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Sufi Trance Musik (By Turkic Mystic Poet Imadaddin Nasimi)
http://en.wikipedia.org/wiki/Imadaddin_Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Ale...
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Sanam Abdolazimzadeh - Vertigo - (Official Music Video)
Lyrics: Imadaddin Nasimi
Singer: Sanam Abdolazimzadeh
Composer: Siamak Razavi
Kamancheh: Saeed Mirzazadeh
Duduk: Arash Sarani Azar
Udo: Mehran Farshbaf
naghara: Naghi Sahebgherani
Painter: Sona Abdolazimzadeh
Director: Siavash Rad
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Şövkət Ələkbərova - Neylərəm (music: Süleyman Ələsgərov)
Musiqi / music: Süleyman Ələsgərov http://composersunion.az/?i=36&id;=127 http://az.wikipedia.org/wiki/S%C3%BCleyman_%C6%8Fl%C9%99sg%C9%99rov http://www.gunaz...
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ALEVITISME: De 7 Mystieke Dichters of '7 Ulu Ozan' (lees info)
Lees hier voor meer informatie: Binnen het Alevitisme en het Soefisme komt veel symboliek voor. De eerste afbeelding in dit liedje symboliseert de hemelreis ...
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Young Azerbaijani artist presents his works in Budapest
The opening ceremony of an art exhibition by Chingiz Mehbaliyev called "Coloring your life" was held in the Ybl Palota gallery in Budapest, Hungary, on July ...
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Chingiz Mehbaliyev presents his works in Budapest
Opening ceremony of Azerbaijani painter Chingiz Mehbaliyev's exhibition was held in Budapest. The opening ceremony of Azerbaijani painter Chingiz Mehbaliyev'...
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Ancient Azerbaijan musical instrument - Chagane
Ancient Azerbaijan musical instrument - Chagane. The chagane is a four-stringed instrument that was used in Azerbaijan up until the end of : the 19th century...
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Who Is Fazlallah Astarabadi (Naimi) ?
Fażlu l-Lāh Astar-Ābādī (Persian: فضلالله استرآبادی), also known as Fażlullāh Tabrīzī Astarābādī by a pseudonym al-Ḥurūfī and a pen name Nāimī, was an Iranian mystic who founded the Ḥurūfī movement. The basic belief of the Ḥurūfiyyah was that the God was incarnated in the body of Fażlullāh and that he would appear as Mahdī when the Last Day was near in order to save Muslims, Christians and Jews.
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Dj Nikli - Soundtrack for Nasimi / DVJ
DVJ Soundtrack for Nasimi.
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Зулайхо - Насими субх (Сафина) | Zulaykho - Nasimi Subh (Safina)
www.zulaykhomusic.tj.
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Nesimi - Isteme - kino filminden qezel
Несими - Менде сыгар ики джахан, мен бу джахана сыгмазам Nəsimi kino filmdən qəzəl Sən sana gər yar isən var, ey könül, yar istəmə! Yarü dildar ol sana, sən ...
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Seyyid Nesimi Etmegil
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Насими Саидзод - Зиндаги (2015) | Nasimi Saidzod - Zindagi (2015)
Становитесь нашими друзьями и подписчиками:
Tamoshow @ Facebook http://www.facebook.com/tam...
Tamoshow @ Google+ http://google.com/+Tamoshow
Tamoshow @ Вконтакте http://vk.com/tamoshow
Tamoshow @ Instagram http://instagram.com/tamoshow
Tamoshow @ Twitter http://twitter.com/tamoshotv
Tamoshow @ Website http://www.tamoshow.tj
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iamDARIUS Women's Day Poem (Persian) with Bloopers
Darius Nasimi reading Women's Day Poem in Persian. This video also includes Bloopers. Long Live Women's Rights for not only women in Afghanistan and the Pers...
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Qezel - Imadeddin Nesimi
Qezel uzun qezeldir. R.Balayev bir qismini oxuyur. Oxunan beytlerin esli beledir: Canimi yandirdi shövqün, ey nigarim, qandasan? Gözlerim nuru, iki alemde va...
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Shamanic Trance Music from Turkey
Canani Gördüm Cemil Kocgün NESIMI Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Alevilik...
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What Is Hurufism?
Hurufism (Arabic: حروفية hurufiyya, adjective form hurufi literal meaning "letters" [of the alphabet]) was a mystical kabbalistic Sufi doctrine, which spread in areas of western Persia, Anatolia and Azerbaijan in later 14th - early 15th century.
The founder and spiritual head of the Hurufi movement was Fażlu l-Lāh Astar-Ābādī, also called Nāimī (1340–1394). Born in Astrabad, Iran, he was strongl
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Seyyid Nesimi Filminden Sahneler - Azerbaycan Kızılbaş-Türk filmi
Azerbaycan Kızılbaş Türklerinin, 1974 yılında Aleviliğin 7 Ulu Ozanlarından olan İmameddin Seyyîd Nesimî'nin hayatını anlattığı filmi izlemenizi öneriyorum. Türkiye'de 1974'te yapılan Aleviliğin 7 Ulu Ozanlarından Pir Sultan Abdal'ın hayatının anlatıldığı film ile aynı temadadır. Pir Sultanın asılması gibi filmin sonunda İmameddin Seyyîd Nesimî ''Enel Hakk'' dediği için kafir diyerek fetva çıkarıy
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Nevid Müsmir- Ezeli Canımız, Nesimi`den, نوید مثمر، ازلی جانیمیز، نسیمی
Nevid Müsmir- ezelî cânımız (Âdem güzellemesi)
Gazel: Nesimî
Müzik: Nevid Müsmir
( Azerbaycan aşık müziğinden ilham alınmıştır)
Ey ezelî cân ile cânânımız
Aşk-ı ruhundur ebedî şânımız
Ka’be yüzündür bize, ey dil-rübâ
Zülf-ü ruhun kıble vü imânımız
Kim ki Sücût eylemedi hüsnüne
Dîv -i la’in oldu vu Şeytânımız
Evvel ü âhirde yüzündür yüzün
Sûret-i Allâh ile rahmânımız
Uymadı ârif sözüne vâ’izin
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Seyyid Nesimi - Ayrılır(Deyiş) - Azerbaycan Kızılbaş-Türk Filmi
Ey müselmanlar bu gün ol yar-i pünhan ayrılır
Ağlamayım neyleyim çün gövdeden can ayrılir
Ey senem hicrin elinden nale-yi zar eylerem
Gözlerimden sanesen derya-yi umman ayrilir
Ol sebebdendir ki men bimar u rencur olmuşam
Xeste könlüm merhemi ol derde derman ayrılır
Takatim sebrim tükendi onsuz men neyleyim
Eqlimi şeyda qılan çeşm-i fettan ayrılır
Mehşer-i yevmil-hisab qopdu qiyamet başıma
Ya’
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Kızılbaş Türkmen Deyişleri - Tarep (Seyyid Nesimi)
Fazl’ım, menim ey Hızr’ım u hem Âb-ı hayâtım
Şems’im, menim ey bedr im ü sa:çı zulümâtım!
Selvim, çimenim, bâğ u bahâr ile hezârım
Tûtim , şekerim, şehdim ü kand ile nabâtım
Hannân ile mennân ım u ey Merve-Safâ’lım!
Hem Zemzem ile kıble vü Kâbe’m, Arafât’ım!
