Remix is a Danish 2008 feature film directed by Martin Hagbjer starring Micky Skeel Hansen as a 16-year-old pop singer Ruben. Remix is inspired by the true story of Danish pop idol Jon Gade Nørgaard known by the mononym Jon. Jon was also the subject of the documentary feature film Solo released in 2007. The film was released on January 25, 2008.
Ruben (played by Micky Skeel Hansen), an aspiring young man is offered a record contract by the music executive Tanya (portrayed by Camilla Bendix). The film, which co-stars Jakob Cedergren, Sofie Lassen-Kahlke, Henrik Prip and Anette Støvelbæk, follows Ruben's fall from grace in the hands of the music industry.
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Remix'5 is a Candan Erçetin album. It was remixes of Melek. There's also a song from "Les Choristes" movie, 'Sevdim Anladım'.
Motion, the process of movement, is described using specific anatomical terms. Motion includes movement of organs, joints, limbs, and specific sections of the body. The terminology used describes this motion according to its direction relative to the anatomical position of the joints. Anatomists use a unified set of terms to describe most of the movements, although other, more specialized terms are necessary for describing the uniqueness of the movements such as those of the hands, feet, and eyes.
In general, motion is classified according to the anatomical plane it occurs in. Flexion and extension are examples of angular motions, in which two axes of a joint are brought closer together or moved further apart. Rotational motion may occur at other joints, for example the shoulder, and are described as internal or external. Other terms, such as elevation and depression, refer to movement above or below the horizontal plane. Many anatomical terms derive from Latin terms with the same meaning.
Elevation is an emotion elicited by witnessing virtuous acts of remarkable moral goodness. It is experienced as a distinct feeling of warmth and expansion that is accompanied by appreciation and affection for the individual whose exceptional conduct is being observed. Elevation motivates those who experience it to open up to, affiliate with, and assist others. Elevation makes an individual feel lifted up and optimistic about humanity.
Elevation is defined as an emotional response to moral beauty. It encompasses both the physical feelings and motivational effects that an individual experiences after witnessing acts of compassion or virtue. Psychologist Jonathan Haidt also posits that elevation is the opposite of social disgust, which is the reaction to reading about or witnessing "any atrocious deed." Elevation is related to awe and wonder and has not previously been addressed by the field of traditional psychology. Haidt insists that elevation is worth studying because we cannot fully understand human morality until we can explain how and why humans are so powerfully affected by the sight of strangers helping one another. The goal of positive psychology is to bring about a balanced reappraisal of human nature and human potential. Positive psychologists are interested in understanding the motivations behind prosocial behavior in order to learn how to encourage individuals to help and care for each other. Thus, the field attempts to discern what causes individuals to act altruistically. While there is a great deal of research about individual acts of altruism, the amount of research done about a person's reaction to the altruism of others is surprisingly low. It is an oversight that Jonathan Haidt and others like him have striven to correct.
Daydream (白日夢, Hakujitsumu) (1981) is a Japanese film. A remake by director Tetsuji Takechi of his ground-breaking 1964 pink film of the same title, this film is considered the first hardcore theatrical release in Japan.
Maverick theater and film director Tetsuji Takechi had directed Japan's first big-budget Pink film in 1964 with Daydream. He directed more films in the 1960s, including Black Snow 1965, which resulted in a high-profile obscenity trial. During the 1970s he concentrated on writing projects, and served as the host of a successful television series, The Tetsuji Takechi Hour for the previous decade. In 1981, the then 68-year old Takechi decided to return to film with a hardcore remake of Daydream. Takechi again chose Akira Takeda, Nagisa Oshima's cinematographer between 1965 and 1968, to shoot his film,
Noticing Kyōko Aizome in one of her nude photo magazine appearances, Takechi chose the then unknown actress to star in the film. After the film's release, Aizome added to the controversy by admitting to having performed actual sexual intercourse on camera. Though, as Japanese law required, sexual organs and pubic hair were fogged on screen, the Asahi Shimbun called it a breakthrough film as Japan's first hardcore pornographic movie, and Aizome received national notoriety from starring in the film, thereby becoming Japan's first hardcore pornographic star. Her name became a selling-point for future films such as Kyōko Aizome's Somber Reminiscence (1983).
"Daydream" is a popular song written by John Sebastian, published in 1966. The song was originally recorded that year by Sebastian's group The Lovin' Spoonful and released on their album of the same title.
The song reached #2 on the Billboard Hot 100 and also #2 on the UK singles chart. The song originated with Sebastian's attempt to rewrite The Supremes' "Baby Love".
Following the 1966 Lovin' Spoonful recording, "Daydream" has been rerecorded by such artists as:
[Verse 1: Pressure]
Don't stop or hesitate, lyrical blows will make you levitate
Brothers think their fat, damn their fuckin' feather weight
For heavens sake, I never crossed over ever mate
I regularly elevate, my upper man regulate
I never mate
Brothers say I come back from hell to wait
MC's selling their souls to record companies
Celibates like selling rates
I'm sleeping while their well awake
I celebrate while they feel the rainy weather mate
So while I'm well awake the album drops but they never make
They telling me to prepare for the venom when they smell a snake
There's a thousand stories in the city that are hell or fake
I never wait for mine to waste time to elevate
Together mate all we need is to delegate
Some rhyme power so that enough force can generate
And segregate the real from the dwellers
Mate its time for b-boys to get yours together mate
[Hook x4:]
I don't stop the body rock
(We say)
Don't stop the body rock
(We say)
[Verse 2: Suffa]
Ahhhh... B-boy, verballing, lattering, configuring, lettering, sampling
Fat as us delivering
Words on the world that I'm living in
Unforgiving in, my style no considering
Giving in
Next celebrate
Don't deviate, Arrogate
Fatter ways, who better ways
Never hesitate, get us straight
Elevate, till you levitate
Demonstrate skills that the hills will celebrate
Impersonators situate styles that you emulate
Lacerate flows with the flows that I fluctuate
Intimidate in the late, how was I?
Stimulate
Cowards imitate my style, try to simulate
Beginner mate
Noise, b-boys, getting in the crate
Innovate, bones cut the record till your finger break
Integrate the sounds underground
I'll bomb em' mate
Nominate the hoods for the crew to dominate