- published: 10 Oct 2006
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Zardoz is a 1974 science fiction movie written, produced, and directed by John Boorman. It stars Sean Connery, Charlotte Rampling, and Sara Kestelman. Zardoz was Connery's second post-James Bond role (after The Offence). The film was shot by cinematographer Geoffrey Unsworth on a budget of US$1.57 million.
In a future post-apocalypse Earth in the year 2293, the human population is divided into the immortal "Eternals" and mortal "Brutals". The Brutals live in a wasteland, growing food for the Eternals, who live apart in "the Vortex", leading a luxurious but aimless existence on the grounds of a country estate. The connection between the two groups is through Brutal Exterminators, who kill and terrorize other "Brutals" at the orders of a huge flying stone head called Zardoz, which supplies them with weapons in exchange for the food they collect. Zed (Connery), a Brutal Exterminator, hides aboard Zardoz during one trip, temporarily "killing" its Eternal operator-creator Arthur Frayn (Niall Buggy).
John Boorman (/ˈbʊərmən/; born 18 January 1933) is an English film-maker who is best known for his feature films such as Point Blank, Hell in the Pacific, Deliverance, Zardoz, Excalibur, The Emerald Forest, Hope and Glory, The General, The Tailor of Panama, and Queen and Country. He has directed a total of 22 films and has received five Academy Award nominations.
Boorman was born in Shepperton, Middlesex, England, the son of Ivy (née Chapman) and George Boorman. He was educated at the Salesian School in Chertsey, Surrey, even though his family was not Roman Catholic.
Boorman first began by working as a drycleaner and journalist in the late 1950s. He ran the newsrooms at Southern Television in Southampton and Dover before moving into TV documentary filmmaking, eventually becoming the head of the BBC's Bristol-based Documentary Unit in 1962.
Capturing the interest of producer David Deutsch, he was offered the chance to direct a film aimed at repeating the success of A Hard Day's Night (directed by Richard Lester in 1964): Catch Us If You Can (1965) is about competing pop group Dave Clark Five. While not as successful commercially as Lester's film, it drew good reviews from distinguished critics such as Pauline Kael and Dilys Powell and smoothed Boorman's way into the film industry. Boorman was drawn to Hollywood for the opportunity to make larger-scale cinema and in Point Blank (1967), a powerful interpretation of a Richard Stark novel, brought a stranger's vision to the decaying fortress of Alcatraz and the proto-hippy world of San Francisco. Lee Marvin gave the then-unknown director his full support, telling MGM he deferred all his approvals on the project to Boorman.
Actors: Patrick O'Sullivan (director), Patrick O'Sullivan (writer), Patrick O'Sullivan (writer), Mike Vanderbilt (writer), Mike Vanderbilt (actor), Mike Vanderbilt (editor), Ana Hlavatovich (actor), Leo Trejo (actor), Justina Pauplyte (producer), Justina Pauplyte (actor), Caitlyn Walsh (actress), Shauna Glover (miscellaneous crew), Teri Xex (actor), Ryan Barret (actor), Kristin Vanderbilt (miscellaneous crew),
Genres: Sci-Fi, Short,Actors: John Boorman (director), John Boorman (actor), John Boorman (actor), John Boorman (producer), Sean Connery (actor), John Boorman (writer), Charlotte Rampling (actress), Bosco Hogan (actor), Niall Buggy (actor), Niall Buggy (actor), John Alderton (actor), Katrine Boorman (actress), Jean Skinner (miscellaneous crew), Christopher Casson (actor), Sara Kestelman (actress),
Plot: In the distant future Earth is divided into two camps, the barely civilized group and the overly civilized one with mental powers. A plague is attacking the second group, after which its members cease to have any interest in life and become nearly catatonic. When Zed, one of the barbarians, crosses over, the tenuous balance in their world is threatened.
Keywords: 2200s, 23rd-century, abandoned-library, action-hero, aging, ambiguous-title, androgyny, apathy, art-gallery, artificial-intelligenceTrailer for Zardoz directed by John Boorman starring Sean Connery.
In the distant future Earth is divided into two camps, the barely civilized group and the overly civilized one with mental powers. One day a barbarian, Zed, stows away in the giant head that supplies the barbarians with munitions and food and that his people worship. When the head returns to its station in a lush city, the barbarian finds himself surrounded by the telekinetic ruling class of "Homo Eternals". Zed finds out that the Eternals control the head and are using it to rule over the barbarian people. A plague is attacking the Eternals which causes the victims to have a lack of interest in life and become nearly catatonic. After being captured by the Eternals using there telekinetic powers, the group decides to study Zed. Zed's capture causes a great upheaval as the Eternal's l...
In the distant future, a savage trained only to kill finds a way into the community of bored immortals that alone preserves humanity's achievements.
I have seen the future and it doesn't work.
Dans l'univers des films improbables qui transforment le cerveau du spectateur non-averti en pancake fumant, Zardoz de John Boorman a l'air de se poser là. Et pour ce 17ème épisode, le Fossoyeur replonge dans cette œuvre atypique pour tirer une question au clair : Zardoz est-il aussi nanardesque que sa réputation le laisse penser ? Pas sûr... N'hésitez pas à vous abonner à la chaîne et à rejoindre la communauté ! https://www.facebook.com/LeFossoyeurDeFilms https://twitter.com/FrancoisTheurel
Legendary film director John Boorman sat down for a DP/30 with David Poland recently and the restoration of one of his commercial flops, Zardoz, came up... Shot in Los Angeles, February 2015 Subscribe to DP/30 for more interviews: http://bit.ly/17Xg4Y1
(brooker / reid)
Outside the gates of cerdes sits the two-pronged unicorn
Who plays at relaxation time a rhinestone flugelhorn
Whilst mermaids lace carnations into wreaths for ailing whales
And neptune dances hornpipes while salome sheds her veils
Phallus phil tries peddling his pewter painted pot
But sousa sam can only hear the screams of peep the sot
Who only sips his creme de menthe from terra cotta cups
And exhales menthol scented breath whilst spewing verbiage up
Down technical blind alleys live the wraiths of former dreams
And greeps who often crossed them are no longer what they seem
And even christian scientists can but display marble plaques
Which only retell legends whilst my eyes reach out for facts