- published: 07 May 2016
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Chaos (Greek χάος khaos) refers to the formless or void state preceding the creation of the universe or cosmos in the Greek creation myths, more specifically the initial "gap" created by the original separation of heaven and earth.
The motif of chaoskampf (German for "struggle against chaos") is ubiquitous in such myths, depicting a battle of a culture hero deity with a chaos monster, often in the shape of a serpent or dragon. The same term has also been extended to parallel concepts in the religions of the Ancient Near East.
Greek χάος means "emptiness, vast void, chasm, abyss", from the verb χαίνω, "gape, be wide open, etc.", from Proto-Indo-European *ghen-, cognate to Old English geanian, "to gape", whence English yawn.
Hesiod and the Pre-Socratics use the Greek term in the context of cosmogony. Hesiod's chaos has often been interpreted as a moving, formless mass from which the cosmos and the gods originated, but Eric Voegelin sees it instead as creatio ex nihilo, much as in the Book of Genesis. The term tohu wa-bohu of Genesis 1:2 has been shown to refer to a state of non-being prior to creation rather than to a state of matter. The Septuagint makes no use of χάος in the context of creation, instead using the term for גיא, "chasm, cleft", in Micha 1:6 and Zacharia 14:4.
Chaos may refer to:
The term "mythology" can refer either to the study of myths (e.g., comparative mythology), or to a body or collection of myths (a mythos, e.g., Inca mythology). In folkloristics, a myth is a sacred narrative usually explaining how the world or humankind came to be in its present form, although, in a very broad sense, the word can refer to any traditional story. Myths typically involve supernatural characters and are endorsed by rulers or priests. They may arise as overelaborated accounts of historical events, as allegory for or personification of natural phenomena, or as an explanation of ritual. They are transmitted to convey religious or idealized experience, to establish behavioral models, and to teach.
Early rival classifications of Greek mythos by Euhemerus, Plato's Phaedrus, and Sallustius were developed by the neoplatonists and revived by Renaissance mythographers as in the Theologia mythologica (1532). Nineteenth-century comparative mythology reinterpreted myth as evolution toward science (E. B. Tylor), "disease of language" (Max Müller), or misinterpretation of magical ritual (James Frazer). Later interpretations rejected opposition between myth and science, such as Jungian archetypes, Joseph Campbell's "metaphor of spiritual potentiality", or Lévi-Strauss's fixed mental architecture. Tension between Campbell's comparative search for monomyth or Ur-myth and anthropological mythologists' skepticism of universal origin has marked the 20th century. Further, modern mythopoeia such as fantasy novels, manga, and urban legend, with many competing artificial mythoi acknowledged as fiction, supports the idea of myth as ongoing social practice.