- published: 08 Jun 2014
- views: 30503
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For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen!
This special restored edition from the 3-D Film Archive will be released on 3-D Blu-ray by Kino Lorber Studio Classics on March 1, 2016.
Working from master left/right 35mm materials, this 3-D rarity has been beautifully restored shot-by-shot by Archive Technical Director Greg Kintz for optimum stereoscopic presentation.
Every shot in the film required up to six levels of correction. We have done extensive color restoration as the only surviving 35mm left side element is totally faded, image stabilization, flicker reduction, stereoscopic vertical alignment and left/right panel matching. With additional dirt/damage clean-up by Thad Komorowski, we are proud to present GOG looking better than ever before.
PLEASE NOTE - This original trailer has not been restored.
- published: 13 Oct 2015
- views: 1605
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to date. The region A 3-D Blu-ray will be released on March 1, 2016 by Kino Lorber.
This 1954 MGM/United Artists feature was lost in 3-D for nearly five decades. We have just completed a shot by shot restoration using the only existing elements: a 35mm interpositive of the right side and a completely faded 1954 Pathe color release print of the left. This restoration clip shows before and after comparisons of the raw scans to our final restored left/right masters.
Every individual shot required six levels of painstaking correction by Archive Technical Director Greg Kintz. They include stereoscopic vertical alignment; color restoration; left/right panel matching; image stabilization; left side flicker reduction/detail restoration and dirt/damage clean-up by Thad Komorowski. http://www.thadkomorowski.com/portfolio/digital-restoration/
GOG was beautifully photographed by Lothrop B. Worth with the Natural Vision camera, the same rig used on such 3-D classics as HOUSE OF WAX, THE CHARGE AT FEATHER RIVER, BWANA DEVIL, and the now lost TOP BANANA with Phil Silvers. http://www.3dfilmarchive.com/lost-3-d
GOG was released very late in the 3-D cycle and had only five known 3-D playdates, all in southern California in June and July of 1954: Los Angeles, Hollywood, Van Nuys and two theaters in Bakersfield. The Blu-ray marks the first wide 3-D release.
It was sold by United Artists to TV syndication in September 1956 and was only seen in murky, flat, black and white full frame 16mm prints for the next several decades. The first TV broadcast in color was on WTBS cable in the early 1980's and was transferred from a worn and washed-out 16mm print.
GOG was lost in 3-D until the missing 35mm left side was found by Bob Furmanek in 2001. The full story of this important discovery is told in the commentary track which also includes production history from science-fiction/horror historian Tom Weaver and music expert David Schecter from Monstrous Movie Music: http://www.mmmrecordings.com/index.html
The disc includes trailers for other 3-D Film Archive restorations, a production short on the history of GOG and its restoration plus archival interviews with GOG director Herbert L. Strock and DP/Natural Vision co-creator Lothrop B. Worth.
Click here to watch the original trailer: https://www.youtube.com/watch?v=-Haw0Ua-tG0
- published: 21 Jan 2016
- views: 2346
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk!
- published: 21 Mar 2008
- views: 4573
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", but I was 24 so that's to be expected. This was my friend Dom's first movie. For more information, read on...
***
This film to me is an astonishing work! What you see here is rough-- the film was made almost fifty years ago and the video of it has deteriorated. Why do I say it's astonishing? I made it without any formal training in directing or editing or producing. I was 24 when I started the project. I wrote the script, acted the lead, directed it, edited it, co-produced it. In other words, I behaved as a fool, an ignoramus, and a megalomaniac. Is it any surprise, then, that the piece is seriously flawed?
And yet-- as I watch it now, an old man, my career essentially behind me, I find real virtues in it. It was completed in 1960, played a few festivals: there was no Sundance in those days. It played in the Edinburgh Festival, the Boston Film Festival, the Bleeker Street Cinema Festival sponsored by Jonas Mekas group. There was definite hostility from the Mekas group. All of the films in the festival were either 8mm or 16mm. "Gog, Magog" had been shot in 35 mm! (it was shot, incidentally, in three days) At the Bleeker Festival, Mekas' star director, Ron Rice, shouted out when I appeared on screen, "It's Errol Flynn!" Mekas insisted that the projector be shut down. The critic Edouard de Laurot, who had been a partner with Mekas and then a rival, was a fan of my film and promptly assaulted Rice. A near-riot broke out. De Laurot ran up on the stage, grabbed a microphone, and screamed out, "My name is Edouard de Laurot. In 1954, with Jonas Mekas, I founded 'Film Culture Magazine' and began the American film avante garde movement and you, Jonas Mekas, have betrayed the movement!"
There was more shouting and scuffling, but finally the film was allowed to play and it was received not altogether badly. For a few weeks a minor battle raged in avante circles. De Laurot was a passionate defender of "Gog, Magog"-- as was Peter Bogdanovich, who was only a teen-ager then, but an influential avante garde critic. De Laurot, a passionate, if somewhat lunatic leftist, kept comparing me to Fidel Castro, who had only recently come into power in Cuba. Truth is, however, my film had little to do with what Mekas and his crowd were up to. People liked the acting in the film, some liked the style, many, including the British film bible, "Sight and Sound Magazine", found it heavy-handed and overwrought. Reviewing the film in the Edinborough Festival, they called it "unbelievably pretentious." At some point, the legendary Hollywood director, Otto Preminger, screened it in his apartment on Manhattan's Upper East side. After, I asked him how he liked it. "Not very much," he said in his heavy Teutonic accent. I was, of course, somewhat nonplussed. "How was my acting?" I muttered. "You're a very good actor," he said.
The film was a watershed in my career. It convinced me I should not direct film: I did not have the stamina or guts. I also discovered that I didn't have the stomach to be an actor: I took criticism far too personally. I did remain comfortable as a writer, however, and over the next few years devoted myself more and more to writing and eventually forged a career as a novelist, playwright, and screenwriter. But now, in my near dotage, I look at this flawed attempt and ask myself, why was I so hard on myself? What was I making such a big deal about? It was my first film. I accomplished an amazing, mini-Orson Welles, imaginative success. I could have been a director, an auteur; I could have had a possibly lucrative career as an actor. I was much, much too hard on myself. In watching "Gog, Magog" you'll have to play all three sections and live with the overlapping footage. Let me know what you think! Oh, yes, you'll notice that wonderful Dom Deluise has a supporting part in the film. He was a dear friend and it was his first movie.
- published: 06 Feb 2010
- views: 1259
Creepy Robots from old films
Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role. Throughout history and popular culture, Creepy Robots from old films have reflected the mood, social and cultural issues, and technology of their times.
In "Creepy robots from old films" Youll see the oldest films with the first apperiance of robots in different kinds of creepy and funny shapes.
Robotic characters were often created, in part, as a way to probe and examine prototypical humans endowed with anthropomorphic (but artificial) intelligence or characteristics, or to express fears that humans could be replaced or displaced by robots that mimic human qualities. Terms related to robots include:
- robot or 'robotic', often used pejoratively, to refer to any 'programmed' device that performs mechanically or automatically without original thought
- android (or humanoid) refers to an automaton or artificial man that possesses human features and resembles a human being
- cyborg (or bionic man/woman) refers to a human whose body and physiological processes are aided or controlled, in whole or in part, by electronic or mechanical devices.
List of films used in Creepy Robots from old films:
The Master Mystery (1920) (aka The Houdini Serial, and Le Maitre du Mystere)
Metropolis (1927, Ger.)
The Phantom Creeps (1939)
The Day The Earth Stood Still (1951)
Mother Riley Meets the Vampire (1952, UK) (aka My Son, the Vampire, and Vampire Over London)
Robot Monster (1953)
Devil Girl From Mars (1954, UK)
Gog (1954) (aka GOG)
Target Earth (1954)
Tobor the Great (1954)
Forbidden Planet (1956)
Kronos: Ravager of Planets (1957) (aka Kronos)
The Mysterians (1957, Jp.) (aka Earth Defense Force, or Chikyu Boueigun)
The Colossus of New York (1958)
The Robot vs. the Aztec Mummy (1958) (aka La Momia Azteca Contra el Robot Humano, Sp.)
Dr. Satan's Robot (1966)
Logan's Run (1976)
- published: 25 Sep 2013
- views: 1769
Gog is a 1954 science fiction film directed by Herbert L. Strock and released in 1954 by United Artists. It is notable for having been shot in color, widescreen and 3-D. It stars Richard Egan, Constance Dowling, and Herbert Marshall.
It is the third episode in Ivan Tors' Office of Scientific Investigation (OSI) trilogy, following The Magnetic Monster and Riders to the Stars.
Unaccountable, deadly malfunctions begin occurring at a top-secret government facility under the New Mexico desert where a space station is being constructed. OSI agents are called in to investigate.
Laboratory supervisor Dr. Van Ness calls in Dr. David Sheppard, a security agent from the Office of Scientific Investigation in Washington, DC, to find the cause of the mysterious deaths. Working with Joanna Merritt, an OSI agent already at the facility, Sheppard determines that the deaths among the lab's 150 top scientists are due to deliberate sabotage of NOVAC (Nuclear Operative Variable Automatic Computer), a central computer which controls all equipment in the underground facility.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Gog_(film)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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82:05Gog 1954 Classis Scifi
Gog 1954 Classis ScifiGog 1954 Classis Scifi
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5:25Gog (1954) - Attack of the Adorable 1950s Robot!