Ma’bûdum u maksûdum u matlubum u kastım
Hem zâhirim ü bâtınım u zât u sıfâtım!
Ayşım , târebim , zevk ü sefâ ile neşâtım
Saz ile makâmatı
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Seyyid Nesimi - Sığmazam(Deyiş) - Azerbaycan Kızılbaş-Türk Filmi
Bende sığar iki cihan, ben bu cihana sığmazam
Yersiz, yurtsuz cevher benim, hiçbir mekana sığmazam
Hem sedefim hem inciyim, Sırat’tan da geçiciyim
Bunca atlas kumaş ile ben bu dükkana sığmazam
Gizli hazine benim işte, göz önünde olan da ben
Maddenin cevheri benim, dağa, ummana sığmazam
Can ile cihan benim, dünya ile zaman menem
Ama ne dünyaya, ne zamana sığmazam
Yıldızlara felek benim, vahiy i
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Nesimi Sinema Filmi 1 - 50 dakika-minutes
Sufi Trance Musik (By Turkic Mystic Poet Imadaddin Nasimi)
http://en.wikipedia.org/wiki/Imadaddin_Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Ale......
http://en.wikipedia.org/wiki/Imadaddin_Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Ale...
wn.com/Sufi Trance Musik (By Turkic Mystic Poet Imadaddin Nasimi)
http://en.wikipedia.org/wiki/Imadaddin_Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Ale...
Sanam Abdolazimzadeh - Vertigo - (Official Music Video)
Lyrics: Imadaddin Nasimi
Singer: Sanam Abdolazimzadeh
Composer: Siamak Razavi
Kamancheh: Saeed Mirzazadeh
Duduk: Arash Sarani Azar
Udo: Mehran Farshbaf
naghara:...
Lyrics: Imadaddin Nasimi
Singer: Sanam Abdolazimzadeh
Composer: Siamak Razavi
Kamancheh: Saeed Mirzazadeh
Duduk: Arash Sarani Azar
Udo: Mehran Farshbaf
naghara: Naghi Sahebgherani
Painter: Sona Abdolazimzadeh
Director: Siavash Rad
wn.com/Sanam Abdolazimzadeh Vertigo (Official Music Video)
Lyrics: Imadaddin Nasimi
Singer: Sanam Abdolazimzadeh
Composer: Siamak Razavi
Kamancheh: Saeed Mirzazadeh
Duduk: Arash Sarani Azar
Udo: Mehran Farshbaf
naghara: Naghi Sahebgherani
Painter: Sona Abdolazimzadeh
Director: Siavash Rad
- published: 25 Apr 2015
- views: 1376
Şövkət Ələkbərova - Neylərəm (music: Süleyman Ələsgərov)
Musiqi / music: Süleyman Ələsgərov http://composersunion.az/?i=36&id;=127 http://az.wikipedia.org/wiki/S%C3%BCleyman_%C6%8Fl%C9%99sg%C9%99rov http://www.gunaz......
Musiqi / music: Süleyman Ələsgərov http://composersunion.az/?i=36&id;=127 http://az.wikipedia.org/wiki/S%C3%BCleyman_%C6%8Fl%C9%99sg%C9%99rov http://www.gunaz...
wn.com/Şövkət Ələkbərova Neylərəm (Music Süleyman Ələsgərov)
Musiqi / music: Süleyman Ələsgərov http://composersunion.az/?i=36&id;=127 http://az.wikipedia.org/wiki/S%C3%BCleyman_%C6%8Fl%C9%99sg%C9%99rov http://www.gunaz...
ALEVITISME: De 7 Mystieke Dichters of '7 Ulu Ozan' (lees info)
Lees hier voor meer informatie: Binnen het Alevitisme en het Soefisme komt veel symboliek voor. De eerste afbeelding in dit liedje symboliseert de hemelreis ......
Lees hier voor meer informatie: Binnen het Alevitisme en het Soefisme komt veel symboliek voor. De eerste afbeelding in dit liedje symboliseert de hemelreis ...
wn.com/Alevitisme De 7 Mystieke Dichters Of '7 Ulu Ozan' (Lees Info)
Lees hier voor meer informatie: Binnen het Alevitisme en het Soefisme komt veel symboliek voor. De eerste afbeelding in dit liedje symboliseert de hemelreis ...
Young Azerbaijani artist presents his works in Budapest
The opening ceremony of an art exhibition by Chingiz Mehbaliyev called "Coloring your life" was held in the Ybl Palota gallery in Budapest, Hungary, on July ......
The opening ceremony of an art exhibition by Chingiz Mehbaliyev called "Coloring your life" was held in the Ybl Palota gallery in Budapest, Hungary, on July ...
wn.com/Young Azerbaijani Artist Presents His Works In Budapest
The opening ceremony of an art exhibition by Chingiz Mehbaliyev called "Coloring your life" was held in the Ybl Palota gallery in Budapest, Hungary, on July ...
- published: 06 Sep 2013
- views: 413
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author: nemzeti1tv
Chingiz Mehbaliyev presents his works in Budapest
Opening ceremony of Azerbaijani painter Chingiz Mehbaliyev's exhibition was held in Budapest. The opening ceremony of Azerbaijani painter Chingiz Mehbaliyev'......
Opening ceremony of Azerbaijani painter Chingiz Mehbaliyev's exhibition was held in Budapest. The opening ceremony of Azerbaijani painter Chingiz Mehbaliyev'...
wn.com/Chingiz Mehbaliyev Presents His Works In Budapest
Opening ceremony of Azerbaijani painter Chingiz Mehbaliyev's exhibition was held in Budapest. The opening ceremony of Azerbaijani painter Chingiz Mehbaliyev'...
- published: 08 Sep 2013
- views: 168
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author: ChingizArt
Ancient Azerbaijan musical instrument - Chagane
Ancient Azerbaijan musical instrument - Chagane. The chagane is a four-stringed instrument that was used in Azerbaijan up until the end of : the 19th century......
Ancient Azerbaijan musical instrument - Chagane. The chagane is a four-stringed instrument that was used in Azerbaijan up until the end of : the 19th century...
wn.com/Ancient Azerbaijan Musical Instrument Chagane
Ancient Azerbaijan musical instrument - Chagane. The chagane is a four-stringed instrument that was used in Azerbaijan up until the end of : the 19th century...
- published: 09 Nov 2011
- views: 915
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author: oldcommune
Who Is Fazlallah Astarabadi (Naimi) ?
Fażlu l-Lāh Astar-Ābādī (Persian: فضلالله استرآبادی), also known as Fażlullāh Tabrīzī Astarābādī by a pseudonym al-Ḥurūfī and a pen name Nāimī, was an Iranian...
Fażlu l-Lāh Astar-Ābādī (Persian: فضلالله استرآبادی), also known as Fażlullāh Tabrīzī Astarābādī by a pseudonym al-Ḥurūfī and a pen name Nāimī, was an Iranian mystic who founded the Ḥurūfī movement. The basic belief of the Ḥurūfiyyah was that the God was incarnated in the body of Fażlullāh and that he would appear as Mahdī when the Last Day was near in order to save Muslims, Christians and Jews. His followers first came from the village of Toqchi near Isfahan and from there, the fame of his small community spread throughout Khorasan, ʿErāq, Azerbaijan and Shirvan. The center of Fażlullāh Nāimī's influence was Baku and most of his followers came from Shirvan. Among his followers was the famous Ḥurūfī poet Seyyed Imadaddin Nasimi, one of the greatest Turkic mystical poets of the late 14th and early 15th centuries.
