“In order to grasp and analyse rhythms, it is necessary to get outside them, but not completely… A certain exteriority enables the analytic intellect to function… In order to grasp this fleeting object, which is not exactly an object, it is therefore necessary to situate oneself simultaneously inside and outside. A balcony does the job admirably.” Lefebvre, Rhythmanalysis In the absence of a balcony, I attempted to grasp the rhythms of Népszínház utca from the window of my flat. The notorious street – literally translated as People’s Theatre Street – cuts through the middle of Józsefváros, a district of Budapest with a notorious reputation amongst those who live outside it; a notorious street in a notorious district. As A., a young woman from Buda puts it “when I see the sign ‘Népszínház’ at the end of the street I get a tight feeling inside like something bad will happen.” Of course, she admits, nothing ever has. But the feeling persists amongst many that the district has a problem that needs to be remedied. The remedy comes in the shape of gentrification, a process mediated by the state at various scales. A short walk through the district will allow a better understanding of why the district has a bad reputation and also outline some of the most important processes currently underway in Józsefváros. After providing this brief contextual background to the film, I will explain very briefly my understanding of gentrification and how the state is involved in the process as well as why the analysis of rhythms is useful in gaining an insight into it. Finally, I will provide some notes on what anthropological knowledge I attempted to produce in making Are You Ready to Move? Józsefváros. Leaving the flat and walking though the bustling Népszinház utca, with its cast of drunken men and array of mobile phone shops staffed almost exclusively with migrants from the Middle East, you start to understand why the district has a shifty reputation amongst those who live outside it. Moving down and through the street, the Magdolna Quarter creates an even starker picture, labelled a “ghetto” by the local government it boasts ‘notorious’ squares where, depending upon with whom you talk, you will be told that this where a) terrible crimes happen or b) where all the best Roma musicians learnt how to play. As with all reputations you cannot expect too much to be true and should not be upset if you leave without being mugged or hearing gypsy music, although you might meet a social worker from Rev8, the government owned company responsible for the regeneration of the quarter, as they goes about their task of social urban regeneration. The great cranes from the nearby building site nearby can be seen from here too, swinging above the district in time to a different beat, crisscrossing each other in the sky. They loom above one future of the district, the Corvin Promenade Project, involving renovation, demolition and the rebuilding of 22 hectares of land for multipurpose use including living, working, shopping. But before visiting what will become the ‘new downtown’ you could witness the old, walking briskly in the direction of the Danube, crossing the Big Ring Road and into the inner part of the district, where renovation has long been on the cards. Here you can observe beautiful Eclectic-Secessionist buildings from the nineteenth century periodically greeting you before you arrive at the National Museum and the edge of the VIII. Walking past drunks, through ghettos and building sites is, of course, not everyone’s cup of tea so, if you can wait until 2011/12/13 (deepening upon how optimistic the forecaster is) you can ride the brand new Metro 4 line which not only saves the time and effort of walking but also gives “the internal part of Józsefváros… an unprecedented chance of integration” (metro4.hu). These different and concerted attempts at remoulding the district constitute part of the ongoing gentrification of Józsefváros. Gentrification. What gentrification is and is not, is a complex debate so I will start from the position that gentrification is the class-based colonisation of a poorer neighbourhood and reinvestment in (including demolition and complete rebuilding of) housing stock. Gentrification is driven by the movement of capital into areas that were previously sites of disinvestment, with gentrification most likely to happen in areas where there is the biggest difference between current ground rent and potential future ground rent (Smith 1979, 1996). Historically, in western Europe and America the reinvestment has been concentrated in the old downtown areas. In Hungary the process followed strikingly similar patterns, though for very different reasons with the initial lull in residential construction in the ‘Stalinist’ period from 1948 to the early sixties, being followed by a boom in suburban construction in the 60’s and 70’s and a renewe

• published: 22 Oct 2010
• views: 1586

FUTURES RELEASES JORDY SMITH SIGNATURE FIN Futures is proud to announce the release of the new Jordy Smith Signature Fin. The release marks the first of a series of Futures fins to be designed by Jordy, geared towards high performance surfing in all conditions. Performance is innate in Jordy. He grew up in his dad’s surfboard factory, taking on knowledge about surfboard design when he was only just learning to ride one. “I used to lay up the fins in the shop. I’ve worked on thousands of boards, and have had a lot of experience with fin placement, tow angles, cants and templates,” Jordy said during a recent interview with Futures. “When I signed with Futures, they came on board and said we’re going to make you your own fin, and I was super excited.” This fin represents Jordy's in-depth knowledge of his equipment and his ability to translate a feeling in the water into a fin description for the engineers to work from. The large area suits Jordy's big frame perfectly. Featuring a wider base and thinner tip, the template has laid back lines, accentuating Jordy's effortless approach to a tee. “I was surfing New Pier, my homebreak, and the board just felt so under my feet. It felt super alive. I was pushing as hard as I could and at the same time when I wanted to release, I could. It was mid-way through this year that I really found the fin, and I was just like this is really what I want for my surfing.” The Jordy Smith Signature Fin is available in stores now, in the Large size. Coming Spring 2013 the Small and Medium size Jordy fins will be available, so surfers of all size can benefit from Jordy’s designs. www.futuresfins.com

• published: 02 Oct 2012
• views: 30775