- published: 02 Nov 2015
- views: 231
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(Part 1 of 2). Early years, Mott the Hoople, Guy Stevens, David Bowie, Tony Defries.
- published: 20 Oct 2006
- views: 13289
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would have bought you a copy of this original (if you can find one that is) but with the sad news of his death prices are set to rise.
"Can't Help Thinking About Me" is a song written by David Bowie in 1965 and released as a single under the name David Bowie with The Lower Third. This was the first single released after he changed his name from David (also Davie) Jones to David Bowie. It was the first David Bowie record to be released in the US as well as the first time the name "Bowie" appeared under the songwriters credit. The song was recorded within 15 days of the 18-year-old Bowie signing to the Pye Records label as "David Bowie with the Lower Third" on 25 November 1965 through successful Producer and songwrite Tony Hatch. Hatch signed Bowie to the label based on two demos (this song and "Now You've Met the London Boys", as it was originally titled) proffered by Bowie's (then) manager Ralph Horton. The single and B side were both recorded in the basement of Pye's offices in Great Cumberland Place (Near Marble Arch, Central London) on 10 December 1965. Hatch also played piano on the single and provided backing vocals along with the rest of the group.
The single was "promo launched" by Pye on 6 January 1966 at The Gaiety Bar, Bayswater. The launch party (for Pye records staff and music journalists) was paid for by a loan from businessman Raymond Cook, an agreement which took several years to untangle and eventually pay back. Among those who attended the launch party that evening was John Lennon's father Alfred Lennon who was also signed to the Pye label as an artist. Lennon Senior's presence was recalled as him being "highly inebriated" and asking the attendees "Do you know who I am?"
"Can't help thinking about me" was officially released on Friday 14 January (and later released in the US by Warner Bros in May 1966), however the Lower Third split from Bowie on 28 January over financial disagreements regarding "who was being paid what" with manager Ralph Horton. Believing Bowie was not supporting their side of the argument, Graham Rivens, Phil Lancaster and Dennis Taylor ended their short-lived collaboration and reluctantly walked away, literally weeks after their record deal with Pye Records. A strikingly similar manipulation of "divide and rule" about money between Bowie and his band by the incumbent manager (Tony Defries) 7 years later with the Spider from Mars.
The single failed to make either the UK or the US charts despite being reasonably well received by the critics at the time. A key collector's item today because of its rarity, the UK vinyl release averages over £600 per copy with the UK and US "Demonstration Only" copies achieving in excess of £1000.
- published: 21 Jan 2016
- views: 377
DAVID BOWIE FAME IN HD
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
Bowie would later describe the song as "nasty, angry," and fully admits that the song was written "with a degree of malice" aimed at the Mainman management group he had been working with at the time. In 1990, Bowie reflected that "I'd had very upsetting management problems and a lot of that was built into the song. I've left that all that behind me, now... I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants.
- published: 18 Jun 2013
- views: 42120
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
- published: 04 Dec 2013
- views: 20916
King Rhythm - BOWIE IN SPACE
First single from the forthcoming album ROCK STAR DEMENTIA
Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-dementia
Thanks to Sylvia Park & Ben O'brien for their help.
Lyrics:
I'm Bowie in space
doing lines of coke
it's floating in my face
on stardust and smoke
Skip the limo, fuck a demo
I'm David Bowie, get the memo
here's the bio, vanguard since a child
my hair was wild
american culture was my style
tunes my passion
formed some bands and action
first album didn't grip
till major Tom became a hit
then Tony Defries had the plan
to act famous before I am
flew to NY, signed RCA
met Andy and Lou
and announced I'm gay
Soon ideas will coalesce
Kubrick, Kabuki in cross dress
I brought Ziggy to earth in 72
with the spiders as my crew
We dropped rise and fall
and you were sold
a little bit later we went gold
tours got longer, we got bigger
added more coke to my milk and liquor
yeah, mars helped me escape
but the more I gave
the more Zigg would take
then Tony Defries claimed i'm broke
years of work this is a joke
John Lennon said attack them
with good lawyers and new management
indeed I won't be duped
I'm heading east to regroup
no more Defries, no more Ziggy
off to Berlin with Eno and Iggy
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
your heroes know who I am
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
all heros know who I am
- published: 19 Dec 2013
- views: 696
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David .
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialized and jammed together, which led to a one-day session at The Power Plant studio in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "F" inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "F!" over Alomar's guitar riff was the catalyst for the song. Lennon's voice was heard at the ending of the song, repeating the word: "F", from a fast track to a slow track of his voice, as it started from a high voice, culminating in his regular voice, and ending in a lower deep voice, before Bowie finished the song with the words: "F, What's your name, what's your name, what's your name, what's your name, what's your name".
An edited version of "Fame" was issued as the second single from the album, and shot to number one on the U.S. Billboard Hot 100 (ironically, a few months before a reissue of "Space Oddity" would give Bowie his first UK number-one single). In the UK, "Fame" would only reach number seventeen.
Interestingly, James Brown appropriated the essential musical content and production style in his 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31). Given the long tradition of white musicians' borrowing of the creations of black artists, and the fact that the song's style seems to emulate Brown's own work from that period, many assumed it to have originally been Brown's creation.
- published: 11 Jan 2008
- views: 4859
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 100 during the week of September 20th, 1975.
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "Fame", inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon's voice is also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie's voice is heard singing the final lyrics of the song before the fade.
"Fame" became Bowie's biggest hit to that point in the U.S. It was his first number one hit on the Billboard Hot 100 chart, as well as his first to break the top 10. A remixed version of "Fame" was released by EMI in 1990 to coincide with the Sound + Vision tour and the release of the ChangesBowie compilation. The "Gass Mix" was also included on the "Pretty Woman" soundtrack.
- published: 20 Nov 2010
- views: 1274
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Nile Rodgers siendo este "China Girl" uno de los caballitos de batalla en los rankings al ser editado como single y ampliamente difundido por doquier logrando llegar a la cima de las canciones más exitosas de aquel año. El álbum también alcanzó las cúspides al ser el más vendido en el mundo solo superado por el "Thriller" de Michael Jackson llevando la popularidad global del Duque al nivel más alto en toda su carrera. Parido luego de una intervalo de dos años y medio sin LP (el último Scary Monsters) inicialmente iba a ser producido por Tony Visconti pero con el correr de la semana las decisiones de Bowie iban a fluir por otro lado. Estaba apalabrado Tony y se encontraba esperando el llamado para comenzar con la pre producción pero luego se entera que el Duque ya estaba cocinando el asunto con Rodgers en Suiza y al pedir explicaciones a Coco, mano derecha del londinense, solo recibe evasivas. Luego del excelente "Scary Monsters" (que no tuvo gira de apoyo) Bowie dedicó su tiempo a la actuación tanto en teatro como cine y editó entre otras cosas “Under Pression” single en colaboración con Queen, número uno en los charts mientras esperaba que expirara su contrato con la RCA y lo que aún ( muy poco) lo ligaba comercialmente con su ex manager Tony Defries.
Ya concluida su participación en la genial película "The Hunger"-de culto para gente como uno- y hallándose en New York coincide una noche a fines del verano boreal del '82 en un club con Billy Idol y el amigo de este Nile Rodgers, guitarrista de Chic y productor. Bowie y el ex frontman de los Generation X se conocían desde hace tiempo pero no nunca había estado de tertulia con el afro americano. Nile comenta como fue ese momento: "estaba con Billy pero este había tomado de más y andaba vomitando por lo que me aparté de él corriéndome hacia un rincón y ahí vi a Bowie, solo como al margen de todo,me sorprendió encontrarlo así y al instante estábamos charlando animadamente comentándome acerca de su nuevo proyecto". Al poco tiempo los dos músicos craneaban el material en Suiza para luego grabar en NYC de manera muy rápida. El inglés vio en el norteamericano el productor ideal para lo que tenía minuciosamente planeado. Canciones pop directas y contundentes como para hacer arder los rankings de venta de todo el mundo. El Duque siempre un genial creador que se imponía grandes retos ansiaba esta vez ser algo más que un artista super prestigioso, quería ser algo más que el músico más influyente de siempre después de Los Beatles él quería...quería llegar a cada par de orejas en todo el globo.
De gran contundencia pop la versión plastificada por Bowie tiene algunas (muy) leves diferencias en relación a la letra de la original de la Iguana pero lo primero que llama la atención es la intro que hace con la guitarra Nile Rodgers que a más de uno cae como patada al estómago...superado esto inevitablemente la nobleza de la composición termina envolviendo los sentidos completamente. Irresistible. Nile Rodgers declaró en el año '99 "El momento más delicado que pasé en toda mi carrera discográfica fue cuando entré a la sala. tomé mi guitarra y toqué el riff inicial de "China Girl". Pensé que estaba poniendo un pegote a un magnífico trabajo artístico. Me quedé aterrado. Creí que iba a decirme que había blasfemado, que no entendía el disco ni le entendía a él y que estaba despedido. Pero ocurrió justo lo contrario. ¡Dijo que era estupendo! Me dio libertad para hacer este magnifico disco". Al promediar la canción se puede oír la guitarra del recordado Steve Ray Vaughan. Demás está decir que la canción parida por Bowie e Iggy es de lo mejor del “Let´s Dance” , LP hiper exitoso pero también controversial entre los más fieles del entrañable Duque. Para muchos el comienzo del declive artístico en los 80s. Más allá de estas consideraciones, más allá de Nile Rodgers, más allá de los pareceres acerca del álbum “China Girl” se deja disfrutar alimentando por sí sola los mejores momentos que uno pueda pasar escuchando una canción. Maravillosa, inmortal como Bowie.
