- published: 14 Oct 2009
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Year 1925 (MCMXXV) was a common year starting on Thursday (link will display the full calendar) of the Gregorian calendar and a common year starting on Wednesday of the Julian calendar.
Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana.
Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing (vocalizing using sounds and syllables instead of actual lyrics).
Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his music in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a black man. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a strong supporter of the Civil Rights movement in America.[citation needed]
itaikena MOOSHON furikireru TENSHON
igai, igai ikeru mono ne
kurikaesu mondou kotae nara muyou
kirai, kirai shibaranaide
hitoribocchi no "bocchi" wo osu no
yamete, yoshite no mousou de
kaenai mono nado nai no desu
tenjite ieba nanimono nimo
nedan wo tsukete uru no desu
sontoku no kanjou wa nai no
HONNORI to shoushou CHIAMISE no honshou
zurui, zurui kawaikunai
sore naraba koushou ZURUMUKE no honshou
kusai, kusai hashitanai wa
machigai sagashi no PEARUKKU
are to kore to sore to dore
akitara GAMU wo suteru youni
aratana koi wo sagasu douri
PAZURU no dekoboko igai ni mo
dare to demo hamaru no da
furishikiru ame no naka tomaru beki ikari wo sute
jinsei wa "koukai" to iu na no funatabi da
saegiru mono wo ageru naraba
kokoro to doutoku, houritsu ka
otakai kabe mo toomawari wo
shita naraba hora
"konnichiwa" *
"ai" to wa nanzo to towarereba
sore wa "watashi" to kotaeyou zo