Fażlullāh was born in Astarābād, Iran, circa 1339/1340, to a family of judges. According to the traditional Ḥurūfī biography, Fażlullāh Astarābādī was born in a household that traced its descent to the seventh Shī‘ah Imam, Musa al-Kazim. Fażlullāh's predecessor, in eighth or ninth generation, was Muhammad al-Yamanī, from the family which originated in Yemen, the center of heterodox Islam at the time. Fażlullāh's family was from the Shāfi‘ī school of Sunni Islam — however, this did not figure greatly in his religious development.
When his father died when he was still a child, Fażlullāh inherited his position and appeared at the courthouse on horse back everyday, acting as a figurehead while his assistants carried out the work of the court. At the age of eighteen he had an extraordinary religious experience when a nomadic dervish recited a verse by Jalal ad-Din Muhammad Rumi:
Why are you afraid of death when you have the essence of eternity?
How can the grave contain you when you have the light of God?
Fażlullāh fell into a trance and when he inquired as to the verses meaning his religious teacher told him that to understand it one would have to devote their life to religious pursuits and then one could experience the meaning rather than knowing it intellectually. After a year of trying to maintain his duties as a judge during the day while engaged in solitary prayer in a graveyard at night, he abandoned his family, possessions and security to become an itinerant religious seeker. As he left Astarābād, he exchanged his clothes for the felt clothing of a shepherd he met. From then on he always wore this shirt as a symbol of having abandoned worldly connections and comforts.
Works
Fażlullāh composed his works in Standard Persian as well as the Persian dialect of Astarābād. His most significant work which establishes the foundation of Ḥurūfism is titled Javidan-namah "Eternal Book". Two recensions were made of the Javidan-namah. The one which is designated as Kabīr "Great" is in the Astarābādī Persian dialect and the one that is entitled Ṣaghīr "Small" is in standard Persian. Another book in the Astarābādī Persian dialect is the Nawm-namah, giving an account of the dreams of Fażlullāh at various times in his life. A prose work, entitled Mahabbat-namah in the Astarābād Persian dialect was imitated by Turkish Ḥurūfīs. He also composed a book of poetry in standard Persian and gave it the title Arsh-namah. In addition to this book, he also composed another small collection of poetry in standard Persian using the pen name Nāimī. From his poetic works, it is evident that he knew Arabic, Persian and his native language, the Gurgan dialect. He was well-versed in Persian literature, and that he was capable of composing poetry in the classical style.
Sahib-i ta'vil: the Master of Esoteric Interpretation
According to Encyclopedia of Islam, one of the key tenets of Ḥurūfism is that Allah reveals himself in the Word and that words (ḥurūf) are composed of sounds that are associated with letters. The total number of letters (and their numerical value according to the abjad) is the total of all emanating and creating possibilities of God and is God himself made manifest.
Dreams of Fażlullāh
Fażlullāh made his way to Isfahan in central Iran. Unused to walking, he suffered a leg injury by the time he arrived. Here he found a variety of religious seekers many of whom shunned contacts with wider society and often flouted religious convention.
wn.com/Who Is Fazlallah Astarabadi (Naimi)
Fażlu l-Lāh Astar-Ābādī (Persian: فضلالله استرآبادی), also known as Fażlullāh Tabrīzī Astarābādī by a pseudonym al-Ḥurūfī and a pen name Nāimī, was an Iranian mystic who founded the Ḥurūfī movement. The basic belief of the Ḥurūfiyyah was that the God was incarnated in the body of Fażlullāh and that he would appear as Mahdī when the Last Day was near in order to save Muslims, Christians and Jews. His followers first came from the village of Toqchi near Isfahan and from there, the fame of his small community spread throughout Khorasan, ʿErāq, Azerbaijan and Shirvan. The center of Fażlullāh Nāimī's influence was Baku and most of his followers came from Shirvan. Among his followers was the famous Ḥurūfī poet Seyyed Imadaddin Nasimi, one of the greatest Turkic mystical poets of the late 14th and early 15th centuries.
Fażlullāh was born in Astarābād, Iran, circa 1339/1340, to a family of judges. According to the traditional Ḥurūfī biography, Fażlullāh Astarābādī was born in a household that traced its descent to the seventh Shī‘ah Imam, Musa al-Kazim. Fażlullāh's predecessor, in eighth or ninth generation, was Muhammad al-Yamanī, from the family which originated in Yemen, the center of heterodox Islam at the time. Fażlullāh's family was from the Shāfi‘ī school of Sunni Islam — however, this did not figure greatly in his religious development.
When his father died when he was still a child, Fażlullāh inherited his position and appeared at the courthouse on horse back everyday, acting as a figurehead while his assistants carried out the work of the court. At the age of eighteen he had an extraordinary religious experience when a nomadic dervish recited a verse by Jalal ad-Din Muhammad Rumi:
Why are you afraid of death when you have the essence of eternity?
How can the grave contain you when you have the light of God?
Fażlullāh fell into a trance and when he inquired as to the verses meaning his religious teacher told him that to understand it one would have to devote their life to religious pursuits and then one could experience the meaning rather than knowing it intellectually. After a year of trying to maintain his duties as a judge during the day while engaged in solitary prayer in a graveyard at night, he abandoned his family, possessions and security to become an itinerant religious seeker. As he left Astarābād, he exchanged his clothes for the felt clothing of a shepherd he met. From then on he always wore this shirt as a symbol of having abandoned worldly connections and comforts.
Works
Fażlullāh composed his works in Standard Persian as well as the Persian dialect of Astarābād. His most significant work which establishes the foundation of Ḥurūfism is titled Javidan-namah "Eternal Book". Two recensions were made of the Javidan-namah. The one which is designated as Kabīr "Great" is in the Astarābādī Persian dialect and the one that is entitled Ṣaghīr "Small" is in standard Persian. Another book in the Astarābādī Persian dialect is the Nawm-namah, giving an account of the dreams of Fażlullāh at various times in his life. A prose work, entitled Mahabbat-namah in the Astarābād Persian dialect was imitated by Turkish Ḥurūfīs. He also composed a book of poetry in standard Persian and gave it the title Arsh-namah. In addition to this book, he also composed another small collection of poetry in standard Persian using the pen name Nāimī. From his poetic works, it is evident that he knew Arabic, Persian and his native language, the Gurgan dialect. He was well-versed in Persian literature, and that he was capable of composing poetry in the classical style.
Sahib-i ta'vil: the Master of Esoteric Interpretation
According to Encyclopedia of Islam, one of the key tenets of Ḥurūfism is that Allah reveals himself in the Word and that words (ḥurūf) are composed of sounds that are associated with letters. The total number of letters (and their numerical value according to the abjad) is the total of all emanating and creating possibilities of God and is God himself made manifest.
Dreams of Fażlullāh
Fażlullāh made his way to Isfahan in central Iran. Unused to walking, he suffered a leg injury by the time he arrived. Here he found a variety of religious seekers many of whom shunned contacts with wider society and often flouted religious convention.
