- published: 20 Apr 2016
- views: 8575
Create your page here
-
remove the playlistSound On Film
-
remove the playlistLatest Videos
-
remove the playlistLongest Videos
- remove the playlistSound On Film
- remove the playlistLatest Videos
- remove the playlistLongest Videos
back to playlist
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Explains the mysteries of sound recording on film."
Reupload of a previously uploaded film with improved video & sound.
Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Sound-on-film
Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood.
Analog sound-on-film recording
The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD.
Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range.
Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes.
Sound-on-film formats
Almost all modern motion picture sound formats are sound-on-film formats, including:
Optical analog formats
Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.)
RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix.
Encoding matrices
- Dolby Stereo
- Dolby SR
- Ultra Stereo
Optical digital formats
- Dolby Digital
- Sony Dynamic Digital Sound
Obsolete formats
- Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940)
- Phonofilm, patented by Lee De Forest in 1919, defunct by 1929
- Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
- published: 12 Jan 2017
- views: 3484435
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
- published: 21 Jan 2014
- views: 32154
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
- published: 11 Aug 2014
- views: 115817
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
- published: 14 Jan 2013
- views: 2635
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filming - David Williamson
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (http://www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald (http://twitter.com/oliheald)
Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/)
Pete - Sam Glen (http://twitter.com/samglen)
Dealer - Lewis Brown
Customer 1 - Naithan Ariane (http://twitter.com/naithanariane)
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj )
1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho
- published: 23 Feb 2016
- views: 61345
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits
The 5 Five Steps of Audio Post Production:
2:20 Sound Editing
3:05 Spotting Session
3:37 Dialog Editing
7:03 Sound Design
11:08 Sound Mixing
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
-----------------
Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.
Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.
Contact Ugo at http://ugosound.com/
--------------------
All Rights Reserved
© Copyright 2017 This Guy Edits™
Music By:
Andrew Applepie
http://www.andrewapplepie.com
- published: 18 May 2017
- views: 26856
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
- published: 17 Dec 2014
- views: 41169
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a Distinction for this assignment.
- published: 15 Dec 2012
- views: 34847
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Simon Cade
Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 07 Sep 2015
- views: 64418
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 01 May 2016
- views: 85041
A bit about my history and approach to sound and the gear I use.
- published: 26 Oct 2014
- views: 190115
Sound
In physics, sound is a vibration that propagates as a typically audible mechanical wave of pressure and displacement, through a medium such as air or water. In physiology and psychology, sound is the reception of such waves and their perception by the brain.
Acoustics
Acoustics is the interdisciplinary science that deals with the study of mechanical waves in gases, liquids, and solids including vibration, sound, ultrasound, and infrasound. A scientist who works in the field of acoustics is an acoustician, while someone working in the field of acoustical engineering may be called an acoustical engineer. An audio engineer, on the other hand is concerned with the recording, manipulation, mixing, and reproduction of sound.
Applications of acoustics are found in almost all aspects of modern society, subdisciplines include aeroacoustics, audio signal processing, architectural acoustics, bioacoustics, electro-acoustics, environmental noise, musical acoustics, noise control, psychoacoustics, speech, ultrasound, underwater acoustics, and vibration.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Sound
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Film
A film, also called a movie, motion picture or photoplay, is a series of still images which, when shown on a screen, creates the illusion of moving images due to the phi phenomenon. This optical illusion causes the audience to perceive continuous motion between separate objects viewed rapidly in succession. A film is created by photographing actual scenes with a motion picture camera; by photographing drawings or miniature models using traditional animation techniques; by means of CGI and computer animation; or by a combination of some or all of these techniques and other visual effects. The word "cinema", short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations.
The process of filmmaking is both an art and an industry.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Film
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Location Songs
Location Songs was a music publisher in Stockholm, Sweden. It was a follow-on to Cheiron Studios, which despite its success, was closed down in 2000. Following this, Max Martin and Tom Talomaa started a new production company together named Maratone in January 2001. David Kreuger and Per Magnusson started A Side Productions and Kristian Lundin started a third studio, The Location, together with Jake Schulze at the same location as Cheiron Studios.
The studio closed down in 2006 and it was leased by Roxy Recordings in 2007.
Producers and songwriters
External links
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Location_Songs
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
10:39"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64 more at http://showbiz.quickfound.net/ "Explains the mysteries of sound recording on film." Reupload of a previously uploaded film with improved video & sound. Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied. The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original). http://creativecommons.org/licenses/by-sa/3.0/ http://en.wikipedia.org/wiki/Sound-on-film Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record. Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood. Analog sound-on-film recording The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD. Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range. Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes. Sound-on-film formats Almost all modern motion picture sound formats are sound-on-film formats, including: Optical analog formats Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.) RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix. Encoding matrices - Dolby Stereo - Dolby SR - Ultra Stereo Optical digital formats - Dolby Digital - Sony Dynamic Digital Sound Obsolete formats - Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940) - Phonofilm, patented by Lee De Forest in 1919, defunct by 1929 - Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992 -
6:33The Magic of Making Sound | That's Amazing
The Magic of Making Sound | That's AmazingThe Magic of Making Sound | That's Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time. Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel. SUBSCRIBE: https://goo.gl/vR6Acb Follow us behind the scenes on Instagram: http://goo.gl/2KABeX Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ Give us a shout on Twitter: http://goo.gl/sY1GLY Come hang with us on Vimeo: http://goo.gl/T0OzjV Visit our world directly: http://www.greatbigstory.com This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished. Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in. -
7:49Sound Film History
Sound Film HistorySound Film History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case. -
33:20The History of Sound at the Movies
The History of Sound at the MoviesThe History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/ The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies. If you have any further questions be sure to check out our questions page on Filmmaker IQ: https://filmmakeriq.com/balcony_categories/questions/ -
4:36Pallophotophone, Sound on Film
Pallophotophone, Sound on FilmPallophotophone, Sound on Film
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film. -
5:08Recording Sound for Filmmaking
Recording Sound for FilmmakingRecording Sound for Filmmaking
How to get better production audio on set. Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl BTS Filming - David Williamson Host and Creator - Simon Cade Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com TWO WRONGS: Directed by - Simon Cade Produced by - Carl Mason (http://www.clfilms.co.uk) Written by - Johann Farhan Mark - Oliver Heald (http://twitter.com/oliheald) Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/) Pete - Sam Glen (http://twitter.com/samglen) Dealer - Lewis Brown Customer 1 - Naithan Ariane (http://twitter.com/naithanariane) Customer 2 - Ryan Clayton Connor's Mate 1 - Luke Orechoff Connor's Mate 2 - Lukas Becker Connor's Mate 3 - Paul Keighron Pete's Mate - Ross Doran Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj ) 1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...) Casting Director - Rebecca Jenner Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk) Boom Operator - Danny Feng Costume Designer - Emily Cooper Production Assistant - Anton Arenko Behind the Scenes - David Williamson Editor - Simon Cade Asst. Dialogue Editor - Samuel Jacintho -
15:25Film Sound - The Art of Audio Editing, Design & Mixing
Film Sound - The Art of Audio Editing, Design & MixingFilm Sound - The Art of Audio Editing, Design & Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing. Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits The 5 Five Steps of Audio Post Production: 2:20 Sound Editing 3:05 Spotting Session 3:37 Dialog Editing 7:03 Sound Design 11:08 Sound Mixing THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco. TGE is about how to tell stories creatively. Weekly video uploads can be found on THIS GUY EDITS: videos: https://www.youtube.com/user/svenpape ----------------- Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002. Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch. Contact Ugo at http://ugosound.com/ -------------------- All Rights Reserved © Copyright 2017 This Guy Edits™ Music By: Andrew Applepie http://www.andrewapplepie.com -
2:56DIAGETIC AND NON-DIAGETIC SOUND
DIAGETIC AND NON-DIAGETIC SOUNDDIAGETIC AND NON-DIAGETIC SOUND
Demonstrations for Film Studies I do not own any of the clips used here. Used only for instructional purposes. -
18:38Why sound is important for film
Why sound is important for filmWhy sound is important for film
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining. I got a Distinction for this assignment. -
6:00How to Fix the Sound in Your Films
How to Fix the Sound in Your FilmsHow to Fix the Sound in Your Films
After the shoot, what can we do to improve our post-production sound? BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films Host and Creator - Simon Cade Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com -
6:21Using Sound in Filmmaking
Using Sound in FilmmakingUsing Sound in Filmmaking
The three stages I go through for post production audio. Host and Creator - Simon Cade Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com -
7:23The Importance of Sound
The Importance of SoundThe Importance of Sound
A bit about my history and approach to sound and the gear I use. -
8:28Film Sound Techniques and Theory
Film Sound Techniques and Theory -
11:06Sound on film - demonstration vid of old sound for film
Sound on film - demonstration vid of old sound for filmSound on film - demonstration vid of old sound for film
Instruction - demonstration of the techniques of sound for film. T shirts & Bags - Film - Audio - Music www.cktees.com Other ads and info at www.lfrecordings.com -
5:36Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
Film Craft 107: The Location Sound Mixer - 8. Operating a Boom MicFilm Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
Additional videos for this title: http://j.mp/1ru04C8 Film Craft 107: The Location Sound Mixer by Michael Wohl Video 8 of 20 for Film Craft 107: The Location Sound Mixer Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right! In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Michael shows you, with tons of visual examples, everything you need to know! You learn all about mic placement, camera audio settings and all the different types of mics that youll need to capture audio in all kinds of on-set or location recording situations. Next, you learn the ins and outs of the art of field recording. Michael shows you how to operate a boom and a wireless system. You see basic boom techniques and also how to stealthily wire the talent to capture the best audio possible. Now imagine having to run multiple mics with multiple recording systems! It can get really complicated! Whether youre the director or the audio recordist, this course is required viewing if youre looking to understand the complexities of audio on the set! By the time you finish this course, you will have a deep education in location sound techniques that you can rely on to get you through any shoot! More info on this title: http://j.mp/1ru04C8 -
2:38Earliest surviving film and sound recording 1888
Earliest surviving film and sound recording 1888Earliest surviving film and sound recording 1888
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c -
14:08Sound Design Tutorial For Film: Audio & Pre-Production
Sound Design Tutorial For Film: Audio & Pre-ProductionSound Design Tutorial For Film: Audio & Pre-Production
Learn more: http://www.lightsfilmschool.com/sound-design-course/ In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more. -
9:38Sound tips to improve your films + PluralEyes 3
Sound tips to improve your films + PluralEyes 3Sound tips to improve your films + PluralEyes 3
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot! The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money. Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to create the feeling you want the audience to experience. Feel free to share the video and to subrscribe for more videos Facebook: Facebook.com/andyaxproductions Homepage: www.axp.no Music by Thomas Leypoldt Drawings by Long Ngoc Nguyen Thanks to Eskild E. Fors (youtube.com/exkild) Thanks for watching :) -
5:42Joseph Tykociner: Demonstration of Sound on Film
Joseph Tykociner: Demonstration of Sound on FilmJoseph Tykociner: Demonstration of Sound on Film
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video. Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois. Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin. Film also depicts physical appearance of captured sounds on audio track. This version of the film was produced from a 16mm positive film 200 feet in length. It was produced from a 16mm negative held by the MPAA, which was duplicated from the original film produced between 1921 and 1922. The sound track of the original will not play in a modern projector. • Original film produced by Joseph T. Tykociner 1921 or 1922; • MPAA produces 16mm copy,1954; • MPAA negative duplicated by Arthur Wildhagen; • Wildhagen donates film to University of Illinois, 10 Dec 1970; • Wildhagen film archived to Betamax magnetic tape; • Betamax archive digitised 6 March 2012; • Uploaded to YouTube 6 March 2013 Please direct all queries to the contact address available at http://archives.library.illinois.edu/e-records/av/?destinationID=jMtFE0wHyUaAdrFh5Yj8RQ&contentID;=uq65iy7h4UG9hsf_lPS75w Copyright is owned by the University of Illinois. You may use this online copy for personal- or non-profit purposes. -
6:30Sound Gun Series Ep #1: PRODUCTION SOUND
Sound Gun Series Ep #1: PRODUCTION SOUNDSound Gun Series Ep #1: PRODUCTION SOUND
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important. Watch the Sound Gun Original Short here: https://www.youtube.com/watch?v=nzcm-qDTBGc Have questions about production sound? Ask us in the forums! https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461 Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com Check out the Røde smartLav+ Mics here: http://www.rode.com/microphones/smartlav-plus Thanks for watching! More videos at school.rocketjump.com! You can also follow us on Facebook & Twitter: http://www.facebook.com/RJFilmSchool https://twitter.com/rjfilmschool
-
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64 more at http://showbiz.quickfound.net/ "Explains the mysteries of sound recording on film." Reupload of a previously uploaded film with improved video & sound. Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied. The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original). http://creativecommons.org/licenses/by-sa/3.0/ http://en.wikipedia.org/wiki/Sound-on-film ...
published: 20 Apr 2016 -
The Magic of Making Sound | That's Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time. Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel. SUBSCRIBE: https://goo.gl/vR6Acb Follow us behind the scenes on Instagram: http://goo.gl/2KABeX Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ Give us a shout on Twitter: http://goo.gl/sY1GLY Come hang with us on Vimeo: http://goo.gl/...
published: 12 Jan 2017 -
Sound Film History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
published: 21 Jan 2014 -
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/ The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies. If you have any further questions be sure to check out our questions page on Filmmaker IQ: https://filmmakeriq.com/balcony_categories/questions/
published: 11 Aug 2014 -
Pallophotophone, Sound on Film
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
published: 14 Jan 2013 -
Recording Sound for Filmmaking
How to get better production audio on set. Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl BTS Filming - David Williamson Host and Creator - Simon Cade Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com TWO WRONGS: Directed by - Simon Cade Produced by - Carl Mason (http://www.clfilms.co.uk) Written by - Johann Farhan Mark - Oliver Heald (http://twitter.com/oliheald) Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/) Pete - Sam Glen (http://twitter.com/samglen) Dealer - Lewis Brown Customer...
published: 23 Feb 2016 -
Film Sound - The Art of Audio Editing, Design & Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing. Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits The 5 Five Steps of Audio Post Production: 2:20 Sound Editing 3:05 Spotting Session 3:37 Dialog Editing 7:03 Sound Design 11:08 Sound Mixing THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco. TGE is about how to tell stories creatively. Weekly video uploads can be found on THIS GUY EDITS: videos: https://www.youtube.com/user/svenpape ----------------- Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Ove...
published: 18 May 2017 -
DIAGETIC AND NON-DIAGETIC SOUND
Demonstrations for Film Studies I do not own any of the clips used here. Used only for instructional purposes.
published: 17 Dec 2014 -
Why sound is important for film
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining. I got a Distinction for this assignment.
published: 15 Dec 2012 -
How to Fix the Sound in Your Films
After the shoot, what can we do to improve our post-production sound? BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films Host and Creator - Simon Cade Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
published: 07 Sep 2015 -
Using Sound in Filmmaking
The three stages I go through for post production audio. Host and Creator - Simon Cade Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
published: 01 May 2016 -
The Importance of Sound
A bit about my history and approach to sound and the gear I use.
published: 26 Oct 2014 -
-
Sound on film - demonstration vid of old sound for film
Instruction - demonstration of the techniques of sound for film. T shirts & Bags - Film - Audio - Music www.cktees.com Other ads and info at www.lfrecordings.com
published: 05 Feb 2013 -
Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
Additional videos for this title: http://j.mp/1ru04C8 Film Craft 107: The Location Sound Mixer by Michael Wohl Video 8 of 20 for Film Craft 107: The Location Sound Mixer Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right! In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Mich...
published: 15 Oct 2014 -
Earliest surviving film and sound recording 1888
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are ...
published: 18 Mar 2011 -
Sound Design Tutorial For Film: Audio & Pre-Production
Learn more: http://www.lightsfilmschool.com/sound-design-course/ In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
published: 31 Jul 2013 -
Sound tips to improve your films + PluralEyes 3
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot! The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money. Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to cr...
published: 19 Dec 2013 -
Joseph Tykociner: Demonstration of Sound on Film
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video. Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois. Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin. Film also depicts physical appearance of captured sounds on audio track. This version of the film was produced from a 16mm positive fil...
published: 06 Mar 2013 -
Sound Gun Series Ep #1: PRODUCTION SOUND
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important. Watch the Sound Gun Original Short here: https://www.youtube.com/watch?v=nzcm-qDTBGc Have questions about production sound? Ask us in the forums! https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461 Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com Check out the Røde smartLav+ Mics here: http://www.rode.com/microphones/smartlav-plus Thanks for watching! More videos at school.rocketjump.com! You can also follow us on Facebook & Twitter: http://www.facebook.com/RJFilmSchool https://twitter.com/rjfilmschool
published: 02 Jun 2015
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
- Order: Reorder
- Duration: 10:39
- Updated: 20 Apr 2016
- views: 8575
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Ex...