Gog (1954) - Attack of the Adorable 1950s Robot! -
2:03GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen! This special restored edition from the 3-D Film Archive will be released on 3-D Blu-ray by Kino Lorber Studio Classics on March 1, 2016. Working from master left/right 35mm materials, this 3-D rarity has been beautifully restored shot-by-shot by Archive Technical Director Greg Kintz for optimum stereoscopic presentation. Every shot in the film required up to six levels of correction. We have done extensive color restoration as the only surviving 35mm left side element is totally faded, image stabilization, flicker reduction, stereoscopic vertical alignment and left/right panel matching. With additional dirt/damage clean-up by Thad Komorowski, we are proud to present GOG looking better than ever before. PLEASE NOTE - This original trailer has not been restored. -
125:28Gog (1954)
Gog (1954)Gog (1954)
go to this one = www.bit.ly/1Qte5x9 chek -
4:36GOG : Frankenstein of Steel (1954) Movie Preview
GOG : Frankenstein of Steel (1954) Movie Preview -
2:57GOG - 3D Restoration Examples
GOG - 3D Restoration ExamplesGOG - 3D Restoration Examples
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to date. The region A 3-D Blu-ray will be released on March 1, 2016 by Kino Lorber. This 1954 MGM/United Artists feature was lost in 3-D for nearly five decades. We have just completed a shot by shot restoration using the only existing elements: a 35mm interpositive of the right side and a completely faded 1954 Pathe color release print of the left. This restoration clip shows before and after comparisons of the raw scans to our final restored left/right masters. Every individual shot required six levels of painstaking correction by Archive Technical Director Greg Kintz. They include stereoscopic vertical alignment; color restoration; left/right panel matching; image stabilization; left side flicker reduction/detail restoration and dirt/damage clean-up by Thad Komorowski. http://www.thadkomorowski.com/portfolio/digital-restoration/ GOG was beautifully photographed by Lothrop B. Worth with the Natural Vision camera, the same rig used on such 3-D classics as HOUSE OF WAX, THE CHARGE AT FEATHER RIVER, BWANA DEVIL, and the now lost TOP BANANA with Phil Silvers. http://www.3dfilmarchive.com/lost-3-d GOG was released very late in the 3-D cycle and had only five known 3-D playdates, all in southern California in June and July of 1954: Los Angeles, Hollywood, Van Nuys and two theaters in Bakersfield. The Blu-ray marks the first wide 3-D release. It was sold by United Artists to TV syndication in September 1956 and was only seen in murky, flat, black and white full frame 16mm prints for the next several decades. The first TV broadcast in color was on WTBS cable in the early 1980's and was transferred from a worn and washed-out 16mm print. GOG was lost in 3-D until the missing 35mm left side was found by Bob Furmanek in 2001. The full story of this important discovery is told in the commentary track which also includes production history from science-fiction/horror historian Tom Weaver and music expert David Schecter from Monstrous Movie Music: http://www.mmmrecordings.com/index.html The disc includes trailers for other 3-D Film Archive restorations, a production short on the history of GOG and its restoration plus archival interviews with GOG director Herbert L. Strock and DP/Natural Vision co-creator Lothrop B. Worth. Click here to watch the original trailer: https://www.youtube.com/watch?v=-Haw0Ua-tG0 -
1:18Gog - A Frankenstein of Steel!
Gog - A Frankenstein of Steel!Gog - A Frankenstein of Steel!
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk! -
1:441954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD] -
9:03Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", but I was 24 so that's to be expected. This was my friend Dom's first movie. For more information, read on... *** This film to me is an astonishing work! What you see here is rough-- the film was made almost fifty years ago and the video of it has deteriorated. Why do I say it's astonishing? I made it without any formal training in directing or editing or producing. I was 24 when I started the project. I wrote the script, acted the lead, directed it, edited it, co-produced it. In other words, I behaved as a fool, an ignoramus, and a megalomaniac. Is it any surprise, then, that the piece is seriously flawed? And yet-- as I watch it now, an old man, my career essentially behind me, I find real virtues in it. It was completed in 1960, played a few festivals: there was no Sundance in those days. It played in the Edinburgh Festival, the Boston Film Festival, the Bleeker Street Cinema Festival sponsored by Jonas Mekas group. There was definite hostility from the Mekas group. All of the films in the festival were either 8mm or 16mm. "Gog, Magog" had been shot in 35 mm! (it was shot, incidentally, in three days) At the Bleeker Festival, Mekas' star director, Ron Rice, shouted out when I appeared on screen, "It's Errol Flynn!" Mekas insisted that the projector be shut down. The critic Edouard de Laurot, who had been a partner with Mekas and then a rival, was a fan of my film and promptly assaulted Rice. A near-riot broke out. De Laurot ran up on the stage, grabbed a microphone, and screamed out, "My name is Edouard de Laurot. In 1954, with Jonas Mekas, I founded 'Film Culture Magazine' and began the American film avante garde movement and you, Jonas Mekas, have betrayed the movement!" There was more shouting and scuffling, but finally the film was allowed to play and it was received not altogether badly. For a few weeks a minor battle raged in avante circles. De Laurot was a passionate defender of "Gog, Magog"-- as was Peter Bogdanovich, who was only a teen-ager then, but an influential avante garde critic. De Laurot, a passionate, if somewhat lunatic leftist, kept comparing me to Fidel Castro, who had only recently come into power in Cuba. Truth is, however, my film had little to do with what Mekas and his crowd were up to. People liked the acting in the film, some liked the style, many, including the British film bible, "Sight and Sound Magazine", found it heavy-handed and overwrought. Reviewing the film in the Edinborough Festival, they called it "unbelievably pretentious." At some point, the legendary Hollywood director, Otto Preminger, screened it in his apartment on Manhattan's Upper East side. After, I asked him how he liked it. "Not very much," he said in his heavy Teutonic accent. I was, of course, somewhat nonplussed. "How was my acting?" I muttered. "You're a very good actor," he said. The film was a watershed in my career. It convinced me I should not direct film: I did not have the stamina or guts. I also discovered that I didn't have the stomach to be an actor: I took criticism far too personally. I did remain comfortable as a writer, however, and over the next few years devoted myself more and more to writing and eventually forged a career as a novelist, playwright, and screenwriter. But now, in my near dotage, I look at this flawed attempt and ask myself, why was I so hard on myself? What was I making such a big deal about? It was my first film. I accomplished an amazing, mini-Orson Welles, imaginative success. I could have been a director, an auteur; I could have had a possibly lucrative career as an actor. I was much, much too hard on myself. In watching "Gog, Magog" you'll have to play all three sections and live with the overlapping footage. Let me know what you think! Oh, yes, you'll notice that wonderful Dom Deluise has a supporting part in the film. He was a dear friend and it was his first movie. -
36:08Creepy Robots From Old Films
Creepy Robots From Old FilmsCreepy Robots From Old Films
Creepy Robots from old films Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role. Throughout history and popular culture, Creepy Robots from old films have reflected the mood, social and cultural issues, and technology of their times. In "Creepy robots from old films" Youll see the oldest films with the first apperiance of robots in different kinds of creepy and funny shapes. Robotic characters were often created, in part, as a way to probe and examine prototypical humans endowed with anthropomorphic (but artificial) intelligence or characteristics, or to express fears that humans could be replaced or displaced by robots that mimic human qualities. Terms related to robots include: - robot or 'robotic', often used pejoratively, to refer to any 'programmed' device that performs mechanically or automatically without original thought - android (or humanoid) refers to an automaton or artificial man that possesses human features and resembles a human being - cyborg (or bionic man/woman) refers to a human whose body and physiological processes are aided or controlled, in whole or in part, by electronic or mechanical devices. List of films used in Creepy Robots from old films: The Master Mystery (1920) (aka The Houdini Serial, and Le Maitre du Mystere) Metropolis (1927, Ger.) The Phantom Creeps (1939) The Day The Earth Stood Still (1951) Mother Riley Meets the Vampire (1952, UK) (aka My Son, the Vampire, and Vampire Over London) Robot Monster (1953) Devil Girl From Mars (1954, UK) Gog (1954) (aka GOG) Target Earth (1954) Tobor the Great (1954) Forbidden Planet (1956) Kronos: Ravager of Planets (1957) (aka Kronos) The Mysterians (1957, Jp.) (aka Earth Defense Force, or Chikyu Boueigun) The Colossus of New York (1958) The Robot vs. the Aztec Mummy (1958) (aka La Momia Azteca Contra el Robot Humano, Sp.) Dr. Satan's Robot (1966) Logan's Run (1976) -
24:04Gog - Giant Brain Novac
Gog - Giant Brain NovacGog - Giant Brain Novac
1954 -
24:59PDX TRIP-HOP UNDERGROUND
PDX TRIP-HOP UNDERGROUND
'Gog' is featured as a movie character in the following productions:
Celestial Hunt (2013)
Actors: Will Leon (actor), Honda King (actress), Karen Lewsader (actress), Cisco Saavedra (actor), Bill Wetherill (actor), Melissa Wiehl (actress), Jesse Eyman III (producer), Jesse Eyman III (miscellaneous crew), Jesse Eyman III (writer), Jesse Eyman III (actor), Jesse Eyman III (director), Rani Sweis (actor), Raymond Scott (actor), Kristi Lawrence (actress), Roy K. Fox (actor),
Plot: Due to Adam's fall, Lucifer's dark angels are now able to attack creation. A battle of angels takes place as time begins and perverts eternity. Lucifer sends GOG, a demon prince, along with a special class of dark celestials called the Four Horse Riders, to hunt for a powerful weapon beyond imagining which has been secretly kept hidden for six millennia. As the battle rages and the darkness is prevailing, Stephen (Shammah), after six years of peace is pulled into the war again trying to stop Lucifer's search, all the while trying to keep his own whereabouts unknown to the Archangel Michael.
