Ethan Caflisch at A.Muse Gallery San Francisco
http://www.artsfblog.com
http://www.ethancaflisch.com
Photos by Evan Collisson.
With 23 | 85, a.
Muse Gallery introduces a rather shocking concept: the mixing of age and experience in this current culture of age segregation and an ever widening generation gap.
Twenty-three year old painter/sculptor
Ethan Caflisch and eighty-five year old veteran artist Jim Melchert join artistic forces in this upcoming exhibit in
San Francisco’s Mission District.
Jim Melchert’s primary medium for the past three decades has been ceramic tiles—tiles that have been purposely broken to reveal their interior structure. Through drawing on them with lines that follow or run counter to the shape on the crack, glazing and re-firing the pieces, the artist develops themes and textures that move beyond the happenstance of broken ceramics.
Writing about Melchert’s tile art, local curator
Hanna Regev has said, “In experimenting with broken tiles, Melchert is in pursuit of “truth to materials,” the uncovering of the intrinsic composition of the fractured clay slabs, and the beauty that lies in broken and ragged edges.”
Melchert, born in
Ohio in
1930, studied art history at
Princeton University, painting at the
University of Chicago, and ceramics with
Peter Voulkos at the
University of California, Berkeley. His work has been shown at the
Whitney, the
Museum of Contemporary Art in
Chicago, the
Tate Liverpool, and the the
Museum of Modern Art in
Tokyo and been acquired by
SFMOMA,
LACMA,
The Museum of
Art and Design in
New York, the Museum of Contemporary Art in
Kyoto, the
Stedelijk in
Amsterdam, and the
V&A; in
London. Melchert is represented by Anglim
Gilbert Gallery (
San Francisco) and
Paul Kotula
Projects (
Detroit).
Discussing the new work he is preparing for 23 | 85, Melchert says, “I didn't realize how much I still had to learn about it,” referring to his current process with the materials. “
It's taken me so long, but the excitement of learning something, even a discovery that no one else would think twice about, affects how welcome every hour of the day is,” he added.
Caflisch feels that the “timelessness” of the two artists’ concepts and processes seem to bridge the age gap. “All of our works were made this year and are relevant,” he notes. “They would have been relevant 50 years ago and will be relevant 50 years from now.”
The younger artist’s work has been described by artist
Sydney Cohen as warm minimalism, who says of Caflisch’s art, “There is both celebration and critique of minimalism as well– the artist has taken so much They reference the give and take present in making art and building things, as well as in leaving things to be as they are.” Cohen refers to the artist’s “absolute focus on materiality, proportion and balance, and with the ways that humans make things.”
Born in
Wisconsin in
1993, Caflisch has been working with ceramics since the age of 11. He’s lived abroad in
Germany, and studied drawing and painting at
College of
Visual Art in
Minneapolis. He recently graduated with honors from the
California College of the Arts. Caflisch has shown at numerous institutions including
Southern Exposure, the
Compound Gallery, the
V.C. Morris Gift Shop, the
Cumhuriyet Museum -
Istanbul, and the Louie-Meager
Art Gallery and is represented by
Art SF Blog (San Francisco and
Montreal).