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Explains the mysteries of sound recording on film."
Reupload of a previously uploaded film with improved video & sound.
Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Sound-on-film
Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood.
Analog sound-on-film recording
The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD.
Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range.
Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes.
Sound-on-film formats
Almost all modern motion picture sound formats are sound-on-film formats, including:
Optical analog formats
Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.)
RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix.
Encoding matrices
- Dolby Stereo
- Dolby SR
- Ultra Stereo
Optical digital formats
- Dolby Digital
- Sony Dynamic Digital Sound
Obsolete formats
- Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940)
- Phonofilm, patented by Lee De Forest in 1919, defunct by 1929
- Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992
https://wn.com/Sound_On_Film_1943_Eb_Films_Erpi_Optical_Soundtrack_Recording_Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Explains the mysteries of sound recording on film."
Reupload of a previously uploaded film with improved video & sound.
Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Sound-on-film
Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood.
Analog sound-on-film recording
The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD.
Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range.
Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes.
Sound-on-film formats
Almost all modern motion picture sound formats are sound-on-film formats, including:
Optical analog formats
Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.)
RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix.
Encoding matrices
- Dolby Stereo
- Dolby SR
- Ultra Stereo
Optical digital formats
- Dolby Digital
- Sony Dynamic Digital Sound
Obsolete formats
- Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940)
- Phonofilm, patented by Lee De Forest in 1919, defunct by 1929
- Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992
- published: 20 Apr 2016
- views: 8575
The Magic of Making Sound | That's Amazing
- Order: Reorder
- Duration: 6:33
- Updated: 12 Jan 2017
- views: 3484435
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the wo...
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
https://wn.com/The_Magic_Of_Making_Sound_|_That's_Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
- published: 12 Jan 2017
- views: 3484435
Sound Film History
- Order: Reorder
- Duration: 7:49
- Updated: 21 Jan 2014
- views: 32154
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. ...
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
https://wn.com/Sound_Film_History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
- published: 21 Jan 2014
- views: 32154
The History of Sound at the Movies
- Order: Reorder
- Duration: 33:20
- Updated: 11 Aug 2014
- views: 115817
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound...
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
https://wn.com/The_History_Of_Sound_At_The_Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
- published: 11 Aug 2014
- views: 115817
Pallophotophone, Sound on Film
- Order: Reorder
- Duration: 4:36
- Updated: 14 Jan 2013
- views: 2635
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movi...
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
https://wn.com/Pallophotophone,_Sound_On_Film
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
- published: 14 Jan 2013
- views: 2635
Recording Sound for Filmmaking
- Order: Reorder
- Duration: 5:08
- Updated: 23 Feb 2016
- views: 61345
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filmi...
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filming - David Williamson
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (http://www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald (http://twitter.com/oliheald)
Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/)
Pete - Sam Glen (http://twitter.com/samglen)
Dealer - Lewis Brown
Customer 1 - Naithan Ariane (http://twitter.com/naithanariane)
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj )
1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho
https://wn.com/Recording_Sound_For_Filmmaking
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filming - David Williamson
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (http://www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald (http://twitter.com/oliheald)
Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/)
Pete - Sam Glen (http://twitter.com/samglen)
Dealer - Lewis Brown
Customer 1 - Naithan Ariane (http://twitter.com/naithanariane)
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj )
1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho
- published: 23 Feb 2016
- views: 61345
Film Sound - The Art of Audio Editing, Design & Mixing
- Order: Reorder
- Duration: 15:25
- Updated: 18 May 2017
- views: 26856
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://s...
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits
The 5 Five Steps of Audio Post Production:
2:20 Sound Editing
3:05 Spotting Session
3:37 Dialog Editing
7:03 Sound Design
11:08 Sound Mixing
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
-----------------
Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.
Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.
Contact Ugo at http://ugosound.com/
--------------------
All Rights Reserved
© Copyright 2017 This Guy Edits™
Music By:
Andrew Applepie
http://www.andrewapplepie.com
https://wn.com/Film_Sound_The_Art_Of_Audio_Editing,_Design_Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits
The 5 Five Steps of Audio Post Production:
2:20 Sound Editing
3:05 Spotting Session
3:37 Dialog Editing
7:03 Sound Design
11:08 Sound Mixing
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
-----------------
Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.
Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.
Contact Ugo at http://ugosound.com/
--------------------
All Rights Reserved
© Copyright 2017 This Guy Edits™
Music By:
Andrew Applepie
http://www.andrewapplepie.com
- published: 18 May 2017
- views: 26856
DIAGETIC AND NON-DIAGETIC SOUND
- Order: Reorder
- Duration: 2:56
- Updated: 17 Dec 2014
- views: 41169
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
https://wn.com/Diagetic_And_Non_Diagetic_Sound
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
- published: 17 Dec 2014
- views: 41169
Why sound is important for film
- Order: Reorder
- Duration: 18:38
- Updated: 15 Dec 2012
- views: 34847
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a D...
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a Distinction for this assignment.
https://wn.com/Why_Sound_Is_Important_For_Film
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a Distinction for this assignment.
- published: 15 Dec 2012
- views: 34847
How to Fix the Sound in Your Films
- Order: Reorder
- Duration: 6:00
- Updated: 07 Sep 2015
- views: 64418
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Sim...
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Simon Cade
Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
https://wn.com/How_To_Fix_The_Sound_In_Your_Films
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Simon Cade
Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 07 Sep 2015
- views: 64418
Using Sound in Filmmaking
- Order: Reorder
- Duration: 6:21
- Updated: 01 May 2016
- views: 85041
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I e...
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
https://wn.com/Using_Sound_In_Filmmaking
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 01 May 2016
- views: 85041
The Importance of Sound
- Order: Reorder
- Duration: 7:23
- Updated: 26 Oct 2014
- views: 190115
A bit about my history and approach to sound and the gear I use.
A bit about my history and approach to sound and the gear I use.
https://wn.com/The_Importance_Of_Sound
A bit about my history and approach to sound and the gear I use.
- published: 26 Oct 2014
- views: 190115
Film Sound Techniques and Theory
- Order: Reorder
- Duration: 8:28
- Updated: 08 Dec 2015
- views: 15253
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
contrapuntal and parallel
synchronous and asynchronous
rhythm
diegetic a...
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
contrapuntal and parallel
synchronous and asynchronous
rhythm
diegetic and non-diegetic
https://wn.com/Film_Sound_Techniques_And_Theory
Sound on film - demonstration vid of old sound for film
- Order: Reorder
- Duration: 11:06
- Updated: 05 Feb 2013
- views: 3902
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.c...
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.com
https://wn.com/Sound_On_Film_Demonstration_Vid_Of_Old_Sound_For_Film
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.com
- published: 05 Feb 2013
- views: 3902
Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
- Order: Reorder
- Duration: 5:36
- Updated: 15 Oct 2014
- views: 95945
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location So...
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location Sound Mixer
Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right!
In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Michael shows you, with tons of visual examples, everything you need to know! You learn all about mic placement, camera audio settings and all the different types of mics that youll need to capture audio in all kinds of on-set or location recording situations.
Next, you learn the ins and outs of the art of field recording. Michael shows you how to operate a boom and a wireless system. You see basic boom techniques and also how to stealthily wire the talent to capture the best audio possible. Now imagine having to run multiple mics with multiple recording systems! It can get really complicated!
Whether youre the director or the audio recordist, this course is required viewing if youre looking to understand the complexities of audio on the set! By the time you finish this course, you will have a deep education in location sound techniques that you can rely on to get you through any shoot!
More info on this title: http://j.mp/1ru04C8
https://wn.com/Film_Craft_107_The_Location_Sound_Mixer_8._Operating_A_Boom_Mic
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location Sound Mixer
Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right!
In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Michael shows you, with tons of visual examples, everything you need to know! You learn all about mic placement, camera audio settings and all the different types of mics that youll need to capture audio in all kinds of on-set or location recording situations.
Next, you learn the ins and outs of the art of field recording. Michael shows you how to operate a boom and a wireless system. You see basic boom techniques and also how to stealthily wire the talent to capture the best audio possible. Now imagine having to run multiple mics with multiple recording systems! It can get really complicated!
Whether youre the director or the audio recordist, this course is required viewing if youre looking to understand the complexities of audio on the set! By the time you finish this course, you will have a deep education in location sound techniques that you can rely on to get you through any shoot!
More info on this title: http://j.mp/1ru04C8
- published: 15 Oct 2014
- views: 95945
Earliest surviving film and sound recording 1888
- Order: Reorder
- Duration: 2:38
- Updated: 18 Mar 2011
- views: 1401378
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music...
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c
https://wn.com/Earliest_Surviving_Film_And_Sound_Recording_1888
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c
- published: 18 Mar 2011
- views: 1401378
Sound Design Tutorial For Film: Audio & Pre-Production
- Order: Reorder
- Duration: 14:08
- Updated: 31 Jul 2013
- views: 195194
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of ...
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
https://wn.com/Sound_Design_Tutorial_For_Film_Audio_Pre_Production
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
- published: 31 Jul 2013
- views: 195194
Sound tips to improve your films + PluralEyes 3
- Order: Reorder
- Duration: 9:38
- Updated: 19 Dec 2013
- views: 112997
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional...
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot!
The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money.
Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to create the feeling you want the audience to experience.
Feel free to share the video and to subrscribe for more videos
Facebook: Facebook.com/andyaxproductions
Homepage: www.axp.no
Music by Thomas Leypoldt
Drawings by Long Ngoc Nguyen
Thanks to Eskild E. Fors (youtube.com/exkild)
Thanks for watching :)
https://wn.com/Sound_Tips_To_Improve_Your_Films_Pluraleyes_3
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot!
The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money.
Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to create the feeling you want the audience to experience.
Feel free to share the video and to subrscribe for more videos
Facebook: Facebook.com/andyaxproductions
Homepage: www.axp.no
Music by Thomas Leypoldt
Drawings by Long Ngoc Nguyen
Thanks to Eskild E. Fors (youtube.com/exkild)
Thanks for watching :)
- published: 19 Dec 2013
- views: 112997
Joseph Tykociner: Demonstration of Sound on Film
- Order: Reorder
- Duration: 5:42
- Updated: 06 Mar 2013
- views: 2495
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with ...
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois.
Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin.
Film also depicts physical appearance of captured sounds on audio track.
This version of the film was produced from a 16mm positive film 200 feet in length. It was produced from a 16mm negative held by the MPAA, which was duplicated from the original film produced between 1921 and 1922. The sound track of the original will not play in a modern projector.
• Original film produced by Joseph T. Tykociner 1921 or 1922;
• MPAA produces 16mm copy,1954;
• MPAA negative duplicated by Arthur Wildhagen;
• Wildhagen donates film to University of Illinois, 10 Dec 1970;
• Wildhagen film archived to Betamax magnetic tape;
• Betamax archive digitised 6 March 2012;
• Uploaded to YouTube 6 March 2013
Please direct all queries to the contact address available at
http://archives.library.illinois.edu/e-records/av/?destinationID=jMtFE0wHyUaAdrFh5Yj8RQ&contentID;=uq65iy7h4UG9hsf_lPS75w
Copyright is owned by the University of Illinois. You may use this online copy for personal- or non-profit purposes.
https://wn.com/Joseph_Tykociner_Demonstration_Of_Sound_On_Film
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois.
Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin.
Film also depicts physical appearance of captured sounds on audio track.
This version of the film was produced from a 16mm positive film 200 feet in length. It was produced from a 16mm negative held by the MPAA, which was duplicated from the original film produced between 1921 and 1922. The sound track of the original will not play in a modern projector.
• Original film produced by Joseph T. Tykociner 1921 or 1922;
• MPAA produces 16mm copy,1954;
• MPAA negative duplicated by Arthur Wildhagen;
• Wildhagen donates film to University of Illinois, 10 Dec 1970;
• Wildhagen film archived to Betamax magnetic tape;
• Betamax archive digitised 6 March 2012;
• Uploaded to YouTube 6 March 2013
Please direct all queries to the contact address available at
http://archives.library.illinois.edu/e-records/av/?destinationID=jMtFE0wHyUaAdrFh5Yj8RQ&contentID;=uq65iy7h4UG9hsf_lPS75w
Copyright is owned by the University of Illinois. You may use this online copy for personal- or non-profit purposes.
- published: 06 Mar 2013
- views: 2495
Sound Gun Series Ep #1: PRODUCTION SOUND
- Order: Reorder
- Duration: 6:30
- Updated: 02 Jun 2015
- views: 102796
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Ori...
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Original Short here:
https://www.youtube.com/watch?v=nzcm-qDTBGc
Have questions about production sound? Ask us in the forums!
https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461
Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com
Check out the Røde smartLav+ Mics here:
http://www.rode.com/microphones/smartlav-plus
Thanks for watching! More videos at school.rocketjump.com!
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
https://wn.com/Sound_Gun_Series_Ep_1_Production_Sound
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Original Short here:
https://www.youtube.com/watch?v=nzcm-qDTBGc
Have questions about production sound? Ask us in the forums!
https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461
Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com
Check out the Røde smartLav+ Mics here:
http://www.rode.com/microphones/smartlav-plus
Thanks for watching! More videos at school.rocketjump.com!
