Getting lost

Getting lost is the occurrence of a person or animal losing spatial reference. This situation consists of two elements: the feeling of disorientation and a spatial component. Getting lost is a popular expression to explain that someone is in a desperate situation.

Process

Psychology and neuroscience help to understand the underlying processes which take place before, during and after getting lost. Getting lost is an aspect of behavioral geography, in which human wayfinding and cognitive and environmental factors play a role. For successful travel, it is necessary to be able to identify origin and destination, to determine turn angles, to identify segment lengths and directions of movement, to recognize on route and distant landmarks. This information is required to plot a course designed to reach a destination (previously known or unknown) or to return to a home base after wandering. If a destination is known but is not directly connected by a path, road, or track to the origin, successful travel may involve search and exploration, spatial updating of one's location, finding familiar landmarks, recognition of segment length and sequencing, identification of a frame of reference. Human movement is often guided by external aids (cartographic maps, charts, compasses, pedometers, and the like).

Get Lost!

Get Lost! is a British television drama serial made by Yorkshire Television in 1981 for the ITV network. Written by Alan Plater, the plot concerns the disappearance of the husband of Leeds schoolteacher Judy Threadgold (Bridget Turner). Investigating the disappearance, with the aid of her colleague, woodwork teacher Neville Keaton (Alun Armstrong), Judy learns of the existence of a secret organisation that helps disaffected people leave their unhappy lives behind.

Alan Plater's The Beiderbecke Affair (1985) started out as a sequel to Get Lost! but was rewritten with new characters when Alun Armstrong proved unavailable to reprise the role of Neville Keaton.

Plot summary

The plot of Get Lost! concerns the disappearance of Jim Threadgold (Brian Southwood), husband of English teacher Judy Threadgold (Turner). Aided by her colleague, woodwork teacher Neville Keaton (Armstrong), Judy sets out to find out what has happened to her husband. Judy and Neville soon discover the existence of a secret organisation dedicated to assisting people who want to escape the mundanity of their lives and families and just disappear. Although Judy eventually finds her missing husband, she is none too enthusiastic about taking him back and allows him to seek a new life running a fish and chip shop. Her adversarial relationship with Neville blossoms into a love affair.

Get Lost

To get lost is to become disoriented and cease to know one's location. Get Lost may also refer to:

UND

UND or Und may refer to:

Howard Barker

Howard E. Barker (born 28 June 1946) is a British playwright.

The Theatre of Catastrophe

Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.

Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.

Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."

Themes

Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.