Genres: Action, Drama, Thriller,Taglines: Part Two of the Celestial Run Trilogy
Quotes:
Garrett: Oh Lord, let this be the turn of the tide.The Return of the Moonwalker (2012)
Actors: Claudine Biswas (actress), Chris Romero (actor), Uwe Meyer (actor), Peter Brownbill (actor), Marc Hodapp (actor), Florian Erlbeck (composer), Mike Maria (actor), Mike Maria (producer), Mike Maria (director), Mike Maria (writer), Ana Mena (actress), Louis DeVaughn Nelson (actor), Mike Moreau (writer), Mike Moreau (producer), Firas Sabbagh (editor),
Genres: Comedy,The Pascal Sign (2010)
Actors: Aleh Neliubin (actor), Bill Finkbiner (actor), Ruman Kazi (actor), Jackie Manker (actress), Guy Stephens (actor), Kevin Crawford (actor), Paul Russell (actor), Ben Bovee (actor), Michelle Beedle (actress), Joe Noelker (actor), Joe Weil (director), Macia Noorman (actress), Rhonda Husak (actress), Jake Torchin (editor), Linda Kennedy (actress),
Plot: Six months ago, a phenomenon of international proportions now known as The Pascal Sign presented to the world an outline of its final days, with November 17th denoted as the day the earth would end. While some believe the prediction and others are more skeptical, the effects of the Pascal Sign have touched the lives of every member of the human race. Five such stories are explored in Director Joe Weil's third feature film, which explores the issues of happiness, redemption, faith, love, and friendship all framed against the background of the final days of our lives. As stories unravel of a musician, a murderer, an outsider, a future priest, and two visceral opportunists, all are forced to answer the question - how does one choose to spend the end of time?
Keywords: apocalypse, human-nature, multiple-storyline, religion, the-endGenres: Drama,
Taglines: How would you spend the end of time?
Caveman (1981)
Actors: Shelley Long (actress), Carl Gottlieb (writer), Miguel Ángel Fuentes (actor), Barbara Bach (actress), David Foster (producer), Anaís de Melo (actress), Ringo Starr (actor), Dennis Quaid (actor), Gerardo Albarrán (actor), Richard Moll (actor), Gerardo Zepeda (actor), Carl Lumbly (actor), Avery Schreiber (actor), Carl Gottlieb (director), Lalo Schifrin (composer),
Plot: A simple caveman accidently becomes leader of a clan of cavemisfits and outcasts. But he ultimately wants to outsmart the bigger, stronger leader of his former clan and win the affection of a beautiful cavewoman.
Keywords: anachronism, bare-butt, battle, brawl, cave-woman, caveman, combat, dinosaur, fight, flaming-fartGenres: Comedy, Sci-Fi,
Taglines: A pre-histerical comedy! Back when you had to beat it before you could eat it...
Quotes:
[the Misfits are digging with sticks and their hands in a pile of foul-smelling mud looking for Ta, who seems to have disappeared]::Ta: [re-appearing from behind a rock and pointing at the 'mud'] Doo-doo!::[Ta giggles, and the Misfits all stop and turn, staring at Ta]::Atouk: [Angrily] Ca-ca.::Nook: [looking with disgust at his fingers and then right into the camera] Shit.::[the Misfits all grab Ta and throw him into the doo-doo]Atouk: Zug zug!
[last lines]::Lar: [whispering to Gog] Atouk alounda Tala.
Atouk: [as Bork holds up the corpse of a slain bird-like creature] Ool!::Nook: Ool, no. Food.::Atouk: [not knowing what Nook is talking about] *Ool.*::Nook: [pointing to the campfire] That's fire.::Atouk: [looking at Nook like he's lost a few marbles] Haraka.::[Nook puts his face in his palm, looking frustrated]::Atouk: Bobo.::Nook: Friend.::Atouk: 'Fend?' *Bobo!*::[Nook looks back, frustrated]::Atouk: Alounda.::Nook: Love.::Atouk: Zug-Zug.::Nook: [pauses, looking puzzled]::[Atouk looks at Lar and they both begin to chuckle triumphantly]::Nook: [shrugging in defeat] All right... Zug-Zug.
Atouk: [draws in the dirt a stick figure with huge breasts, representing Lana] Hmmmmm, Lana! Atouk alounda Lana.::Lar: Nya! Lana alounda Tonda. [He draws in the dirt a stick figure with an enormous nose, representing Atouk, and points to it] Atouk. [He makes a fist and shows it to Atouk] Tonda. [Blowing a raspberry, he smears the Atouk figure into oblivion, then holds up his hand and lets some dirt trickle from it] Atouk.
Gog (1954)
Actors: Michael Fox (miscellaneous crew), William Schallert (actor), Richard Egan (actor), Ivan Tors (producer), Michael Fox (actor), Philip Van Zandt (actor), Ivan Tors (writer), Billy Curtis (actor), Billy Curtis (actor), John Wengraf (actor), Herbert Marshall (actor), Stephen Roberts (actor), Herbert L. Strock (editor), Herbert L. Strock (director), Harry Sukman (composer),
Plot: Scientists working on induced hibernation for space travel are killed, apparently by machines acting independently. Security agent Sheppard arrives at the secret underground space research base to investigate possible sabotage. He finds that the whole base is coordinated by supercomputer NOVAC and its robots Gog and Magog; and a strange aircraft is detected high overhead.
Keywords: 1950s, 3-dimensional, cautionary-tale, coca-cola, cola-machine, computer, crushed-to-death, experiment, female-scientist, fire-extinguisherGenres: Drama, Horror, Romance, Sci-Fi, Thriller,
Taglines: MECHANICAL FRANKENSTEIN (original print ad - all caps) Exciting Science-Fiction Drama! THE CREATURE OF TOMORROW! (original ad - all caps) built to serve man... it could think think a thousand times faster! move a thousand times faster! kill a thousand times faster ...Then suddenly it became a Frankenstein of steel!
Quotes:
Dr. Zeitman: Science is never frightening, Miss Merritt.David Sheppard: [to Joanna who is in a hospital bed] The doctor says it isn't serious, just a little too much radiation.
Dr. Van Ness: Can you hold off the robots until we get there?
Joanna Merritt: In space, there is no such thing as a weaker sex.::David Sheppard: That's why I like it here.
Joanna Merritt: Now from this point on, photoelectric cells sound a warning when unauthorized personnel enter the corridor. Oh, and there are hidden television cameras along the ceiling.::David Sheppard: You mean to say they're watching us?::Joanna Merritt: All the time.::David Sheppard: They're interfering with my impulses.::Joanna Merritt: What impulses, Dr. Sheppard?::David Sheppard: Well, I can't mention them. They're unauthorized, but they're nice that way.
Maj. Howard: Get out of here, all of you. At this intensity, sound can kill.
Dr. Peter Burden: This radioactive material, I'm the only one who has access to anything like that. I keep it under lock and key.::Dr. Van Ness: Then who could possibly have taken it?::Dr. Peter Burden: Someone who knows everything we know, Dr. Van Ness.
GöG
ALBUMS
- Wobadaa released:
Wobadaa
- add to main playlist Play in Full Screen Onward
- add to main playlist Play in Full Screen Black and White
- add to main playlist Play in Full Screen Nordlicht
- add to main playlist Play in Full Screen Yellowphone
- add to main playlist Play in Full Screen G# (Gis)
- add to main playlist Play in Full Screen Drum & Drone
- add to main playlist Play in Full Screen Running Rabbit
- add to main playlist Play in Full Screen Colors
- add to main playlist Play in Full Screen Territory Day
- add to main playlist Play in Full Screen Brothers Blues
- add to main playlist Play in Full Screen 4 Seven
- add to main playlist Play in Full Screen Sunrise
GoG
ALBUMS
- MFTRM (Mist From the Random More) released: 2009
GOG
ALBUMS
- Cartão Postal Bomba! released: 2007
- Aviso as Gerações released: 2006
- Tarja Preta released: 2004
- CPI da Favela released: 2000
- Das Trevas à Luz released: 1998
- Prepare-se! released: 1996
- Dia a Dia da Periferia released: 1994
Cartão Postal Bomba!
