Theme

Theme or themes may refer to:

Art

See also

Thematic vowel

In Indo-European studies, a thematic vowel or theme vowel is the vowel *e or *o from ablaut placed before the ending of a Proto-Indo-European (PIE) word. Nouns, adjectives, and verbs in the Indo-European languages with this vowel are thematic, and those without it are athematic. Used more generally, a thematic vowel is any vowel found at the end of the stem of a word.

Proto-Indo-European

PIE verbs and nominals (nouns and adjectives) consist of three parts:

The thematic vowel, if present, occurs at the end of the suffix (which may include other vowels or consonants) and before the ending:

Athematic forms, by contrast, have a suffix ending in a consonant, or no suffix at all (or arguably a null suffix):

For several reasons, athematic forms are thought to be older, and the thematic vowel was likely an innovation of late PIE: Athematic paradigms (inflection patterns) are more "irregular", exhibiting ablaut and mobile accent, while the thematic paradigms can be seen as a simplification or regularisation of verbal and nominal grammar. In the Anatolian languages, which were the earliest to split from PIE, thematic verbs are rare or absent. Furthermore, during late PIE and in the older daughter languages, a number of athematic forms were replaced by thematic ones, as in prehistoric Greek *thes- 'god' versus *thes-o- > Classical Greek θεός (theós).

The Family Way (soundtrack)

The Family Way is a soundtrack recording composed by Paul McCartney, released in January 1967. The album is the soundtrack to the 1966 film of the same name, directed by Roy Boulting and starring Hayley Mills. Produced and arranged by George Martin, the album was credited to "The George Martin Orchestra" and issued under the full title The Family Way (Original Soundtrack Album). A 45rpm single, again credited to the George Martin Orchestra, was issued on 23 December 1966, comprising "Love in the Open Air" backed with "Theme From 'The Family Way'", as United Artists UP1165.

The Family Way won an Ivor Novello Award in 1967. It was remastered and released on CD in 1996 with new musical compositions not on the original 1967 soundtrack album.

The recording took place over November and December 1966, before the Beatles began work on their album Sgt. Pepper's Lonely Hearts Club Band. McCartney's involvement in the project was minimal, according to biographer Howard Sounes, who quotes Martin's recollection that he had to "pester Paul for the briefest scrap of a tune" with which to start writing the score. After McCartney had provided "a sweet little fragment of a waltz tune", Martin continued, "I was able to complete the score."

Robert Chase

Robert Chase, M.D. is a fictional character on the Fox medical drama House. He is portrayed by Jesse Spencer. His character was a part of the team of diagnosticians who worked under Gregory House until the end of the third season when House fires him. However, he resumed work at the hospital as a surgeon, and was re-hired by House in season 6. Robert Chase is the longest-serving member of House's staff. Chase has been attracted to Allison Cameron since the beginning of the show and embarks on a romantic relationship with her in "Human Error." In "Post Mortem," he left the Diagnostic Team after realizing he was in the same position as he was 10 years earlier, unlike all of the other former members of the team. However, in the series finale, he rejoins the hospital as the new Head of Diagnostic Medicine, replacing House, who is thought to have died.

Characterization

An Australian, Chase is portrayed as an eager fellow of House during the first 3 seasons, often supporting his opinions and carrying out his orders without question. He was raised Catholic, and in the Season 1 episode "Damned If You Do," it was revealed that he attended seminary before becoming a doctor. He seems to trust House the most and sometimes takes part in House's morally questionable plans when the other members of the team have refused, showing a situational application of ethics and a flexible stance on morality. This leads to tension between Chase and Foreman, who is quick to disagree with House and prove him wrong.

Chase (instrumental)

"Chase" or "The Chase" is an instrumental by Giorgio Moroder from his Academy Award-winning soundtrack album Midnight Express (1978). It was an electronic instrumental that was subsequently extended and released as maxi single and made the Billboard Hot 100 in January 1979, listing as high as #33. In Canada, the song reached #41 on the RPM Magazine Top Singles Chart.

Alan Parker, the director of Midnight Express, explicitly asked Moroder for a song in the style of "I Feel Love", which Moroder composed for Donna Summer. It was Moroder's first time composing a movie soundtrack.

Although a disco piece, "Chase", along with "I Feel Love", is more specifically considered the pioneering introduction of the hi-NRG genre, which came to prominence in the early 1980s.

The music was arranged by Harold Faltermeyer under the leadership of Giorgio Moroder.

In 2000, a remix of "Chase" credited to Giorgio Moroder vs. Jam & Spoon, went to number one on the US Dance Charts.

Legacy

Chase (film)

Chase is a 2010 Bollywood action film directed by Jagmohan Mundhra, who has previously directed films such as Shoot on Sight and Provoked. The film stars Anuj Saxena, Udita Goswami, Sameer Kochhar and Tareena Patel in the lead roles, while Gulshan Grover makes a special appearance. The film was released on 30 April 2010.

Cast

Plot

Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.