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
- published: 02 Jun 2015
- views: 102796
-
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64 more at http://showbiz.quickfound.net/ "Explains the mysteries of sound recording on film." Reupload of a previously uploaded film with improved video & sound. Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied. The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original). http://creativecommons.org/licenses/by-sa/3.0/ http://en.wikipedia.org/wiki/Sound-on-film ...
published: 20 Apr 2016 -
The Magic of Making Sound | That's Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time. Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel. SUBSCRIBE: https://goo.gl/vR6Acb Follow us behind the scenes on Instagram: http://goo.gl/2KABeX Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ Give us a shout on Twitter: http://goo.gl/sY1GLY Come hang with us on Vimeo: http://goo.gl/...
published: 12 Jan 2017 -
Sound Film History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
published: 21 Jan 2014 -
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/ The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies. If you have any further questions be sure to check out our questions page on Filmmaker IQ: https://filmmakeriq.com/balcony_categories/questions/
published: 11 Aug 2014 -
Pallophotophone, Sound on Film
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
published: 14 Jan 2013 -
Recording Sound for Filmmaking
How to get better production audio on set. Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl BTS Filming - David Williamson Host and Creator - Simon Cade Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com TWO WRONGS: Directed by - Simon Cade Produced by - Carl Mason (http://www.clfilms.co.uk) Written by - Johann Farhan Mark - Oliver Heald (http://twitter.com/oliheald) Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/) Pete - Sam Glen (http://twitter.com/samglen) Dealer - Lewis Brown Customer...
published: 23 Feb 2016 -
Film Sound - The Art of Audio Editing, Design & Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing. Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits The 5 Five Steps of Audio Post Production: 2:20 Sound Editing 3:05 Spotting Session 3:37 Dialog Editing 7:03 Sound Design 11:08 Sound Mixing THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco. TGE is about how to tell stories creatively. Weekly video uploads can be found on THIS GUY EDITS: videos: https://www.youtube.com/user/svenpape ----------------- Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Ove...
published: 18 May 2017 -
DIAGETIC AND NON-DIAGETIC SOUND
Demonstrations for Film Studies I do not own any of the clips used here. Used only for instructional purposes.
published: 17 Dec 2014 -
Why sound is important for film
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining. I got a Distinction for this assignment.
published: 15 Dec 2012 -
How to Fix the Sound in Your Films
After the shoot, what can we do to improve our post-production sound? BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films Host and Creator - Simon Cade Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
published: 07 Sep 2015 -
Using Sound in Filmmaking
The three stages I go through for post production audio. Host and Creator - Simon Cade Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert (I earn a commission from purchases ^^) WEBSITE: http://dslrguide.tv TWITTER: http://www.twitter.com/dslrguidance INSTAGRAM: http://instagram.com/cadevisuals ALL EQUIPMENT: http://dslrguide.tv/mygear CONTACT: dslrguidance@gmail.com
published: 01 May 2016 -
The Importance of Sound
A bit about my history and approach to sound and the gear I use.
published: 26 Oct 2014 -
-
Sound on film - demonstration vid of old sound for film
Instruction - demonstration of the techniques of sound for film. T shirts & Bags - Film - Audio - Music www.cktees.com Other ads and info at www.lfrecordings.com
published: 05 Feb 2013 -
Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
Additional videos for this title: http://j.mp/1ru04C8 Film Craft 107: The Location Sound Mixer by Michael Wohl Video 8 of 20 for Film Craft 107: The Location Sound Mixer Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right! In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Mich...
published: 15 Oct 2014 -
Earliest surviving film and sound recording 1888
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are ...
published: 18 Mar 2011 -
Sound Design Tutorial For Film: Audio & Pre-Production
Learn more: http://www.lightsfilmschool.com/sound-design-course/ In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
published: 31 Jul 2013 -
Sound tips to improve your films + PluralEyes 3
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot! The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money. Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to cr...
published: 19 Dec 2013 -
Joseph Tykociner: Demonstration of Sound on Film
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video. Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois. Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin. Film also depicts physical appearance of captured sounds on audio track. This version of the film was produced from a 16mm positive fil...
published: 06 Mar 2013 -
Sound Gun Series Ep #1: PRODUCTION SOUND
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important. Watch the Sound Gun Original Short here: https://www.youtube.com/watch?v=nzcm-qDTBGc Have questions about production sound? Ask us in the forums! https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461 Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com Check out the Røde smartLav+ Mics here: http://www.rode.com/microphones/smartlav-plus Thanks for watching! More videos at school.rocketjump.com! You can also follow us on Facebook & Twitter: http://www.facebook.com/RJFilmSchool https://twitter.com/rjfilmschool
published: 02 Jun 2015
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
- Order: Reorder
- Duration: 10:39
- Updated: 20 Apr 2016
- views: 8575
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Ex...
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Explains the mysteries of sound recording on film."
Reupload of a previously uploaded film with improved video & sound.
Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Sound-on-film
Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood.
Analog sound-on-film recording
The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD.
Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range.
Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes.
Sound-on-film formats
Almost all modern motion picture sound formats are sound-on-film formats, including:
Optical analog formats
Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.)
RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix.
Encoding matrices
- Dolby Stereo
- Dolby SR
- Ultra Stereo
Optical digital formats
- Dolby Digital
- Sony Dynamic Digital Sound
Obsolete formats
- Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940)
- Phonofilm, patented by Lee De Forest in 1919, defunct by 1929
- Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992
https://wn.com/Sound_On_Film_1943_Eb_Films_Erpi_Optical_Soundtrack_Recording_Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlist?list=PL946E9DAD36E3CC64
more at http://showbiz.quickfound.net/
"Explains the mysteries of sound recording on film."
Reupload of a previously uploaded film with improved video & sound.
Public domain film from the Library of Congress Prelinger Archives, slightly cropped to remove uneven edges, with the aspect ratio corrected, and one-pass brightness-contrast-color correction & mild video noise reduction applied.
The soundtrack was also processed with volume normalization, noise reduction, clipping reduction, and/or equalization (the resulting sound, though not perfect, is far less noisy than the original).
http://creativecommons.org/licenses/by-sa/3.0/
http://en.wikipedia.org/wiki/Sound-on-film
Sound-on-film refers to a class of sound film processes where the sound accompanying picture is physically recorded onto photographic film, usually, but not always, the same strip of film carrying the picture. Sound-on-film processes can either record an analog sound track or digital sound track, and may record the signal either optically or magnetically. Earlier technologies were sound-on-disc, meaning the film's soundtrack would be on a separate phonograph record.
Although Al Jolson's The Jazz Singer was far from being the first film with a synchronised soundtrack, it was the first feature length film with lip-sync dialogue. It achieved significant commercial success and thus provided the impetus for the rapid switch to sound film production in Hollywood.
Analog sound-on-film recording
The most prevalent modern method of recording sound on a film print is by stereo variable-area (SVA) recording, encoding a two-channel audio signal as a pair of lines running parallel with the film's direction of travel through the projector. The lines change area (grow broader or narrower) depending on the magnitude of the signal. The projector shines a light or LED, called an exciter, through a perpendicular slit onto the film. The image on the small slice of exposed track modulates the intensity of the light, which is collected by a photosensitive element, a photodiode or CCD.
Commonly, the audio signal recorded onto an SVA track is encoded through a phase matrix, which allowed the two-channel format to record a center and surround channel, and companding noise reduction, which allows a constant signal-to-noise ratio to be delivered over a wide dynamic range.
Earlier processes, used on 70mm film prints and special presentations of 35mm film prints, recorded sound magnetically on ferric oxide tracks bonded to the film print, outside the sprocket holes.
Sound-on-film formats
Almost all modern motion picture sound formats are sound-on-film formats, including:
Optical analog formats
Fox/Western Electric (Westrex) Movietone, are variable-density formats of sound film. (No longer used, but still playable on modern projectors.)
RCA Photophone, a variable-area format now universally used for optical analog soundtracks - since the late 1970s, usually with a Dolby encoding matrix.
Encoding matrices
- Dolby Stereo
- Dolby SR
- Ultra Stereo
Optical digital formats
- Dolby Digital
- Sony Dynamic Digital Sound
Obsolete formats
- Fantasound, where sound and picture were recorded on separate strips of film, introduced for initial release of Disney's Fantasia (1940)
- Phonofilm, patented by Lee De Forest in 1919, defunct by 1929
- Cinema Digital Sound, an optical format which was the first commercial digital sound format, used between 1990 and 1992
- published: 20 Apr 2016
- views: 8575
The Magic of Making Sound | That's Amazing
- Order: Reorder
- Duration: 6:33
- Updated: 12 Jan 2017
- views: 3484435
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the wo...
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
https://wn.com/The_Magic_Of_Making_Sound_|_That's_Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film that immerses you completely in its world, you’re probably hearing the work of sound artists. If the work is done right, you won’t be able to tell that the “natural” sounds on screen are manufactured with studio props. That's the challenge for Warner Bros. Foley artists Alyson Moore, Chris Moriana and mixer Mary Jo Lang. Theirs is a practice in recreation, one creative element at a time.
Tune in to "That's Amazing" every Sunday at 9 p.m. on The Weather Channel.
SUBSCRIBE: https://goo.gl/vR6Acb
Follow us behind the scenes on Instagram: http://goo.gl/2KABeX
Make our acquaintance on Facebook: http://goo.gl/Vn0XIZ
Give us a shout on Twitter: http://goo.gl/sY1GLY
Come hang with us on Vimeo: http://goo.gl/T0OzjV
Visit our world directly: http://www.greatbigstory.com
This story is a part of our Frontiers series, where we bring you front and center to the dreamers, pioneers, and innovators leading society at the cutting edge. Let us take you along for a trip to the oft-imagined but rarely accomplished.
Great Big Story is a video network dedicated to the untold, overlooked & flat-out amazing. Humans are capable of incredible things & we're here to tell their stories. When a rocket lands in your backyard, you get in.
- published: 12 Jan 2017
- views: 3484435
Sound Film History
- Order: Reorder
- Duration: 7:49
- Updated: 21 Jan 2014
- views: 32154
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. ...
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
https://wn.com/Sound_Film_History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to the first optical sound-on-film technology with commercial application. In De Forest's system, the sound track was photographically recorded on to the side of the strip of motion picture film to create a composite, or "married", print. If proper synchronization of sound and picture was achieved in recording, it could be absolutely counted on in playback. Over the next four years, he improved his system with the help of equipment and patents licensed from another American inventor in the field, Theodore Case.
- published: 21 Jan 2014
- views: 32154
The History of Sound at the Movies
- Order: Reorder
- Duration: 33:20
- Updated: 11 Aug 2014
- views: 115817
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound...
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
https://wn.com/The_History_Of_Sound_At_The_Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
- published: 11 Aug 2014
- views: 115817
Pallophotophone, Sound on Film
- Order: Reorder
- Duration: 4:36
- Updated: 14 Jan 2013
- views: 2635
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movi...
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
https://wn.com/Pallophotophone,_Sound_On_Film
This is my first attempt at storing audio on optical film. This technique was used from the 1920s up to present day to store analog audio tracks along side movie film.
- published: 14 Jan 2013
- views: 2635
Recording Sound for Filmmaking
- Order: Reorder
- Duration: 5:08
- Updated: 23 Feb 2016
- views: 61345
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filmi...
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filming - David Williamson
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (http://www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald (http://twitter.com/oliheald)
Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/)
Pete - Sam Glen (http://twitter.com/samglen)
Dealer - Lewis Brown
Customer 1 - Naithan Ariane (http://twitter.com/naithanariane)
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj )
1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho
https://wn.com/Recording_Sound_For_Filmmaking
How to get better production audio on set.
Full behind the scenes playlist: https://www.youtube.com/playlist?list=PLGSnv4S0LzBSOKqHvsDVJ7owSbaXstvbl
BTS Filming - David Williamson
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off with code 'DSLRGUIDE': http://dslrguide.tv/filmconvert
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
TWO WRONGS:
Directed by - Simon Cade
Produced by - Carl Mason (http://www.clfilms.co.uk)
Written by - Johann Farhan
Mark - Oliver Heald (http://twitter.com/oliheald)
Connor - Deon Lee-Williams (http://twitter.com/deon_rswt/)
Pete - Sam Glen (http://twitter.com/samglen)
Dealer - Lewis Brown
Customer 1 - Naithan Ariane (http://twitter.com/naithanariane)
Customer 2 - Ryan Clayton
Connor's Mate 1 - Luke Orechoff
Connor's Mate 2 - Lukas Becker
Connor's Mate 3 - Paul Keighron
Pete's Mate - Ross Doran
Director of Photography - JP Caldeano (https://www.youtube.com/cinematicj )
1st Assistant Director - Wayne Bentley ( http://www.callboxdiary.com/callbox/w...)
Casting Director - Rebecca Jenner
Sound Recordist - Kristian Edwards (http://www.manchestersoundman.co.uk)
Boom Operator - Danny Feng
Costume Designer - Emily Cooper
Production Assistant - Anton Arenko
Behind the Scenes - David Williamson
Editor - Simon Cade
Asst. Dialogue Editor - Samuel Jacintho
- published: 23 Feb 2016
- views: 61345
Film Sound - The Art of Audio Editing, Design & Mixing
- Order: Reorder
- Duration: 15:25
- Updated: 18 May 2017
- views: 26856
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://s...
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits
The 5 Five Steps of Audio Post Production:
2:20 Sound Editing
3:05 Spotting Session
3:37 Dialog Editing
7:03 Sound Design
11:08 Sound Mixing
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
-----------------
Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.
Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.
Contact Ugo at http://ugosound.com/
--------------------
All Rights Reserved
© Copyright 2017 This Guy Edits™
Music By:
Andrew Applepie
http://www.andrewapplepie.com
https://wn.com/Film_Sound_The_Art_Of_Audio_Editing,_Design_Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and audio mixing.
Skillshare - Get your 2-months free trial here: http://skl.sh/ThisGuyEdits
The 5 Five Steps of Audio Post Production:
2:20 Sound Editing
3:05 Spotting Session
3:37 Dialog Editing
7:03 Sound Design
11:08 Sound Mixing
THIS GUY EDITS (TGE) is a youtube channel by film editor Sven Pape, an A.C.E. award nominee, whose credits include work for directors James Cameron, Joseph Gordon-Levitt, and James Franco.
TGE is about how to tell stories creatively.
Weekly video uploads can be found on THIS GUY EDITS:
videos: https://www.youtube.com/user/svenpape
-----------------
Ugo Derouard is a Sound Designer & Supervising Sound Editor and has been successfully working in Hollywood since 2006. Over his career, Ugo has worked with A-List Directors and Music Composers, on Award-winning Films, TV Shows, Commercials and Documentaries since 2002.
Ugo’s work as a Supervising Sound Editor and Sound Designer has been featured many times at the Sundance Film Festival. In 2012 for the film "The End of Love" featuring Mark Webber & Michael Cera, again in the 2014 “Life After Beth” with Aubrey Plaza as well as the 2015 Grand Jury Winner “SMILF” with Frankie Shaw and Thomas Middleditch.
Contact Ugo at http://ugosound.com/
--------------------
All Rights Reserved
© Copyright 2017 This Guy Edits™
Music By:
Andrew Applepie
http://www.andrewapplepie.com
- published: 18 May 2017
- views: 26856
DIAGETIC AND NON-DIAGETIC SOUND
- Order: Reorder
- Duration: 2:56
- Updated: 17 Dec 2014
- views: 41169
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
https://wn.com/Diagetic_And_Non_Diagetic_Sound
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for instructional purposes.
- published: 17 Dec 2014
- views: 41169
Why sound is important for film
- Order: Reorder
- Duration: 18:38
- Updated: 15 Dec 2012
- views: 34847
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a D...
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a Distinction for this assignment.
https://wn.com/Why_Sound_Is_Important_For_Film
This commentary was for a college assignment, obviously about sound and its importance, hopefully your found the video helpful or just entertaining.
I got a Distinction for this assignment.
- published: 15 Dec 2012
- views: 34847
How to Fix the Sound in Your Films
- Order: Reorder
- Duration: 6:00
- Updated: 07 Sep 2015
- views: 64418
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Sim...
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Simon Cade
Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
https://wn.com/How_To_Fix_The_Sound_In_Your_Films
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://dslrguide.tv/how-to-fix-the-sound-in-your-films
Host and Creator - Simon Cade
Featuring Jamie McK: https://youtu.be/R-eXXjOy2nY
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 07 Sep 2015
- views: 64418
Using Sound in Filmmaking
- Order: Reorder
- Duration: 6:21
- Updated: 01 May 2016
- views: 85041
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I e...
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
https://wn.com/Using_Sound_In_Filmmaking
The three stages I go through for post production audio.
Host and Creator - Simon Cade
Graded with FilmConvert - 10% off: http://dslrguide.tv/filmconvert
(I earn a commission from purchases ^^)
WEBSITE: http://dslrguide.tv
TWITTER: http://www.twitter.com/dslrguidance
INSTAGRAM: http://instagram.com/cadevisuals
ALL EQUIPMENT: http://dslrguide.tv/mygear
CONTACT: dslrguidance@gmail.com
- published: 01 May 2016
- views: 85041
The Importance of Sound
- Order: Reorder
- Duration: 7:23
- Updated: 26 Oct 2014
- views: 190115
A bit about my history and approach to sound and the gear I use.
A bit about my history and approach to sound and the gear I use.
https://wn.com/The_Importance_Of_Sound
A bit about my history and approach to sound and the gear I use.
- published: 26 Oct 2014
- views: 190115
Film Sound Techniques and Theory
- Order: Reorder
- Duration: 8:28
- Updated: 08 Dec 2015
- views: 15253
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
contrapuntal and parallel
synchronous and asynchronous
rhythm
diegetic a...
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
contrapuntal and parallel
synchronous and asynchronous
rhythm
diegetic and non-diegetic
https://wn.com/Film_Sound_Techniques_And_Theory
Sound on film - demonstration vid of old sound for film
- Order: Reorder
- Duration: 11:06
- Updated: 05 Feb 2013
- views: 3902
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.c...
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.com
https://wn.com/Sound_On_Film_Demonstration_Vid_Of_Old_Sound_For_Film
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - Audio - Music www.cktees.com
Other ads and info at www.lfrecordings.com
- published: 05 Feb 2013
- views: 3902
Film Craft 107: The Location Sound Mixer - 8. Operating a Boom Mic
- Order: Reorder
- Duration: 5:36
- Updated: 15 Oct 2014
- views: 95945
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location So...