Released 2007- add to main playlist Play in Full Screen Dona Sebastiana
- add to main playlist Play in Full Screen Dia-a-dia da periferia
- add to main playlist Play in Full Screen Quando o pai se vai
- add to main playlist Play in Full Screen Periferia tem talento
- add to main playlist Play in Full Screen Assassinos sociais
- add to main playlist Play in Full Screen Brasil com “P”
- add to main playlist Play in Full Screen Periferia segue sangrando
- add to main playlist Play in Full Screen Eu e Lenine (A ponte)
- add to main playlist Play in Full Screen Sonhos latinos
- add to main playlist Play in Full Screen Brasília periferia (1, 2 e 3)
- add to main playlist Play in Full Screen Mais uma estória
- add to main playlist Play in Full Screen Carta à Mãe África
- add to main playlist Play in Full Screen O amor venceu a guerra
- add to main playlist Play in Full Screen A Lei de Gerson
Aviso as Gerações
Released 2006- add to main playlist Play in Full Screen Malcolm X Foi À Meca... GOG Ao Nordeste
- add to main playlist Play in Full Screen Quando O Pai Se Vai
- add to main playlist Play in Full Screen Coração De Mãe
- add to main playlist Play in Full Screen Eu Sou
- add to main playlist Play in Full Screen Carta A Mãe África
- add to main playlist Play in Full Screen Cavalo Sem Dono Selvagem
- add to main playlist Play in Full Screen A Quem Possa Interessar...
- add to main playlist Play in Full Screen Periferia Tem Talento
- add to main playlist Play in Full Screen Sonho Real
- add to main playlist Play in Full Screen A Terceira Mensagem
- add to main playlist Play in Full Screen Foi Somente (Onda)
Tarja Preta
Released 2004- add to main playlist Play in Full Screen Chamada A Cobrar
- add to main playlist Play in Full Screen A Rima Denuncia
- add to main playlist Play in Full Screen É O Crime
- add to main playlist Play in Full Screen Talvez Seja Querer Demais
- add to main playlist Play in Full Screen ... O Amor Venceu A Guerra
- add to main playlist Play in Full Screen Eu E Lenine (A Ponte)
- add to main playlist Play in Full Screen Tarja Preta
- add to main playlist Play in Full Screen G. O. G No Jogo
- add to main playlist Play in Full Screen Dias De Fúria
- add to main playlist Play in Full Screen O Incendiário
- add to main playlist Play in Full Screen Dinheiro Na Mão
- add to main playlist Play in Full Screen Parei Pra Pensar
CPI da Favela
Released 2000- add to main playlist Play in Full Screen Brasil com "P"
- add to main playlist Play in Full Screen Ei Presidente!
- add to main playlist Play in Full Screen É o Terror!
- add to main playlist Play in Full Screen Mais uma estória
- add to main playlist Play in Full Screen Na fé
- add to main playlist Play in Full Screen Vida
- add to main playlist Play in Full Screen É sim
- add to main playlist Play in Full Screen Me diz o que resolve
- add to main playlist Play in Full Screen CPI da Favela
- add to main playlist Play in Full Screen A última ficha
- add to main playlist Play in Full Screen Família GOG agradece
Das Trevas à Luz
Released 1998- add to main playlist Play in Full Screen Aviso ao sistema
- add to main playlist Play in Full Screen A Verdadeira Malandragem
- add to main playlist Play in Full Screen Matemática na Prática
- add to main playlist Play in Full Screen Brasil Manchete
- add to main playlist Play in Full Screen Das Trevas à Luz
- add to main playlist Play in Full Screen Resumo da Matéria
- add to main playlist Play in Full Screen Luto no Congresso
- add to main playlist Play in Full Screen Eu Choro
- add to main playlist Play in Full Screen Sonho de Metal - Opalão
- add to main playlist Play in Full Screen Qual é o pó? - 98
- add to main playlist Play in Full Screen Somente Deus por Testemunha
- add to main playlist Play in Full Screen Polícia
- add to main playlist Play in Full Screen Brasília Periferia - Parte 2
- add to main playlist Play in Full Screen Pode Crê
Prepare-se!
Released 1996- add to main playlist Play in Full Screen Momento Seguinte (versão clip)
- add to main playlist Play in Full Screen Prepare-se!
- add to main playlist Play in Full Screen Razão para viver
- add to main playlist Play in Full Screen Periferia Segue Sangrando
- add to main playlist Play in Full Screen Rumo ao Setor Comercial Sul
- add to main playlist Play in Full Screen É Demais!
- add to main playlist Play in Full Screen E se esse som estourar?
- add to main playlist Play in Full Screen Mensagem Positiva
- add to main playlist Play in Full Screen Prepare-se! (versão remix)
Dia a Dia da Periferia
Released 1994- add to main playlist Play in Full Screen Dia a Dia da Periferia
- add to main playlist Play in Full Screen O Exemplo Taí
- add to main playlist Play in Full Screen É Mesmo Incrível!
- add to main playlist Play in Full Screen Assassinos Sociais
- add to main playlist Play in Full Screen Vai GOG!
- add to main playlist Play in Full Screen Brasília Periferia
-
Gog 1954 Classis Scifi
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GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen! This special restored edition from the 3-D Film Archive will be released on 3-D Blu-ray by Kino Lorber Studio Classics on March 1, 2016. Working from master left/right 35mm materials, this 3-D rarity has been beautifully restored shot-by-shot by Archive Technical Director Greg Kintz for optimum stereoscopic presentation. Every shot in the film required up to six levels of correction. We have done extensive color restoration as the only surviving 35mm left side element is totally faded, image stabilization, flicker reduction, stereoscopic vertical alignment and left/right panel matching. With additional dirt/damage clean-up by Thad Komorowski, we are proud to p... -
Gog (1954)
go to this one = www.bit.ly/1Qte5x9 chek -
-
GOG - 3D Restoration Examples
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to date. The region A 3-D Blu-ray will be released on March 1, 2016 by Kino Lorber. This 1954 MGM/United Artists feature was lost in 3-D for nearly five decades. We have just completed a shot by shot restoration using the only existing elements: a 35mm interpositive of the right side and a completely faded 1954 Pathe color release print of the left. This restoration clip shows before and after comparisons of the raw scans to our final restored left/right masters. Every individual shot required six levels of painstaking correction by Archive Technical Director Greg Kintz. They include stereoscopic vertical alignment; color restoration;... -
Gog - A Frankenstein of Steel!
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk! -
-
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", but I was 24 so that's to be expected. This was my friend Dom's first movie. For more information, read on... *** This film to me is an astonishing work! What you see here is rough-- the film was made almost fifty years ago and the video of it has deteriorated. Why do I say it's astonishing? I made it without any formal training in directing or editing or producing. I was 24 when I started the project. I wrote the script, acted the lead, directed it, edited it, co-produced it. In other words, I behaved as a fool, an ignoramus, and a megalomaniac. Is it any surprise, then, that the piece is seriously flawed? And yet-- as I watch i... -
Creepy Robots From Old Films
Creepy Robots from old films Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role. Throughout history and popular culture, Creepy Robots from old films have reflected the mood, social and cultural issues, and technology of their times. In "Creepy robots from old films" Youll see the oldest films with the first apperiance of robots in different kinds of creepy and funny shapes. Robotic characters were often created, in part, as a way to probe and examine prototypical humans endowed with anthropomorphic (but artificial) intelligence or characteristics, or to express fears that humans could be replaced or displaced by robots that mimic human qualities. Terms related to robots include: - robot or 'robotic', o... -
Gog - Giant Brain Novac
1954 -
Gog 1954 Classis Scifi
- Order: Reorder
- Duration: 82:05
- Updated: 08 Jun 2014
- views: 30503
- published: 08 Jun 2014
- views: 30503
Gog (1954) - Attack of the Adorable 1950s Robot!
- Order: Reorder
- Duration: 5:25
- Updated: 02 Nov 2013
- views: 9395
For more bad movie shenanigans, visit http://www.colloquiesoncrud.com
Aw! Who's the most adorable killer robot from bad 1950s sci-fi? You are! Yes you are!
For more bad movie shenanigans, visit http://www.colloquiesoncrud.com
Aw! Who's the most adorable killer robot from bad 1950s sci-fi? You are! Yes you are!
wn.com/Gog (1954) Attack Of The Adorable 1950S Robot
GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
- Order: Reorder
- Duration: 2:03
- Updated: 13 Oct 2015
- views: 1605
For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen!
This special restored edition ...
For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen!
This special restored edition from the 3-D Film Archive will be released on 3-D Blu-ray by Kino Lorber Studio Classics on March 1, 2016.
Working from master left/right 35mm materials, this 3-D rarity has been beautifully restored shot-by-shot by Archive Technical Director Greg Kintz for optimum stereoscopic presentation.
Every shot in the film required up to six levels of correction. We have done extensive color restoration as the only surviving 35mm left side element is totally faded, image stabilization, flicker reduction, stereoscopic vertical alignment and left/right panel matching. With additional dirt/damage clean-up by Thad Komorowski, we are proud to present GOG looking better than ever before.