- published: 05 Apr 2015
- views: 2
Nesimi - Isteme - kino filminden qezel
Несими - Менде сыгар ики джахан, мен бу джахана сыгмазам Nəsimi kino filmdən qəzəl Sən sana gər yar isən var, ey könül, yar istəmə! Yarü dildar ol sana, sən ......
Несими - Менде сыгар ики джахан, мен бу джахана сыгмазам Nəsimi kino filmdən qəzəl Sən sana gər yar isən var, ey könül, yar istəmə! Yarü dildar ol sana, sən ...
wn.com/Nesimi Isteme Kino Filminden Qezel
Несими - Менде сыгар ики джахан, мен бу джахана сыгмазам Nəsimi kino filmdən qəzəl Sən sana gər yar isən var, ey könül, yar istəmə! Yarü dildar ol sana, sən ...
Насими Саидзод - Зиндаги (2015) | Nasimi Saidzod - Zindagi (2015)
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Tamoshow @ Facebook http://www.facebook.com/tam...
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Tamoshow @ Вконтак...
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Tamoshow @ Facebook http://www.facebook.com/tam...
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Tamoshow @ Instagram http://instagram.com/tamoshow
Tamoshow @ Twitter http://twitter.com/tamoshotv
Tamoshow @ Website http://www.tamoshow.tj
wn.com/Насими Саидзод Зиндаги (2015) | Nasimi Saidzod Zindagi (2015)
Становитесь нашими друзьями и подписчиками:
Tamoshow @ Facebook http://www.facebook.com/tam...
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Tamoshow @ Вконтакте http://vk.com/tamoshow
Tamoshow @ Instagram http://instagram.com/tamoshow
Tamoshow @ Twitter http://twitter.com/tamoshotv
Tamoshow @ Website http://www.tamoshow.tj
- published: 11 Feb 2015
- views: 5021
iamDARIUS Women's Day Poem (Persian) with Bloopers
Darius Nasimi reading Women's Day Poem in Persian. This video also includes Bloopers. Long Live Women's Rights for not only women in Afghanistan and the Pers......
Darius Nasimi reading Women's Day Poem in Persian. This video also includes Bloopers. Long Live Women's Rights for not only women in Afghanistan and the Pers...
wn.com/Iamdarius Women's Day Poem (Persian) With Bloopers
Darius Nasimi reading Women's Day Poem in Persian. This video also includes Bloopers. Long Live Women's Rights for not only women in Afghanistan and the Pers...
- published: 16 Mar 2013
- views: 729
-
author: iam Darius
Qezel - Imadeddin Nesimi
Qezel uzun qezeldir. R.Balayev bir qismini oxuyur. Oxunan beytlerin esli beledir: Canimi yandirdi shövqün, ey nigarim, qandasan? Gözlerim nuru, iki alemde va......
Qezel uzun qezeldir. R.Balayev bir qismini oxuyur. Oxunan beytlerin esli beledir: Canimi yandirdi shövqün, ey nigarim, qandasan? Gözlerim nuru, iki alemde va...
wn.com/Qezel Imadeddin Nesimi
Qezel uzun qezeldir. R.Balayev bir qismini oxuyur. Oxunan beytlerin esli beledir: Canimi yandirdi shövqün, ey nigarim, qandasan? Gözlerim nuru, iki alemde va...
- published: 10 Jan 2010
- views: 66970
-
author: 1Pars
Shamanic Trance Music from Turkey
Canani Gördüm Cemil Kocgün NESIMI Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Alevilik......
Canani Gördüm Cemil Kocgün NESIMI Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Alevilik...
wn.com/Shamanic Trance Music From Turkey
Canani Gördüm Cemil Kocgün NESIMI Nasimi Turan Turanian Crane Dance Turkic Turan Shamanism Tengrism Alevi Bektasi Alevism Shaman Shamanist Turkistan Alevilik...
What Is Hurufism?
Hurufism (Arabic: حروفية hurufiyya, adjective form hurufi literal meaning "letters" [of the alphabet]) was a mystical kabbalistic Sufi doctrine, which spread i...
Hurufism (Arabic: حروفية hurufiyya, adjective form hurufi literal meaning "letters" [of the alphabet]) was a mystical kabbalistic Sufi doctrine, which spread in areas of western Persia, Anatolia and Azerbaijan in later 14th - early 15th century.
The founder and spiritual head of the Hurufi movement was Fażlu l-Lāh Astar-Ābādī, also called Nāimī (1340–1394). Born in Astrabad, Iran, he was strongly drawn to Sufism and the teachings of Mansur Al-Hallaj and Rumi at an early age. In the mid-1370s Nāimī started to propagate his teachings all over Persia and Azerbaijan. While living in Tabriz, Fazlallah gained an elite following in the Jalayirid court, where the writing of his main work, Jawidan-Al-Kabir, allegedly took place. At that time he was still in the mainstream of Sufi tradition. Later, he did move towards more esoteric spirituality, and, failing to convert Timur, was executed in 1394 near Alinja castle in Nakhchivan by the ruler's son Miran Shah. The uprising of Hurufis, who had gathered a large following, was crushed in Azerbaijan, but the popular movement survived for another decade or so in different guises.
Key elements
According to Fazlallah, the key to open seventh sealed book, the Qur'an, is a kabbalistic system of letters that is expounded by later Hurufis in the Hidayat-nama, Jawidan and in the Mahram-Nama. The Universe is eternal and moves by rotation. God's visage is imperishable and is manifest in Man, the best of forms — zuhur kibriya. God is incarnated in every atom. Hurufis considered Fażlu l-Lāh, a manifestation of God's force after Adam, Moses and Muhammad. God is also embodied in words and the 28 letters of the Arabic alphabet and the 32 letters of Persian one are the basis for love and beauty in the world. Seven is a key number corresponding to noble parts of the face, the verses of Al-Fatiha and verbal confession of faith. Man is a supreme copy of the divine and the key to haqiqa.
According to R. N. Frye's Cambridge History of Iran, Hurufism was an expression of Ismailism in its mystical identification of human figure, but differed in its recognition of haqiqa in the substance of letters rather than in the person of the Imam.
After his death Nāimī's ideas were developed and propagated by ‘Alī ‘Imādu d-Dīn Nasīmī and Ali-ul A'la in Azerbaijan and Seyid Ishag in Turkey. Poet Nasīmī (?-1417) and other Hurufis make kabbalistic tendencies subordinate to mystic concepts of Sufism, and specifically those of Mansur Al-Hallaj, who was another great influence on Nasīmī.
Through Nasīmī's poetry Hurufi ideas influenced, in different degrees, people like Niyaz-i Misri, Fuzuli, Habibi, Khatai (Ismail I), and Rushani. The Bektashi Sufi order that was once widespread in Anatolia and the Balkans was a repository for the Hurufi teachings and writings. In fact, many of Hurufi manuscripts that are existent today were safeguarded in the libraries of Bektashi lodges. Hurufi terms and concepts permeate Bektashi poetry. Gül Baba provided an extensive compendium of Hurufi ideas in The Key to the Unseen.
The Shattari tariqah is a contemporary repository of Hurf-e-Muqattiyat (secrets of the alphabets).
Contemporary influences
The scenes of Fadlullah's execution and of Nasimi's brutal flailing in Aleppo appear in the Azeri language movie "Nasimi" (1973).
Hurufism plays a role in Turkish author Orhan Pamuk's novel The Black Book.