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location Sound Mixer
Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right!
In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Michael shows you, with tons of visual examples, everything you need to know! You learn all about mic placement, camera audio settings and all the different types of mics that youll need to capture audio in all kinds of on-set or location recording situations.
Next, you learn the ins and outs of the art of field recording. Michael shows you how to operate a boom and a wireless system. You see basic boom techniques and also how to stealthily wire the talent to capture the best audio possible. Now imagine having to run multiple mics with multiple recording systems! It can get really complicated!
Whether youre the director or the audio recordist, this course is required viewing if youre looking to understand the complexities of audio on the set! By the time you finish this course, you will have a deep education in location sound techniques that you can rely on to get you through any shoot!
More info on this title: http://j.mp/1ru04C8
https://wn.com/Film_Craft_107_The_Location_Sound_Mixer_8._Operating_A_Boom_Mic
Additional videos for this title: http://j.mp/1ru04C8
Film Craft 107: The Location Sound Mixer by Michael Wohl
Video 8 of 20 for Film Craft 107: The Location Sound Mixer
Capturing sound for film is tremendously difficult at best. Imagine two actors, in dialog, walking down a busy traffic-filled street surrounded by camera crew, lighting and lots of other audio distractions! Its complicated. Its expensive to shoot. The director is intense and shes depending on you to make sure that the dialog is recorded as pristinely as possible! Still want to be a location sound recordist? Well, Michael Wohl is here to show you the techniques you need to know to get the job done right!
In this course, you learn all about recording audio for video and film. Recording begins with the microphone and Michael shows you, with tons of visual examples, everything you need to know! You learn all about mic placement, camera audio settings and all the different types of mics that youll need to capture audio in all kinds of on-set or location recording situations.
Next, you learn the ins and outs of the art of field recording. Michael shows you how to operate a boom and a wireless system. You see basic boom techniques and also how to stealthily wire the talent to capture the best audio possible. Now imagine having to run multiple mics with multiple recording systems! It can get really complicated!
Whether youre the director or the audio recordist, this course is required viewing if youre looking to understand the complexities of audio on the set! By the time you finish this course, you will have a deep education in location sound techniques that you can rely on to get you through any shoot!
More info on this title: http://j.mp/1ru04C8
- published: 15 Oct 2014
- views: 95945
Earliest surviving film and sound recording 1888
- Order: Reorder
- Duration: 2:38
- Updated: 18 Mar 2011
- views: 1401378
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music...
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c
https://wn.com/Earliest_Surviving_Film_And_Sound_Recording_1888
1888, the year of the death of the composer Charles-Valentin Alkan (Chopin's friend and neighbour) is also the year of the earliest surviving recording of music and earliest recorded film. Combined on this video is the earliest surviving recording of music (a live performance of Handel's oratorio Israel in Egypt conducted by Sir August Manns, recorded by Edison engineer George E. Gouraud at Crystal Palace, London, England, 29th June 1888) and the earliest surviving recorded film (shot by Louis Aimé Augustin Le Prince in Leeds, England in October 1888): Roundhay Garden Scene (filmed 14 October 1888) and Traffic Crossing Leeds Bridge (filmed late October 1888). In the Roundhay Garden Scene (filmed in the garden of the Whitley family home in Oakwood Grange Road, Roundhay, Leeds, England) are the following people (from the left at beginning of sequence): Adolphe Le Prince (the film maker's son), Miss Harriet Hartley, Mrs. Sarah Whitley, (the film maker's mother-in-law), and Joseph Whitley (the film maker's business partner). The original film was shot at 12 frames per second and lasts 2 seconds. Traffic Crossing Leeds Bridge was filmed in Leeds, England in late October 1888, at 20 frames per second. For more information on the 1888 Crystal Palace recordings visit the following excellent youtube page: watch?v=-qDwz3JdD1c
- published: 18 Mar 2011
- views: 1401378
Sound Design Tutorial For Film: Audio & Pre-Production
- Order: Reorder
- Duration: 14:08
- Updated: 31 Jul 2013
- views: 195194
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of ...
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
https://wn.com/Sound_Design_Tutorial_For_Film_Audio_Pre_Production
Learn more: http://www.lightsfilmschool.com/sound-design-course/
In this online tutorial on sound design for film and documentary we explore the importance of the pre-production process on your soundtrack. We cover everything from noise removal, location scouting, script analysis and much more.
- published: 31 Jul 2013
- views: 195194
Sound tips to improve your films + PluralEyes 3
- Order: Reorder
- Duration: 9:38
- Updated: 19 Dec 2013
- views: 112997
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional...
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot!
The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money.
Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to create the feeling you want the audience to experience.
Feel free to share the video and to subrscribe for more videos
Facebook: Facebook.com/andyaxproductions
Homepage: www.axp.no
Music by Thomas Leypoldt
Drawings by Long Ngoc Nguyen
Thanks to Eskild E. Fors (youtube.com/exkild)
Thanks for watching :)
https://wn.com/Sound_Tips_To_Improve_Your_Films_Pluraleyes_3
Us film-makers know how important the sound production is for a film, but still there are some that think that the video itself is what creates the professional Hollywood feeling to the film. I can agree that the video-quality is important, but by doing some nice sound design you can improve your film-quality a lot!
The whole idea of sound recording, is to get as clear sound as possible. To do this, you need to get as close as you can get to the sound source. Using a Zoom H4n audio recorder, a Røde mini pole, a shock mount, a Røde NTG-1 shotgun microphone and a XLR cabel, you can get really nice and clear sound without spending to much money.
Recording good sound quality on set is not the only tip to get a professional look. Use time in post production to work with the sound design to create the feeling you want the audience to experience.
Feel free to share the video and to subrscribe for more videos
Facebook: Facebook.com/andyaxproductions
Homepage: www.axp.no
Music by Thomas Leypoldt
Drawings by Long Ngoc Nguyen
Thanks to Eskild E. Fors (youtube.com/exkild)
Thanks for watching :)
- published: 19 Dec 2013
- views: 112997
Joseph Tykociner: Demonstration of Sound on Film
- Order: Reorder
- Duration: 5:42
- Updated: 06 Mar 2013
- views: 2495
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with ...
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois.
Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin.
Film also depicts physical appearance of captured sounds on audio track.
This version of the film was produced from a 16mm positive film 200 feet in length. It was produced from a 16mm negative held by the MPAA, which was duplicated from the original film produced between 1921 and 1922. The sound track of the original will not play in a modern projector.
• Original film produced by Joseph T. Tykociner 1921 or 1922;
• MPAA produces 16mm copy,1954;
• MPAA negative duplicated by Arthur Wildhagen;
• Wildhagen donates film to University of Illinois, 10 Dec 1970;
• Wildhagen film archived to Betamax magnetic tape;
• Betamax archive digitised 6 March 2012;
• Uploaded to YouTube 6 March 2013
Please direct all queries to the contact address available at
http://archives.library.illinois.edu/e-records/av/?destinationID=jMtFE0wHyUaAdrFh5Yj8RQ&contentID;=uq65iy7h4UG9hsf_lPS75w
Copyright is owned by the University of Illinois. You may use this online copy for personal- or non-profit purposes.
https://wn.com/Joseph_Tykociner_Demonstration_Of_Sound_On_Film
Existing links to http://www.youtube.com/watch?v=wTAbb3BVAzQ point to a private video.
Joseph Tykociński-Tykociner demonstrates cinematic film composited with colinear optical audio track, 9 June 1922. Method incorporates photoelectric cell developed by Jakob Kunz, a fellow professor at the University of Ilinois.
Inventor's wife Helena utters the first sounds ever heard in a motion picture with the soundtrack optically recorded directly onto the movie film--the words, "I will ring"--followed by the bell ringing.. Ellery Paine (head of electrical engineering at the University of Illinois) recites the Gettysburg Address and Manoah Leide plays the violin.
Film also depicts physical appearance of captured sounds on audio track.
This version of the film was produced from a 16mm positive film 200 feet in length. It was produced from a 16mm negative held by the MPAA, which was duplicated from the original film produced between 1921 and 1922. The sound track of the original will not play in a modern projector.
• Original film produced by Joseph T. Tykociner 1921 or 1922;
• MPAA produces 16mm copy,1954;
• MPAA negative duplicated by Arthur Wildhagen;
• Wildhagen donates film to University of Illinois, 10 Dec 1970;
• Wildhagen film archived to Betamax magnetic tape;
• Betamax archive digitised 6 March 2012;
• Uploaded to YouTube 6 March 2013
Please direct all queries to the contact address available at
http://archives.library.illinois.edu/e-records/av/?destinationID=jMtFE0wHyUaAdrFh5Yj8RQ&contentID;=uq65iy7h4UG9hsf_lPS75w
Copyright is owned by the University of Illinois. You may use this online copy for personal- or non-profit purposes.
- published: 06 Mar 2013
- views: 2495
Sound Gun Series Ep #1: PRODUCTION SOUND
- Order: Reorder
- Duration: 6:30
- Updated: 02 Jun 2015
- views: 102796
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Ori...
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Original Short here:
https://www.youtube.com/watch?v=nzcm-qDTBGc
Have questions about production sound? Ask us in the forums!
https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461
Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com
Check out the Røde smartLav+ Mics here:
http://www.rode.com/microphones/smartlav-plus
Thanks for watching! More videos at school.rocketjump.com!
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
https://wn.com/Sound_Gun_Series_Ep_1_Production_Sound
This is TUTORIAL #1 of the Sound Gun Series! Kevin walks us through the basics of getting good production sound and why it's important.
Watch the Sound Gun Original Short here:
https://www.youtube.com/watch?v=nzcm-qDTBGc
Have questions about production sound? Ask us in the forums!
https://discuss.rocketjump.com/t/sound-gun-short-tutorial-1/2461
Special thanks to our sponsor, Røde Microphones, for the rad gear we record with. http://www.rode.com
Check out the Røde smartLav+ Mics here:
http://www.rode.com/microphones/smartlav-plus
Thanks for watching! More videos at school.rocketjump.com!
You can also follow us on Facebook & Twitter:
http://www.facebook.com/RJFilmSchool
https://twitter.com/rjfilmschool
- published: 02 Jun 2015
- views: 102796
-
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/ The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies. If you have any further questions be sure to check out our questions page on Filmmaker IQ: https://filmmakeriq.com/balcony_categories/questions/
published: 11 Aug 2014 -
Sound Mixing for Film - LIVE with Tom Antos
More info: http://tomantosfilms.com/live/ Exclusive tutorials: http://tomantosfilms.com/store/ FREE filmmaking tutorials here: http://bit.ly/Tmd65z Join me live while I show you how I mix audio in my indie productions, video and films. Moderated by Paul Naz. Check out his channel for cool audio gear reviews https://goo.gl/1dkEaH ---------------------------------------------------------------------------------- Remember, in filmmaking there's no problems, just a lack of solutions! Follow me on: Twitter: http://twitter.com/TomAntos Facebook http://www.facebook.com/TomAntosFilms Google+ http://bit.ly/18oyRJB My name's Tom Antos. I am a film director and cinematographer with over 15 years experience in VFX & animation. Jak sie masz?! I'm originally from Poland ;) Check out my channel h...
published: 24 Sep 2016 -
The Distortion of Sound [Full Film]
The Distortion of Sound is a documentary about the decline of sound quality and how technology has changed the way we listen to music. It will open your ears and inspire you to reach for richer, more soul-stirring musical experiences. Hear it all at http://www.DistortionOfSound.com CAST: Mike Shinoda • Slash • Quincy Jones • Snoop Dogg • Steve Aoki • Hans Zimmer • Andrew Scheps • Manny Marroquin • Dan the Automator • Lianne La Havas • Kate Nash • A.R. Rahman • Neil Strauss • Chris Ludwig • Greg Timbers • Dr. Sean Olive
published: 11 Jul 2014 -
Sound for Film: Breaking into Audio Post-Production
Music and sound effects are powerful tools for storytelling. Behind every successful film is a talented team of sound designer, editors, and mixers. Find out how our panelists worked their way into working on audio post-production for Hollywood blockbusters. Panel: Frank Scheuring 2001 Recording Arts graduate; Owner/Mixer/Sound Editor at Capital Audio Post David Farmer 2011 Hall of Fame Inductee; Supervising Sound Editor/Sound Designer Marc Fishman 2010 Hall of Fame Inductee; Re-Recording Mixer, Technicolor Sound At Paramount Mike Orlowski Dubbing Stage Engineer, Full Sail University Gary Rizzo 2009 Hall of Fame Inductee; Re-Recording Mixer, Skywalker Sound Learn more at http://w.fullsail.edu/fsrecordingarts
published: 26 Mar 2014 -
Sound of Cinema The Music that Made the Movies Part 1 The Big Score
HND Music Production Resources
published: 24 Sep 2013 -
Ship In Bad Weather Film & Sound- No Music-Blizzard-Rough Ocean Waves And Thunderstorm Sounds
A couple of people have asked me to make a long video of storm footage. Apparently it's relaxing??? It helps them sleep?????? Not quite sure how that works since it's the last thing that we can do!!! However, a little bit of research into very long videos showing the same sort of thing over a few hours has shown me that they can be quite popular????????? With this in mind I have cobbled together 2 1/2 hours of storm footage. It will take me a couple of days to upload but, if it's your cup of tea, then you're in for a treat 😀
published: 20 Jan 2017 -
Best Music and Sound Effects for Film Making
Looking for great sound effects and music to improve the audio for your next film projects? In this video I discuss where to find the best free / paid) sound effects and scores for film making! If you want more details, go check out the blog on my website: http://www.surfacedstudio.com/tutorials/best-music-and-sound-effects-for-film-making BEST FREE SOUND EFFECTS & MUSIC http://freesound.org/ http://incompetech.com/music/ https://machinimasound.com/ https://www.youtube.com/audiolibrary/music https://www.youtube.com/audiolibrary/soundeffects BEST PAID SOUND EFFECTS & MUSIC: https://www.videocopilot.net/products/proscores/ https://www.videocopilot.net/products/dsfx/ http://creatingfilm.com/royalty-free-music-pack/ http://triune-store.myshopify.com/collections/sound-effects/products/tri...
published: 28 Sep 2014 -
Around the world in 1896! videos from 1800's with added sound
Britannia Panopticon will be celebrating 120 years of film being shown in this building. This video shows footage of that year around the world with added sound to bring it to life.
published: 21 Aug 2016 -
The Sound of Rogue One: A Star Wars Story
*Trouble viewing? Try on a laptop or desktop copmuter. Rogue One's gritty, war film aesthetic is a real departure for the Star Wars franchise, and this realism is born out in the sound design. We visited the iconic Skywalker Sound to talk to Supervising Sound Editors Christopher Scarabosio and Matthew Wood about world creation, making sci-fi weapons sound realistic, and how some unexpected sampling brought K-2SO — the film’s sardonic and loveable droid — to life! We also discover the secrets of Foley artist Ronni Brown and Foley Mixer Frank Aglieri-Rinella who reveal how they made the Rogue One stormtroopers sound more menacing. To hear the final effect of all the techniques described in this feature, you can order Rogue One now in Digital HD or Blu-Ray/DVD: http://www.starwars.com/rogue...
published: 23 Mar 2017 -
First Sound of Movies Promo
This is a preview of the award-winning and popular showcase of the historic DeForest Phonofilms with its story of the pioneering work done in the development of the sound-on-film process.
published: 12 Apr 2015 -
Sound Design for Film master class - Part 1
Sound Design for Film master class by Composer, ADR Recordist, Film Sound Designer and Israeli Academy award winner for best soundtrack (Haborer) - Yoss Appelbaum at SAE Institute Thailand on 16 December 2013.
