- published: 19 Apr 2014
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In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories." or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made." It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school" or art movement. In critical analysis of the visual arts, the style of a work of art is often treated as distinct from its iconography, which covers the subject and the content of the work.
By changing the way they paint, apply colour, texture, perspective, or the way they see shapes and ideas, the artist establishes a certain set of "rules". If other artists see the rules as valid for themselves they might also apply these characteristics. The works of art then take on that specific "style". An artist may give the style a name such as "Expressionism", or a name may be applied later, as in the case of "abstract art". The names of many styles are the invention of art historians and would not have been understood by the practitioners of those styles. Some originated as terms of derision, including Gothic, Baroque, Rococo and Neoclassical.
Style may refer to:
Style, in specific fields, may also refer to:
The visual arts are art forms that create works which are primarily visual in nature, such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, and often modern visual arts (photography, video, and filmmaking) and architecture. These definitions should not be taken too strictly as many artistic disciplines (performing arts, conceptual art, textile arts) involve aspects of the visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art.
As indicated above, the current usage of the term "visual arts" includes fine art as well as the applied, decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term artist was often restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art media. The distinction was emphasized by artists of the Arts and Crafts Movement who valued vernacular art forms as much as high forms.Art schools made a distinction between the fine arts and the crafts maintaining that a craftsperson could not be considered a practitioner of art.