PLEASE NOTE - This original trailer has not been restored.
wn.com/Gog In 3 D Restored And Coming Soon To 3 D Blu Ray
For the first time in over 60 years, the 1954 science-fiction classic GOG will be available in 3-D, color and 1.66:1 widescreen!
This special restored edition from the 3-D Film Archive will be released on 3-D Blu-ray by Kino Lorber Studio Classics on March 1, 2016.
Working from master left/right 35mm materials, this 3-D rarity has been beautifully restored shot-by-shot by Archive Technical Director Greg Kintz for optimum stereoscopic presentation.
Every shot in the film required up to six levels of correction. We have done extensive color restoration as the only surviving 35mm left side element is totally faded, image stabilization, flicker reduction, stereoscopic vertical alignment and left/right panel matching. With additional dirt/damage clean-up by Thad Komorowski, we are proud to present GOG looking better than ever before.
PLEASE NOTE - This original trailer has not been restored.
- published: 13 Oct 2015
- views: 1605
Gog (1954)
- Order: Reorder
- Duration: 125:28
- Updated: 10 Feb 2016
- views: 49
go to this one = www.bit.ly/1Qte5x9
chek
go to this one = www.bit.ly/1Qte5x9
chek
wn.com/Gog (1954)
go to this one = www.bit.ly/1Qte5x9
chek
- published: 10 Feb 2016
- views: 49
GOG : Frankenstein of Steel (1954) Movie Preview
- Order: Reorder
- Duration: 4:36
- Updated: 03 Jan 2009
- views: 19505
GOG - 3D Restoration Examples
- Order: Reorder
- Duration: 2:57
- Updated: 21 Jan 2016
- views: 2346
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to d...
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to date. The region A 3-D Blu-ray will be released on March 1, 2016 by Kino Lorber.
This 1954 MGM/United Artists feature was lost in 3-D for nearly five decades. We have just completed a shot by shot restoration using the only existing elements: a 35mm interpositive of the right side and a completely faded 1954 Pathe color release print of the left. This restoration clip shows before and after comparisons of the raw scans to our final restored left/right masters.
Every individual shot required six levels of painstaking correction by Archive Technical Director Greg Kintz. They include stereoscopic vertical alignment; color restoration; left/right panel matching; image stabilization; left side flicker reduction/detail restoration and dirt/damage clean-up by Thad Komorowski. http://www.thadkomorowski.com/portfolio/digital-restoration/
GOG was beautifully photographed by Lothrop B. Worth with the Natural Vision camera, the same rig used on such 3-D classics as HOUSE OF WAX, THE CHARGE AT FEATHER RIVER, BWANA DEVIL, and the now lost TOP BANANA with Phil Silvers. http://www.3dfilmarchive.com/lost-3-d
GOG was released very late in the 3-D cycle and had only five known 3-D playdates, all in southern California in June and July of 1954: Los Angeles, Hollywood, Van Nuys and two theaters in Bakersfield. The Blu-ray marks the first wide 3-D release.
It was sold by United Artists to TV syndication in September 1956 and was only seen in murky, flat, black and white full frame 16mm prints for the next several decades. The first TV broadcast in color was on WTBS cable in the early 1980's and was transferred from a worn and washed-out 16mm print.
GOG was lost in 3-D until the missing 35mm left side was found by Bob Furmanek in 2001. The full story of this important discovery is told in the commentary track which also includes production history from science-fiction/horror historian Tom Weaver and music expert David Schecter from Monstrous Movie Music: http://www.mmmrecordings.com/index.html
The disc includes trailers for other 3-D Film Archive restorations, a production short on the history of GOG and its restoration plus archival interviews with GOG director Herbert L. Strock and DP/Natural Vision co-creator Lothrop B. Worth.
Click here to watch the original trailer: https://www.youtube.com/watch?v=-Haw0Ua-tG0
wn.com/Gog 3D Restoration Examples
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-D Film Archive. It was certainly our most challenging restoration to date. The region A 3-D Blu-ray will be released on March 1, 2016 by Kino Lorber.
This 1954 MGM/United Artists feature was lost in 3-D for nearly five decades. We have just completed a shot by shot restoration using the only existing elements: a 35mm interpositive of the right side and a completely faded 1954 Pathe color release print of the left. This restoration clip shows before and after comparisons of the raw scans to our final restored left/right masters.
Every individual shot required six levels of painstaking correction by Archive Technical Director Greg Kintz. They include stereoscopic vertical alignment; color restoration; left/right panel matching; image stabilization; left side flicker reduction/detail restoration and dirt/damage clean-up by Thad Komorowski. http://www.thadkomorowski.com/portfolio/digital-restoration/
GOG was beautifully photographed by Lothrop B. Worth with the Natural Vision camera, the same rig used on such 3-D classics as HOUSE OF WAX, THE CHARGE AT FEATHER RIVER, BWANA DEVIL, and the now lost TOP BANANA with Phil Silvers. http://www.3dfilmarchive.com/lost-3-d
GOG was released very late in the 3-D cycle and had only five known 3-D playdates, all in southern California in June and July of 1954: Los Angeles, Hollywood, Van Nuys and two theaters in Bakersfield. The Blu-ray marks the first wide 3-D release.
It was sold by United Artists to TV syndication in September 1956 and was only seen in murky, flat, black and white full frame 16mm prints for the next several decades. The first TV broadcast in color was on WTBS cable in the early 1980's and was transferred from a worn and washed-out 16mm print.
GOG was lost in 3-D until the missing 35mm left side was found by Bob Furmanek in 2001. The full story of this important discovery is told in the commentary track which also includes production history from science-fiction/horror historian Tom Weaver and music expert David Schecter from Monstrous Movie Music: http://www.mmmrecordings.com/index.html
The disc includes trailers for other 3-D Film Archive restorations, a production short on the history of GOG and its restoration plus archival interviews with GOG director Herbert L. Strock and DP/Natural Vision co-creator Lothrop B. Worth.
Click here to watch the original trailer: https://www.youtube.com/watch?v=-Haw0Ua-tG0
- published: 21 Jan 2016
- views: 2346
Gog - A Frankenstein of Steel!
- Order: Reorder
- Duration: 1:18
- Updated: 21 Mar 2008
- views: 4573
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk!
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk!
wn.com/Gog A Frankenstein Of Steel
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk!
- published: 21 Mar 2008
- views: 4573
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]
- Order: Reorder
- Duration: 1:44
- Updated: 19 Feb 2015
- views: 29
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
- Order: Reorder
- Duration: 9:03
- Updated: 06 Feb 2010
- views: 1259
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", ...
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", but I was 24 so that's to be expected. This was my friend Dom's first movie. For more information, read on...
***
This film to me is an astonishing work! What you see here is rough-- the film was made almost fifty years ago and the video of it has deteriorated. Why do I say it's astonishing? I made it without any formal training in directing or editing or producing. I was 24 when I started the project. I wrote the script, acted the lead, directed it, edited it, co-produced it. In other words, I behaved as a fool, an ignoramus, and a megalomaniac. Is it any surprise, then, that the piece is seriously flawed?
And yet-- as I watch it now, an old man, my career essentially behind me, I find real virtues in it. It was completed in 1960, played a few festivals: there was no Sundance in those days. It played in the Edinburgh Festival, the Boston Film Festival, the Bleeker Street Cinema Festival sponsored by Jonas Mekas group. There was definite hostility from the Mekas group. All of the films in the festival were either 8mm or 16mm. "Gog, Magog" had been shot in 35 mm! (it was shot, incidentally, in three days) At the Bleeker Festival, Mekas' star director, Ron Rice, shouted out when I appeared on screen, "It's Errol Flynn!" Mekas insisted that the projector be shut down. The critic Edouard de Laurot, who had been a partner with Mekas and then a rival, was a fan of my film and promptly assaulted Rice. A near-riot broke out. De Laurot ran up on the stage, grabbed a microphone, and screamed out, "My name is Edouard de Laurot. In 1954, with Jonas Mekas, I founded 'Film Culture Magazine' and began the American film avante garde movement and you, Jonas Mekas, have betrayed the movement!"
There was more shouting and scuffling, but finally the film was allowed to play and it was received not altogether badly. For a few weeks a minor battle raged in avante circles. De Laurot was a passionate defender of "Gog, Magog"-- as was Peter Bogdanovich, who was only a teen-ager then, but an influential avante garde critic. De Laurot, a passionate, if somewhat lunatic leftist, kept comparing me to Fidel Castro, who had only recently come into power in Cuba. Truth is, however, my film had little to do with what Mekas and his crowd were up to. People liked the acting in the film, some liked the style, many, including the British film bible, "Sight and Sound Magazine", found it heavy-handed and overwrought. Reviewing the film in the Edinborough Festival, they called it "unbelievably pretentious." At some point, the legendary Hollywood director, Otto Preminger, screened it in his apartment on Manhattan's Upper East side. After, I asked him how he liked it. "Not very much," he said in his heavy Teutonic accent. I was, of course, somewhat nonplussed. "How was my acting?" I muttered. "You're a very good actor," he said.