- published: 01 Feb 2016
- views: 16173
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salty,talking,bed,wednesday-at skool tumblin dice,coney island animation on computer,writing a song, Rock n roll with me!
- published: 03 Apr 2011
- views: 936
Tony Defries
Tony Defries is a British former pop music manager. Defries worked in the 1960s music scene with such figures as Mickie Most, Allen Klein, before turning his attention to David Bowie. Defries' company MainMan had a management structure that combined ingredients of the movie studio with those of the independent producer/record label/music publisher. The company management included Jamie Andrews as vice-president and later president. Defries represented Bowie through his rise to stardom, reputedly making more money from the deal than the star himself. He also helped to launch the solo careers of Iggy Pop, Lou Reed, Mick Ronson, Mott the Hoople, Luther Vandross and John Mellencamp. His MainMan Group of companies assisted in the creation of many independent record and publishing companies that were later acquired by major conglomerates.
In 2000 he lost $22 million in an offshore tax evasion scheme In 2011 he was sued by Capitol Records for copyright infringement. He lost the lawsuit with damages and costs against him totalling over $9 million.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/Tony_Defries
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
David Bowie
David Robert Jones (8 January 1947 – 10 January 2016), known as David Bowie (/ˈboʊ.i/), was an English singer, songwriter, multi-instrumentalist, record producer, painter, and actor. He was a figure in popular music for over five decades, and was considered by critics and musicians as an innovator, particularly for his work in the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft significantly impacted popular music. During his lifetime, he sold an estimated 140 million records worldwide. In the UK, he was awarded nine platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and seven gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996.
This page contains text from Wikipedia, the Free Encyclopedia -
http://wn.com/David_Bowie
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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0:57Tony DeFries Top # 7 Facts
Tony DeFries Top # 7 Facts -
8:34Ian Hunter - Interview (2004)
Ian Hunter - Interview (2004)Ian Hunter - Interview (2004)
(Part 1 of 2). Early years, Mott the Hoople, Guy Stevens, David Bowie, Tony Defries. -
2:49David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would have bought you a copy of this original (if you can find one that is) but with the sad news of his death prices are set to rise. "Can't Help Thinking About Me" is a song written by David Bowie in 1965 and released as a single under the name David Bowie with The Lower Third. This was the first single released after he changed his name from David (also Davie) Jones to David Bowie. It was the first David Bowie record to be released in the US as well as the first time the name "Bowie" appeared under the songwriters credit. The song was recorded within 15 days of the 18-year-old Bowie signing to the Pye Records label as "David Bowie with the Lower Third" on 25 November 1965 through successful Producer and songwrite Tony Hatch. Hatch signed Bowie to the label based on two demos (this song and "Now You've Met the London Boys", as it was originally titled) proffered by Bowie's (then) manager Ralph Horton. The single and B side were both recorded in the basement of Pye's offices in Great Cumberland Place (Near Marble Arch, Central London) on 10 December 1965. Hatch also played piano on the single and provided backing vocals along with the rest of the group. The single was "promo launched" by Pye on 6 January 1966 at The Gaiety Bar, Bayswater. The launch party (for Pye records staff and music journalists) was paid for by a loan from businessman Raymond Cook, an agreement which took several years to untangle and eventually pay back. Among those who attended the launch party that evening was John Lennon's father Alfred Lennon who was also signed to the Pye label as an artist. Lennon Senior's presence was recalled as him being "highly inebriated" and asking the attendees "Do you know who I am?" "Can't help thinking about me" was officially released on Friday 14 January (and later released in the US by Warner Bros in May 1966), however the Lower Third split from Bowie on 28 January over financial disagreements regarding "who was being paid what" with manager Ralph Horton. Believing Bowie was not supporting their side of the argument, Graham Rivens, Phil Lancaster and Dennis Taylor ended their short-lived collaboration and reluctantly walked away, literally weeks after their record deal with Pye Records. A strikingly similar manipulation of "divide and rule" about money between Bowie and his band by the incumbent manager (Tony Defries) 7 years later with the Spider from Mars. The single failed to make either the UK or the US charts despite being reasonably well received by the critics at the time. A key collector's item today because of its rarity, the UK vinyl release averages over £600 per copy with the UK and US "Demonstration Only" copies achieving in excess of £1000. -
4:12DAVID BOWIE FAME IN HD
DAVID BOWIE FAME IN HDDAVID BOWIE FAME IN HD
DAVID BOWIE FAME IN HD With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade. Bowie would later describe the song as "nasty, angry," and fully admits that the song was written "with a degree of malice" aimed at the Mainman management group he had been working with at the time. In 1990, Bowie reflected that "I'd had very upsetting management problems and a lot of that was built into the song. I've left that all that behind me, now... I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants. -
6:54David Bowie Fame
David Bowie FameDavid Bowie Fame
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade. -
3:07King Rhythm - Bowie In Space
King Rhythm - Bowie In SpaceKing Rhythm - Bowie In Space
King Rhythm - BOWIE IN SPACE First single from the forthcoming album ROCK STAR DEMENTIA Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-dementia Thanks to Sylvia Park & Ben O'brien for their help. Lyrics: I'm Bowie in space doing lines of coke it's floating in my face on stardust and smoke Skip the limo, fuck a demo I'm David Bowie, get the memo here's the bio, vanguard since a child my hair was wild american culture was my style tunes my passion formed some bands and action first album didn't grip till major Tom became a hit then Tony Defries had the plan to act famous before I am flew to NY, signed RCA met Andy and Lou and announced I'm gay Soon ideas will coalesce Kubrick, Kabuki in cross dress I brought Ziggy to earth in 72 with the spiders as my crew We dropped rise and fall and you were sold a little bit later we went gold tours got longer, we got bigger added more coke to my milk and liquor yeah, mars helped me escape but the more I gave the more Zigg would take then Tony Defries claimed i'm broke years of work this is a joke John Lennon said attack them with good lawyers and new management indeed I won't be duped I'm heading east to regroup no more Defries, no more Ziggy off to Berlin with Eno and Iggy I laid the groundwork for swag laid the groundwork for glam added drag to rock and roll your heroes know who I am I laid the groundwork for swag laid the groundwork for glam added drag to rock and roll all heros know who I am -
4:17Mr Bogus 7
Mr Bogus 7Mr Bogus 7
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David . With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialized and jammed together, which led to a one-day session at The Power Plant studio in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "F" inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "F!" over Alomar's guitar riff was the catalyst for the song. Lennon's voice was heard at the ending of the song, repeating the word: "F", from a fast track to a slow track of his voice, as it started from a high voice, culminating in his regular voice, and ending in a lower deep voice, before Bowie finished the song with the words: "F, What's your name, what's your name, what's your name, what's your name, what's your name". An edited version of "Fame" was issued as the second single from the album, and shot to number one on the U.S. Billboard Hot 100 (ironically, a few months before a reissue of "Space Oddity" would give Bowie his first UK number-one single). In the UK, "Fame" would only reach number seventeen. Interestingly, James Brown appropriated the essential musical content and production style in his 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31). Given the long tradition of white musicians' borrowing of the creations of black artists, and the fact that the song's style seems to emulate Brown's own work from that period, many assumed it to have originally been Brown's creation. -
2:52Fame
FameFame
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 100 during the week of September 20th, 1975. With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "Fame", inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon's voice is also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie's voice is heard singing the final lyrics of the song before the fade. "Fame" became Bowie's biggest hit to that point in the U.S. It was his first number one hit on the Billboard Hot 100 chart, as well as his first to break the top 10. A remixed version of "Fame" was released by EMI in 1990 to coincide with the Sound + Vision tour and the release of the ChangesBowie compilation. The "Gass Mix" was also included on the "Pretty Woman" soundtrack. -
5:33David Bowie - China Girl - subtitulada español
David Bowie - China Girl - subtitulada españolDavid Bowie - China Girl - subtitulada español
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Nile Rodgers siendo este "China Girl" uno de los caballitos de batalla en los rankings al ser editado como single y ampliamente difundido por doquier logrando llegar a la cima de las canciones más exitosas de aquel año. El álbum también alcanzó las cúspides al ser el más vendido en el mundo solo superado por el "Thriller" de Michael Jackson llevando la popularidad global del Duque al nivel más alto en toda su carrera. Parido luego de una intervalo de dos años y medio sin LP (el último Scary Monsters) inicialmente iba a ser producido por Tony Visconti pero con el correr de la semana las decisiones de Bowie iban a fluir por otro lado. Estaba apalabrado Tony y se encontraba esperando el llamado para comenzar con la pre producción pero luego se entera que el Duque ya estaba cocinando el asunto con Rodgers en Suiza y al pedir explicaciones a Coco, mano derecha del londinense, solo recibe evasivas. Luego del excelente "Scary Monsters" (que no tuvo gira de apoyo) Bowie dedicó su tiempo a la actuación tanto en teatro como cine y editó entre otras cosas “Under Pression” single en colaboración con Queen, número uno en los charts mientras esperaba que expirara su contrato con la RCA y lo que aún ( muy poco) lo ligaba comercialmente con su ex manager Tony Defries. Ya concluida su participación en la genial película "The Hunger"-de culto para gente como uno- y hallándose en New York coincide una noche a fines del verano boreal del '82 en un club con Billy Idol y el amigo de este Nile Rodgers, guitarrista de Chic y productor. Bowie y el ex frontman de los Generation X se conocían desde hace tiempo pero no nunca había estado de tertulia con el afro americano. Nile comenta como fue ese momento: "estaba con Billy pero este había tomado de más y andaba vomitando por lo que me aparté de él corriéndome hacia un rincón y ahí vi a Bowie, solo como al margen de todo,me sorprendió encontrarlo así y al instante estábamos charlando animadamente comentándome acerca de su nuevo proyecto". Al poco tiempo los dos músicos craneaban el material en Suiza para luego grabar en NYC de manera muy rápida. El inglés vio en el norteamericano el productor ideal para lo que tenía minuciosamente planeado. Canciones pop directas y contundentes como para hacer arder los rankings de venta de todo el mundo. El Duque siempre un genial creador que se imponía grandes retos ansiaba esta vez ser algo más que un artista super prestigioso, quería ser algo más que el músico más influyente de siempre después de Los Beatles él quería...quería llegar a cada par de orejas en todo el globo. De gran contundencia pop la versión plastificada por Bowie tiene algunas (muy) leves diferencias en relación a la letra de la original de la Iguana pero lo primero que llama la atención es la intro que hace con la guitarra Nile Rodgers que a más de uno cae como patada al estómago...superado esto inevitablemente la nobleza de la composición termina envolviendo los sentidos completamente. Irresistible. Nile Rodgers declaró en el año '99 "El momento más delicado que pasé en toda mi carrera discográfica fue cuando entré a la sala. tomé mi guitarra y toqué el riff inicial de "China Girl". Pensé que estaba poniendo un pegote a un magnífico trabajo artístico. Me quedé aterrado. Creí que iba a decirme que había blasfemado, que no entendía el disco ni le entendía a él y que estaba despedido. Pero ocurrió justo lo contrario. ¡Dijo que era estupendo! Me dio libertad para hacer este magnifico disco". Al promediar la canción se puede oír la guitarra del recordado Steve Ray Vaughan. Demás está decir que la canción parida por Bowie e Iggy es de lo mejor del “Let´s Dance” , LP hiper exitoso pero también controversial entre los más fieles del entrañable Duque. Para muchos el comienzo del declive artístico en los 80s. Más allá de estas consideraciones, más allá de Nile Rodgers, más allá de los pareceres acerca del álbum “China Girl” se deja disfrutar alimentando por sí sola los mejores momentos que uno pueda pasar escuchando una canción. Maravillosa, inmortal como Bowie. -
14:55You're a toy up in a Attic
You're a toy up in a AtticYou're a toy up in a Attic
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salty,talking,bed,wednesday-at skool tumblin dice,coney island animation on computer,writing a song, Rock n roll with me!