Hurufism also plays a role in Ian McDonald's futuristic novel, "The Dervish House".
wn.com/What Is Hurufism
Hurufism (Arabic: حروفية hurufiyya, adjective form hurufi literal meaning "letters" [of the alphabet]) was a mystical kabbalistic Sufi doctrine, which spread in areas of western Persia, Anatolia and Azerbaijan in later 14th - early 15th century.
The founder and spiritual head of the Hurufi movement was Fażlu l-Lāh Astar-Ābādī, also called Nāimī (1340–1394). Born in Astrabad, Iran, he was strongly drawn to Sufism and the teachings of Mansur Al-Hallaj and Rumi at an early age. In the mid-1370s Nāimī started to propagate his teachings all over Persia and Azerbaijan. While living in Tabriz, Fazlallah gained an elite following in the Jalayirid court, where the writing of his main work, Jawidan-Al-Kabir, allegedly took place. At that time he was still in the mainstream of Sufi tradition. Later, he did move towards more esoteric spirituality, and, failing to convert Timur, was executed in 1394 near Alinja castle in Nakhchivan by the ruler's son Miran Shah. The uprising of Hurufis, who had gathered a large following, was crushed in Azerbaijan, but the popular movement survived for another decade or so in different guises.
Key elements
According to Fazlallah, the key to open seventh sealed book, the Qur'an, is a kabbalistic system of letters that is expounded by later Hurufis in the Hidayat-nama, Jawidan and in the Mahram-Nama. The Universe is eternal and moves by rotation. God's visage is imperishable and is manifest in Man, the best of forms — zuhur kibriya. God is incarnated in every atom. Hurufis considered Fażlu l-Lāh, a manifestation of God's force after Adam, Moses and Muhammad. God is also embodied in words and the 28 letters of the Arabic alphabet and the 32 letters of Persian one are the basis for love and beauty in the world. Seven is a key number corresponding to noble parts of the face, the verses of Al-Fatiha and verbal confession of faith. Man is a supreme copy of the divine and the key to haqiqa.
According to R. N. Frye's Cambridge History of Iran, Hurufism was an expression of Ismailism in its mystical identification of human figure, but differed in its recognition of haqiqa in the substance of letters rather than in the person of the Imam.
After his death Nāimī's ideas were developed and propagated by ‘Alī ‘Imādu d-Dīn Nasīmī and Ali-ul A'la in Azerbaijan and Seyid Ishag in Turkey. Poet Nasīmī (?-1417) and other Hurufis make kabbalistic tendencies subordinate to mystic concepts of Sufism, and specifically those of Mansur Al-Hallaj, who was another great influence on Nasīmī.
Through Nasīmī's poetry Hurufi ideas influenced, in different degrees, people like Niyaz-i Misri, Fuzuli, Habibi, Khatai (Ismail I), and Rushani. The Bektashi Sufi order that was once widespread in Anatolia and the Balkans was a repository for the Hurufi teachings and writings. In fact, many of Hurufi manuscripts that are existent today were safeguarded in the libraries of Bektashi lodges. Hurufi terms and concepts permeate Bektashi poetry. Gül Baba provided an extensive compendium of Hurufi ideas in The Key to the Unseen.
The Shattari tariqah is a contemporary repository of Hurf-e-Muqattiyat (secrets of the alphabets).
Contemporary influences
The scenes of Fadlullah's execution and of Nasimi's brutal flailing in Aleppo appear in the Azeri language movie "Nasimi" (1973).
Hurufism plays a role in Turkish author Orhan Pamuk's novel The Black Book.
Hurufism also plays a role in Ian McDonald's futuristic novel, "The Dervish House".
- published: 05 Apr 2015
- views: 0
Seyyid Nesimi Filminden Sahneler - Azerbaycan Kızılbaş-Türk filmi
Azerbaycan Kızılbaş Türklerinin, 1974 yılında Aleviliğin 7 Ulu Ozanlarından olan İmameddin Seyyîd Nesimî'nin hayatını anlattığı filmi izlemenizi öneriyorum. Tür...
Azerbaycan Kızılbaş Türklerinin, 1974 yılında Aleviliğin 7 Ulu Ozanlarından olan İmameddin Seyyîd Nesimî'nin hayatını anlattığı filmi izlemenizi öneriyorum. Türkiye'de 1974'te yapılan Aleviliğin 7 Ulu Ozanlarından Pir Sultan Abdal'ın hayatının anlatıldığı film ile aynı temadadır. Pir Sultanın asılması gibi filmin sonunda İmameddin Seyyîd Nesimî ''Enel Hakk'' dediği için kafir diyerek fetva çıkarıyorlar, türlü işkenceler ile her yerini budayarak, asıyorlar. İmameddin Seyyîd Nesimî, Azerbaycanın milli kahramanıdır.
Bu filmin güzel yerlerinden kesitler.
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wn.com/Seyyid Nesimi Filminden Sahneler Azerbaycan Kızılbaş Türk Filmi
Azerbaycan Kızılbaş Türklerinin, 1974 yılında Aleviliğin 7 Ulu Ozanlarından olan İmameddin Seyyîd Nesimî'nin hayatını anlattığı filmi izlemenizi öneriyorum. Türkiye'de 1974'te yapılan Aleviliğin 7 Ulu Ozanlarından Pir Sultan Abdal'ın hayatının anlatıldığı film ile aynı temadadır. Pir Sultanın asılması gibi filmin sonunda İmameddin Seyyîd Nesimî ''Enel Hakk'' dediği için kafir diyerek fetva çıkarıyorlar, türlü işkenceler ile her yerini budayarak, asıyorlar. İmameddin Seyyîd Nesimî, Azerbaycanın milli kahramanıdır.
Bu filmin güzel yerlerinden kesitler.
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- published: 04 Nov 2015
- views: 4
Nevid Müsmir- Ezeli Canımız, Nesimi`den, نوید مثمر، ازلی جانیمیز، نسیمی
Nevid Müsmir- ezelî cânımız (Âdem güzellemesi)
Gazel: Nesimî
Müzik: Nevid Müsmir
( Azerbaycan aşık müziğinden ilham alınmıştır)
Ey ezelî cân ile cânânımız
Aş...
Nevid Müsmir- ezelî cânımız (Âdem güzellemesi)
Gazel: Nesimî
Müzik: Nevid Müsmir
( Azerbaycan aşık müziğinden ilham alınmıştır)
Ey ezelî cân ile cânânımız
Aşk-ı ruhundur ebedî şânımız
Ka’be yüzündür bize, ey dil-rübâ
Zülf-ü ruhun kıble vü imânımız
Kim ki Sücût eylemedi hüsnüne
Dîv -i la’in oldu vu Şeytânımız
Evvel ü âhirde yüzündür yüzün
Sûret-i Allâh ile rahmânımız
Uymadı ârif sözüne vâ’izin
Dîve Mutî’ olmadı insânımız
Tâ bilesen kim ne imiş ey fakîh
Âdem-i hâki ile ihsânımız.