The film was a watershed in my career. It convinced me I should not direct film: I did not have the stamina or guts. I also discovered that I didn't have the stomach to be an actor: I took criticism far too personally. I did remain comfortable as a writer, however, and over the next few years devoted myself more and more to writing and eventually forged a career as a novelist, playwright, and screenwriter. But now, in my near dotage, I look at this flawed attempt and ask myself, why was I so hard on myself? What was I making such a big deal about? It was my first film. I accomplished an amazing, mini-Orson Welles, imaginative success. I could have been a director, an auteur; I could have had a possibly lucrative career as an actor. I was much, much too hard on myself. In watching "Gog, Magog" you'll have to play all three sections and live with the overlapping footage. Let me know what you think! Oh, yes, you'll notice that wonderful Dom Deluise has a supporting part in the film. He was a dear friend and it was his first movie.
wn.com/Gog, Magog And Little Babylon (1960) With Dom Deluise 1 4
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews ranged from "heavy-handed and overwrought" to "unbelievably pretentious", but I was 24 so that's to be expected. This was my friend Dom's first movie. For more information, read on...
***
This film to me is an astonishing work! What you see here is rough-- the film was made almost fifty years ago and the video of it has deteriorated. Why do I say it's astonishing? I made it without any formal training in directing or editing or producing. I was 24 when I started the project. I wrote the script, acted the lead, directed it, edited it, co-produced it. In other words, I behaved as a fool, an ignoramus, and a megalomaniac. Is it any surprise, then, that the piece is seriously flawed?
And yet-- as I watch it now, an old man, my career essentially behind me, I find real virtues in it. It was completed in 1960, played a few festivals: there was no Sundance in those days. It played in the Edinburgh Festival, the Boston Film Festival, the Bleeker Street Cinema Festival sponsored by Jonas Mekas group. There was definite hostility from the Mekas group. All of the films in the festival were either 8mm or 16mm. "Gog, Magog" had been shot in 35 mm! (it was shot, incidentally, in three days) At the Bleeker Festival, Mekas' star director, Ron Rice, shouted out when I appeared on screen, "It's Errol Flynn!" Mekas insisted that the projector be shut down. The critic Edouard de Laurot, who had been a partner with Mekas and then a rival, was a fan of my film and promptly assaulted Rice. A near-riot broke out. De Laurot ran up on the stage, grabbed a microphone, and screamed out, "My name is Edouard de Laurot. In 1954, with Jonas Mekas, I founded 'Film Culture Magazine' and began the American film avante garde movement and you, Jonas Mekas, have betrayed the movement!"
There was more shouting and scuffling, but finally the film was allowed to play and it was received not altogether badly. For a few weeks a minor battle raged in avante circles. De Laurot was a passionate defender of "Gog, Magog"-- as was Peter Bogdanovich, who was only a teen-ager then, but an influential avante garde critic. De Laurot, a passionate, if somewhat lunatic leftist, kept comparing me to Fidel Castro, who had only recently come into power in Cuba. Truth is, however, my film had little to do with what Mekas and his crowd were up to. People liked the acting in the film, some liked the style, many, including the British film bible, "Sight and Sound Magazine", found it heavy-handed and overwrought. Reviewing the film in the Edinborough Festival, they called it "unbelievably pretentious." At some point, the legendary Hollywood director, Otto Preminger, screened it in his apartment on Manhattan's Upper East side. After, I asked him how he liked it. "Not very much," he said in his heavy Teutonic accent. I was, of course, somewhat nonplussed. "How was my acting?" I muttered. "You're a very good actor," he said.
The film was a watershed in my career. It convinced me I should not direct film: I did not have the stamina or guts. I also discovered that I didn't have the stomach to be an actor: I took criticism far too personally. I did remain comfortable as a writer, however, and over the next few years devoted myself more and more to writing and eventually forged a career as a novelist, playwright, and screenwriter. But now, in my near dotage, I look at this flawed attempt and ask myself, why was I so hard on myself? What was I making such a big deal about? It was my first film. I accomplished an amazing, mini-Orson Welles, imaginative success. I could have been a director, an auteur; I could have had a possibly lucrative career as an actor. I was much, much too hard on myself. In watching "Gog, Magog" you'll have to play all three sections and live with the overlapping footage. Let me know what you think! Oh, yes, you'll notice that wonderful Dom Deluise has a supporting part in the film. He was a dear friend and it was his first movie.
- published: 06 Feb 2010
- views: 1259
Creepy Robots From Old Films
- Order: Reorder
- Duration: 36:08
- Updated: 25 Sep 2013
- views: 1769
Creepy Robots from old films
Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role...
Creepy Robots from old films
Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role. Throughout history and popular culture, Creepy Robots from old films have reflected the mood, social and cultural issues, and technology of their times.
In "Creepy robots from old films" Youll see the oldest films with the first apperiance of robots in different kinds of creepy and funny shapes.
Robotic characters were often created, in part, as a way to probe and examine prototypical humans endowed with anthropomorphic (but artificial) intelligence or characteristics, or to express fears that humans could be replaced or displaced by robots that mimic human qualities. Terms related to robots include:
- robot or 'robotic', often used pejoratively, to refer to any 'programmed' device that performs mechanically or automatically without original thought
- android (or humanoid) refers to an automaton or artificial man that possesses human features and resembles a human being
- cyborg (or bionic man/woman) refers to a human whose body and physiological processes are aided or controlled, in whole or in part, by electronic or mechanical devices.
List of films used in Creepy Robots from old films:
The Master Mystery (1920) (aka The Houdini Serial, and Le Maitre du Mystere)
Metropolis (1927, Ger.)
The Phantom Creeps (1939)
The Day The Earth Stood Still (1951)
Mother Riley Meets the Vampire (1952, UK) (aka My Son, the Vampire, and Vampire Over London)
Robot Monster (1953)
Devil Girl From Mars (1954, UK)
Gog (1954) (aka GOG)
Target Earth (1954)
Tobor the Great (1954)
Forbidden Planet (1956)
Kronos: Ravager of Planets (1957) (aka Kronos)
The Mysterians (1957, Jp.) (aka Earth Defense Force, or Chikyu Boueigun)
The Colossus of New York (1958)
The Robot vs. the Aztec Mummy (1958) (aka La Momia Azteca Contra el Robot Humano, Sp.)
Dr. Satan's Robot (1966)
Logan's Run (1976)
wn.com/Creepy Robots From Old Films
Creepy Robots from old films
Throughout cinematic history, especially in science-fiction tales, Creepy Robots from retro films have always played a primary role. Throughout history and popular culture, Creepy Robots from old films have reflected the mood, social and cultural issues, and technology of their times.
In "Creepy robots from old films" Youll see the oldest films with the first apperiance of robots in different kinds of creepy and funny shapes.
Robotic characters were often created, in part, as a way to probe and examine prototypical humans endowed with anthropomorphic (but artificial) intelligence or characteristics, or to express fears that humans could be replaced or displaced by robots that mimic human qualities. Terms related to robots include:
- robot or 'robotic', often used pejoratively, to refer to any 'programmed' device that performs mechanically or automatically without original thought
- android (or humanoid) refers to an automaton or artificial man that possesses human features and resembles a human being
- cyborg (or bionic man/woman) refers to a human whose body and physiological processes are aided or controlled, in whole or in part, by electronic or mechanical devices.
List of films used in Creepy Robots from old films:
The Master Mystery (1920) (aka The Houdini Serial, and Le Maitre du Mystere)
Metropolis (1927, Ger.)
The Phantom Creeps (1939)
The Day The Earth Stood Still (1951)
Mother Riley Meets the Vampire (1952, UK) (aka My Son, the Vampire, and Vampire Over London)
Robot Monster (1953)
Devil Girl From Mars (1954, UK)
Gog (1954) (aka GOG)
Target Earth (1954)
Tobor the Great (1954)
Forbidden Planet (1956)
Kronos: Ravager of Planets (1957) (aka Kronos)
The Mysterians (1957, Jp.) (aka Earth Defense Force, or Chikyu Boueigun)
The Colossus of New York (1958)
The Robot vs. the Aztec Mummy (1958) (aka La Momia Azteca Contra el Robot Humano, Sp.)
Dr. Satan's Robot (1966)
Logan's Run (1976)
- published: 25 Sep 2013
- views: 1769
Gog - Giant Brain Novac
- Order: Reorder
- Duration: 24:04
- Updated: 08 Apr 2016
- views: 3
1954
1954
wn.com/Gog Giant Brain Novac
1954
- published: 08 Apr 2016
- views: 3
PDX TRIP-HOP UNDERGROUND
- Order: Reorder
- Duration: 24:59
- Updated: 05 Jun 2015
- views: 19
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82:05
Gog 1954 Classis Scifi
published: 08 Jun 2014
Gog 1954 Classis Scifi
Gog 1954 Classis Scifi
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- published: 08 Jun 2014
- views: 30503
5:25
Gog (1954) - Attack of the Adorable 1950s Robot!