Defries, Tony Filmography
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2008, role: producer
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1973, role: producer
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Ian Hunter - Interview (2004)
(Part 1 of 2). Early years, Mott the Hoople, Guy Stevens, David Bowie, Tony Defries. -
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would have bought you a copy of this original (if you can find one that is) but with the sad news of his death prices are set to rise. "Can't Help Thinking About Me" is a song written by David Bowie in 1965 and released as a single under the name David Bowie with The Lower Third. This was the first single released after he changed his name from David (also Davie) Jones to David Bowie. It was the first David Bowie record to be released in the US as well as the first time the name "Bowie" appeared under the songwriters credit. The song was recorded within 15 days of the 18-year-old Bowie signing to the Pye Records label as "David Bowie wi... -
DAVID BOWIE FAME IN HD
DAVID BOWIE FAME IN HD With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celeb... -
David Bowie Fame
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and record... -
King Rhythm - Bowie In Space
King Rhythm - BOWIE IN SPACE First single from the forthcoming album ROCK STAR DEMENTIA Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-dementia Thanks to Sylvia Park & Ben O'brien for their help. Lyrics: I'm Bowie in space doing lines of coke it's floating in my face on stardust and smoke Skip the limo, fuck a demo I'm David Bowie, get the memo here's the bio, vanguard since a child my hair was wild american culture was my style tunes my passion formed some bands and action first album didn't grip till major Tom became a hit then Tony Defries had the plan to act famous before I am flew to NY, signed RCA met Andy and Lou and announced I'm gay Soon ideas will coalesce Kubrick, Kabuki in cross dress I brought Ziggy to earth in 72 with the spi... -
Mr Bogus 7
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David . With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialized and jammed together, which led to a one-day session at The Power Plant studio in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "F" inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite hav... -
Fame
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 100 during the week of September 20th, 1975. With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "Fame", inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then ... -
David Bowie - China Girl - subtitulada español
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Nile Rodgers siendo este "China Girl" uno de los caballitos de batalla en los rankings al ser editado como single y ampliamente difundido por doquier logrando llegar a la cima de las canciones más exitosas de aquel año. El álbum también alcanzó las cúspides al ser el más vendido en el mundo solo superado por el "Thriller" de Michael Jackson llevando la popularidad global del Duque al nivel más alto en toda su carrera. Parido luego de una intervalo de dos años y medio sin LP (el último Scary Monsters) inicialmente iba a ser producido por Tony Visconti pero con el correr de la semana las decisiones de Bowie iban a fluir por otro lado. E... -
You're a toy up in a Attic
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salty,talking,bed,wednesday-at skool tumblin dice,coney island animation on computer,writing a song, Rock n roll with me!
Tony DeFries Top # 7 Facts
- Order: Reorder
- Duration: 0:57
- Updated: 02 Nov 2015
- views: 231
Tony DeFries Top # 7 Facts
Tony DeFries Top # 7 Facts
wn.com/Tony Defries Top 7 Facts
Ian Hunter - Interview (2004)
- Order: Reorder
- Duration: 8:34
- Updated: 20 Oct 2006
- views: 13289
(Part 1 of 2). Early years, Mott the Hoople, Guy Stevens, David Bowie, Tony Defries.
- published: 20 Oct 2006
- views: 13289
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
- Order: Reorder
- Duration: 2:49
- Updated: 21 Jan 2016
- views: 377
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would...
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would have bought you a copy of this original (if you can find one that is) but with the sad news of his death prices are set to rise.
"Can't Help Thinking About Me" is a song written by David Bowie in 1965 and released as a single under the name David Bowie with The Lower Third. This was the first single released after he changed his name from David (also Davie) Jones to David Bowie. It was the first David Bowie record to be released in the US as well as the first time the name "Bowie" appeared under the songwriters credit. The song was recorded within 15 days of the 18-year-old Bowie signing to the Pye Records label as "David Bowie with the Lower Third" on 25 November 1965 through successful Producer and songwrite Tony Hatch. Hatch signed Bowie to the label based on two demos (this song and "Now You've Met the London Boys", as it was originally titled) proffered by Bowie's (then) manager Ralph Horton. The single and B side were both recorded in the basement of Pye's offices in Great Cumberland Place (Near Marble Arch, Central London) on 10 December 1965. Hatch also played piano on the single and provided backing vocals along with the rest of the group.
The single was "promo launched" by Pye on 6 January 1966 at The Gaiety Bar, Bayswater. The launch party (for Pye records staff and music journalists) was paid for by a loan from businessman Raymond Cook, an agreement which took several years to untangle and eventually pay back. Among those who attended the launch party that evening was John Lennon's father Alfred Lennon who was also signed to the Pye label as an artist. Lennon Senior's presence was recalled as him being "highly inebriated" and asking the attendees "Do you know who I am?"
"Can't help thinking about me" was officially released on Friday 14 January (and later released in the US by Warner Bros in May 1966), however the Lower Third split from Bowie on 28 January over financial disagreements regarding "who was being paid what" with manager Ralph Horton. Believing Bowie was not supporting their side of the argument, Graham Rivens, Phil Lancaster and Dennis Taylor ended their short-lived collaboration and reluctantly walked away, literally weeks after their record deal with Pye Records. A strikingly similar manipulation of "divide and rule" about money between Bowie and his band by the incumbent manager (Tony Defries) 7 years later with the Spider from Mars.
The single failed to make either the UK or the US charts despite being reasonably well received by the critics at the time. A key collector's item today because of its rarity, the UK vinyl release averages over £600 per copy with the UK and US "Demonstration Only" copies achieving in excess of £1000.
wn.com/David Bowie Cant Help Thinking About Me 1966 Mega Rare 7 Single £600
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so before the world would know his name), 300 - 600 British Pounds would have bought you a copy of this original (if you can find one that is) but with the sad news of his death prices are set to rise.
"Can't Help Thinking About Me" is a song written by David Bowie in 1965 and released as a single under the name David Bowie with The Lower Third. This was the first single released after he changed his name from David (also Davie) Jones to David Bowie. It was the first David Bowie record to be released in the US as well as the first time the name "Bowie" appeared under the songwriters credit. The song was recorded within 15 days of the 18-year-old Bowie signing to the Pye Records label as "David Bowie with the Lower Third" on 25 November 1965 through successful Producer and songwrite Tony Hatch. Hatch signed Bowie to the label based on two demos (this song and "Now You've Met the London Boys", as it was originally titled) proffered by Bowie's (then) manager Ralph Horton. The single and B side were both recorded in the basement of Pye's offices in Great Cumberland Place (Near Marble Arch, Central London) on 10 December 1965. Hatch also played piano on the single and provided backing vocals along with the rest of the group.
The single was "promo launched" by Pye on 6 January 1966 at The Gaiety Bar, Bayswater. The launch party (for Pye records staff and music journalists) was paid for by a loan from businessman Raymond Cook, an agreement which took several years to untangle and eventually pay back. Among those who attended the launch party that evening was John Lennon's father Alfred Lennon who was also signed to the Pye label as an artist. Lennon Senior's presence was recalled as him being "highly inebriated" and asking the attendees "Do you know who I am?"
