Andrew Rayel

Andrei Rață (born 21 July 1992, Chișinău), better known by his stage name Andrew Rayel., is a Moldovan producer and DJ.

Career

Rayel's electronic music career started in 2009 at age 17, but he had started to produce music and develop his style four years previously. He is signed under the Armada Music label, co-founded by Armin van Buuren. His breakthrough followed the voting of his single “Aether” as “Tune of the Week” on Van Buuren's radio programme, A State of Trance. He performed at various "A State of Trance" events.

Rayel's tracks are frequently played by influential DJs and producers around the world, including Armin van Buuren, Tiësto, Markus Schulz, Dash Berlin, Bobina and Roger Shah. In 2012, Rayel was ranked number 77 in DJ Mag's Top 100 DJs; he was ranked #28 in 2013, winning the title of "highest climber" in the ranking. Rayel announced in 2013 that a new artist album was to be released in 2014.

In August 2013, Rayel announced his first official compilation, titled Mystery of Aether, including tracks from van Buuren, Ørjan Nilsen, Airbase and W&W, among others. It included new songs and remixes performed by Rayel. The album was released on 6 September 2013. In September 2013, he made an entry for the song he worked for the ASOT 650 Anthem contest, however did not win the contest.

Ira

Ira or IRA may denote:

Ira

Ira may refer to:

Toponymy

IRA

The initials IRA most commonly refer to:

Revenge

Revenge is a form of primitive justice usually assumed to be enacted in the absence of the norms of formal law and jurisprudence. Often, revenge is defined as being a harmful action against a person or group in response to a grievance, be it real or perceived. It is used to right a wrong by going outside of the law. This is because the individual taking revenge feels as though the law will not do justice. Revenge is also known as payback, retribution, retaliation or vengeance; it may be characterized as a form of justice (not to be confused with retributive justice), an altruistic action which enforces societal or moral justice aside from the legal system. Francis Bacon described it as a kind of "wild justice" that "does... offend the law [and] putteth the law out of office". Primitive justice or retributive justice is often differentiated from more formal and refined forms of justice such as distributive justice and theological justice.

Function in society

Detractors argue that revenge is simply wrong, of the same design as "two wrongs make a right".

Aeon

The word aeon /ˈiːɒn/, also spelled eon and æon (in American English), originally meant "life", "vital force" or "being", "generation" or "a period of time", though it tended to be translated as "age" in the sense of "ages", "forever", "timeless" or "for eternity". It is a Latin transliteration from the koine Greek word ὁ αἰών (ho aion), from the archaic αἰϝών (aiwon). In Homer it typically refers to life or lifespan. Its latest meaning is more or less similar to the Sanskrit word kalpa and Hebrew word olam. A cognate Latin word aevum or aeuum (cf. αἰϝών) for "age" is present in words such as longevity and mediaeval.

Although the term aeon may be used in reference to a period of a billion years (especially in geology, cosmology or astronomy), its more common usage is for any long, indefinite, period. Aeon can also refer to the four aeons on the Geologic Time Scale that make up the Earth's history, the Hadean, Archean, Proterozoic, and the current aeon Phanerozoic.

Astronomy and cosmology

Radio edit

In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.

Editing for time

Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.