published: 13 Apr 2014 -
Sound for Video Session: Mixing Effects for a Short Film
If you're interested in learning how to record and post process dialogue sound for video, please look at my courses available at http://school.learnlightandsound.com In this week’s sound for video session I demonstrate how I mixed the effects for a recent short film from my friend Levi Whitney with Uphill Cinema - http://uphillcinema.com I recorded the production sound. Levi directed and DP’d. In this demo, I quickly demonstrate the overall idea of mixing the sound effects for a short film. For serious projects I would definitely spend more time on the details but wanted to give you a quick example to show the basics. I hope you find it useful! Gear used to produce this episode: —————————————————————————————————— Audio Technica AT4053b Hyper-Cardioid Microphone (the dialogue and effe...
published: 15 Jan 2017 -
Hindi af somali 🚕 Taxi No 1
Please subscribe to SaafifilmsTopic Like comment share Follow me on Facebook: https://www.facebook.com/profile.php?id=100016431879649 A taxi driver and orphan join a battle to save royal heirs from a corrupt, greedy businessman. Initial release: May 5, 2016 (India, Kuwait)
published: 11 Sep 2017 -
Musica per film: dalla composizione al sound engineering @ CPM Music Institute
http://www.cpm.it/ INFO corsi@cpm.it CPM OPEN WEEK Maggio 2016 In diretta dal Teatro del CPM Music Institute di Milano Ospiti: Riccardo Giagni, Maurizio Argentieri e Fabrizio Campanelli. Modera: Diego Maggi
published: 05 May 2016 -
-
Sound Design for Film/Video & Games with Audition CC| Adobe Creative Cloud
In this livestream, Principal Evangelist Jason Levine will walk you thru common processes and techniques for creating sound effects and sync'ing to picture in Audition CC. Part 1 of 2. Subscribe: https://www.youtube.com/user/adobecreativecloud?sub_confirmation=1 LET’S CONNECT Facebook: http://facebook.com/adobecreativecloud Twitter: http://twitter.com/creativecloud Instagram: http://www.instagram.com/adobecreativecloud/ Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
published: 31 Jul 2017 -
HOW EARLY VITAPHONE SOUND MOTION PICTURES WORKED - 1926
A description and demonstration of the Warner Bros Vitaphone sound and film system. Vitaphone was the 1st commercially successful sound system for motion pictures. Sound was recorded on a wax disc (record) synchronized to the camera. Copies of the disc were played back synchronized to the projector. The system was phased out in the 1930's and replaced with an optical sound track printed on the film.
published: 13 Jul 2015 -
MILFORD SOUND + Moby Ambient 4K New Zealand Nature Relaxation Film [30 Min Teaser]
Deep within Fiordland National Park lies New Zealand’s most stunning natural attraction: Milford Sound. Almost always shrowded in a veil of mist, rain, and fog, Milford's beauty often eludes cameras although in this particular case, I brought three different 4K cameras and was blessed with some spectacular filming conditions. For the first time ever in 4K, anyone can relax in the heart of one of the world's most famous natural wonders - and thanks to the amazing clarity of 4K ultra high definition - discover the secret of her beauty. Critically acclaimed musician Moby contributes four hours of ambient music which perfectly suits the cool, sublime yet transformative environment which surorunds Milford Sound. The full version of this film is 4 hours - this version is a merely 30 minute tea...
published: 03 Mar 2017 -
Rhythm | The Sound of Change Experience | Full Surf Movie
This is a Rhythm surf documentary brought together by likeminded folk to blend surf, art, music, travel & craftsmanship through various chapters, into one total experience. The film takes you on a journey around the world from Australia’s East Coast to Indonesia, Northern Africa and the famous pointbreaks of central California. Overlay art filters were created in our studio & the original soundtrack was recorded in the Rhythm warehouse by Neal Purchase Jnr & The Brown Byrds plus Alex Wall from the Wax Witches. Featuring Neal Purchase Jr, Asher Pacey, Ryan Lovelace, Kai Annetts, Jordan Spee and Diogo Appleton. Edited by Nick Jones. Rhythm Livin: http://www.rhythmlivin.com/ More full films to watch here: https://goo.gl/4WbMqc The Global Extreme Sports YouTube Network! Pushing the limits ...
published: 16 Mar 2016 -
Sound of Edmonton - Official Film
WARNING: Contains strong language, viewer discretion is advised A Film By Evan van Ramshorst What began as a passion for Edmonton music has manifested itself as a documentary which focuses on finding out what makes an Edmonton musician tick and why this city is a special place for the artists that call it home. At Her Feet: https://www.facebook.com/AtHerFeetBand Brother Octopus: https://www.facebook.com/Brotheroctopus Carl For Breakfast: https://www.facebook.com/carlforbreakfast Christian Hansen: http://www.christianhansenband.com Craig Martell: https://www.facebook.com/newwunderbar Death By Robot: http://www.deathbyrobot.ca Doug Organ: http://www.edmontone.com Good Friday Brawl: https://www.facebook.com/GFM780 I Am Machi: http://www.iammachi.com Jesse and The Dandelions: http://jessean...
published: 19 Sep 2014
The History of Sound at the Movies
- Order: Reorder
- Duration: 33:20
- Updated: 11 Aug 2014
- views: 115817
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound...
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
https://wn.com/The_History_Of_Sound_At_The_Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bonus material at: https://staging1.filmmakeriq.com/courses/history-sound-movies/
The inclusion of sound at the movies was one of the most dramatic changes in all of film history. Dive into the early experiments of Edison trying to incorporate sound from film’s inception, through the experiments in the early 1920s, the Jazz Singer and the industry sound overhaul, and finally the multi-channel surround and modern movie sound technologies.
If you have any further questions be sure to check out our questions page on Filmmaker IQ:
https://filmmakeriq.com/balcony_categories/questions/
- published: 11 Aug 2014
- views: 115817
Sound Mixing for Film - LIVE with Tom Antos
- Order: Reorder
- Duration: 2:14:22
- Updated: 24 Sep 2016
- views: 8784
More info: http://tomantosfilms.com/live/
Exclusive tutorials: http://tomantosfilms.com/store/
FREE filmmaking tutorials here: http://bit.ly/Tmd65z
Join me liv...
More info: http://tomantosfilms.com/live/
Exclusive tutorials: http://tomantosfilms.com/store/
FREE filmmaking tutorials here: http://bit.ly/Tmd65z
Join me live while I show you how I mix audio in my indie productions, video and films.
Moderated by Paul Naz. Check out his channel for cool audio gear reviews https://goo.gl/1dkEaH
----------------------------------------------------------------------------------
Remember, in filmmaking there's no problems, just a lack of solutions!
Follow me on:
Twitter: http://twitter.com/TomAntos
Facebook http://www.facebook.com/TomAntosFilms
Google+ http://bit.ly/18oyRJB
My name's Tom Antos. I am a film director and cinematographer with over 15 years experience in VFX & animation.
Jak sie masz?! I'm originally from Poland ;)
Check out my channel here: http://www.youtube.com/user/polcan99
https://wn.com/Sound_Mixing_For_Film_Live_With_Tom_Antos
More info: http://tomantosfilms.com/live/
Exclusive tutorials: http://tomantosfilms.com/store/
FREE filmmaking tutorials here: http://bit.ly/Tmd65z
Join me live while I show you how I mix audio in my indie productions, video and films.
Moderated by Paul Naz. Check out his channel for cool audio gear reviews https://goo.gl/1dkEaH
----------------------------------------------------------------------------------
Remember, in filmmaking there's no problems, just a lack of solutions!
Follow me on:
Twitter: http://twitter.com/TomAntos
Facebook http://www.facebook.com/TomAntosFilms
Google+ http://bit.ly/18oyRJB
My name's Tom Antos. I am a film director and cinematographer with over 15 years experience in VFX & animation.
Jak sie masz?! I'm originally from Poland ;)
Check out my channel here: http://www.youtube.com/user/polcan99
- published: 24 Sep 2016
- views: 8784
The Distortion of Sound [Full Film]
- Order: Reorder
- Duration: 22:08
- Updated: 11 Jul 2014
- views: 3880437
The Distortion of Sound is a documentary about the decline of sound quality and how technology has changed the way we listen to music. It will open your ears an...
The Distortion of Sound is a documentary about the decline of sound quality and how technology has changed the way we listen to music. It will open your ears and inspire you to reach for richer, more soul-stirring musical experiences. Hear it all at http://www.DistortionOfSound.com
CAST:
Mike Shinoda • Slash • Quincy Jones • Snoop Dogg • Steve Aoki • Hans Zimmer • Andrew Scheps • Manny Marroquin • Dan the Automator • Lianne La Havas • Kate Nash • A.R. Rahman • Neil Strauss • Chris Ludwig • Greg Timbers • Dr. Sean Olive
https://wn.com/The_Distortion_Of_Sound_Full_Film
The Distortion of Sound is a documentary about the decline of sound quality and how technology has changed the way we listen to music. It will open your ears and inspire you to reach for richer, more soul-stirring musical experiences. Hear it all at http://www.DistortionOfSound.com
CAST:
Mike Shinoda • Slash • Quincy Jones • Snoop Dogg • Steve Aoki • Hans Zimmer • Andrew Scheps • Manny Marroquin • Dan the Automator • Lianne La Havas • Kate Nash • A.R. Rahman • Neil Strauss • Chris Ludwig • Greg Timbers • Dr. Sean Olive
- published: 11 Jul 2014
- views: 3880437
Sound for Film: Breaking into Audio Post-Production
- Order: Reorder
- Duration: 58:20
- Updated: 26 Mar 2014
- views: 11758
Music and sound effects are powerful tools for storytelling. Behind every successful film is a talented team of sound designer, editors, and mixers. Find out ho...
Music and sound effects are powerful tools for storytelling. Behind every successful film is a talented team of sound designer, editors, and mixers. Find out how our panelists worked their way into working on audio post-production for Hollywood blockbusters.
Panel:
Frank Scheuring
2001 Recording Arts graduate; Owner/Mixer/Sound Editor at Capital Audio Post
David Farmer
2011 Hall of Fame Inductee; Supervising Sound Editor/Sound Designer
Marc Fishman
2010 Hall of Fame Inductee; Re-Recording Mixer, Technicolor Sound At Paramount
Mike Orlowski
Dubbing Stage Engineer, Full Sail University
Gary Rizzo
2009 Hall of Fame Inductee; Re-Recording Mixer, Skywalker Sound
Learn more at http://w.fullsail.edu/fsrecordingarts
https://wn.com/Sound_For_Film_Breaking_Into_Audio_Post_Production
Music and sound effects are powerful tools for storytelling. Behind every successful film is a talented team of sound designer, editors, and mixers. Find out how our panelists worked their way into working on audio post-production for Hollywood blockbusters.
Panel:
Frank Scheuring
2001 Recording Arts graduate; Owner/Mixer/Sound Editor at Capital Audio Post
David Farmer
2011 Hall of Fame Inductee; Supervising Sound Editor/Sound Designer
Marc Fishman
2010 Hall of Fame Inductee; Re-Recording Mixer, Technicolor Sound At Paramount
Mike Orlowski
Dubbing Stage Engineer, Full Sail University
Gary Rizzo
2009 Hall of Fame Inductee; Re-Recording Mixer, Skywalker Sound
Learn more at http://w.fullsail.edu/fsrecordingarts
- published: 26 Mar 2014
- views: 11758
Sound of Cinema The Music that Made the Movies Part 1 The Big Score
- Order: Reorder
- Duration: 59:02
- Updated: 24 Sep 2013
- views: 26222
HND Music Production Resources
HND Music Production Resources
https://wn.com/Sound_Of_Cinema_The_Music_That_Made_The_Movies_Part_1_The_Big_Score
Ship In Bad Weather Film & Sound- No Music-Blizzard-Rough Ocean Waves And Thunderstorm Sounds
- Order: Reorder
- Duration: 2:39:31
- Updated: 20 Jan 2017
- views: 55639
A couple of people have asked me to make a long video of storm footage. Apparently it's relaxing??? It helps them sleep??????
Not quite sure how that works sinc...
A couple of people have asked me to make a long video of storm footage. Apparently it's relaxing??? It helps them sleep??????
Not quite sure how that works since it's the last thing that we can do!!!
However, a little bit of research into very long videos showing the same sort of thing over a few hours has shown me that they can be quite popular?????????
With this in mind I have cobbled together 2 1/2 hours of storm footage. It will take me a couple of days to upload but, if it's your cup of tea, then you're in for a treat 😀
https://wn.com/Ship_In_Bad_Weather_Film_Sound_No_Music_Blizzard_Rough_Ocean_Waves_And_Thunderstorm_Sounds
A couple of people have asked me to make a long video of storm footage. Apparently it's relaxing??? It helps them sleep??????
Not quite sure how that works since it's the last thing that we can do!!!
However, a little bit of research into very long videos showing the same sort of thing over a few hours has shown me that they can be quite popular?????????
With this in mind I have cobbled together 2 1/2 hours of storm footage. It will take me a couple of days to upload but, if it's your cup of tea, then you're in for a treat 😀
- published: 20 Jan 2017
- views: 55639
Best Music and Sound Effects for Film Making
- Order: Reorder
- Duration: 25:24
- Updated: 28 Sep 2014
- views: 51487
Looking for great sound effects and music to improve the audio for your next film projects? In this video I discuss where to find the best free / paid) sound ef...
Looking for great sound effects and music to improve the audio for your next film projects? In this video I discuss where to find the best free / paid) sound effects and scores for film making!
If you want more details, go check out the blog on my website:
http://www.surfacedstudio.com/tutorials/best-music-and-sound-effects-for-film-making
BEST FREE SOUND EFFECTS & MUSIC
http://freesound.org/
http://incompetech.com/music/
https://machinimasound.com/
https://www.youtube.com/audiolibrary/music
https://www.youtube.com/audiolibrary/soundeffects
BEST PAID SOUND EFFECTS & MUSIC:
https://www.videocopilot.net/products/proscores/
https://www.videocopilot.net/products/dsfx/
http://creatingfilm.com/royalty-free-music-pack/
http://triune-store.myshopify.com/collections/sound-effects/products/triune-sound-lord-of-war-sfx
http://triune-store.myshopify.com/collections/digital-downloads/products/fighting-sfx
http://triune-store.myshopify.com/collections/digital-downloads/products/triune-score-cinema-toast-crunch-vol-1
Triune Films has a lot of different options on their sound packs and you can find them all on the main page for their store:
http://triune-store.myshopify.com/collections/digital-downloads
WHY USE PAID SOUND EFFECTS & MUSIC?
Why use paid resources when you can find great free sound effects and music?
Here are 4 good reasons:
1: Sound Quality
Professionally crafted film scores and sound effects usually sound much bigger and better than the audio that people make available online for free.
2: Accessibility
Searching through free resources online can be very, very time consuming. Having a few dedicated film score and sound effect packs at your disposal makes this process much faster and for me, being always short on time, that's definitely worth the money.
3: Copyright
It can be hard to prove that you have the right to use some music or some audio file you downloaded for free from some website that may no longer even exist. By purchasing your music and your sound effects you get a receipt and a license with your name that you can use to easily prove without doubt that you have the legal rights to use these sounds.
4: Price
A lot of great paid sound and music packs available are now well within the affordable range for low budget film makers like myself and there are some really great options out there that I highly recommend you check out.
YOU TOOK MY CREDIT!
https://www.youtube.com/watch?v=Nedx0ErpsPc
------------------------------
MY GEAR
------------------------------
MAIN CAMERA - http://amzn.to/2rRkGzg (Canon 5D Mark III)
MAIN LENS - http://amzn.to/2rRfX0M (Canon EF 24-70mm II USM)
VLOGGING CAMERA - http://amzn.to/2ssqgtm (Canon G7X)
CHEAPER BUT GREAT - http://amzn.to/2seov29 (Canon S120)
BEST 4K DRONE - http://bit.ly/2ssRu33 (DJI Mavic Pro)
RECOMMENDED BUNDLE - http://bit.ly/2sefwhG (DJI Fly More Combo)
CHEAPER & SMALLER - http://bit.ly/2rmecFj (DJI Spark)
AUDIO RECORDER - http://amzn.to/2rhmz9U (Zoom H5)
CHEAPER BUT GREAT - http://amzn.to/2r9zOpf (Zoom H2N)
SHOTGUN MIC - http://amzn.to/2tbYUEe (Zoom SGH-6)
ON CAMERA MIC - http://amzn.to/2r9vXZi (Rode Videomic)
HEADPHONES - http://amzn.to/2r9K6p8 (Audio Technica ATH-M50X)
TRAVEL TRIPOD - http://amzn.to/2s29yyl (Manfrotto MKCOMPACTLT)
------------------------------
MY SOFTWARE
------------------------------
ADOBE CREATIVE CLOUD - http://bit.ly/2sjvyaA
HITFILM PRO - http://bit.ly/2steXRz
------------------------------
FOLLOW ME
------------------------------
YOUTUBE - https://www.youtube.com/surfacedstudio
FACEBOOK - https://www.facebook.com/surfacedstudio
TWITTER - https://www.twitter.com/surfacedstudio
INSTAGRAM - https://www.instagram.com/surfacedstudio
PATREON - https://www.patreon.com/surfacedstudio
GOOGLE PLUS - http://plus.google.com/+SurfacedStudio
------------------------------
FRIENDLY DISCLAIMER
------------------------------
Some of the links above are affiliate links and I will earn a small commission if you purchase through them.