"Can't help thinking about me" was officially released on Friday 14 January (and later released in the US by Warner Bros in May 1966), however the Lower Third split from Bowie on 28 January over financial disagreements regarding "who was being paid what" with manager Ralph Horton. Believing Bowie was not supporting their side of the argument, Graham Rivens, Phil Lancaster and Dennis Taylor ended their short-lived collaboration and reluctantly walked away, literally weeks after their record deal with Pye Records. A strikingly similar manipulation of "divide and rule" about money between Bowie and his band by the incumbent manager (Tony Defries) 7 years later with the Spider from Mars.
The single failed to make either the UK or the US charts despite being reasonably well received by the critics at the time. A key collector's item today because of its rarity, the UK vinyl release averages over £600 per copy with the UK and US "Demonstration Only" copies achieving in excess of £1000.
- published: 21 Jan 2016
- views: 377
DAVID BOWIE FAME IN HD
- Order: Reorder
- Duration: 4:12
- Updated: 18 Jun 2013
- views: 42120
DAVID BOWIE FAME IN HD
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contrac...
DAVID BOWIE FAME IN HD
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
Bowie would later describe the song as "nasty, angry," and fully admits that the song was written "with a degree of malice" aimed at the Mainman management group he had been working with at the time. In 1990, Bowie reflected that "I'd had very upsetting management problems and a lot of that was built into the song. I've left that all that behind me, now... I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants.
wn.com/David Bowie Fame In Hd
DAVID BOWIE FAME IN HD
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
Bowie would later describe the song as "nasty, angry," and fully admits that the song was written "with a degree of malice" aimed at the Mainman management group he had been working with at the time. In 1990, Bowie reflected that "I'd had very upsetting management problems and a lot of that was built into the song. I've left that all that behind me, now... I think fame itself is not a rewarding thing. The most you can say is that it gets you a seat in restaurants.
- published: 18 Jun 2013
- views: 42120
David Bowie Fame
- Order: Reorder
- Duration: 6:54
- Updated: 04 Dec 2013
- views: 20916
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the...
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
wn.com/David Bowie Fame
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 on the Billboard Hot 100 during the week of 20 September 1975.With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony Defries. During this time he was staying in New York, and met John Lennon. The pair rocked out together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. First a cover of The Beatles' "Across the Universe" , a Lennon song, was recorded. Then a new song called "Fame", inspired by a guitar riff by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, Lennon and Alomar and recorded. Both tracks were then added to the Young Americans album. Lennon co-wrote it due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. Lennon's vocals are also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at fast, normal, and slow playback speeds, until Bowie's vocal is heard singing the final lyrics of the song before the fade.
- published: 04 Dec 2013
- views: 20916
King Rhythm - Bowie In Space
- Order: Reorder
- Duration: 3:07
- Updated: 19 Dec 2013
- views: 696
King Rhythm - BOWIE IN SPACE
First single from the forthcoming album ROCK STAR DEMENTIA
Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-...
King Rhythm - BOWIE IN SPACE
First single from the forthcoming album ROCK STAR DEMENTIA
Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-dementia
Thanks to Sylvia Park & Ben O'brien for their help.
Lyrics:
I'm Bowie in space
doing lines of coke
it's floating in my face
on stardust and smoke
Skip the limo, fuck a demo
I'm David Bowie, get the memo
here's the bio, vanguard since a child
my hair was wild
american culture was my style
tunes my passion
formed some bands and action
first album didn't grip
till major Tom became a hit
then Tony Defries had the plan
to act famous before I am
flew to NY, signed RCA
met Andy and Lou
and announced I'm gay
Soon ideas will coalesce
Kubrick, Kabuki in cross dress
I brought Ziggy to earth in 72
with the spiders as my crew
We dropped rise and fall
and you were sold
a little bit later we went gold
tours got longer, we got bigger
added more coke to my milk and liquor
yeah, mars helped me escape
but the more I gave
the more Zigg would take
then Tony Defries claimed i'm broke
years of work this is a joke
John Lennon said attack them
with good lawyers and new management
indeed I won't be duped
I'm heading east to regroup
no more Defries, no more Ziggy
off to Berlin with Eno and Iggy
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
your heroes know who I am
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
all heros know who I am
wn.com/King Rhythm Bowie In Space
King Rhythm - BOWIE IN SPACE
First single from the forthcoming album ROCK STAR DEMENTIA
Available in January @ https://kingrhythm.bandcamp.com/album/rock-star-dementia
Thanks to Sylvia Park & Ben O'brien for their help.
Lyrics:
I'm Bowie in space
doing lines of coke
it's floating in my face
on stardust and smoke
Skip the limo, fuck a demo
I'm David Bowie, get the memo
here's the bio, vanguard since a child
my hair was wild
american culture was my style
tunes my passion
formed some bands and action
first album didn't grip
till major Tom became a hit
then Tony Defries had the plan
to act famous before I am
flew to NY, signed RCA
met Andy and Lou
and announced I'm gay
Soon ideas will coalesce
Kubrick, Kabuki in cross dress
I brought Ziggy to earth in 72
with the spiders as my crew
We dropped rise and fall
and you were sold
a little bit later we went gold
tours got longer, we got bigger
added more coke to my milk and liquor
yeah, mars helped me escape
but the more I gave
the more Zigg would take
then Tony Defries claimed i'm broke
years of work this is a joke
John Lennon said attack them
with good lawyers and new management
indeed I won't be duped
I'm heading east to regroup
no more Defries, no more Ziggy
off to Berlin with Eno and Iggy
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
your heroes know who I am
I laid the groundwork for swag
laid the groundwork for glam
added drag to rock and roll
all heros know who I am
- published: 19 Dec 2013
- views: 696
Mr Bogus 7
- Order: Reorder
- Duration: 4:17
- Updated: 11 Jan 2008
- views: 4859
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David .
With the Young Americans sessions mostly concluded in late 1974,...
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David .
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialized and jammed together, which led to a one-day session at The Power Plant studio in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "F" inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "F!" over Alomar's guitar riff was the catalyst for the song. Lennon's voice was heard at the ending of the song, repeating the word: "F", from a fast track to a slow track of his voice, as it started from a high voice, culminating in his regular voice, and ending in a lower deep voice, before Bowie finished the song with the words: "F, What's your name, what's your name, what's your name, what's your name, what's your name".
An edited version of "Fame" was issued as the second single from the album, and shot to number one on the U.S. Billboard Hot 100 (ironically, a few months before a reissue of "Space Oddity" would give Bowie his first UK number-one single). In the UK, "Fame" would only reach number seventeen.
Interestingly, James Brown appropriated the essential musical content and production style in his 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31). Given the long tradition of white musicians' borrowing of the creations of black artists, and the fact that the song's style seems to emulate Brown's own work from that period, many assumed it to have originally been Brown's creation.
wn.com/Mr Bogus 7
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David .
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialized and jammed together, which led to a one-day session at The Power Plant studio in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "F" inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "F!" over Alomar's guitar riff was the catalyst for the song. Lennon's voice was heard at the ending of the song, repeating the word: "F", from a fast track to a slow track of his voice, as it started from a high voice, culminating in his regular voice, and ending in a lower deep voice, before Bowie finished the song with the words: "F, What's your name, what's your name, what's your name, what's your name, what's your name".
An edited version of "Fame" was issued as the second single from the album, and shot to number one on the U.S. Billboard Hot 100 (ironically, a few months before a reissue of "Space Oddity" would give Bowie his first UK number-one single). In the UK, "Fame" would only reach number seventeen.
Interestingly, James Brown appropriated the essential musical content and production style in his 1976 single "Hot (I Need To Be Loved, Loved, Loved, Loved)" (R&B; #31). Given the long tradition of white musicians' borrowing of the creations of black artists, and the fact that the song's style seems to emulate Brown's own work from that period, many assumed it to have originally been Brown's creation.
- published: 11 Jan 2008
- views: 4859
Fame
- Order: Reorder
- Duration: 2:52
- Updated: 20 Nov 2010
- views: 1274
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 10...
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 100 during the week of September 20th, 1975.
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "Fame", inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon's voice is also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie's voice is heard singing the final lyrics of the song before the fade.
"Fame" became Bowie's biggest hit to that point in the U.S. It was his first number one hit on the Billboard Hot 100 chart, as well as his first to break the top 10. A remixed version of "Fame" was released by EMI in 1990 to coincide with the Sound + Vision tour and the release of the ChangesBowie compilation. The "Gass Mix" was also included on the "Pretty Woman" soundtrack.
wn.com/Fame
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versions, in 1990. The 1975 version reached number 1 on the Billboard Hot 100 during the week of September 20th, 1975.
With the Young Americans sessions mostly concluded in late 1974, the material was delayed while Bowie extricated himself from his contract with manager Tony DeFries. During this time he was staying in New York, and met John Lennon. The pair socialised and jammed together, which led to a one-day session at Electric Lady Studios in January 1975. There, Bowie contacted several members of his tour band. Firstly a cover of The Beatles' "Across the Universe" was recorded. Then a new song called "Fame", inspired by a guitar riff written by Carlos Alomar and with the title from Lennon, was then hurriedly developed by Bowie, and recorded. Both tracks were then added to the Young Americans album. Despite having only a minor contribution, Lennon was given a co-writing credit due to the lyrics (bemoaning the nature of celebrity) being inspired by conversations he had with Bowie on the subject, and because Bowie acknowledged that Lennon singing "Fame!" over Alomar's guitar riff was the catalyst for the song. The songwriting credit list order is David Bowie, Carlos Alomar, and John Lennon. Lennon's voice is also heard singing the repeated words "FAME, FAME, FAME" with his voice heard at a fast, normal, and slow track, making it sound like a recording on the fast and slow speeds, until Bowie's voice is heard singing the final lyrics of the song before the fade.
