Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
Raw is the second studio album by American hip hop recording artist Hopsin. The album was released on November 19, 2010, by Funk Volume. On the song 'Sag My Pants' Hopsin disses mainstream rappers Drake, Lil Wayne, Soulja Boy, and Lupe Fiasco. He also disses the widowed wife of Eazy-E, Tomica Wright, vowing that he'll 'make sure no one signs with Ruthless Records again. Despite the release of the previous album, Gazing at the Moonlight, Hopsin considers Raw as his debut album. Upon release it peaked at number 46 on the Billboard Heatseekers Albums chart.
Raw is a 2006 live album by rock band Ra. Songs are taken from their former albums From One, and Duality. "Don't Turn Away" is a newly recorded track and is also included in their 2008 album Black Sun.
Vocalist Sahaj Ticotin broke the record for the longest single note for a male vocalist in a song, having held a high B for 24 seconds during "Skorn". Sahaj overtook the previous record of 20.2 seconds which was held by Morten Harket in his song "Summer Moved On". Ra released an e-card on September 12, 2006, where the song "Don't Turn Away" could be streamed. The entire album of Raw can be downloaded for free on Ra's website.
D12, an initialism for The Dirty Dozen, is an American hip hop group from Detroit, Michigan. D12 has had chart-topping albums in the United States, United Kingdom, and Australia. D12 was formed in 1996, and achieved mainstream success after Eminem rose to international fame. D12 released the album Devil's Night in 2001 and D12 World in 2004, spawning numerous hits such as "Fight Music", "Purple Pills", "My Band", "How Come" and "Shit on You" throughout that period. Since 2006, Eminem's hiatus and the death of the member Proof resulted in them being less active in subsequent years.
In order to make up the dozen, it was decided the six members at the time would each create an alter-ego. Proof's was Dirty Harry, Bizarre's was Peter S. Bizarre, Kuniva's was Hannz G. (which later became Rondell Beene), Kon Artis's was Mr. Porter, Bugz' was Robert Beck and Eminem created the famous character Slim Shady.
In 1997, they released their debut album, The Underground EP, which was recorded between 1996 and 1997. In 1997 and through 1998, its members began establishing reputations locally. Bizarre was named Inner City Entertainment's "Flava of the Week" and went on to release an album called Attack of the Weirdos. Along with Eminem, Rah Digga and Young Zee, he became an honorary member of The Outsidaz. Proof won a freestyling competition run by The Source. In 1999, Bugz released an EP called These Streets EP, and made several appearances on other rapper's songs.
Swift (Shen Li-Min) is a fictional comic book superhero in the Wildstorm universe, published by DC Comics. Swift first appeared in Stormwatch #28 and was created by Jeff Mariotte and Ron Lim. She is currently a member of The Authority.
When a comet passed by Earth, it activated a genetic quirk in some people that would manifest into superpowers either naturally or through special Seedlings called Activators. Swift was one such Seedling. Swift was brought into Stormwatch as a rookie, with her powers only partially activated. Weatherman Henry Bendix later reconfigured the Stormwatch teams, assigning her to Stormwatch Black, Stormwatch's black ops team, alongside Jenny Sparks (with whom she had a brief romance) and Jack Hawksmoor. It was then that Christine Trelane offered to fully activate Swift's powers, bringing out their full potential, and she accepted.
After Stormwatch disbanded, Swift joined former teammates in The Authority. Formerly a pacifist, she has put aside those beliefs to fight for a better world regardless of the cost. She has fought all over the world, from Moscow to Mexico to Gamora Island. During the Transfer of Power storyline, Swift was replaced by Rush from Canada after being taken out of a fight by radioactive feces. Swift was brainwashed into becoming the obedient trophy wife of a television mogul who had been part of the conspiracy to replace her and her team. She was insulted at every opportunity, from having her cooking ignored to the implications she could not remember large words. Eventually she overheard the "off-button" code of the monster Three-Willied Seth and proceeded to free herself. She literally took the heads of the television mogul and his software billionaire co-conspirator. She also saved her friend Angela Spica, the Engineer, and killed the man who had been abusing Angela.
Dogs is the first album by American singer-songwriter Nina Nastasia. It was originally released in 2000 by Socialist Records and re-released in 2004 by Touch and Go Records.
John Peel has described the album as "astonishing".
Engineer Steve Albini has described it as one of the albums he is the most proud of, as well as one of his personal favorites:
Engineered by Steve Albini at Electrical Audio in Chicago.
Raw was a comics anthology edited by Art Spiegelman and Françoise Mouly and published by Mouly from 1980 to 1991. It was a flagship publication of the 1980s alternative comics movement, serving as a more intellectual counterpoint to Robert Crumb's visceral Weirdo, which followed squarely in the underground tradition of Zap and Arcade. Along with the more genre-oriented Heavy Metal it was also one of the main venues for European comics in the United States in its day.
Spiegelman has often described the reasoning and process that led Mouly to start the magazine: after the demise of Arcade, the '70s underground comics anthology he co-edited with Bill Griffith, and the general waning of the underground scene, Spiegelman was despairing that comics for adults might fade away for good, but he had sworn not to work on another magazine where he would be editing his peers because of the tension and jealousies involved; however, Mouly had her own reasons for wanting to do just that. Having set up her small publishing company, Raw Books & Graphics, in 1977, she saw a magazine encompassing the range of her graphic and literary interests as a more attractive prospect than publishing a series of books. At the time, large-format, graphic punk and New Wave design magazines like Wet were distributed in independent bookstores. Mouly had earlier installed a printing press in their fourth floor walk-up Soho loft and experimented with different bindings and printing techniques. She and Spiegelman eventually settled on a very bold, large-scale and upscale package. Calling Raw a "graphix magazine", they hoped their unprecedented approach would bypass readers' prejudices against comics and force them to look at the work with new eyes.
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