For more bad movie shenanigans, visit http://www.colloquiesoncrud.com
Aw! Who's the most ...
published: 02 Nov 2013
Gog (1954) - Attack of the Adorable 1950s Robot!
Gog (1954) - Attack of the Adorable 1950s Robot!
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- published: 02 Nov 2013
- views: 9395
2:03
GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
For the first time in over 60 years, the 1954 science-fiction classic GOG will be availabl...
published: 13 Oct 2015
GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
GOG in 3-D - Restored and Coming Soon to 3-D Blu-ray!
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- published: 13 Oct 2015
- views: 1605
125:28
Gog (1954)
go to this one = www.bit.ly/1Qte5x9
chek
published: 10 Feb 2016
Gog (1954)
Gog (1954)
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- published: 10 Feb 2016
- views: 49
4:36
GOG : Frankenstein of Steel (1954) Movie Preview
Before Colossus, before HAL 9000, before Skynet and the Terminator, there was...GOG!
published: 03 Jan 2009
GOG : Frankenstein of Steel (1954) Movie Preview
GOG : Frankenstein of Steel (1954) Movie Preview
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- published: 03 Jan 2009
- views: 19505
2:57
GOG - 3D Restoration Examples
GOG is the first studio-licensed feature restoration to be released on Blu-ray from the 3-...
published: 21 Jan 2016
GOG - 3D Restoration Examples
GOG - 3D Restoration Examples
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- published: 21 Jan 2016
- views: 2346
1:18
Gog - A Frankenstein of Steel!
From 1954: The terror of a computer gone amuck...the horror of a robot gone berserk!
published: 21 Mar 2008
Gog - A Frankenstein of Steel!
Gog - A Frankenstein of Steel!
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- published: 21 Mar 2008
- views: 4573
1:44
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]
http://www.raphia.com.br/2015/02/1954-alcatraz-multi4engrus-l-gog.html
published: 19 Feb 2015
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]
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- published: 19 Feb 2015
- views: 29
9:03
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
This short film featuring Dom Deluise was written and directed by me in 1960. Reviews rang...
published: 06 Feb 2010
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
Gog, Magog and Little Babylon (1960) with Dom Deluise 1/4
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- published: 06 Feb 2010
- views: 1259
36:08
Creepy Robots From Old Films
Creepy Robots from old films
Throughout cinematic history, especially in science-fiction t...
published: 25 Sep 2013
Creepy Robots From Old Films
Creepy Robots From Old Films
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- published: 25 Sep 2013
- views: 1769
24:04
Gog - Giant Brain Novac
1954
published: 08 Apr 2016
Gog - Giant Brain Novac
Gog - Giant Brain Novac
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- published: 08 Apr 2016
- views: 3
24:59
PDX TRIP-HOP UNDERGROUND
Part one turtable-izum Portland Trip Hop below ground level w/clapper to the movie Gog 195...
published: 05 Jun 2015
PDX TRIP-HOP UNDERGROUND
PDX TRIP-HOP UNDERGROUND
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- published: 05 Jun 2015
- views: 19
Gog 1954 Classis Scifi...
Gog (1954) - Attack of the Adorable 1950s Robot!...
GOG in 3-D - Restored and Coming Soon to 3-D Blu-r...
Gog (1954)...
GOG : Frankenstein of Steel (1954) Movie Preview...
GOG - 3D Restoration Examples...
Gog - A Frankenstein of Steel!...
![1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLOAD]](http://web.archive.org./web/20160528061107/http://i.ytimg.com/vi/gXCgnIFTSlU/0.jpg)
1954: Alcatraz (MULTI4\ENG\RUS) [L] - GOG [DOWNLO...
Gog, Magog and Little Babylon (1960) with Dom Delu...
Creepy Robots From Old Films...
Gog - Giant Brain Novac...
PDX TRIP-HOP UNDERGROUND...
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Lyrics list:lyrics
-
É O Terror
É O Terror
É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
RAP NACIONAL É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
É O TERROR!
É O TERROR, MEU ESTILO, MEUS PLANOS DE GUERRA
COMUNIDADE DO MORRO QUE NÃO SE RENDE À LEI DA SELVA
EU SOU MAIS UM PARCEIRO DESSE SUBMUNDO
TRAZENDO À TONA NOTÍCIAS SÃO SÓ POR ALGUNS SEGUNDOS
FALO DO CRIME, DE UM POVO QUE SOFRE
ENQUANTO NAS MANSÕES DA MINORIA, TRANSBORDAM OS COFRES
O BURGUÊS DISCRIMINA
FALA MAL DE MIM, DE VOCÊ, DA SUA MINA, APÓIA A CHACINA
DESMERECE O ARTISTA, O ATIVISTA
DETURPA A ENTREVISTA
EU SOU PLEBEU ATÉ À CABEÇA E O APOGEU
NO NEGRO ESCRAVO, CORREU SANGUE, MEU
MEU ANCESTRAL SOFREU E O SEU?
AÍ, POLÍTICO, EU SOU A FACA
QUE ARRANCA A SUA PELE
A GAVETA GELADA, O RABECÃO DO IML
A CPI DA FAVELA
A LUTA DO VINIL CONTRA A ALIENAÇÃO DA NOVELA
EU SOU O POVO, ENTÃO POSSO SER O QUE QUERO
EU SOU O BAIXO SALÁRIO, O INCENDIÁRIO
OU A FOICE E O MARTELO
EU SOU O BARRACO DE MADEIRA
CRIANÇA QUE CHORA POR FALTA DA MAMADEIRA
O CATADOR NO FINAL DA FEIRA
O SEQÜESTRADOR SEM RESGATE
O TUMULTO, A DISCUSSÃO E O DEBATE
O PITBULL QUE DEVORA
ERA A ATRAÇÃO PRINCIPAL DO "AQUI AGORA"
EU SOU O TRATOR, O ROLO COMPRESSOR
EU LUTO PELA PAZ EM FORMA DE TERROR
EU VIM PRA MUDAR O CLIMA
O TALENTO NA RIMA
SAI DA RETA, MALUCO, EU VOU PASSA POR CIMA!
É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
RAP NACIONAL É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
É O TERROR!
AÍ, SISTEMA, SOU O RAP NACIONAL
LINHA DE FRENTE, TREMA!
MINHA MENTE TALVEZ ALGUM HUMANO NÃO ENTENDA
SERÁ QUE ALGUM CIENTISTA DESVENDA ESSE MISTÉRIO?
EU QUERO GENTILMENTE
EU QUERO O RAIO X DO MEU CÉREBRO
EU QUERO SABER PORQUE EU PENSO DIFERENTE
QUEM MORRE NO DIA-A-DIA, LADRÃO É GENTE
DA GENTE UM DESESPERO
UM SONHO, UM PESADELO O SANGUE
O CRIME ESTÁ NO AR E VOCÊ É MAIS UM HERDEIRO
VOU NOVAMENTE ME APRESENTAR:
SOU REVOLUCIONÁRIO, SOU NOVA FORMA DE PENSAR
EU SOU A PAPELOTE, A INSCRIÇÃO PRA RECEBER O LOTE
A BOMBA QUE EXPLODE O BATALHÃO INTEIRO
A ESPERANÇA, O ORGULHO DO POVO BRASILEIRO
O SANGUE FRIO, SEM PÃO, UM PRATO VAZIO
UM FATO VERÍDICO
A LETRA QUE ACELERA SEU BATIMENTO CARDÍACO
A SEDE DE JUSTIÇA, O LADRÃO QUE NÃO DEIXA PISTA
AQUELE QUE CHEGA E ATERRORIZA
NESSE MOMENTO EU SOU O CONSTRANGIMENTO
EU SOU O DETENTO METIDO AO RELENTO, RAM!
EU SOU O JÚRI, O RÉU, O JULGAMENTO
A ABSOLVIÇÃO, O FIM DO SEU TORMENTO
LADRÃO EU SOU, O POVO, ENTÃO POSSO SER O QUE QUERO
O VERME QUE CORRÓI A MADAME NO CEMITÉRIO ATÉ O OSSO
TRABALHADOR SEM NENHUM REAL NO BOLSO
LOUCO NORMAL, REVOLUÇÃO MENTAL É O TERROR
LINHA DE FRENTE, EU SOU O RAP NACIONAL
É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
RAP NACIONAL É O TERROR, É O TERROR
RAP NACIONAL É O TERROR QUE CHEGOU
É O TERROR!
EU SEI, NÃO SOU A DISNEYLÂNDIA
EU SOU OS BECOS DAS QUEBRADAS ESCURAS DA CEILÂNDIA
NAS RUAS, AS FAMÍLIAS SEM O BÁSICO
O FIM DOS FINS DE SEMANA TRÁGICOS
EU SOU FAVELA, SOU VIELA
G.O.G. FLAGRANTE JAPÃO
AGORA QUEIMANDO IDÉIA
EU SOU A CARTILHA QUE ENSINA, O LIVRO QUE LIBERTA
CONTAMINO O CADEADO ALIADO À CORRENTE
O ANALFABETO QUE SURPREENDE
O TRABALHADOR SEM EMPREGO
O CIDADÃO QUE LEVANTA TODO DIA CEDO
EU SOU O CRIME EM PESSOA
A SAÍDA PRO MOLEQUE QUE ERA À TOA
EU SOU UM FRUTO, DESCUBRA O MEU VALOR, MEU REAL TEOR
EU SOU O SOM QUE APAVORA O PLANALTO
UM INVASOR, MÃOS AO ALTO!