"Fame" became Bowie's biggest hit to that point in the U.S. It was his first number one hit on the Billboard Hot 100 chart, as well as his first to break the top 10. A remixed version of "Fame" was released by EMI in 1990 to coincide with the Sound + Vision tour and the release of the ChangesBowie compilation. The "Gass Mix" was also included on the "Pretty Woman" soundtrack.
- published: 20 Nov 2010
- views: 1274
David Bowie - China Girl - subtitulada español
- Order: Reorder
- Duration: 5:33
- Updated: 01 Feb 2016
- views: 16173
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Ni...
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Nile Rodgers siendo este "China Girl" uno de los caballitos de batalla en los rankings al ser editado como single y ampliamente difundido por doquier logrando llegar a la cima de las canciones más exitosas de aquel año. El álbum también alcanzó las cúspides al ser el más vendido en el mundo solo superado por el "Thriller" de Michael Jackson llevando la popularidad global del Duque al nivel más alto en toda su carrera. Parido luego de una intervalo de dos años y medio sin LP (el último Scary Monsters) inicialmente iba a ser producido por Tony Visconti pero con el correr de la semana las decisiones de Bowie iban a fluir por otro lado. Estaba apalabrado Tony y se encontraba esperando el llamado para comenzar con la pre producción pero luego se entera que el Duque ya estaba cocinando el asunto con Rodgers en Suiza y al pedir explicaciones a Coco, mano derecha del londinense, solo recibe evasivas. Luego del excelente "Scary Monsters" (que no tuvo gira de apoyo) Bowie dedicó su tiempo a la actuación tanto en teatro como cine y editó entre otras cosas “Under Pression” single en colaboración con Queen, número uno en los charts mientras esperaba que expirara su contrato con la RCA y lo que aún ( muy poco) lo ligaba comercialmente con su ex manager Tony Defries.
Ya concluida su participación en la genial película "The Hunger"-de culto para gente como uno- y hallándose en New York coincide una noche a fines del verano boreal del '82 en un club con Billy Idol y el amigo de este Nile Rodgers, guitarrista de Chic y productor. Bowie y el ex frontman de los Generation X se conocían desde hace tiempo pero no nunca había estado de tertulia con el afro americano. Nile comenta como fue ese momento: "estaba con Billy pero este había tomado de más y andaba vomitando por lo que me aparté de él corriéndome hacia un rincón y ahí vi a Bowie, solo como al margen de todo,me sorprendió encontrarlo así y al instante estábamos charlando animadamente comentándome acerca de su nuevo proyecto". Al poco tiempo los dos músicos craneaban el material en Suiza para luego grabar en NYC de manera muy rápida. El inglés vio en el norteamericano el productor ideal para lo que tenía minuciosamente planeado. Canciones pop directas y contundentes como para hacer arder los rankings de venta de todo el mundo. El Duque siempre un genial creador que se imponía grandes retos ansiaba esta vez ser algo más que un artista super prestigioso, quería ser algo más que el músico más influyente de siempre después de Los Beatles él quería...quería llegar a cada par de orejas en todo el globo.
De gran contundencia pop la versión plastificada por Bowie tiene algunas (muy) leves diferencias en relación a la letra de la original de la Iguana pero lo primero que llama la atención es la intro que hace con la guitarra Nile Rodgers que a más de uno cae como patada al estómago...superado esto inevitablemente la nobleza de la composición termina envolviendo los sentidos completamente. Irresistible. Nile Rodgers declaró en el año '99 "El momento más delicado que pasé en toda mi carrera discográfica fue cuando entré a la sala. tomé mi guitarra y toqué el riff inicial de "China Girl". Pensé que estaba poniendo un pegote a un magnífico trabajo artístico. Me quedé aterrado. Creí que iba a decirme que había blasfemado, que no entendía el disco ni le entendía a él y que estaba despedido. Pero ocurrió justo lo contrario. ¡Dijo que era estupendo! Me dio libertad para hacer este magnifico disco". Al promediar la canción se puede oír la guitarra del recordado Steve Ray Vaughan. Demás está decir que la canción parida por Bowie e Iggy es de lo mejor del “Let´s Dance” , LP hiper exitoso pero también controversial entre los más fieles del entrañable Duque. Para muchos el comienzo del declive artístico en los 80s. Más allá de estas consideraciones, más allá de Nile Rodgers, más allá de los pareceres acerca del álbum “China Girl” se deja disfrutar alimentando por sí sola los mejores momentos que uno pueda pasar escuchando una canción. Maravillosa, inmortal como Bowie.
wn.com/David Bowie China Girl Subtitulada Español
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitoso LP "Let's Dance" del año '83 producido por el guitarrista de Chic Nile Rodgers siendo este "China Girl" uno de los caballitos de batalla en los rankings al ser editado como single y ampliamente difundido por doquier logrando llegar a la cima de las canciones más exitosas de aquel año. El álbum también alcanzó las cúspides al ser el más vendido en el mundo solo superado por el "Thriller" de Michael Jackson llevando la popularidad global del Duque al nivel más alto en toda su carrera. Parido luego de una intervalo de dos años y medio sin LP (el último Scary Monsters) inicialmente iba a ser producido por Tony Visconti pero con el correr de la semana las decisiones de Bowie iban a fluir por otro lado. Estaba apalabrado Tony y se encontraba esperando el llamado para comenzar con la pre producción pero luego se entera que el Duque ya estaba cocinando el asunto con Rodgers en Suiza y al pedir explicaciones a Coco, mano derecha del londinense, solo recibe evasivas. Luego del excelente "Scary Monsters" (que no tuvo gira de apoyo) Bowie dedicó su tiempo a la actuación tanto en teatro como cine y editó entre otras cosas “Under Pression” single en colaboración con Queen, número uno en los charts mientras esperaba que expirara su contrato con la RCA y lo que aún ( muy poco) lo ligaba comercialmente con su ex manager Tony Defries.
Ya concluida su participación en la genial película "The Hunger"-de culto para gente como uno- y hallándose en New York coincide una noche a fines del verano boreal del '82 en un club con Billy Idol y el amigo de este Nile Rodgers, guitarrista de Chic y productor. Bowie y el ex frontman de los Generation X se conocían desde hace tiempo pero no nunca había estado de tertulia con el afro americano. Nile comenta como fue ese momento: "estaba con Billy pero este había tomado de más y andaba vomitando por lo que me aparté de él corriéndome hacia un rincón y ahí vi a Bowie, solo como al margen de todo,me sorprendió encontrarlo así y al instante estábamos charlando animadamente comentándome acerca de su nuevo proyecto". Al poco tiempo los dos músicos craneaban el material en Suiza para luego grabar en NYC de manera muy rápida. El inglés vio en el norteamericano el productor ideal para lo que tenía minuciosamente planeado. Canciones pop directas y contundentes como para hacer arder los rankings de venta de todo el mundo. El Duque siempre un genial creador que se imponía grandes retos ansiaba esta vez ser algo más que un artista super prestigioso, quería ser algo más que el músico más influyente de siempre después de Los Beatles él quería...quería llegar a cada par de orejas en todo el globo.
De gran contundencia pop la versión plastificada por Bowie tiene algunas (muy) leves diferencias en relación a la letra de la original de la Iguana pero lo primero que llama la atención es la intro que hace con la guitarra Nile Rodgers que a más de uno cae como patada al estómago...superado esto inevitablemente la nobleza de la composición termina envolviendo los sentidos completamente. Irresistible. Nile Rodgers declaró en el año '99 "El momento más delicado que pasé en toda mi carrera discográfica fue cuando entré a la sala. tomé mi guitarra y toqué el riff inicial de "China Girl". Pensé que estaba poniendo un pegote a un magnífico trabajo artístico. Me quedé aterrado. Creí que iba a decirme que había blasfemado, que no entendía el disco ni le entendía a él y que estaba despedido. Pero ocurrió justo lo contrario. ¡Dijo que era estupendo! Me dio libertad para hacer este magnifico disco". Al promediar la canción se puede oír la guitarra del recordado Steve Ray Vaughan. Demás está decir que la canción parida por Bowie e Iggy es de lo mejor del “Let´s Dance” , LP hiper exitoso pero también controversial entre los más fieles del entrañable Duque. Para muchos el comienzo del declive artístico en los 80s. Más allá de estas consideraciones, más allá de Nile Rodgers, más allá de los pareceres acerca del álbum “China Girl” se deja disfrutar alimentando por sí sola los mejores momentos que uno pueda pasar escuchando una canción. Maravillosa, inmortal como Bowie.
- published: 01 Feb 2016
- views: 16173
You're a toy up in a Attic
- Order: Reorder
- Duration: 14:55
- Updated: 03 Apr 2011
- views: 936
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salt...
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salty,talking,bed,wednesday-at skool tumblin dice,coney island animation on computer,writing a song, Rock n roll with me!
wn.com/You're A Toy Up In A Attic
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nite sky, gram n me,Toys in the Attic vinyl!!you see me crying,uncle salty,talking,bed,wednesday-at skool tumblin dice,coney island animation on computer,writing a song, Rock n roll with me!