************************
Ruh: Yüz
Sücût: Secde kılmak
Dîv: Dev
la’in: Lanet edilmiş
Mutî: Tâbi
fakîh: Fıkıhçı
Âdem-i hâk`i: Topraktan yaratılmış olan insan
wn.com/Nevid Müsmir Ezeli Canımız, Nesimi`Den, نوید مثمر، ازلی جانیمیز، نسیمی
Nevid Müsmir- ezelî cânımız (Âdem güzellemesi)
Gazel: Nesimî
Müzik: Nevid Müsmir
( Azerbaycan aşık müziğinden ilham alınmıştır)
Ey ezelî cân ile cânânımız
Aşk-ı ruhundur ebedî şânımız
Ka’be yüzündür bize, ey dil-rübâ
Zülf-ü ruhun kıble vü imânımız
Kim ki Sücût eylemedi hüsnüne
Dîv -i la’in oldu vu Şeytânımız
Evvel ü âhirde yüzündür yüzün
Sûret-i Allâh ile rahmânımız
Uymadı ârif sözüne vâ’izin
Dîve Mutî’ olmadı insânımız
Tâ bilesen kim ne imiş ey fakîh
Âdem-i hâki ile ihsânımız.
************************
Ruh: Yüz
Sücût: Secde kılmak
Dîv: Dev
la’in: Lanet edilmiş
Mutî: Tâbi
fakîh: Fıkıhçı
Âdem-i hâk`i: Topraktan yaratılmış olan insan
- published: 09 Jan 2015
- views: 38
Seyyid Nesimi - Ayrılır(Deyiş) - Azerbaycan Kızılbaş-Türk Filmi
Ey müselmanlar bu gün ol yar-i pünhan ayrılır
Ağlamayım neyleyim çün gövdeden can ayrılir
Ey senem hicrin elinden nale-yi zar eylerem
Gözlerimden sanesen derya...
Ey müselmanlar bu gün ol yar-i pünhan ayrılır
Ağlamayım neyleyim çün gövdeden can ayrılir
Ey senem hicrin elinden nale-yi zar eylerem
Gözlerimden sanesen derya-yi umman ayrilir
Ol sebebdendir ki men bimar u rencur olmuşam
Xeste könlüm merhemi ol derde derman ayrılır
Takatim sebrim tükendi onsuz men neyleyim
Eqlimi şeyda qılan çeşm-i fettan ayrılır
Mehşer-i yevmil-hisab qopdu qiyamet başıma
Ya’ni ey Yusif sifetli pir-i Ken’an ayrılır
Seyyid Nesimi
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wn.com/Seyyid Nesimi Ayrılır(Deyiş) Azerbaycan Kızılbaş Türk Filmi
Ey müselmanlar bu gün ol yar-i pünhan ayrılır
Ağlamayım neyleyim çün gövdeden can ayrılir
Ey senem hicrin elinden nale-yi zar eylerem
Gözlerimden sanesen derya-yi umman ayrilir
Ol sebebdendir ki men bimar u rencur olmuşam
Xeste könlüm merhemi ol derde derman ayrılır
Takatim sebrim tükendi onsuz men neyleyim
Eqlimi şeyda qılan çeşm-i fettan ayrılır
Mehşer-i yevmil-hisab qopdu qiyamet başıma
Ya’ni ey Yusif sifetli pir-i Ken’an ayrılır
Seyyid Nesimi
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- published: 04 Nov 2015
- views: 14
Kızılbaş Türkmen Deyişleri - Tarep (Seyyid Nesimi)
Fazl’ım, menim ey Hızr’ım u hem Âb-ı hayâtım
Şems’im, menim ey bedr im ü sa:çı zulümâtım!
Selvim, çimenim, bâğ u bahâr ile hezârım
Tûtim , şekerim, şehdim ü ka...
Fazl’ım, menim ey Hızr’ım u hem Âb-ı hayâtım
Şems’im, menim ey bedr im ü sa:çı zulümâtım!
Selvim, çimenim, bâğ u bahâr ile hezârım
Tûtim , şekerim, şehdim ü kand ile nabâtım
Hannân ile mennân ım u ey Merve-Safâ’lım!
Hem Zemzem ile kıble vü Kâbe’m, Arafât’ım!
Ma’bûdum u maksûdum u matlubum u kastım
Hem zâhirim ü bâtınım u zât u sıfâtım!
Ayşım , târebim , zevk ü sefâ ile neşâtım
Saz ile makâmatım u sûzum nagamâtım!
Kûrân’ım u hükmüm, hadîsim, şerh ü beyânım
İlmim, amelim , zikrim ü savm ile salâtım!
Haşr ile hesâbım, yine mizân u sırâtım
İhsânım u lutfum , keremim, hem hasenât ım!
Fil-cümle bu nutk ile kelâmınla Nesimî
Âfâkım u hem enfüsüm , erkân u cehâtım!
Seyyid Nesimi
Seslendiren : Nevid Musmir
Nevid Musmir kimdir?
Nevid Musmir, Güney Azerbaycan (İran) Marağa'lı Güney Azerbaycanlı, Kızılbaş(Qızılbash) Türk kökenli sanatçıdır.
İran Türklerinin Kızılbaş müzik kültürüyle, Anadolu Kızılbaş müziğini birleştiren değerli bir sanatçıdır. TURKMAN adlı bir müzik grubu vardır. Bu grupta divan sazı, bağlama, bas bağlama ve davulun yanında sitar ve tar da kullanılmaktadır. Tebriz'den Toros'a veya Kızılırmak'tan Araz'a eskimeyen ve yıkılmayan kan ve kültür bağının temsilcilerindendir.
wn.com/Kızılbaş Türkmen Deyişleri Tarep (Seyyid Nesimi)
Fazl’ım, menim ey Hızr’ım u hem Âb-ı hayâtım
Şems’im, menim ey bedr im ü sa:çı zulümâtım!
Selvim, çimenim, bâğ u bahâr ile hezârım
Tûtim , şekerim, şehdim ü kand ile nabâtım
Hannân ile mennân ım u ey Merve-Safâ’lım!
Hem Zemzem ile kıble vü Kâbe’m, Arafât’ım!
Ma’bûdum u maksûdum u matlubum u kastım
Hem zâhirim ü bâtınım u zât u sıfâtım!
Ayşım , târebim , zevk ü sefâ ile neşâtım
Saz ile makâmatım u sûzum nagamâtım!
Kûrân’ım u hükmüm, hadîsim, şerh ü beyânım
İlmim, amelim , zikrim ü savm ile salâtım!
Haşr ile hesâbım, yine mizân u sırâtım
İhsânım u lutfum , keremim, hem hasenât ım!
Fil-cümle bu nutk ile kelâmınla Nesimî
Âfâkım u hem enfüsüm , erkân u cehâtım!
Seyyid Nesimi
Seslendiren : Nevid Musmir
Nevid Musmir kimdir?
Nevid Musmir, Güney Azerbaycan (İran) Marağa'lı Güney Azerbaycanlı, Kızılbaş(Qızılbash) Türk kökenli sanatçıdır.
İran Türklerinin Kızılbaş müzik kültürüyle, Anadolu Kızılbaş müziğini birleştiren değerli bir sanatçıdır. TURKMAN adlı bir müzik grubu vardır. Bu grupta divan sazı, bağlama, bas bağlama ve davulun yanında sitar ve tar da kullanılmaktadır. Tebriz'den Toros'a veya Kızılırmak'tan Araz'a eskimeyen ve yıkılmayan kan ve kültür bağının temsilcilerindendir.
- published: 08 Aug 2015
- views: 6
Seyyid Nesimi - Sığmazam(Deyiş) - Azerbaycan Kızılbaş-Türk Filmi
Bende sığar iki cihan, ben bu cihana sığmazam
Yersiz, yurtsuz cevher benim, hiçbir mekana sığmazam
Hem sedefim hem inciyim, Sırat’tan da geçiciyim
Bunca atlas ...