It won't cost you anything extra though so if you would like to support me, please consider using them :)
Thank you!
Video & Music - Copyright © 2014 SurfacedStudio
https://wn.com/Best_Music_And_Sound_Effects_For_Film_Making
Looking for great sound effects and music to improve the audio for your next film projects? In this video I discuss where to find the best free / paid) sound effects and scores for film making!
If you want more details, go check out the blog on my website:
http://www.surfacedstudio.com/tutorials/best-music-and-sound-effects-for-film-making
BEST FREE SOUND EFFECTS & MUSIC
http://freesound.org/
http://incompetech.com/music/
https://machinimasound.com/
https://www.youtube.com/audiolibrary/music
https://www.youtube.com/audiolibrary/soundeffects
BEST PAID SOUND EFFECTS & MUSIC:
https://www.videocopilot.net/products/proscores/
https://www.videocopilot.net/products/dsfx/
http://creatingfilm.com/royalty-free-music-pack/
http://triune-store.myshopify.com/collections/sound-effects/products/triune-sound-lord-of-war-sfx
http://triune-store.myshopify.com/collections/digital-downloads/products/fighting-sfx
http://triune-store.myshopify.com/collections/digital-downloads/products/triune-score-cinema-toast-crunch-vol-1
Triune Films has a lot of different options on their sound packs and you can find them all on the main page for their store:
http://triune-store.myshopify.com/collections/digital-downloads
WHY USE PAID SOUND EFFECTS & MUSIC?
Why use paid resources when you can find great free sound effects and music?
Here are 4 good reasons:
1: Sound Quality
Professionally crafted film scores and sound effects usually sound much bigger and better than the audio that people make available online for free.
2: Accessibility
Searching through free resources online can be very, very time consuming. Having a few dedicated film score and sound effect packs at your disposal makes this process much faster and for me, being always short on time, that's definitely worth the money.
3: Copyright
It can be hard to prove that you have the right to use some music or some audio file you downloaded for free from some website that may no longer even exist. By purchasing your music and your sound effects you get a receipt and a license with your name that you can use to easily prove without doubt that you have the legal rights to use these sounds.
4: Price
A lot of great paid sound and music packs available are now well within the affordable range for low budget film makers like myself and there are some really great options out there that I highly recommend you check out.
YOU TOOK MY CREDIT!
https://www.youtube.com/watch?v=Nedx0ErpsPc
------------------------------
MY GEAR
------------------------------
MAIN CAMERA - http://amzn.to/2rRkGzg (Canon 5D Mark III)
MAIN LENS - http://amzn.to/2rRfX0M (Canon EF 24-70mm II USM)
VLOGGING CAMERA - http://amzn.to/2ssqgtm (Canon G7X)
CHEAPER BUT GREAT - http://amzn.to/2seov29 (Canon S120)
BEST 4K DRONE - http://bit.ly/2ssRu33 (DJI Mavic Pro)
RECOMMENDED BUNDLE - http://bit.ly/2sefwhG (DJI Fly More Combo)
CHEAPER & SMALLER - http://bit.ly/2rmecFj (DJI Spark)
AUDIO RECORDER - http://amzn.to/2rhmz9U (Zoom H5)
CHEAPER BUT GREAT - http://amzn.to/2r9zOpf (Zoom H2N)
SHOTGUN MIC - http://amzn.to/2tbYUEe (Zoom SGH-6)
ON CAMERA MIC - http://amzn.to/2r9vXZi (Rode Videomic)
HEADPHONES - http://amzn.to/2r9K6p8 (Audio Technica ATH-M50X)
TRAVEL TRIPOD - http://amzn.to/2s29yyl (Manfrotto MKCOMPACTLT)
------------------------------
MY SOFTWARE
------------------------------
ADOBE CREATIVE CLOUD - http://bit.ly/2sjvyaA
HITFILM PRO - http://bit.ly/2steXRz
------------------------------
FOLLOW ME
------------------------------
YOUTUBE - https://www.youtube.com/surfacedstudio
FACEBOOK - https://www.facebook.com/surfacedstudio
TWITTER - https://www.twitter.com/surfacedstudio
INSTAGRAM - https://www.instagram.com/surfacedstudio
PATREON - https://www.patreon.com/surfacedstudio
GOOGLE PLUS - http://plus.google.com/+SurfacedStudio
------------------------------
FRIENDLY DISCLAIMER
------------------------------
Some of the links above are affiliate links and I will earn a small commission if you purchase through them.
It won't cost you anything extra though so if you would like to support me, please consider using them :)
Thank you!
Video & Music - Copyright © 2014 SurfacedStudio
- published: 28 Sep 2014
- views: 51487
Around the world in 1896! videos from 1800's with added sound
- Order: Reorder
- Duration: 42:04
- Updated: 21 Aug 2016
- views: 12516
Britannia Panopticon will be celebrating 120 years of film being shown in this building. This video shows footage of that year around the world with added sound...
Britannia Panopticon will be celebrating 120 years of film being shown in this building. This video shows footage of that year around the world with added sound to bring it to life.
https://wn.com/Around_The_World_In_1896_Videos_From_1800's_With_Added_Sound
Britannia Panopticon will be celebrating 120 years of film being shown in this building. This video shows footage of that year around the world with added sound to bring it to life.
- published: 21 Aug 2016
- views: 12516
The Sound of Rogue One: A Star Wars Story
- Order: Reorder
- Duration: 33:38
- Updated: 23 Mar 2017
- views: 53571
*Trouble viewing? Try on a laptop or desktop copmuter.
Rogue One's gritty, war film aesthetic is a real departure for the Star Wars franchise, and this realism ...
*Trouble viewing? Try on a laptop or desktop copmuter.
Rogue One's gritty, war film aesthetic is a real departure for the Star Wars franchise, and this realism is born out in the sound design. We visited the iconic Skywalker Sound to talk to Supervising Sound Editors Christopher Scarabosio and Matthew Wood about world creation, making sci-fi weapons sound realistic, and how some unexpected sampling brought K-2SO — the film’s sardonic and loveable droid — to life!
We also discover the secrets of Foley artist Ronni Brown and Foley Mixer Frank Aglieri-Rinella who reveal how they made the Rogue One stormtroopers sound more menacing.
To hear the final effect of all the techniques described in this feature, you can order Rogue One now in Digital HD or Blu-Ray/DVD: http://www.starwars.com/rogue-one
https://wn.com/The_Sound_Of_Rogue_One_A_Star_Wars_Story
*Trouble viewing? Try on a laptop or desktop copmuter.
Rogue One's gritty, war film aesthetic is a real departure for the Star Wars franchise, and this realism is born out in the sound design. We visited the iconic Skywalker Sound to talk to Supervising Sound Editors Christopher Scarabosio and Matthew Wood about world creation, making sci-fi weapons sound realistic, and how some unexpected sampling brought K-2SO — the film’s sardonic and loveable droid — to life!
We also discover the secrets of Foley artist Ronni Brown and Foley Mixer Frank Aglieri-Rinella who reveal how they made the Rogue One stormtroopers sound more menacing.
To hear the final effect of all the techniques described in this feature, you can order Rogue One now in Digital HD or Blu-Ray/DVD: http://www.starwars.com/rogue-one
- published: 23 Mar 2017
- views: 53571
First Sound of Movies Promo
- Order: Reorder
- Duration: 59:19
- Updated: 12 Apr 2015
- views: 1977
This is a preview of the award-winning and popular showcase of the historic DeForest Phonofilms with its story of the pioneering work done in the development of...
This is a preview of the award-winning and popular showcase of the historic DeForest Phonofilms with its story of the pioneering work done in the development of the sound-on-film process.
https://wn.com/First_Sound_Of_Movies_Promo
This is a preview of the award-winning and popular showcase of the historic DeForest Phonofilms with its story of the pioneering work done in the development of the sound-on-film process.
- published: 12 Apr 2015
- views: 1977
Sound Design for Film master class - Part 1
- Order: Reorder
- Duration: 20:58
- Updated: 13 Apr 2014
- views: 8421
Sound Design for Film master class by Composer, ADR Recordist, Film Sound Designer and Israeli Academy award winner for best soundtrack (Haborer) - Yoss Appelba...
Sound Design for Film master class by Composer, ADR Recordist, Film Sound Designer and Israeli Academy award winner for best soundtrack (Haborer) - Yoss Appelbaum at SAE Institute Thailand on 16 December 2013.
https://wn.com/Sound_Design_For_Film_Master_Class_Part_1
Sound Design for Film master class by Composer, ADR Recordist, Film Sound Designer and Israeli Academy award winner for best soundtrack (Haborer) - Yoss Appelbaum at SAE Institute Thailand on 16 December 2013.
- published: 13 Apr 2014
- views: 8421
Sound for Video Session: Mixing Effects for a Short Film
- Order: Reorder
- Duration: 20:30
- Updated: 15 Jan 2017
- views: 811
If you're interested in learning how to record and post process dialogue sound for video, please look at my courses available at http://school.learnlightandsoun...
If you're interested in learning how to record and post process dialogue sound for video, please look at my courses available at http://school.learnlightandsound.com
In this week’s sound for video session I demonstrate how I mixed the effects for a recent short film from my friend Levi Whitney with Uphill Cinema - http://uphillcinema.com
I recorded the production sound. Levi directed and DP’d.
In this demo, I quickly demonstrate the overall idea of mixing the sound effects for a short film. For serious projects I would definitely spend more time on the details but wanted to give you a quick example to show the basics. I hope you find it useful!
Gear used to produce this episode:
——————————————————————————————————
Audio Technica AT4053b Hyper-Cardioid Microphone (the dialogue and effects in the film were recorded with this)
Amazon: http://amzn.to/2imepEb
B&H;: https://www.bhphotovideo.com/c/product/642499-REG/Audio_Technica_AT4053B_AT4053b_Hypercardioid_Condenser_Microphone.html/BI/19904/KBID/12941/kw/AUAT4053B/DFF/d10-v2-t1-xAUAT4053B
——————————————————————————————————
Sound Devices 633 Field Mixer/Recorder (the film sound was recorded with the 633)
DVeStore: http://www.dvestore.com/guy-says-gear-reviews/audio/audio-recorders-mixers/sound-devices-633-six-input-compact-mixer-with-10-track-recorder/#aid=6242
——————————————————————————————————
Electrovoice RE20 Dynamic Microphone (Voiceover for this demo was recorded with this)
Amazon: http://amzn.to/1Y2oPrh
B&H;: http://www.bhphotovideo.com/c/product/76681-REG/Electro_Voice_16207816_RE20_Cardoid_Voiceover.html/BI/19904/KBID/12941/kw/ELRE20/DFF/d10-v2-t1-xELRE20
——————————————————————————————————
Antelope Orion Studio Audio Interface (Voiceover for this demo was recorded with this)
B&H;: https://www.bhphotovideo.com/c/product/1223816-REG/antelope_orst_orion_studio_multichannel_interface.html/BI/19904/KBID/12941/kw/ANORST/DFF/d10-v2-t1-xANORST
——————————————————————————————————
Copyright 2016 by Curtis Judd
Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!
https://wn.com/Sound_For_Video_Session_Mixing_Effects_For_A_Short_Film
If you're interested in learning how to record and post process dialogue sound for video, please look at my courses available at http://school.learnlightandsound.com
In this week’s sound for video session I demonstrate how I mixed the effects for a recent short film from my friend Levi Whitney with Uphill Cinema - http://uphillcinema.com
I recorded the production sound. Levi directed and DP’d.
In this demo, I quickly demonstrate the overall idea of mixing the sound effects for a short film. For serious projects I would definitely spend more time on the details but wanted to give you a quick example to show the basics. I hope you find it useful!
Gear used to produce this episode:
——————————————————————————————————
Audio Technica AT4053b Hyper-Cardioid Microphone (the dialogue and effects in the film were recorded with this)
Amazon: http://amzn.to/2imepEb
B&H;: https://www.bhphotovideo.com/c/product/642499-REG/Audio_Technica_AT4053B_AT4053b_Hypercardioid_Condenser_Microphone.html/BI/19904/KBID/12941/kw/AUAT4053B/DFF/d10-v2-t1-xAUAT4053B
——————————————————————————————————
Sound Devices 633 Field Mixer/Recorder (the film sound was recorded with the 633)
DVeStore: http://www.dvestore.com/guy-says-gear-reviews/audio/audio-recorders-mixers/sound-devices-633-six-input-compact-mixer-with-10-track-recorder/#aid=6242
——————————————————————————————————
Electrovoice RE20 Dynamic Microphone (Voiceover for this demo was recorded with this)
Amazon: http://amzn.to/1Y2oPrh
B&H;: http://www.bhphotovideo.com/c/product/76681-REG/Electro_Voice_16207816_RE20_Cardoid_Voiceover.html/BI/19904/KBID/12941/kw/ELRE20/DFF/d10-v2-t1-xELRE20
——————————————————————————————————
Antelope Orion Studio Audio Interface (Voiceover for this demo was recorded with this)
B&H;: https://www.bhphotovideo.com/c/product/1223816-REG/antelope_orst_orion_studio_multichannel_interface.html/BI/19904/KBID/12941/kw/ANORST/DFF/d10-v2-t1-xANORST
——————————————————————————————————
Copyright 2016 by Curtis Judd
Ethics statement: Some of the links above are affiliate links which means that if you click on them and buy, I get a small commission. You don't pay more by clicking these links than if you just went to the retailer’s web site on your own. I use the proceeds to buy additional gear to review and help you improve your sound, lighting, and video. Thanks for your support!
- published: 15 Jan 2017
- views: 811
Hindi af somali 🚕 Taxi No 1
- Order: Reorder
- Duration: 2:02:51
- Updated: 11 Sep 2017
- views: 36823
Please subscribe to SaafifilmsTopic
Like comment share
Follow me on Facebook: https://www.facebook.com/profile.php?id=100016431879649
A taxi driver and orphan...
Please subscribe to SaafifilmsTopic
Like comment share
Follow me on Facebook: https://www.facebook.com/profile.php?id=100016431879649
A taxi driver and orphan join a battle to save royal heirs from a corrupt, greedy businessman.
Initial release: May 5, 2016 (India, Kuwait)
https://wn.com/Hindi_Af_Somali_🚕_Taxi_No_1
Please subscribe to SaafifilmsTopic
Like comment share
Follow me on Facebook: https://www.facebook.com/profile.php?id=100016431879649
A taxi driver and orphan join a battle to save royal heirs from a corrupt, greedy businessman.
Initial release: May 5, 2016 (India, Kuwait)
- published: 11 Sep 2017
- views: 36823
Musica per film: dalla composizione al sound engineering @ CPM Music Institute
- Order: Reorder
- Duration: 1:25:32
- Updated: 05 May 2016
- views: 670
http://www.cpm.it/ INFO corsi@cpm.it
CPM OPEN WEEK Maggio 2016
In diretta dal Teatro del CPM Music Institute di Milano
Ospiti: Riccardo Giagni, Maurizio Argenti...
http://www.cpm.it/ INFO corsi@cpm.it
CPM OPEN WEEK Maggio 2016
In diretta dal Teatro del CPM Music Institute di Milano
Ospiti: Riccardo Giagni, Maurizio Argentieri e Fabrizio Campanelli.
