The Kinks

The Kinks were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Dave and Ray Davies. They are regarded as one of the most important and influential rock groups of the era. The band emerged in 1964 during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the US until their touring ban in 1965. Their third single, the Ray Davies penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles. They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' observational writing style. Albums such as Face to Face, Something Else, The Kinks Are the Village Green Preservation Society, Arthur, Lola Versus Powerman and the Moneygoround and Muswell Hillbillies, along with their accompanying singles, are considered among the most influential recordings of the period.

Kinks (album)

Kinks is the self-titled debut album by English rock band The Kinks, released in 1964. It was released with three tracks omitted as You Really Got Me in the US.

The album was re-released in 1998 in the UK on Castle Records with twelve bonus tracks. This reissue was itself reissued in 2004 on the Sanctuary label. A deluxe edition was released on 28 March 2011.

Reception

Allmusic assessed the album as lacking in consistency, commenting that "As R&B cover artists, the Kinks weren't nearly as adept as the Stones and Yardbirds; Ray Davies' original tunes were, "You Really Got Me" aside, perfunctory Mersey Beat-ish pastiches; and [the] tunes that producer Shel Talmy penned for the group... were simply abominable."

Track listing

All songs by Ray Davies, except where noted.

UK release (Pye NPL 18096 mono: NSPL 83021 stereo)

US Release You Really Got Me (Reprise R-6143 (mono) RS-6143 (stereo)) track listing

Low Budget (song)

"Low Budget" is the sixth track from The Kinks' album of the same name. It was written, produced and sung by Ray Davies.

Background

"Low Budget" was recorded in January 1979. It describes a man giving up his "expensive traits" in order to save money. Like many of the tracks on Low Budget, it applies to the economic troubles occurring during the time that the album was released, such as strikes in Great Britain. However, AllMusic's Richard Gilliam claimed that the track's theme could "easily apply to just about any modern recession".

Although "Low Budget" refers to economic problems of the times in general, it also refers to some of Ray Davies' own personal concerns. In the song, Davies mocks his own fear of not having money and his frugality. The song also references Davies' vanity. The singer describes himself as once being well dressed and able to afford cigars, but now has to buy discount clothes and chew mints. He describes himself as "a cut-price person in a low-budget land." But despite being reduced to poverty, the singer expresses pride in his hair and his teeth. Author Thomas Kitts notes that even the title, used in the refrain "I'm on a low budget" could refer to Davies keeping himself on a tight budget.

Low Budget (album)

Low Budget is the seventeenth studio album by the English rock group, The Kinks, released in 1979. Following the minor success of their 1978 album Misfits, the band recorded the majority of the album in New York rather than London. Unlike the more nostalgic themes of many Kinks albums prior to Low Budget, the album contains many songs that appeal to current events of the time. Musically, the album is a continuation of the band's "arena rock" phase, resulting in a more rock-based sound and more modern production techniques.

Despite being a relative failure in the UK, Low Budget was a great success for the group in the US, not only becoming their best-selling non-compilation album, but also peaking at #11 on the American album charts. The lead single, "(Wish I Could Fly Like) Superman" was also a minor hit in the US, reaching #41. The album was also praised by many critics in the US, although reception was more mixed in the band's native UK.

Background

After spending the majority of the 1970s focusing on lofty concept albums, such as the two-part Preservation album, The Kinks began to lose the commercial success they had regained with their 1970 hit single, "Lola." However, upon switching from RCA Records to Arista Records in the summer of 1976, the band gradually began to regain commercial success in America. Abandoning the conceptual work they had created during their RCA years, the band's 1976 album Sleepwalker and 1978 album Misfits were both modest hits in the United States, as were their respective first singles, "Sleepwalker" and "A Rock 'n' Roll Fantasy."