- published: 03 Apr 2011
- views: 936
-
Ziggy Stardust And The Spiders From Mars The Motion Picture
Documentary of the July 3rd, 1973 concert at London's Hammersmith Odeon Theatre and notable for this is the last time David Bowie would perform under the Ziggy Stardust persona. -
END (Full Film)
A virus has proliferated through the entire world and annihilated most of Earth's population, leaving few survivors. On the outskirts of Corpus Christi, Texas, a small group of refugees with varied pasts gather together to withstand hordes of infected and endure what seems to be the end. -
GLF 2013 - Closing Plenary
GLF 2013 - Closing Plenary Day 2 Closing plenary on the second day of the Global Landscapes Forum, held on the sidelines of the UNFCCC COP19. Moderator: Patrick Verkooijen, Special Representative for Climate Change, the World Bank Speakers: Krystyna Gurbiel, Undersecretary of State, Ministry of Agriculture and Rural Development of the Republic of Poland His Royal Highness Prince Seeiso Bereng Seeiso, Kingdom of Lesotho Heru Prasetyo, Deputy Head of Planning and International Relations, Indonesia's President's Delivery Unit for Development Monitoring and Oversight Sithembile Ndema Mwamakamba, FANPRAN Selam Kidane Abebe, Environmental law expert/negotiation team member, the Environmental Protection Authority of the Federal Democratic Republic of Ethiopia Tony La Viña, Dean, Ateneo... -
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses Watch this panel at GLF13 explore the role of both government and corporate actors to improve both our understanding of the motivations and activities of the private sector as well as emerging public and corporate governance mechanisms and their impacts on forests, and forest-dependent communities. Moderator: Tony La Viña, Dean, Ateneo School of Government, Ateneo de Manila University; REDD+ facilitator and UNFCCC negotiator for the Philippines Speakers: Antti Savilaakso, Director of Responsible Investment & Gover nance at Nordea, the largest financial group in Northern Europe Simo Honkanen, Senior Vice President, Sustainability, Neste Oil Jessica Fries, Executive Chairman of The Prince's Accou... -
De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
Los van wat weersveranderingen en gebruikelijke ellende in Verweggistan ziet de wereld er vrij normaal uit. We gaan naar het werk, doen onze boodschappen in de supermarkt. Als we thuis komen is het er lekker warm, kijken hier en daar wat tv, lezen een inspirerend boek, af en toe gaan we op vakantie en als het een beetje mee zit doen we ook nog iets aan persoonlijke ontwikkeling. Op de overheid is wel van alles aan te merken maar ze zorgt uiteindelijk toch redelijk voor het grotere geheel. Wij proberen onze hypotheek op te brengen en voor de rest zo comfortabel mogelijk te leven. Niets aan de hand toch? Als je je oor te luister legt buiten hetgeen de gevestigde media ons voorschotelt, dan lijkt het in eerste instantie alsof men over een andere planeet praat. De contouren van de Nieuwe Wer... -
A Cloudy Horizon Careers 2020 Launch 3/3
-
Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews
The legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene. - Never before seen interview footage from 1988 with Ron Asheton (Stooges), Rob Tyner and Dennis Thompson (MC5). Three hours of interviews with the Detroit heavyweights who changed the face of music.
Ziggy Stardust And The Spiders From Mars The Motion Picture
- Order: Reorder
- Duration: 86:23
- Updated: 27 Feb 2016
- views: 5
Documentary of the July 3rd, 1973 concert at London's Hammersmith Odeon Theatre and notable for this is the last time David Bowie would perform under the Ziggy ...
Documentary of the July 3rd, 1973 concert at London's Hammersmith Odeon Theatre and notable for this is the last time David Bowie would perform under the Ziggy Stardust persona.
wn.com/Ziggy Stardust And The Spiders From Mars The Motion Picture
Documentary of the July 3rd, 1973 concert at London's Hammersmith Odeon Theatre and notable for this is the last time David Bowie would perform under the Ziggy Stardust persona.
- published: 27 Feb 2016
- views: 5
END (Full Film)
- Order: Reorder
- Duration: 22:28
- Updated: 01 Jul 2013
- views: 113
A virus has proliferated through the entire world and annihilated most of Earth's population, leaving few survivors. On the outskirts of Corpus Christi, Texas, ...
A virus has proliferated through the entire world and annihilated most of Earth's population, leaving few survivors. On the outskirts of Corpus Christi, Texas, a small group of refugees with varied pasts gather together to withstand hordes of infected and endure what seems to be the end.
wn.com/End (Full Film)
A virus has proliferated through the entire world and annihilated most of Earth's population, leaving few survivors. On the outskirts of Corpus Christi, Texas, a small group of refugees with varied pasts gather together to withstand hordes of infected and endure what seems to be the end.
- published: 01 Jul 2013
- views: 113
GLF 2013 - Closing Plenary
- Order: Reorder
- Duration: 85:17
- Updated: 17 Nov 2013
- views: 476
GLF 2013 - Closing Plenary Day 2
Closing plenary on the second day of the Global Landscapes Forum, held on the sidelines of the UNFCCC COP19.
Moderator: Patr...
GLF 2013 - Closing Plenary Day 2
Closing plenary on the second day of the Global Landscapes Forum, held on the sidelines of the UNFCCC COP19.
Moderator: Patrick Verkooijen, Special Representative for Climate Change, the World Bank
Speakers:
Krystyna Gurbiel, Undersecretary of State, Ministry of Agriculture and Rural Development of the Republic of Poland
His Royal Highness Prince Seeiso Bereng Seeiso, Kingdom of Lesotho
Heru Prasetyo, Deputy Head of Planning and International Relations, Indonesia's President's Delivery Unit for Development Monitoring and Oversight
Sithembile Ndema Mwamakamba, FANPRAN
Selam Kidane Abebe, Environmental law expert/negotiation team member, the Environmental Protection Authority of the Federal Democratic Republic of Ethiopia
Tony La Viña, Dean, Ateneo School of Government, Ateneo de Manila University; REDD+ facilitator and UNFCCC negotiator for the Philippines
Bruce Campbell, Director, CCAFS
Peter Holmgren, Director General, CIFOR
Location: University of Warsaw, Poland
Date: 17 November 2013
Duration: 1:25:16
Key terms: Global Landscapes Forum, COP19, CIFOR, UN, climate change
Global Landscapes Forum, 16-17 November 2013, Warsaw. #GLFCOP19
For more information go to http://www.landscapes.org
wn.com/Glf 2013 Closing Plenary
GLF 2013 - Closing Plenary Day 2
Closing plenary on the second day of the Global Landscapes Forum, held on the sidelines of the UNFCCC COP19.
Moderator: Patrick Verkooijen, Special Representative for Climate Change, the World Bank
Speakers:
Krystyna Gurbiel, Undersecretary of State, Ministry of Agriculture and Rural Development of the Republic of Poland
His Royal Highness Prince Seeiso Bereng Seeiso, Kingdom of Lesotho
Heru Prasetyo, Deputy Head of Planning and International Relations, Indonesia's President's Delivery Unit for Development Monitoring and Oversight
Sithembile Ndema Mwamakamba, FANPRAN
Selam Kidane Abebe, Environmental law expert/negotiation team member, the Environmental Protection Authority of the Federal Democratic Republic of Ethiopia
Tony La Viña, Dean, Ateneo School of Government, Ateneo de Manila University; REDD+ facilitator and UNFCCC negotiator for the Philippines
Bruce Campbell, Director, CCAFS
Peter Holmgren, Director General, CIFOR
Location: University of Warsaw, Poland
Date: 17 November 2013
Duration: 1:25:16
Key terms: Global Landscapes Forum, COP19, CIFOR, UN, climate change
Global Landscapes Forum, 16-17 November 2013, Warsaw. #GLFCOP19
For more information go to http://www.landscapes.org
- published: 17 Nov 2013
- views: 476
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
- Order: Reorder
- Duration: 81:19
- Updated: 17 Nov 2013
- views: 179
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
Watch this panel at GLF13 explore the role of both government and cor...
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
Watch this panel at GLF13 explore the role of both government and corporate actors to improve both our understanding of the motivations and activities of the private sector as well as emerging public and corporate governance mechanisms and their impacts on forests, and forest-dependent communities.
Moderator:
Tony La Viña, Dean, Ateneo School of Government, Ateneo de Manila University; REDD+ facilitator and UNFCCC negotiator for the Philippines
Speakers:
Antti Savilaakso, Director of Responsible Investment & Gover nance at Nordea, the largest financial group in Northern Europe
Simo Honkanen, Senior Vice President, Sustainability, Neste Oil
Jessica Fries, Executive Chairman of The Prince's Accounting for Sustainability Project (A4S), established by The Prince of Wales
Location: University of Warsaw, Poland
Date: 17 November 2013
Duration: 1:21:19
Key terms: Global Landscapes Forum, COP19, CIFOR, UN, climate change
Global Landscapes Forum, 16-17 November 2013, Warsaw. #GLFCOP19
For more information go to http://www.landscapes.org
wn.com/Glf 2013 Landscapes Policy And Governance For Forestry, Agriculture And Other Land Uses
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
Watch this panel at GLF13 explore the role of both government and corporate actors to improve both our understanding of the motivations and activities of the private sector as well as emerging public and corporate governance mechanisms and their impacts on forests, and forest-dependent communities.
