A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were commonly used for learning to read. Many Psalters were richly illuminated and they include some of the most spectacular surviving examples of medieval book art.

Psalters (as distinct from copies of the Psalms in other formats) developed in the Latin West from the early 8th century. The extensively illustrated Utrecht Psalter is one of the most important surviving Carolingian manuscripts and exercised a major influence on the later development of Anglo-Saxon art. In the Middle Ages psalters were among the most popular types of illuminated manuscripts, rivaled only by the Gospel Books, from which they gradually took over as the type of manuscript chosen for lavish illumination. From the late 11th century onwards they became particularly widespread - Psalms were recited by the clergy at various points in the liturgy, so psalters were a key part of the liturgical equipment in major churches.

Alexander Minto Hughes (2 May 1945 - 13 March 1998), better known as Judge Dread, was an English reggae and ska musician. He was the first white recording artist to have a reggae hit in Jamaica, and the BBC has banned more of his songs than any other recording artist due to his frequent use of sexual innuendo and double entendres.

Hughes was introduced to Jamaican music when he lodged as a teenager in a West Indian household in Brixton, South West London. He met Jamaican artists Derrick Morgan and Prince Buster through his job as a bouncer at London nightclubs such as the Ram Jam in Brixton, and through another job as a bodyguard. After a brief spell as a professional wrestler (performing under the name "The Masked Executioner"), and as a debt collector for Trojan Records, he worked as a DJ on local radio and ran his own sound system.

When Prince Buster had a big underground hit in 1969 with "Big 5", Hughes capitalized on it with the recording of his own "Big Six", based on Verne & Son's "Little Boy Blue", which was picked up by Trojan boss Lee Gopthal, and released on Trojan's 'Big Shot' record label under the stage name Judge Dread, the name taken from another of Prince Buster's songs. "Big Six" reached #11 in the UK Singles Chart in 1972, selling over 300,000 copies and spending six months on the chart, despite getting no radio airplay due to its lyrics. Further hit singles followed with "Big Seven" (co-written by Rupie Edwards) and "Big Eight" — both following the pattern of lewd versions of nursery rhymes over a reggae backing — as well as "Y Viva Suspenders" and "Up With The Cock".

Fabritio Caroso da Sermoneta (1526/1535 – 1605/1620) was an Italian Renaissance dancing master and a composer or transcriber of dance music.

His dance manual Il Ballarino was published in 1581, with a subsequent edition, significantly different, Nobiltà di Dame, printed in 1600 and again after his death in 1630. The work has been published in English as Courtly Dance of the Renaissance by Julia Sutton.

Both manuals have been printed in facsimile edition. Many of the dances of Fabritio Caroso's manuals are meant for two dancers with a few for four or more dancers. These manuals offer a great deal of information to dance historians and musicologists alike in that each description of a dance is accompanied by music examples with lute tablature and directions about how each music example is to be played. Many of the dances also contain dedications to noble women of the sixteenth and early seventeenth centuries.

Cesare Negri (c. 1535 – c. 1605) was an Italian dancer and choreographer. He was nicknamed il Trombone, an ugly or jocular name for someone "who likes to blow his own horn." Born in Milan, he founded a dance academy there in 1554. He was an active court choreographer for the nobility in Milan. He wrote Le Grazie d'Amore, the first text on ballet theory to expound the principle of the "five basic positions". It was republished in 1604 as Nuove lnventioni di Balli (New Inventions of the Dance).