateur privilégié de George Lucas, Steven Spielberg, James Cameron et dernièrement J J Abrams, l'homme au 9 oscars se confie sur sa carrière dans cet épisode spécial de la Veillée.
Equinox is a classic B movies, Equinox is a 1970 American independent horror film directed by Dennis Muren and Jack Woods, and starring Edward Connell, Barbara Hewitt, Frank Bonner and award-winning science fiction/horror writer Fritz Leiber. The plot focuses on four teenagers having a picnic in the canyons of California who stumble upon an ancient book containing secrets of a strange world that exists alongside humans, and consequently unleash a plethora of evil creatures and monsters.
Dennis Muren, the senior visual-effects supervisor for Industrial Light & Magic, talks with David Denby about his craft and his sources of inspiration. Still haven’t subscribed to The New Yorker on YouTube? ►► http://bit.ly/newyorkeryoutubesub CONNECT WITH THE NEW YORKER Web: http://www.newyorker.com Twitter: http://twitter.com/NewYorker Facebook: http://www.facebook.com/newyorker Google+: http://plus.google.com/+newyorker Instagram: http://instagram.com/newyorkermag Pinterest: http://www.pinterest.com/thenewyorker Tumblr: http://newyorker.tumblr.com The Scene: http://thescene.com/thenewyorker Want even more? Subscribe to The Scene: http://bit.ly/subthescene Dennis Muren on digital special effects - The New Yorker Conference - The New Yorker
Equinox (1970) best horror movies and SCI FI Film, Equinox (also known as The Equinox... A Journey into the Supernatural, and released on home video as The Beast[1]) is a 1970 American independent horror film directed by Dennis Muren and Jack Woods, and starring Edward Connell, Barbara Hewitt, Frank Bonner and award-winning science fiction/horror writer Fritz Leiber. The plot focuses on four teenagers having a picnic in the canyons of California who stumble upon an ancient book containing secrets of a strange world that exists alongside humans, and consequently unleash a plethora of evil creatures and monsters.
Equinox (1970) GP | 1h 20min | Horror, Adventure, Mystery | October 1970 (USA) Plot: Four friends are attacked by a demon while on a picnic, due to possession of a tome of mystic information. Told in flashbacks by the sole survivor. Directors: Jack Woods, Mark Thomas McGee (uncredited), Dennis Muren (uncredited) Writers: Mark Thomas McGee (story), Jack Woods Stars: Edward Connell, Barbara Hewitt, Frank Bonner
Film de Dennis Muren et Jack woods Genre : Fantastique Durée: 1 h 20 min Avec Frank Bonner, Edward Connell et Barbara Hewitt Une bande d'étudiants se rend dans la forêt pour aller au chalet d'un de leurs professeurs. Arrivés sur les lieux, ils découvrent que le chalet a été complètement détruit et que leur professeur a disparu. Non loin de là, un vieillard hystérique les interpelle. Il leur donne un livre, le Necronomicon, qui est la cause de la disparition du professeur. Les jeunes étudiants tentent de trouver des réponses dans le livre, mais la lecture de celui-ci entraîne l'ouverture d'une dimension parallèle qui laisse s'échapper plusieurs créatures maléfiques. Les étudiants devront trouver un moyen de combattre les créatures pour ne pas en être victime
This is the definitive documentary about Ray Harryhausen. Aside from interviews with the great man himself, shot over five years, there are also interviews and tributes from Vanessa Harryhausen, Tony Dalton, Randy Cook, Peter Jackson, Nick Park, Phil Tippet, Peter Lord, Terry Gilliam, Dennis Muren, Rick Baker, John Landis,...
THE FORCE AWAKENS Instagram teaser. ROGUE ONE. Colin Trevorrow. D23. Disney parks. This months bumper episode looks at all that and more as well as looking ahead to Force Friday, New York Comic Con and Rancho Obi-Wan's Galaween. We're joined by Shane Turgeon, hear the first part of Mark's vintage chat with Dennis Muren, talk to Mark Mulcaster of the Rebel Legion and rock out to Darth Elvis on episode 31 of RADIO 1138.
This is the definitive documentary about Ray Harryhausen. Aside from interviews with the great man himself, shot over five years, there are also interviews and tributes from Vanessa Harryhausen, Tony Dalton, Randy Cook, Peter Jackson, Nick Park, Phil Tippet, Peter Lord, Terry Gilliam, Dennis Muren, Rick Baker, John Landis,....