Volume One, Volume 1, or Volume I may refer to:
Volume One is the debut album by the American band Sleep. It was the only album recorded with original guitarist Justin Marler, before he became an Orthodox monk. Volume One showcases a darker sound and stronger doom metal influence than Sleep's later work. The image featured on the cover is taken from the Salvador Dalí painting "Soft Self-Portrait with Fried Bacon".
Hushdrops are a three-piece rock band from Chicago featuring current and former members of Veruca Salt, Liam Hayes and Plush, The Waco Brothers,The Webb Brothers and NRBQ. The band's 2004 debut album Volume One was followed in 2014 by the double album Tomorrow.
Greatest Hits Volume One (or variants) may refer to:
Greatest Hits Volume One is the title of a greatest hits package released in 1998 by American country music artist Toby Keith. His final release for Mercury Records, it features twelve tracks from his first four studio albums — 1993's Toby Keith, 1994's Boomtown, 1996's Blue Moon and 1997's Dream Walkin' — as well as the newly recorded tracks "Getcha Some" and "If a Man Answers". Both of these tracks were released as singles, in 1998 and 1999, respectively. While "Getcha Some" peaked at #18 on the Hot Country Songs charts, "If a Man Answers" reached #44 on the same chart, becoming the first single of Keith's career to miss the Top 40.
Greatest Hits Volume One is the first studio album released by Canadian dance-remix trio The Boomtang Boys. Hits on this album included Squeeze Toy and Pictures, both of which feature the vocals of Kim Esty. Greatest Hits did well in Canada, achieving gold status in sales.
The Kinks were an English rock band formed in Muswell Hill, North London, in 1963 by brothers Dave and Ray Davies. They are regarded as one of the most important and influential rock groups of the era. The band emerged in 1964 during the height of British rhythm and blues and Merseybeat, and were briefly part of the British Invasion of the US until their touring ban in 1965. Their third single, the Ray Davies penned "You Really Got Me", became an international hit, topping the charts in the United Kingdom and reaching the Top 10 in the United States. Between the mid-1960s and early 1970s, the group released a string of hit singles; studio albums drew good reviews but sold less than compilations of their singles. They gained a reputation for reflecting English culture and lifestyle, fuelled by Ray Davies' observational writing style. Albums such as Face to Face, Something Else, The Kinks Are the Village Green Preservation Society, Arthur, Lola Versus Powerman and the Moneygoround and Muswell Hillbillies, along with their accompanying singles, are considered among the most influential recordings of the period.
Born under water
Raised to drown
By an anatomy of tears
The water crashes against the neck
Of a reluctant child
Born without an abdomen
Melt the hammer that breaks the hearts...
It will wait under a diaphragm sky
A ruptured diaphragm sky
Die
Die
Die