Moderator:
Tony La Viña, Dean, Ateneo School of Government, Ateneo de Manila University; REDD+ facilitator and UNFCCC negotiator for the Philippines
Speakers:
Antti Savilaakso, Director of Responsible Investment & Gover nance at Nordea, the largest financial group in Northern Europe
Simo Honkanen, Senior Vice President, Sustainability, Neste Oil
Jessica Fries, Executive Chairman of The Prince's Accounting for Sustainability Project (A4S), established by The Prince of Wales
Location: University of Warsaw, Poland
Date: 17 November 2013
Duration: 1:21:19
Key terms: Global Landscapes Forum, COP19, CIFOR, UN, climate change
Global Landscapes Forum, 16-17 November 2013, Warsaw. #GLFCOP19
For more information go to http://www.landscapes.org
- published: 17 Nov 2013
- views: 179
De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
- Order: Reorder
- Duration: 46:45
- Updated: 13 Apr 2013
- views: 85099
Los van wat weersveranderingen en gebruikelijke ellende in Verweggistan ziet de wereld er vrij normaal uit. We gaan naar het werk, doen onze boodschappen in de ...
Los van wat weersveranderingen en gebruikelijke ellende in Verweggistan ziet de wereld er vrij normaal uit. We gaan naar het werk, doen onze boodschappen in de supermarkt. Als we thuis komen is het er lekker warm, kijken hier en daar wat tv, lezen een inspirerend boek, af en toe gaan we op vakantie en als het een beetje mee zit doen we ook nog iets aan persoonlijke ontwikkeling. Op de overheid is wel van alles aan te merken maar ze zorgt uiteindelijk toch redelijk voor het grotere geheel. Wij proberen onze hypotheek op te brengen en voor de rest zo comfortabel mogelijk te leven. Niets aan de hand toch?
Als je je oor te luister legt buiten hetgeen de gevestigde media ons voorschotelt, dan lijkt het in eerste instantie alsof men over een andere planeet praat. De contouren van de Nieuwe Wereld Orde en hun agenda worden, als je weet waar je op moet letten, langzaam maar zeker zichtbaar. Het intrigerende daaraan vind ik dat er inmiddels een behoorlijke mate van consensus is over de acties en motieven van de Nieuwe Wereld Orde tussen groeperingen uit vrijwel alle alternatieve subculturen (zoals de new age, ufo beweging, nieuwe wetenschap etc.), wereldwijd. Hoewel niet iedereen altijd alles vanuit hetzelfde perspectief belicht en ook niet iedereen het volledige spectrum uiteenzet, wordt het grotere plaatje met gitzwarte kanten onmiskenbaar duidelijk. Desondanks is er toch een hoopvol perspectief.
Om maar met de deur in huis te vallen volgen hier de drie veronderstelde hoofddoelen van de Nieuwe Wereld Orde:
- één (NIET democratisch gekozen) wereldregering
- één wereldreligie
- het 'reduceren' van de wereldbevolking tot een beheersbare 500 miljoen.
Om dat te bereiken gebruiken ze voor ons onbekende maar zeer krachtige mind-control technieken als bijvoorbeeld HAARP, Chemtrails, RFID Chips, subliminale boodschappen en manipulatie van voedsel, drinkwater en stroom. Bekijk hiervoor "End Game" van Alex Jones of "Alternative three" op video.google.nl.
wn.com/De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
Los van wat weersveranderingen en gebruikelijke ellende in Verweggistan ziet de wereld er vrij normaal uit. We gaan naar het werk, doen onze boodschappen in de supermarkt. Als we thuis komen is het er lekker warm, kijken hier en daar wat tv, lezen een inspirerend boek, af en toe gaan we op vakantie en als het een beetje mee zit doen we ook nog iets aan persoonlijke ontwikkeling. Op de overheid is wel van alles aan te merken maar ze zorgt uiteindelijk toch redelijk voor het grotere geheel. Wij proberen onze hypotheek op te brengen en voor de rest zo comfortabel mogelijk te leven. Niets aan de hand toch?
Als je je oor te luister legt buiten hetgeen de gevestigde media ons voorschotelt, dan lijkt het in eerste instantie alsof men over een andere planeet praat. De contouren van de Nieuwe Wereld Orde en hun agenda worden, als je weet waar je op moet letten, langzaam maar zeker zichtbaar. Het intrigerende daaraan vind ik dat er inmiddels een behoorlijke mate van consensus is over de acties en motieven van de Nieuwe Wereld Orde tussen groeperingen uit vrijwel alle alternatieve subculturen (zoals de new age, ufo beweging, nieuwe wetenschap etc.), wereldwijd. Hoewel niet iedereen altijd alles vanuit hetzelfde perspectief belicht en ook niet iedereen het volledige spectrum uiteenzet, wordt het grotere plaatje met gitzwarte kanten onmiskenbaar duidelijk. Desondanks is er toch een hoopvol perspectief.
Om maar met de deur in huis te vallen volgen hier de drie veronderstelde hoofddoelen van de Nieuwe Wereld Orde:
- één (NIET democratisch gekozen) wereldregering
- één wereldreligie
- het 'reduceren' van de wereldbevolking tot een beheersbare 500 miljoen.
Om dat te bereiken gebruiken ze voor ons onbekende maar zeer krachtige mind-control technieken als bijvoorbeeld HAARP, Chemtrails, RFID Chips, subliminale boodschappen en manipulatie van voedsel, drinkwater en stroom. Bekijk hiervoor "End Game" van Alex Jones of "Alternative three" op video.google.nl.
- published: 13 Apr 2013
- views: 85099
A Cloudy Horizon Careers 2020 Launch 3/3
- Order: Reorder
- Duration: 25:13
- Updated: 17 Sep 2014
- views: 5
- published: 17 Sep 2014
- views: 5
Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews
- Order: Reorder
- Duration: 85:39
- Updated: 22 Oct 2014
- views: 13
The legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene. - Never before seen interview footage fr...
The legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene. - Never before seen interview footage from 1988 with Ron Asheton (Stooges), Rob Tyner and Dennis Thompson (MC5). Three hours of interviews with the Detroit heavyweights who changed the face of music.
wn.com/Blowing Fuses Left Right The Legendary Detroit Rock Interviews
The legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the MC5 & the Detroit music scene. - Never before seen interview footage from 1988 with Ron Asheton (Stooges), Rob Tyner and Dennis Thompson (MC5). Three hours of interviews with the Detroit heavyweights who changed the face of music.
- published: 22 Oct 2014
- views: 13
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0:57
Tony DeFries Top # 7 Facts
Tony DeFries Top # 7 Facts
published: 02 Nov 2015
Tony DeFries Top # 7 Facts
Tony DeFries Top # 7 Facts
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- published: 02 Nov 2015
- views: 231
8:34
Ian Hunter - Interview (2004)
(Part 1 of 2). Early years, Mott the Hoople, Guy Stevens, David Bowie, Tony Defries.
published: 20 Oct 2006
Ian Hunter - Interview (2004)
Ian Hunter - Interview (2004)
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- published: 20 Oct 2006
- views: 13289
2:49
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
Great to listen to David Bowie here in 1966 after just signing to Pye Label (5 years or so...
published: 21 Jan 2016
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
David Bowie - Cant Help Thinking About Me 1966 Mega Rare 7" Single £600
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- published: 21 Jan 2016
- views: 377
4:12
DAVID BOWIE FAME IN HD
DAVID BOWIE FAME IN HD
With the Young Americans sessions mostly concluded in late 1974, th...
published: 18 Jun 2013
DAVID BOWIE FAME IN HD
DAVID BOWIE FAME IN HD
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- published: 18 Jun 2013
- views: 42120
6:54
David Bowie Fame
"Fame" is a song recorded by David Bowie, initially released in 1975. It reached Number 1 ...
published: 04 Dec 2013
David Bowie Fame
David Bowie Fame
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- published: 04 Dec 2013
- views: 20916
3:07
King Rhythm - Bowie In Space
King Rhythm - BOWIE IN SPACE
First single from the forthcoming album ROCK STAR DEMENTIA
A...
published: 19 Dec 2013
King Rhythm - Bowie In Space
King Rhythm - Bowie In Space
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- published: 19 Dec 2013
- views: 696
4:17
Mr Bogus 7
Mr Bogus Bassist Anthony Marsh turns in a nice funkified bass and vocal rendition of David...
published: 11 Jan 2008
Mr Bogus 7
Mr Bogus 7
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- views: 4859
2:52
Fame
"Fame" is a song recorded by David Bowie, initially released in 1975 and in remixed versio...
published: 20 Nov 2010
Fame
Fame
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- published: 20 Nov 2010
- views: 1274
5:33
David Bowie - China Girl - subtitulada español
Cover del original grabado por Iggy Pop en "The Idiot" del año '77 integra el super exitos...
published: 01 Feb 2016
David Bowie - China Girl - subtitulada español
David Bowie - China Girl - subtitulada español
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- published: 01 Feb 2016
- views: 16173
14:55
You're a toy up in a Attic
oh carol,dance to stray cat blues,tony defries,love in vain,brent n shane,alyssa, beau nit...
published: 03 Apr 2011
You're a toy up in a Attic
You're a toy up in a Attic
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86:23
Ziggy Stardust And The Spiders From Mars The Motion Picture
Documentary of the July 3rd, 1973 concert at London's Hammersmith Odeon Theatre and notabl...
published: 27 Feb 2016
Ziggy Stardust And The Spiders From Mars The Motion Picture
Ziggy Stardust And The Spiders From Mars The Motion Picture
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22:28
END (Full Film)
A virus has proliferated through the entire world and annihilated most of Earth's populati...