Bende sığar iki cihan, ben bu cihana sığmazam
Yersiz, yurtsuz cevher benim, hiçbir mekana sığmazam
Hem sedefim hem inciyim, Sırat’tan da geçiciyim
Bunca atlas kumaş ile ben bu dükkana sığmazam
Gizli hazine benim işte, göz önünde olan da ben
Maddenin cevheri benim, dağa, ummana sığmazam
Can ile cihan benim, dünya ile zaman menem
Ama ne dünyaya, ne zamana sığmazam
Yıldızlara felek benim, vahiy ile melek benim
Çek dilini dilsiz kesil, ben bu lisana sığmazam
Zerre benim güneş benim; çar penc û şeş sırlar benim
Her şey açık ve meydanda, ben bu meydana sığmazam
Ateşteki ağaç benim, dönüp duran şu taş benim
Bak şu ateş yalımına, ben bu yanana sığmazam
Şeker benim, bal da benim. Güneş benim ay da benim
Herkese can bağışlarım, ama ben cana sığmazam
Gerçi bugün Nesimi’yim, Haşimi’yim Kureyşî’yim
Bundan uludur ayetim; ayete şana sığmazam
Seyyis Nesimi
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wn.com/Seyyid Nesimi Sığmazam(Deyiş) Azerbaycan Kızılbaş Türk Filmi
Bende sığar iki cihan, ben bu cihana sığmazam
Yersiz, yurtsuz cevher benim, hiçbir mekana sığmazam
Hem sedefim hem inciyim, Sırat’tan da geçiciyim
Bunca atlas kumaş ile ben bu dükkana sığmazam
Gizli hazine benim işte, göz önünde olan da ben
Maddenin cevheri benim, dağa, ummana sığmazam
Can ile cihan benim, dünya ile zaman menem
Ama ne dünyaya, ne zamana sığmazam
Yıldızlara felek benim, vahiy ile melek benim
Çek dilini dilsiz kesil, ben bu lisana sığmazam
Zerre benim güneş benim; çar penc û şeş sırlar benim
Her şey açık ve meydanda, ben bu meydana sığmazam
Ateşteki ağaç benim, dönüp duran şu taş benim
Bak şu ateş yalımına, ben bu yanana sığmazam
Şeker benim, bal da benim. Güneş benim ay da benim
Herkese can bağışlarım, ama ben cana sığmazam
Gerçi bugün Nesimi’yim, Haşimi’yim Kureyşî’yim
Bundan uludur ayetim; ayete şana sığmazam
Seyyis Nesimi
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- published: 04 Nov 2015
- views: 5
-
Closer Look To The Azerbaijani literature
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamseh ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries," “Khosrow and Shīrīn," and "Leyli and Mejnūn."
The earliest known figure in Azerbaijani lite
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SAHARA SAMAY TIN HATYA TIN HAZAR HATYARE 2
MANOJ SHARAMA VADODARA.
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Sufi Festival Bielefeld - Abschlussrede Sheikh Sayyid Osman Mürteza Efendi
Sufi Festival Bielefeld ~Bidayetten Kemale Tevhid Yolu~ Facebook sayfamız: Kadiri Tarikatı (Muhammediye Kolu) Iletisim: 1 Geylani İlim Kültür Merkezi Derneği...
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shamanic/trance dancing no effects.WMV
Started Dancing and recorded it!
-
Shoukhrat Uyghur Bilig English Class
Uyghur-turkish
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Das Alevitentum - Selam Aleikum
Selam Aleikum ! ! !
-
Mehraj - Sufi Espanol.avi
My personal favo coz its our original composition !!
agen a nice blend of sufi n spanish theme...
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This video is not recommended for children and adults
every driver should know that life is worth the road him, follow me on http://myspace.com/ts.olim ; http://twitter.olimchik100 ; http://facebook.com/profile.php?id=100000524068043 ; http://cid-4c57eccbc3a0913f.profile.live.com ; http://vkontakte.ru/id69598328 ;
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Tuva 2014
http://namakua.de
http://13shama.ru/index.php/en/
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May The Message of God Go Far and Wide
REMEMBER HIK SAID OUR FIRST PRIORITY IS TO TAKE CARE OF OURSELVES - TO BE HAPPY - AND QUITE NATURALLY THAT MESSAGE SPREADS. OUR SECONDARY RESONSIBILITY AND T...
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Naqshbandia Chain in Dagestan
Silsila (Chain) of Naqshbandi tariqa shaykhs.
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The Sufi Mystic Trance
Closer Look To The Azerbaijani literature
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his p...
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamseh ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries," “Khosrow and Shīrīn," and "Leyli and Mejnūn."
The earliest known figure in Azerbaijani literature was Izzeddin Hasanoglu, who composed a divan consisting of Persian and Turkic ghazals. In Persian ghazals he used his pen-name, while his Turkic ghazals were composed under his own name of Hasanoghlu.
Classical literature in Azerbaijani was formed in 14th century based on the various dialect Early Middle Ages dialects of Tabriz and Shirvan. Among the poets of this period were Gazi Burhanaddin, Haqiqi (pen-name of Jahan-shah Qara Qoyunlu), and Habibi. The end of the 14th century was also the period of starting literary activity of Imadaddin Nesimi, one of the greatest Turkic Hurufi mystical poets of the late 14th and early 15th centuries and one of the most prominent early Divan masters in Turkic literary history, who also composed poetry in Persian and Arabic. The Divan and Ghazal styles were further developed by poets Qasim al-Anvar, Fuzuli and Khatai (pen-name of Safavid Shah Ismail I).
The Book of Dede Korkut consists of two manuscripts copied in the 16th century, was not written earlier than the 15th century. It is a collection of 12 stories reflecting the oral tradition of Oghuz nomads. The 16th-century poet, Muhammed Fuzuli produced his timeless philosophical and lyrical Qazals in Arabic, Persian, and Azeri. Benefiting immensely from the fine literary traditions of his environment, and building upon the legacy of his predecessors, Fizuli was destined to become the leading literary figure of his society. His major works include The Divan of Ghazals and The Qasidas. In the same century, Azerbaijani literature further flourished with the development of Ashik (Azerbaijani: Aşıq) poetic genre of bards. During the same period, under the pen-name of Khatāī (Arabic: خطائی for sinner) Shah Ismail I wrote about 1400 verses in Azeri, which were later published as his Divan. A unique literary style known as qoshma (Azerbaijani: qoşma for improvization) was introduced in this period, and developed by Shah Ismail and later by his son and successor, Shah Tahmasp I.
In the span of the 17th and 18th centuries, Fizuli's unique genres as well Ashik poetry were taken up by prominent poets and writers such as Qovsi of Tabriz, Shah Abbas Sani, Agha Mesih Shirvani, Nishat, Molla Vali Vidadi, Molla Panah Vagif, Amani, Zafar and others. Along with Turks, Turkmens and Uzbeks, Azeris also celebrate the Epic of Koroglu (from Azerbaijani: kor oğlu for blind man's son), a legendary folk hero. Several documented versions of Koroglu epic remain at the Institute for Manuscripts of the National Academy of Sciences of Azerbaijan.
