- published: 18 Sep 2012
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A sign is understood as a discrete unit of meaning in semiotics. It is defined as "something that stands for something, to someone in some capacity" It includes words, images, gestures, scents, tastes, textures, sounds – essentially all of the ways in which information can be communicated as a message by any sentient, reasoning mind to another.
The nature of signs has long been discussed in philosophy. Initially, within linguistics and later semiotics, there were two general schools of thought: those who proposed that signs are ‘dyadic’ (i.e. having two parts), and those who proposed that signs are interpreted in a recursive pattern of triadic (i.e. three-part) relationships.
According to Saussure (1857–1913), a sign is composed of the signifier (signifiant), and the signified (signifié). These cannot be conceptualized as separate entities but rather as a mapping from significant differences in sound to potential (correct) differential denotation. The Saussurean sign exists only at the level of the synchronic system, in which signs are defined by their relative and hierarchical privileges of co-occurrence. It is thus a common misreading of Saussure to take signifiers to be anything one could speak, and signifieds as things in the world. In fact, the relationship of language to parole (or speech-in-context) is and always has been a theoretical problem for linguistics (cf. Roman Jakobson's famous essay "Closing Statement: Linguistics and Poetics" et al.).
A sign is a representation of an object that implies a connection between itself and its object. A natural sign bears a causal relation to its object—for instance, thunder is a sign of storm. A conventional sign signifies by agreement, as a full stop signifies the end of a sentence. (This is in contrast to a symbol which stands for another thing, as a flag may be a symbol of a nation).
The way a sign signifies is called semiosis which is a topic of semiotics and philosophy of language.
How a sign is perceived depends upon what is intended or expressed in the semiotic relationship of:
Thus, for example, people may speak of the significance of events, the signification of characters, the meaning of sentences, or the import of a communication. Different ways of relating signs to their objects are called modes of signification.
Uses of conventional signs are varied. Usually the goal is to elicit a response or simply inform. That can be achieved by marking something, displaying a message (i.e. a notice), drawing attention or presenting evidence of an underlying cause (for instance, medical symptoms signify a disease), performing a bodily gesture, etc.