SE REAGIR, VOCÊ ESTÁ CONTRA A MAIORIA
PERIFERIA, MEU COMPADI, É A MAIORIA
SE ESTÁ DO NOSSO LADO, SERÁ UM VENCEDOR
MAS SE FOR ADVERSÁRIO, LADRÃO, SE LIGA NA FITA
COM CERTEZA NA VIRADA DO NOVO MILÊNIO
FUTURO DOS TOLOS, EU AVISO
PORQUE SERÃO, HORAS DE TERROR!
photo: AP / Paul Sancya
It’s Game On for Sanders and Trump but Game Over for Hillary
Edit WorldNews.com 27 May 2016
Article by WNews.com Correspondent Dallas Darling. While it hasn’t been a good week for Democratic hopeful Hillary Clinton, the latest twist and turn in this surprising 2016 presidential race has just caused Donald Trump’s and Bernie Sanders’ poll numbers to surge. Indeed, on ABC’s “Jimmy Kimmel Live!” the presumptive Republican nominee was asked if he would consider debating with Sanders ... But it gets even worse ... Sanders....
photo: Public Domain / Alexas_Fotos
'Mass rape' video on social media shocks Brazil
Edit BBC News 27 May 2016
Brazilian police are hunting more than 30 men suspected of raping a teenage girl in Rio de Janeiro, and of putting video of the attack on social media. The girl is reported to have gone to her boyfriend's house on Saturday and to have regained consciousness later, surrounded by the men ... ....
photo: US DoD/SRA DESIREE N PALACIO, USAF
U.S. Military Orders Troops in Iraq: Stop Wearing ‘Terrorist’ Patches
Edit The Daily Beast 27 May 2016
Rodi Said/Reuters. The U.S. military called the Special Forces decision to wear the combat patches affiliated with the Kurdish forces they were training “unauthorized and inappropriate” and ordered the troops to stop wearing them, a DoD spokesman said Friday ... And the U.S ... Moreover, the photos suggested that despite U.S ... Army Col ... He added. “Everyone is moving on.”....
photo: Creative Commons / Richard Bartz
Man killed by more than 1,000 bee stings in Arizona park
Edit Raw Story 27 May 2016
A 23-year-old man who set out for a peaceful hike in an Arizona park died after being stung by more than 1,000 bees, a swarm so threatening it thwarted rescuers’ repeated attempts to reach him. Alex Bestler visited Usery Mountain Park with a friend on Thursday and was hiking the Merkle Trail w... ....
photo: AP / Ivan Sekretarev
Putin Declares Russia an 'Ally' to Islamic World
Edit Newsweek 27 May 2016
Russian President Vladimir Putin has vowed that his country will always be a “reliable ally” to the “Islamic world” at a discussion event on the topic of Islam and Russia, state news agency RIA Novosti reported ... Try Newsweek. Subscription offers ... ....
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Wild Hunt - Blood and Wine Review
Edit Gamespot 28 May 2016
“You can smell the delicate flowers,” says the duchess to Geralt of Rivia, and in that moment, you might believe that you can smell them, too ... You might hear a local singing “El Condor Pasa” under his breath as you pass by on your search for a statue’s missing testicles, or you may do a double-take when you notice not-so-subtle references to GOG.com, publisher CD Projekt’s digital storefront ... Don’t get me wrong ... And make no mistake ... ....
Government Imports 549 Tractors And Combine Harvesters
Edit Modern Ghana 27 May 2016
By Daily Guide. The Minister of Food and Agriculture Alhaji Mohammed Muniru Limuna has indicated that government has imported 549 tractors and accessories, combine harvesters from Brazil to boost the sector in the country ... It is currently financed by GOG and the International Fund for Agricultural Development (IFAD). GOG is providing $7.5 million while IFAD's loan is $71.60 million over six year ... From Eric Kombat, Tamale. ....
Golden Tag to Raise Up to $900,000
Edit Stockhouse 26 May 2016
(TSX VENTURE.GOG) ("Golden Tag") announces that it will seek to raise up to $900,000 through the issuance of up to 18 million equity units (each a "Unit"), each Unit consisting of one common share ("Shares") and one five year Share purchase warrant ("Warrant"). Each Warrant entitles the holder to purchase one Share at a price of $0.07 per ......
OXiGENE Announces Results of Phase 2 Study of CA4P in Recurrent Ovarian Cancer Published in ...
Edit Stockhouse 24 May 2016
(Nasdaq.OXGN), a biopharmaceutical company developing vascular disrupting agents (VDAs) for the treatment of orphan oncology indications, today announced the online publication of results from Study GOG-0186I in the Journal of Clinical Oncology, the official journal of the American Society of Clinical Oncology ... “We are very pleased that the data from the GOG-0186I Study are now available for the medical community,” stated William D....
OXiGENE Announces Results of Phase 2 Study of CA4P in Recurrent Ovarian Cancer Published in Journal of Clinical Oncology (OXiGENE Inc)
Edit Public Technologies 24 May 2016
(Nasdaq.OXGN), a biopharmaceutical company developing vascular disrupting agents (VDAs) for the treatment of orphan oncology indications, today announced the online publication of results from Study GOG-0186I in the Journal of Clinical Oncology, the official journal of the American Society of Clinical Oncology ... 'We are very pleased that the data from the GOG-0186I Study are now available for the medical community,' stated William D....
First Bauxite Corporation Announces Filing Of Year-end Financial Statements And Md&a; (First Bauxite Corporation)
Edit Public Technologies 24 May 2016
(Source ... TSX-V. FBX. FWB/BER. FBI ... HIGHLIGHTS ... November 2014. The Government of Guyana ("GoG") granted the Company an extension of the construction commencement date under its Bonasika Mining License from January 31, 2015 to January 31, 2016. December 2014 ... December 2014 ... The GoG granted the Company an extension of the construction commencement date under its Bonasika Mining License from January 31, 2016 to January 31, 2018 ... Website....
First Bauxite Corporation Completes Mining Of Bulk Sample Pit At Bonasika (First Bauxite Corporation)
Edit Public Technologies 24 May 2016
(Source ... TSX-V. FBX. FWB/BER. FBI ... Waste ... In December 2015, the Government of Guyana ("GoG") granted the company a two year extension to the construction commencement date under the Bonasika Mining Licence ("BML") from January 31, 2016 to January 31, 2018. The Company has now commenced discussions with the GoG on the specific modifications that are required to the Mineral Agreement and BML to reflect the new FS scope....
Stakeholders Meet In Accra To Discuss Draft Guidelines To Improve Large-Scale Land Transactions
Edit Modern Ghana 24 May 2016
By ModernGhana.Com ... According to an official of the Lands Commission, Dr ... Dr ... The aim is to increase the capacity of the Government of Ghana (GoG), the private sector and civil society organizations (CSOs) to implement evidence-based policies, conduct research and advocacy and perform rigorous monitoring and evaluation (M&E) of agriculture programs implemented under the Medium Term Agriculture Sector Investment Plan (METASIP) ... ....
STATEMENT IN RESPONSE TO THE BUS SERVICES BILL (Go-Ahead Group plc)
Edit Public Technologies 24 May 2016
(Source. Go-Ahead Group plc). The Go-Ahead Group plcFirst Floor, 4 Matthew Parker Street, London SW1H 9NP. Telephone 020 7799 8999 Facsimile 020 7799 8998. Press Release. 24 May 2016. GO-AHEAD STATEMENT IN RESPONSE TO THE BUS SERVICES BILL ... END. The Go-Ahead Group ... Citigate Dewe Rogerson ... Go-Ahead ... Bus ... Rail ... Original documenthttp.//tools.euroland.com/tools/Pressreleases/GetPressRelease/?ID=3210106&lang=en-GB&companycode=uk-gog&v=....
Offinso town roads get major facelift
Edit Modern Ghana 23 May 2016
By Ghanaian Chronicle ... The Municipal Chief Executive, Mr ... He stated that out of the eight kilometres, 2.4 kilometres was done by the Government of Ghana (GoG), and mentioned that some of the major roads that benefited from the package include Agriculture junction to Kokoti lorry Park, and Amoadam to the Offinso palace, and commended the government for taking such an initiative ... ....
Potions, prisms and pots of fun for pupils at Grange science fair (East Ayrshire Council)
Edit Public Technologies 23 May 2016
(Source. East Ayrshire Council). It could have been a scene from Hogwarts as young pupils at Grange Academy got a hands-on with science thanks to a fair, organised by the school. Purple potions, pretty prisms, radical rockets, electrifying electrics and fiery flames all featured as the new pupils were split into 12 groups for a series of lively, colourful, vibrant and, sometimes, noisy workshops ... Catalysts Atoms ... Gogli Bodies Ions ... (noodl....
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