Modern literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iran it is based on the Tabrizi one. The first newspaper in Azerbaijani, Akinchi was published in 1875. In the mid-19th century, it was taught in the schools of Baku, Ganja, Shaki, Tbilisi, and Yerevan. Since 1845, it has also been taught in the University of Saint Petersburg in Russia.
wn.com/Closer Look To The Azerbaijani Literature
Among the medieval authors born within the territorial limits of modern Azerbaijani Republic was Persian poet and philosopher Nizami, called Ganjavi after his place of birth, Ganja, who was the author of the Khamseh ("The Quintuplet"), composed of five romantic poems, including "The Treasure of Mysteries," “Khosrow and Shīrīn," and "Leyli and Mejnūn."
The earliest known figure in Azerbaijani literature was Izzeddin Hasanoglu, who composed a divan consisting of Persian and Turkic ghazals. In Persian ghazals he used his pen-name, while his Turkic ghazals were composed under his own name of Hasanoghlu.
Classical literature in Azerbaijani was formed in 14th century based on the various dialect Early Middle Ages dialects of Tabriz and Shirvan. Among the poets of this period were Gazi Burhanaddin, Haqiqi (pen-name of Jahan-shah Qara Qoyunlu), and Habibi. The end of the 14th century was also the period of starting literary activity of Imadaddin Nesimi, one of the greatest Turkic Hurufi mystical poets of the late 14th and early 15th centuries and one of the most prominent early Divan masters in Turkic literary history, who also composed poetry in Persian and Arabic. The Divan and Ghazal styles were further developed by poets Qasim al-Anvar, Fuzuli and Khatai (pen-name of Safavid Shah Ismail I).
The Book of Dede Korkut consists of two manuscripts copied in the 16th century, was not written earlier than the 15th century. It is a collection of 12 stories reflecting the oral tradition of Oghuz nomads. The 16th-century poet, Muhammed Fuzuli produced his timeless philosophical and lyrical Qazals in Arabic, Persian, and Azeri. Benefiting immensely from the fine literary traditions of his environment, and building upon the legacy of his predecessors, Fizuli was destined to become the leading literary figure of his society. His major works include The Divan of Ghazals and The Qasidas. In the same century, Azerbaijani literature further flourished with the development of Ashik (Azerbaijani: Aşıq) poetic genre of bards. During the same period, under the pen-name of Khatāī (Arabic: خطائی for sinner) Shah Ismail I wrote about 1400 verses in Azeri, which were later published as his Divan. A unique literary style known as qoshma (Azerbaijani: qoşma for improvization) was introduced in this period, and developed by Shah Ismail and later by his son and successor, Shah Tahmasp I.
In the span of the 17th and 18th centuries, Fizuli's unique genres as well Ashik poetry were taken up by prominent poets and writers such as Qovsi of Tabriz, Shah Abbas Sani, Agha Mesih Shirvani, Nishat, Molla Vali Vidadi, Molla Panah Vagif, Amani, Zafar and others. Along with Turks, Turkmens and Uzbeks, Azeris also celebrate the Epic of Koroglu (from Azerbaijani: kor oğlu for blind man's son), a legendary folk hero. Several documented versions of Koroglu epic remain at the Institute for Manuscripts of the National Academy of Sciences of Azerbaijan.
Modern literature in Azerbaijan is based on the Shirvani dialect mainly, while in Iran it is based on the Tabrizi one. The first newspaper in Azerbaijani, Akinchi was published in 1875. In the mid-19th century, it was taught in the schools of Baku, Ganja, Shaki, Tbilisi, and Yerevan. Since 1845, it has also been taught in the University of Saint Petersburg in Russia.
- published: 08 May 2015
- views: 1
Sufi Festival Bielefeld - Abschlussrede Sheikh Sayyid Osman Mürteza Efendi
Sufi Festival Bielefeld ~Bidayetten Kemale Tevhid Yolu~ Facebook sayfamız: Kadiri Tarikatı (Muhammediye Kolu) Iletisim: 1 Geylani İlim Kültür Merkezi Derneği......
Sufi Festival Bielefeld ~Bidayetten Kemale Tevhid Yolu~ Facebook sayfamız: Kadiri Tarikatı (Muhammediye Kolu) Iletisim: 1 Geylani İlim Kültür Merkezi Derneği...
wn.com/Sufi Festival Bielefeld Abschlussrede Sheikh Sayyid Osman Mürteza Efendi
Sufi Festival Bielefeld ~Bidayetten Kemale Tevhid Yolu~ Facebook sayfamız: Kadiri Tarikatı (Muhammediye Kolu) Iletisim: 1 Geylani İlim Kültür Merkezi Derneği...
Mehraj - Sufi Espanol.avi
My personal favo coz its our original composition !!
agen a nice blend of sufi n spanish theme......
My personal favo coz its our original composition !!
agen a nice blend of sufi n spanish theme...
wn.com/Mehraj Sufi Espanol.Avi
My personal favo coz its our original composition !!
agen a nice blend of sufi n spanish theme...
- published: 07 Apr 2011
- views: 121
This video is not recommended for children and adults
every driver should know that life is worth the road him, follow me on http://myspace.com/ts.olim ; http://twitter.olimchik100 ; http://facebook.com/profile.ph...
every driver should know that life is worth the road him, follow me on http://myspace.com/ts.olim ; http://twitter.olimchik100 ; http://facebook.com/profile.php?id=100000524068043 ; http://cid-4c57eccbc3a0913f.profile.live.com ; http://vkontakte.ru/id69598328 ;
wn.com/This Video Is Not Recommended For Children And Adults
every driver should know that life is worth the road him, follow me on http://myspace.com/ts.olim ; http://twitter.olimchik100 ; http://facebook.com/profile.php?id=100000524068043 ; http://cid-4c57eccbc3a0913f.profile.live.com ; http://vkontakte.ru/id69598328 ;
- published: 04 Apr 2010
- views: 635
Tuva 2014
http://namakua.de
http://13shama.ru/index.php/en/...
http://namakua.de
http://13shama.ru/index.php/en/
wn.com/Tuva 2014
http://namakua.de
http://13shama.ru/index.php/en/
- published: 20 Oct 2014
- views: 22
May The Message of God Go Far and Wide
REMEMBER HIK SAID OUR FIRST PRIORITY IS TO TAKE CARE OF OURSELVES - TO BE HAPPY - AND QUITE NATURALLY THAT MESSAGE SPREADS. OUR SECONDARY RESONSIBILITY AND T......
REMEMBER HIK SAID OUR FIRST PRIORITY IS TO TAKE CARE OF OURSELVES - TO BE HAPPY - AND QUITE NATURALLY THAT MESSAGE SPREADS. OUR SECONDARY RESONSIBILITY AND T...
wn.com/May The Message Of God Go Far And Wide
REMEMBER HIK SAID OUR FIRST PRIORITY IS TO TAKE CARE OF OURSELVES - TO BE HAPPY - AND QUITE NATURALLY THAT MESSAGE SPREADS. OUR SECONDARY RESONSIBILITY AND T...
Naqshbandia Chain in Dagestan
Silsila (Chain) of Naqshbandi tariqa shaykhs....
Silsila (Chain) of Naqshbandi tariqa shaykhs.
wn.com/Naqshbandia Chain In Dagestan
Silsila (Chain) of Naqshbandi tariqa shaykhs.