Modera: Diego Maggi
https://wn.com/Musica_Per_Film_Dalla_Composizione_Al_Sound_Engineering_Cpm_Music_Institute
Do I sound gay?
- Order: Reorder
- Duration: 1:17:24
- Updated: 10 Mar 2016
- views: 89794
Do I sound gay? Documentary film
Do I sound gay? Documentary film
https://wn.com/Do_I_Sound_Gay
Sound Design for Film/Video & Games with Audition CC| Adobe Creative Cloud
- Order: Reorder
- Duration: 1:08:04
- Updated: 31 Jul 2017
- views: 1008
In this livestream, Principal Evangelist Jason Levine will walk you thru common processes and techniques for creating sound effects and sync'ing to picture in A...
In this livestream, Principal Evangelist Jason Levine will walk you thru common processes and techniques for creating sound effects and sync'ing to picture in Audition CC. Part 1 of 2. Subscribe: https://www.youtube.com/user/adobecreativecloud?sub_confirmation=1
LET’S CONNECT
Facebook: http://facebook.com/adobecreativecloud
Twitter: http://twitter.com/creativecloud
Instagram: http://www.instagram.com/adobecreativecloud/
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
https://wn.com/Sound_Design_For_Film_Video_Games_With_Audition_Cc|_Adobe_Creative_Cloud
In this livestream, Principal Evangelist Jason Levine will walk you thru common processes and techniques for creating sound effects and sync'ing to picture in Audition CC. Part 1 of 2. Subscribe: https://www.youtube.com/user/adobecreativecloud?sub_confirmation=1
LET’S CONNECT
Facebook: http://facebook.com/adobecreativecloud
Twitter: http://twitter.com/creativecloud
Instagram: http://www.instagram.com/adobecreativecloud/
Adobe Creative Cloud gives you the world's best creative apps so you can turn your brightest ideas into your greatest work across your desktop and mobile devices.
- published: 31 Jul 2017
- views: 1008
HOW EARLY VITAPHONE SOUND MOTION PICTURES WORKED - 1926
- Order: Reorder
- Duration: 33:53
- Updated: 13 Jul 2015
- views: 1039
A description and demonstration of the Warner Bros Vitaphone sound and film system. Vitaphone was the 1st commercially successful sound system for motion pictur...
A description and demonstration of the Warner Bros Vitaphone sound and film system. Vitaphone was the 1st commercially successful sound system for motion pictures. Sound was recorded on a wax disc (record) synchronized to the camera. Copies of the disc were played back synchronized to the projector. The system was phased out in the 1930's and replaced with an optical sound track printed on the film.
https://wn.com/How_Early_Vitaphone_Sound_Motion_Pictures_Worked_1926
A description and demonstration of the Warner Bros Vitaphone sound and film system. Vitaphone was the 1st commercially successful sound system for motion pictures. Sound was recorded on a wax disc (record) synchronized to the camera. Copies of the disc were played back synchronized to the projector. The system was phased out in the 1930's and replaced with an optical sound track printed on the film.
- published: 13 Jul 2015
- views: 1039
MILFORD SOUND + Moby Ambient 4K New Zealand Nature Relaxation Film [30 Min Teaser]
- Order: Reorder
- Duration: 30:17
- Updated: 03 Mar 2017
- views: 32322
Deep within Fiordland National Park lies New Zealand’s most stunning natural attraction: Milford Sound. Almost always shrowded in a veil of mist, rain, and fog,...
Deep within Fiordland National Park lies New Zealand’s most stunning natural attraction: Milford Sound. Almost always shrowded in a veil of mist, rain, and fog, Milford's beauty often eludes cameras although in this particular case, I brought three different 4K cameras and was blessed with some spectacular filming conditions. For the first time ever in 4K, anyone can relax in the heart of one of the world's most famous natural wonders - and thanks to the amazing clarity of 4K ultra high definition - discover the secret of her beauty. Critically acclaimed musician Moby contributes four hours of ambient music which perfectly suits the cool, sublime yet transformative environment which surorunds Milford Sound. The full version of this film is 4 hours - this version is a merely 30 minute teaser to build the excitement!
Filmed on the Sony A7RII, Canon 1DC, and DJI Zenmuse X5 in Milford Sound, New Zealand, January 2017. Full version coming soon, and subscribers of Nature Relaxation On-Demand will be the first to see it! If you are not already subscribed to my monthly SVOD service, I strongly recommend it as it gets you access on all your devices plus instant new video updates. Learn more / try free at http://www.NatureRelaxation.com/ondemand or simply search for Nature Relaxation on any app store. (Xbox App coming in a few weeks!)
https://wn.com/Milford_Sound_Moby_Ambient_4K_New_Zealand_Nature_Relaxation_Film_30_Min_Teaser
Deep within Fiordland National Park lies New Zealand’s most stunning natural attraction: Milford Sound. Almost always shrowded in a veil of mist, rain, and fog, Milford's beauty often eludes cameras although in this particular case, I brought three different 4K cameras and was blessed with some spectacular filming conditions. For the first time ever in 4K, anyone can relax in the heart of one of the world's most famous natural wonders - and thanks to the amazing clarity of 4K ultra high definition - discover the secret of her beauty. Critically acclaimed musician Moby contributes four hours of ambient music which perfectly suits the cool, sublime yet transformative environment which surorunds Milford Sound. The full version of this film is 4 hours - this version is a merely 30 minute teaser to build the excitement!
Filmed on the Sony A7RII, Canon 1DC, and DJI Zenmuse X5 in Milford Sound, New Zealand, January 2017. Full version coming soon, and subscribers of Nature Relaxation On-Demand will be the first to see it! If you are not already subscribed to my monthly SVOD service, I strongly recommend it as it gets you access on all your devices plus instant new video updates. Learn more / try free at http://www.NatureRelaxation.com/ondemand or simply search for Nature Relaxation on any app store. (Xbox App coming in a few weeks!)
- published: 03 Mar 2017
- views: 32322
Rhythm | The Sound of Change Experience | Full Surf Movie
- Order: Reorder
- Duration: 22:25
- Updated: 16 Mar 2016
- views: 191296
This is a Rhythm surf documentary brought together by likeminded folk to blend surf, art, music, travel & craftsmanship through various chapters, into one total...
This is a Rhythm surf documentary brought together by likeminded folk to blend surf, art, music, travel & craftsmanship through various chapters, into one total experience. The film takes you on a journey around the world from Australia’s East Coast to Indonesia, Northern Africa and the famous pointbreaks of central California. Overlay art filters were created in our studio & the original soundtrack was recorded in the Rhythm warehouse by Neal Purchase Jnr & The Brown Byrds plus Alex Wall from the Wax Witches.
Featuring Neal Purchase Jr, Asher Pacey, Ryan Lovelace, Kai Annetts, Jordan Spee and Diogo Appleton.
Edited by Nick Jones.
Rhythm Livin: http://www.rhythmlivin.com/
More full films to watch here: https://goo.gl/4WbMqc
The Global Extreme Sports YouTube Network! Pushing the limits of extreme sports since 1994. Subscribe for your daily dose of action from the world of X-Treme!
Awesome new videos every day! http://goo.gl/7Vdr0
Website: http://www.x-tremevideo.com
Twitter: http://twitter.com/XTremeVideo
Facebook: http://www.facebook.com/XTvideo
https://wn.com/Rhythm_|_The_Sound_Of_Change_Experience_|_Full_Surf_Movie
This is a Rhythm surf documentary brought together by likeminded folk to blend surf, art, music, travel & craftsmanship through various chapters, into one total experience. The film takes you on a journey around the world from Australia’s East Coast to Indonesia, Northern Africa and the famous pointbreaks of central California. Overlay art filters were created in our studio & the original soundtrack was recorded in the Rhythm warehouse by Neal Purchase Jnr & The Brown Byrds plus Alex Wall from the Wax Witches.
Featuring Neal Purchase Jr, Asher Pacey, Ryan Lovelace, Kai Annetts, Jordan Spee and Diogo Appleton.
Edited by Nick Jones.
Rhythm Livin: http://www.rhythmlivin.com/
More full films to watch here: https://goo.gl/4WbMqc
The Global Extreme Sports YouTube Network! Pushing the limits of extreme sports since 1994. Subscribe for your daily dose of action from the world of X-Treme!
Awesome new videos every day! http://goo.gl/7Vdr0
Website: http://www.x-tremevideo.com
Twitter: http://twitter.com/XTremeVideo
Facebook: http://www.facebook.com/XTvideo
- published: 16 Mar 2016
- views: 191296
Sound of Edmonton - Official Film
- Order: Reorder
- Duration: 43:28
- Updated: 19 Sep 2014
- views: 2861
WARNING: Contains strong language, viewer discretion is advised
A Film By Evan van Ramshorst
What began as a passion for Edmonton music has manifested itself ...
WARNING: Contains strong language, viewer discretion is advised
A Film By Evan van Ramshorst
What began as a passion for Edmonton music has manifested itself as a documentary which focuses on finding out what makes an Edmonton musician tick and why this city is a special place for the artists that call it home.
At Her Feet: https://www.facebook.com/AtHerFeetBand
Brother Octopus: https://www.facebook.com/Brotheroctopus
Carl For Breakfast: https://www.facebook.com/carlforbreakfast
Christian Hansen: http://www.christianhansenband.com
Craig Martell: https://www.facebook.com/newwunderbar
Death By Robot: http://www.deathbyrobot.ca
Doug Organ: http://www.edmontone.com
Good Friday Brawl: https://www.facebook.com/GFM780
I Am Machi: http://www.iammachi.com
Jesse and The Dandelions: http://jesseandthedandelions.com
Latcho Drom: https://www.facebook.com/pages/Latcho-Drom/380867725270723
Landon Barrowman: http://deadcity.ca/press/
Layne Mitchell: http://www.sonic1029.com
Magnet and The Magnettes: http://www.facebook.com/magnettes
The Strugglefucks: https://www.facebook.com/thestrugglefux
Sound of YEG Productions 2014, All Rights Reserved
www.soundofyeg.com
www.facebook.com/soundofyeg
www.soundofyeg.tumblr.com
https://wn.com/Sound_Of_Edmonton_Official_Film
WARNING: Contains strong language, viewer discretion is advised
A Film By Evan van Ramshorst
What began as a passion for Edmonton music has manifested itself as a documentary which focuses on finding out what makes an Edmonton musician tick and why this city is a special place for the artists that call it home.
At Her Feet: https://www.facebook.com/AtHerFeetBand
Brother Octopus: https://www.facebook.com/Brotheroctopus
Carl For Breakfast: https://www.facebook.com/carlforbreakfast
Christian Hansen: http://www.christianhansenband.com
Craig Martell: https://www.facebook.com/newwunderbar
Death By Robot: http://www.deathbyrobot.ca
Doug Organ: http://www.edmontone.com
Good Friday Brawl: https://www.facebook.com/GFM780
I Am Machi: http://www.iammachi.com
Jesse and The Dandelions: http://jesseandthedandelions.com
Latcho Drom: https://www.facebook.com/pages/Latcho-Drom/380867725270723
Landon Barrowman: http://deadcity.ca/press/
Layne Mitchell: http://www.sonic1029.com
Magnet and The Magnettes: http://www.facebook.com/magnettes
The Strugglefucks: https://www.facebook.com/thestrugglefux
Sound of YEG Productions 2014, All Rights Reserved
www.soundofyeg.com
www.facebook.com/soundofyeg
www.soundofyeg.tumblr.com
- published: 19 Sep 2014
- views: 2861
- Playlist
- Chat
10:39
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlis...
published: 20 Apr 2016
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
- Report rights infringement
- published: 20 Apr 2016
- views: 8575
6:33
The Magic of Making Sound | That's Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film tha...
published: 12 Jan 2017
The Magic of Making Sound | That's Amazing
The Magic of Making Sound | That's Amazing
- Report rights infringement
- published: 12 Jan 2017
- views: 3484435
7:49
Sound Film History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to th...
published: 21 Jan 2014
Sound Film History
Sound Film History
- Report rights infringement
- published: 21 Jan 2014
- views: 32154
33:20
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bon...
published: 11 Aug 2014
The History of Sound at the Movies
The History of Sound at the Movies
- Report rights infringement
- published: 11 Aug 2014
- views: 115817
4:36
Pallophotophone, Sound on Film
This is my first attempt at storing audio on optical film. This technique was used from th...
published: 14 Jan 2013
Pallophotophone, Sound on Film
Pallophotophone, Sound on Film
- Report rights infringement
- published: 14 Jan 2013
- views: 2635
5:08
Recording Sound for Filmmaking
How to get better production audio on set.
Full behind the scenes playlist: https://www.y...
published: 23 Feb 2016
Recording Sound for Filmmaking
Recording Sound for Filmmaking
- Report rights infringement
- published: 23 Feb 2016
- views: 61345
15:25
Film Sound - The Art of Audio Editing, Design & Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and a...
published: 18 May 2017
Film Sound - The Art of Audio Editing, Design & Mixing
Film Sound - The Art of Audio Editing, Design & Mixing
- Report rights infringement
- published: 18 May 2017
- views: 26856
2:56
DIAGETIC AND NON-DIAGETIC SOUND
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for in...
published: 17 Dec 2014
DIAGETIC AND NON-DIAGETIC SOUND
DIAGETIC AND NON-DIAGETIC SOUND
- Report rights infringement
- published: 17 Dec 2014
- views: 41169
18:38
Why sound is important for film
This commentary was for a college assignment, obviously about sound and its importance, ho...
published: 15 Dec 2012
Why sound is important for film
Why sound is important for film
- Report rights infringement
- published: 15 Dec 2012
- views: 34847
6:00
How to Fix the Sound in Your Films
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://ds...
published: 07 Sep 2015
How to Fix the Sound in Your Films
How to Fix the Sound in Your Films
- Report rights infringement
- published: 07 Sep 2015
- views: 64418
6:21
Using Sound in Filmmaking
The three stages I go through for post production audio.
Host and Creator - Simon Cade
G...
published: 01 May 2016
Using Sound in Filmmaking
Using Sound in Filmmaking
- Report rights infringement
- published: 01 May 2016
- views: 85041
7:23
The Importance of Sound
A bit about my history and approach to sound and the gear I use.
published: 26 Oct 2014
The Importance of Sound
The Importance of Sound
- Report rights infringement
- published: 26 Oct 2014
- views: 190115
8:28
Film Sound Techniques and Theory
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
co...
published: 08 Dec 2015
Film Sound Techniques and Theory
Film Sound Techniques and Theory
- Report rights infringement
- published: 08 Dec 2015
- views: 15253
11:06
Sound on film - demonstration vid of old sound for film
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - ...
published: 05 Feb 2013
Sound on film - demonstration vid of old sound for film
Sound on film - demonstration vid of old sound for film
- Report rights infringement
- published: 05 Feb 2013
- views: 3902
- Playlist
- Chat
10:39
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
Motion Picture Production, Processes, History... playlist: https://www.youtube.com/playlis...
published: 20 Apr 2016
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
"Sound on Film" 1943 EB Films-ERPI; Optical Soundtrack Recording & Reproduction
- Report rights infringement
- published: 20 Apr 2016
- views: 8575
6:33
The Magic of Making Sound | That's Amazing
In Hollywood, everything is magic and make-believe, even sounds. When you watch a film tha...
published: 12 Jan 2017
The Magic of Making Sound | That's Amazing
The Magic of Making Sound | That's Amazing
- Report rights infringement
- published: 12 Jan 2017
- views: 3484435
7:49
Sound Film History
In 1919, American inventor Lee De Forest was awarded several patents that would lead to th...
published: 21 Jan 2014
Sound Film History
Sound Film History
- Report rights infringement
- published: 21 Jan 2014
- views: 32154
33:20
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bon...
published: 11 Aug 2014
The History of Sound at the Movies
The History of Sound at the Movies
- Report rights infringement
- published: 11 Aug 2014
- views: 115817
4:36
Pallophotophone, Sound on Film
This is my first attempt at storing audio on optical film. This technique was used from th...
published: 14 Jan 2013
Pallophotophone, Sound on Film
Pallophotophone, Sound on Film
- Report rights infringement
- published: 14 Jan 2013
- views: 2635
5:08
Recording Sound for Filmmaking
How to get better production audio on set.