published: 01 Jul 2013
END (Full Film)
END (Full Film)
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- published: 01 Jul 2013
- views: 113
85:17
GLF 2013 - Closing Plenary
GLF 2013 - Closing Plenary Day 2
Closing plenary on the second day of the Global Landscap...
published: 17 Nov 2013
GLF 2013 - Closing Plenary
GLF 2013 - Closing Plenary
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81:19
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
...
published: 17 Nov 2013
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
GLF 2013 - Landscapes policy and governance for forestry, agriculture and other land uses
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- published: 17 Nov 2013
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46:45
De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
Los van wat weersveranderingen en gebruikelijke ellende in Verweggistan ziet de wereld er ...
published: 13 Apr 2013
De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
De Satanische Nieuwe Wereld Orde Deel 1 (Nederlands)
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- published: 13 Apr 2013
- views: 85099
25:13
A Cloudy Horizon Careers 2020 Launch 3/3
published: 17 Sep 2014
A Cloudy Horizon Careers 2020 Launch 3/3
A Cloudy Horizon Careers 2020 Launch 3/3
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- published: 17 Sep 2014
- views: 5
85:39
Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews
The legendary 1988 Detroit interviews with members of the Stooges, the Rationals and the M...
published: 22 Oct 2014
Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews
Blowing Fuses Left & Right: The Legendary Detroit Rock Interviews
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- published: 22 Oct 2014
- views: 13
Ziggy Stardust And The Spiders From Mars The Motio...
END (Full Film)...
GLF 2013 - Closing Plenary...
GLF 2013 - Landscapes policy and governance for fo...
De Satanische Nieuwe Wereld Orde Deel 1 (Nederland...
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Over 100 nude women pose against Donald Trump in Cleveland
Edit The Times of India 18 Jul 2016
CLEVELAND. More than a hundred women stripped and posed naked with mirrors in Cleveland, answering a photographer's call to blend art with politics and portray Donald Trump as unfit for the White House ... "He is a loser," photographer Spencer Tunick told AFP after the sunrise shoot in which 130 women took part. One hundred of them will be featured in the picture to be unveiled shortly before the November 8 election ... RELATED....
photo: Creative Commons / JohnED76
MPs Overwhelmingly Back Renewal of UK's Trident Nuclear Weapons System
Edit WorldNews.com 18 Jul 2016
MPs, by an overwhelming 472 to 117 vote, backed the renewal of the UK’s Trident nuclear weapons system in Parliament, BBC News reported Monday.The vote approves the construction of four replacement submarines at an estimated cost of £31bn ... "Nuclear weapons are here, they are not going to disappear," he said. "It is the role of government to make sure we can defend ourselves against them."....
photo: AP / Yasin Bulbul
U.S. Ambassador To Turkey John Bass Categorically Denies US Role In Failed Coup
Edit WorldNews.com 18 Jul 2016
U.S. Ambassador to Turkey John Bass admonished Turkish President Recep Erdogan for suggesting the United States is harboring a terrorist he claims is responsible for last Friday’s failed military coup, ABC News reported Monday. "Some news reports – and, unfortunately, some public figures – have speculated that the United States in some way supported the coup attempt....
photo: AP / Chris Pizzello
Taylor Swift defends herself in latest salvo in Kanye battle
Edit NZ Herald 18 Jul 2016
NEW YORK (AP) " In the latest installment of the beef between Taylor Swift, Kanye West and his wife, Kim Kardashian, Kardashsian posted video on Snapchat on Sunday of an old call between West and Swift in which West appears to tell... ....
photo: AP / J. Scott Applewhite
Republican Leaders Turn Aside Dissent From Anti-Trump Forces As Convention Opens
Edit WorldNews.com 18 Jul 2016
Despite dissent from anti-Donald Trump forces, Republican Party leaders approved rules for the convention and rejected a demand for a state-by-state roll call vote Monday, all but sealing Trump’s fate as the party standard-bearer this fall, The Associated Press reported.With hundreds of socially conservative delegates opposed to nominating the New York real estate mogul, presiding officer, Arkansas GOP Rep....
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New Baylor AD Rhoades sees opportunities, not challenges
Edit Austin American Statesman 19 Jul 2016
Mack Rhoades knows mistakes have been made at Baylor, but the school's new athletic director says he sees opportunities and not challenges. Rhoades says he doesn't pretend to have a deep level of understanding of all that's happened at Baylor ... (AP Photo/Tony Gutierrez) ... He starts full-time at Baylor on Aug ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... ....
‘Art Of The Deal’ Ghostwriter Says Trump Presidency Could End The World
Edit Inquisitr 19 Jul 2016
Tony Schwartz is so disturbed by the notion that The Donald might win the upcoming presidential election that he told The New Yorker that a Trump presidency could trigger the end of the world ... Tony Schwartz is a lifelong liberal who says he understood that he was making a Faustian bargain when he accepted Si Newhouse’s offer to write the Trump biography....
TCU, Oklahoma State expected again to chase OU in Big 12
Edit Austin American Statesman 19 Jul 2016
Oklahoma State coach Mike Gundy knows Mason Rudolph has to feel better physically, even without talking to the junior quarterback about how he feels ... The Cowboys lost all three of those games after a 10-0 start ... (AP Photo/Tony Gutierrez) ... He looks really good ... "It's going to be a healthy (competition) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... (AP Photo/Tony Gutierrez) ... ....
Cristiano Ronaldo, Lionel Messi on UEFA award shortlist, edging Will Grigg
Edit Indian Express 19 Jul 2016
The 10 candidates also include Madrid’s Gareth Bale and Toni Kroos, who both reached the Euro 2016 semifinals with Wales and Germany, respectively ... Gareth Bale (Wales, Real Madrid), Gianluigi Buffon (Italy, Juventus), Antoine Griezmann (France, Atletico Madrid), Toni Kroos (Germany, Real Madrid), ......
Roc-2 well update (Carnarvon Petroleum Limited)
Edit Public Technologies 19 Jul 2016
(Source. Carnarvon Petroleum Limited) f1bc1051-c58e-4f92-90b4-c9ec6d85ddce.pdf Roc-2 well drilling update. 19 July 2016. Carnarvon Petroleum Limited ("Carnarvon") (ASX.CVN) provides the following update on drilling operations as advised by the operator of the Roc-2 well, Quadrant Energy. Progress ... Current Operations ... Forward Plan ... Media enquires.. Mr Thomson Naude Mr Tony Dawe ... investor.relations@cvn.com.au tony.dawe@ppr.com.au....
'Art of the Deal' ghostwriter calls Trump a 'sociopath' | The Auditor
Edit NJ dot com 19 Jul 2016
Was it a book of lies? Tony Schwartz, who wrote the book for Trump nearly 30 years ago, fears a President Trump will end civilization ... . In an article posted by The New Yorker Monday, Tony Schwartz -- a former journalist who now owns his own consulting firm -- explains what it took to write the book with the real estate mogul and Manhattan socialite nearly 30 years ago, concluding he wished he could take it all back ... . ....
British PM Theresa May trades 10 Downing Street for flat next door
Edit Indian Express 19 Jul 2016
(AP Photo/Frank Augstein) ... May is following in the footsteps of the last three prime ministers (Tony Blair, Gordon Brown and David Cameron) in making the switch. British PM Theresa May is following in the footsteps of the last three prime ministers (Tony Blair, Gordon Brown and David Cameron) in making the switch. (source. Reuters) ... Although Cameron had to move out immediately after leaving office last Wednesday, May has yet to move in ... ....
Different take on 'Do-Re-Mi' in Broadway's touring 'Sound of Music'
Edit Orange County Register 19 Jul 2016
Jack O’Brien is not exactly saying, “So long, farewell, auf wiedersehen, goodbye” to the original storyline of the Broadway musical phenomenon “The Sound of Music,” but the three-time Tony Award-winning director has certainly made... ....
Donald Trump's Ghostwriter And Why Selling Your Soul For An Easy Payday Never Pays Off
Edit Forbes 19 Jul 2016
Tony Schwartz is a man with regrets. Schwartz was the ghostwriter behind Donald Trump’s wildly successful ‘The Art Of The Deal,’ the book that launched a reality show that launched a presidential campaign ... ....
'I put lipstick on a pig,' says Trump's 'Art of the Deal' ghostwriter
Edit Baltimore Sun 19 Jul 2016
Days before Donald Trump accepts the Republican nomination for president, the New Yorker has published a regret-laden interview with the ghostwriter of his best-selling 1987 memoir, “The Art of the Deal.”. Tony Schwartz, writes Jane Mayer, was a respected magazine writer when he made a conscious... ....
Wyoming lawmakers approve $219 million cap on Capitol work
Edit The Washington Times 19 Jul 2016
CHEYENNE, Wyo. (AP) - A panel of Wyoming lawmakers recommends approval of a $219 million guaranteed maximum price for restoration of the state Capitol in Cheyenne. A consultant presented the figure Monday to a subcommittee of the Capitol Building Restoration Oversight Group. Cheyenne Republican Senator Tony Ross is group co-chairman ... ....
‘I feel a deep sense of remorse,’ Trump’s ghostwriter says
Edit The Seattle Times 19 Jul 2016
Tony Schwartz, the book’s ghostwriter, who spent 18 months in the 1980s interviewing and shadowing Trump, says “The Art of the Deal” is really a work of fiction ... ....
The New Adventures Of Morph Series 1 Ep 6 Bin It To Win It
Edit Australian Broadcasting Corporation 19 Jul 2016- 1
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