Full behind the scenes playlist: https://www.y...
published: 23 Feb 2016
Recording Sound for Filmmaking
Recording Sound for Filmmaking
- Report rights infringement
- published: 23 Feb 2016
- views: 61345
15:25
Film Sound - The Art of Audio Editing, Design & Mixing
Sundance-winning film sound mixer reveals the power of dialog editing, sound design, and a...
published: 18 May 2017
Film Sound - The Art of Audio Editing, Design & Mixing
Film Sound - The Art of Audio Editing, Design & Mixing
- Report rights infringement
- published: 18 May 2017
- views: 26856
2:56
DIAGETIC AND NON-DIAGETIC SOUND
Demonstrations for Film Studies
I do not own any of the clips used here. Used only for in...
published: 17 Dec 2014
DIAGETIC AND NON-DIAGETIC SOUND
DIAGETIC AND NON-DIAGETIC SOUND
- Report rights infringement
- published: 17 Dec 2014
- views: 41169
18:38
Why sound is important for film
This commentary was for a college assignment, obviously about sound and its importance, ho...
published: 15 Dec 2012
Why sound is important for film
Why sound is important for film
- Report rights infringement
- published: 15 Dec 2012
- views: 34847
6:00
How to Fix the Sound in Your Films
After the shoot, what can we do to improve our post-production sound?
BLOG POST: http://ds...
published: 07 Sep 2015
How to Fix the Sound in Your Films
How to Fix the Sound in Your Films
- Report rights infringement
- published: 07 Sep 2015
- views: 64418
6:21
Using Sound in Filmmaking
The three stages I go through for post production audio.
Host and Creator - Simon Cade
G...
published: 01 May 2016
Using Sound in Filmmaking
Using Sound in Filmmaking
- Report rights infringement
- published: 01 May 2016
- views: 85041
7:23
The Importance of Sound
A bit about my history and approach to sound and the gear I use.
published: 26 Oct 2014
The Importance of Sound
The Importance of Sound
- Report rights infringement
- published: 26 Oct 2014
- views: 190115
8:28
Film Sound Techniques and Theory
The different techniques and theories behind the use of sound in film.
Volume
Fidelity
co...
published: 08 Dec 2015
Film Sound Techniques and Theory
Film Sound Techniques and Theory
- Report rights infringement
- published: 08 Dec 2015
- views: 15253
11:06
Sound on film - demonstration vid of old sound for film
Instruction - demonstration of the techniques of sound for film.
T shirts & Bags - Film - ...
published: 05 Feb 2013
Sound on film - demonstration vid of old sound for film
Sound on film - demonstration vid of old sound for film
- Report rights infringement
- published: 05 Feb 2013
- views: 3902
- Playlist
- Chat
33:20
The History of Sound at the Movies
Take the full Filmmaker IQ course on the History of Sound at the movies with sauce and bon...
published: 11 Aug 2014
The History of Sound at the Movies
The History of Sound at the Movies
- Report rights infringement
- published: 11 Aug 2014
- views: 115817
2:14:22
Sound Mixing for Film - LIVE with Tom Antos
More info: http://tomantosfilms.com/live/
Exclusive tutorials: http://tomantosfilms.com/st...
published: 24 Sep 2016
Sound Mixing for Film - LIVE with Tom Antos
Sound Mixing for Film - LIVE with Tom Antos
- Report rights infringement
- published: 24 Sep 2016
- views: 8784
22:08
The Distortion of Sound [Full Film]
The Distortion of Sound is a documentary about the decline of sound quality and how techno...
published: 11 Jul 2014
The Distortion of Sound [Full Film]
The Distortion of Sound [Full Film]
- Report rights infringement
- published: 11 Jul 2014
- views: 3880437
58:20
Sound for Film: Breaking into Audio Post-Production
Music and sound effects are powerful tools for storytelling. Behind every successful film ...
published: 26 Mar 2014
Sound for Film: Breaking into Audio Post-Production
Sound for Film: Breaking into Audio Post-Production
- Report rights infringement
- published: 26 Mar 2014
- views: 11758
59:02
Sound of Cinema The Music that Made the Movies Part 1 The Big Score
HND Music Production Resources
published: 24 Sep 2013
Sound of Cinema The Music that Made the Movies Part 1 The Big Score
Sound of Cinema The Music that Made the Movies Part 1 The Big Score
- Report rights infringement
- published: 24 Sep 2013
- views: 26222
2:39:31
Ship In Bad Weather Film & Sound- No Music-Blizzard-Rough Ocean Waves And Thunderstorm Sounds
A couple of people have asked me to make a long video of storm footage. Apparently it's re...
published: 20 Jan 2017
Ship In Bad Weather Film & Sound- No Music-Blizzard-Rough Ocean Waves And Thunderstorm Sounds
Ship In Bad Weather Film & Sound- No Music-Blizzard-Rough Ocean Waves And Thunderstorm Sounds
- Report rights infringement
- published: 20 Jan 2017
- views: 55639
25:24
Best Music and Sound Effects for Film Making
Looking for great sound effects and music to improve the audio for your next film projects...
published: 28 Sep 2014
Best Music and Sound Effects for Film Making
Best Music and Sound Effects for Film Making
- Report rights infringement
- published: 28 Sep 2014
- views: 51487
42:04
Around the world in 1896! videos from 1800's with added sound
Britannia Panopticon will be celebrating 120 years of film being shown in this building. T...
published: 21 Aug 2016
Around the world in 1896! videos from 1800's with added sound
Around the world in 1896! videos from 1800's with added sound
- Report rights infringement
- published: 21 Aug 2016
- views: 12516
33:38
The Sound of Rogue One: A Star Wars Story
*Trouble viewing? Try on a laptop or desktop copmuter.
Rogue One's gritty, war film aesthe...
published: 23 Mar 2017
The Sound of Rogue One: A Star Wars Story
The Sound of Rogue One: A Star Wars Story
- Report rights infringement
- published: 23 Mar 2017
- views: 53571
59:19
First Sound of Movies Promo
This is a preview of the award-winning and popular showcase of the historic DeForest Phono...
published: 12 Apr 2015
First Sound of Movies Promo
First Sound of Movies Promo
- Report rights infringement
- published: 12 Apr 2015
- views: 1977
20:58
Sound Design for Film master class - Part 1
Sound Design for Film master class by Composer, ADR Recordist, Film Sound Designer and Isr...
published: 13 Apr 2014
Sound Design for Film master class - Part 1
Sound Design for Film master class - Part 1
- Report rights infringement
- published: 13 Apr 2014
- views: 8421
20:30
Sound for Video Session: Mixing Effects for a Short Film
If you're interested in learning how to record and post process dialogue sound for video, ...
published: 15 Jan 2017
Sound for Video Session: Mixing Effects for a Short Film
Sound for Video Session: Mixing Effects for a Short Film
- Report rights infringement
- published: 15 Jan 2017
- views: 811
2:02:51
Hindi af somali 🚕 Taxi No 1
Please subscribe to SaafifilmsTopic
Like comment share
Follow me on Facebook: https://www...
published: 11 Sep 2017
Hindi af somali 🚕 Taxi No 1
Hindi af somali 🚕 Taxi No 1
- Report rights infringement
- published: 11 Sep 2017
- views: 36823
1:25:32
Musica per film: dalla composizione al sound engineering @ CPM Music Institute
http://www.cpm.it/ INFO corsi@cpm.it
CPM OPEN WEEK Maggio 2016
In diretta dal Teatro del C...
published: 05 May 2016
Musica per film: dalla composizione al sound engineering @ CPM Music Institute
Musica per film: dalla composizione al sound engineering @ CPM Music Institute
- Report rights infringement
- published: 05 May 2016
- views: 670
The History of Sound at the Movies...
Sound Mixing for Film - LIVE with Tom Antos...
![The Distortion of Sound [Full Film]](http://web.archive.org./web/20170922091501/https://i.ytimg.com/vi/mDZcz-V29_M/0.jpg)
The Distortion of Sound [Full Film]...
Sound for Film: Breaking into Audio Post-Productio...
Sound of Cinema The Music that Made the Movies ...
Ship In Bad Weather Film & Sound- No Music-Blizzar...
Best Music and Sound Effects for Film Making...
Around the world in 1896! videos from 1800's with ...
The Sound of Rogue One: A Star Wars Story...
First Sound of Movies Promo...
Sound Design for Film master class - Part 1...
Sound for Video Session: Mixing Effects for a Shor...
Hindi af somali 🚕 Taxi No 1...
Musica per film: dalla composizione al sound engin...
Do I sound gay?...
Sound Design for Film/Video & Games with Audition ...
HOW EARLY VITAPHONE SOUND MOTION PICTURES WORKED -...
MILFORD SOUND + Moby Ambient 4K New Zealand Nature...
Rhythm | The Sound of Change Experience | Full Sur...
Sound of Edmonton - Official Film...
back
N.Korea may consider H-bomb test in Pacific, Kim calls Trump 'deranged'
Edit Deccan Herald 22 Sep 2017
North Korean leader Kim Jong Un. Reuters file photo. North Korea said on Friday it might test a hydrogen bomb on the Pacific Ocean after U.S. President Donald Trump vowed to destroy the country, with leader Kim Jong Un promising to make a "mentally deranged" Trump pay dearly for his threats. Kim, who has traded ever-more heightened rhetoric with Trump, did not specify what his response would be ... "SLEEPWALKING INTO WAR" ... MORE TIME ... The U.S ... ....
back
India slams Pakistan, calls it ‘Terroristan’
Edit The Siasat Daily 22 Sep 2017
New York. Exercising its right of reply in the general debate at the ongoing UN General Assembly Session here, India slammed Pakistan for its support to terrorism, labelling it as “Terroristan“ ... “The quest for land of pure has actually produced a ‘land of pure terror’,” Gambhir said ... —IANS Read More ....
back
Oklahoma Police Shoot Deaf, Blind Man As Neighbors Yell 'He Can't Hear!'
Edit WorldNews.com 21 Sep 2017
Police in Oklahoma on Tuesday night shot and killed a deaf man that they claimed was advancing toward them with a metal pipe, although witnesses present told the officers he was deaf and could not hear them, according to National Public Radio. The Oklahoma City Police Department has had five officer-involved shootings in the city this year. Officers were initially responding to a hit-and-run accident, according to Capt ... Lt ... ....
back
US urges all nations to stop the spread of nuclear weapons
Edit The Indiana Times 22 Sep 2017
UNITED NATIONS (AP) — U.S. Secretary of State Rex Tillerson appealed to the international community, especially Russia and China, to stop the spread of nuclear weapons, calling North Korea a case study of the failure to prevent rogue states from ... ....
back
Trump Aims For Trade Crack Down With New Sanctions on North Korea
Edit WorldNews.com 21 Sep 2017
U.S. President Donald Trump announced that he signed a new executive order on Thursday that expanded the U.S. government's authority to target individuals, companies, and financial institutions that maintained ties with North Korea, escalating the global campaign of putting pressure on the repressive regime to cease their nuclear ambitions, according to Politico. "Foreign banks will face a clear choice ... and China ... ... -WN.com, Maureen Foody....
This New Wes Anderson Film Will Make You Hug Your Dog
Edit Inquirer 22 Sep 2017
Sounds cruel, doesn't it? Well, the plot of Wes Anderson's new film,Isle of Dogs, will let you experience just that ... film,Isle of......
The New Parkway’s first ever Foreign Film Week features unique, diverse lineup
Edit The Daily Californian 22 Sep 2017
The New Parkway Theater, a favorite local cinema in Downtown Oakland is hosting its first-ever Foreign Film Week ... Having held music-themed and indie-themed weeks already this year, The New Parkway is featuring a unique lineup of foreign films from Sept ... “It was kind of handed to me, like, ‘Hey I’m going to let you program for film week.’ … This gives me the opportunity to play some of the stuff that I don’t normally play.”....
Two Malayalam films in global contest at International Film Festival of Kerala
Edit Deccan Chronicle 22 Sep 2017
Thiruvananthapuram. Two Malayalam films have been chosen to compete in the international competition section at International Film Festival of Kerala. Sanju Surendran’s Aeden....
San Sebastian: Latido Films, Colombia’s 64-A Films Strike Sales Alliance (EXCLUSIVE)
Edit Variety 22 Sep 2017
SAN SEBASTIAN — Madrid-based Latido Films and Colombia’s 64-A Films have pacted for Latido to take world sales rights on two anticipated films from top Colombian director Carlos Moreno (“Dog Eat Dog,” “All Your Dead Ones”). The move comes as Latido, one of the most prominent sales companies in the Spanish-speaking world, heads into San Sebastián with... Read more » ... ....
East Sherman Baptist Church hosting Servants' Sound
Edit Herald Democrat 22 Sep 2017
SHERMAN — East Sherman Baptist Church will host Servants’ Sound at its 10.15 a.m. worship service Sunday.Southern Sound is a contemporary Southern gospel quartet that has performed before enthusiastic audiences and congregations throughout North Texas. When asked why the church had selected Servants’ Sound, church secretary Linda ......
Wi-fi oceans to wash whale sounds over Dunedin
Edit Stuff 22 Sep 2017
The sounds of whales and other marine mammals can be heard around Dunedin courtesy of a "wi-fi ocean" ... Visitors will hear different marine life, such as pilot whales and Hector's dolphins, as they walk under the Sounding exhibition's umbrellas ... It contrasted with early settlers complaining about the sounds of southern right whales in the harbour....
Animation Is Film Festival Announces Full Slate
Edit Topix 22 Sep 2017
The Animation is Film Festival has announced its full slate of films for their upcoming event which takes place October 20-22 at the TCL Chinese 6 Theater in Hollywood. Films set to screen premieres of The Breadwinner, Mary and the Witch's Flower, Big Fish and Begonia as well as special screenings of Snow White and the Seven Dwarfs and Pixar's The Incredibles, which will also include a sneak peek of their upcoming film Coco ... ....
Shraddha Kapoor's okay with doing films with senior heroes
Edit DNA India 22 Sep 2017
She says, “Why won’t I do a film with them? ... She says, “Why won’t I do a film with them? ... film alongside them, I will happily do it....
Matthew McConaughey, Lincoln film ad in Washington state
Edit San Francisco Chronicle 22 Sep 2017
(AP) — Famous actor Matthew McConaughey was spotted filming a Lincoln car commercial in Washington state ... Roy resident Katy Burkett, who owns property near the film site, says she saw McConaughey with her own eyes ... took the day off work to watch the filming. Roy Police Chief Darwin Armitage said filming was scheduled to last into Thursday night....
Oscar watch: Mad World picked as Hong Kong entry for best foreign-language film race
Edit South China Morning Post 22 Sep 2017
The low-budget drama Mad World , which marked the feature directing debut of young filmmaker Wong Chun, has been chosen as Hong Kong’s candidate for best foreign-language film at the Academy Awards. The selection was made by the Federation of Motion Film Producers of Hong Kong from a shortlist of four titles, which also include ... Film review....
Mystic Aquarium receives $150,000 grant for Long Island Sound exhibit
Edit The Day 22 Sep 2017
U.S. Rep. Joe Courtney, D-2nd District, announced Thursday that Mystic Aquarium has received $150,000 in federal funds to develop a new Long Island Sound exhibit ... ....
Global Barrier Films Flexible Electronics Sales Market Price, Revenue, Production and Forecast Until 2022
Edit Community news 22 Sep 2017
Geographically, this report split global into several key Regions, with sales (MT), revenue (Million USD), market share and growth rate of Barrier Films Flexible Electronics for these regions, from 2012 to 2022 (forecast), covering. ... Browse Full Report with TOC @ http.//www.marketresearchhub.com/report/global-barrier-films-flexible-electronics-sales-market-report-2017-report.html ... 1 Barrier Films Flexible Electronics Market Overview....
- 1
- 2
- 3
- 4
- 5
- Next page »
