![](http://web.archive.org./web/20160602222014im_/https://i.guim.co.uk/img/static/sys-images/Guardian/Pix/pictures/2014/4/17/1397749338256/PeterBradshaw.jpg?w=140&h=140&q=55&auto=format&usm=12&fit=max&s=ce3133ca387af5e73f677ded6e0a0f11)
Peter Bradshaw
Peter Bradshaw is the Guardian's film critic
-
Helena Bonham Carter has fun as the Red Queen, but this ignores Lewis Carroll in favour of machine-tooled CGI fantasy fare with a tiresome Johnny Depp
-
-
Our final episode on the 69th Cannes film festival, which ended with Ken Loach winning the Palme d’Or for I, Daniel Blake
-
George Miller’s jury awarded a mixed bag of prizes that ignored some of the most exciting films at this year’s Cannes film festival. Still, this was an extraordinary year
-
A middle-class couple start to see cracks in the brickwork in the A Separation director’s new drama, a deft spin on Arthur Miller’s play
-
Bernard-Henri Lévy travels into Iraq to document the Kurdish forces taking on Isis – and praises their commitment to equality as well as their bravery
-
From the blistering politics of I, Daniel Blake to Nicolas Winding Refn’s freaky The Neon Demon, Cannes delivered the full range of surprises and delights
-
Our film team brings you the latest news and reviews from the Cannes 2016 film festival
-
Adapted from Ed Bunker’s cult novel, Schrader’s thriller about three ex-cons is his best work in years – though he should probably have avoided casting himself
-
It may look old-fashioned in places, but the Italian director’s lively version of Shakespeare, stuffed with beautiful actors, has elegance and charm
-
Tarkovsky’s debut boasts one of the greatest openings in film history in the story of a scarred boy who knows nothing but war, existing as an army scout
-
Like a great pop song, Once director John Carney’s comedy about schoolboys in 1980s Dublin who form a band, is over much too soon
-
Palme d’Or winner Cristian Mungiu’s latest follows a doctor’s attempts to help his daughter pass a life-changing school exam with superbly subtle observation
-
After too many films and too little sleep, the Firths’ celebration of “sustainable” luxury watches has tipped me over the edge
-
The double-Palme-winners’ latest is a study of a guilt-stricken doctor digging up information about a dead immigrant, but it lacks the Dardennes’ usual brilliance
-
Kleber Mendonça Filho’s second feature is the beautifully observed and surprising story of an ageing music critic staging a stakeout against the developers in her apartment block
-
The colours – and the women – pop in the Spanish auteur’s adaptation of three Alice Monroe stories, but there’s something intentionally unsatisfying at the heart of this minor work
-
Cannes gets its first marmite sensation with Olivier Assayas’s uncategorisable – yet undeniably terrifying – drama about a fashion PA trying to exorcise herself of her dead twin
-
-
Shane Black sets a pair of sound-hearted good-bad guys off on the trail of a missing porn star in a crime caper that’s touched by Anderson, Altman and Hiassen
-
A firmer hand with the plot – and with Shia LaBeouf – might have benefitted this admirably loose-limbed and atmospheric immersion into a little-seen world
-
A touch of touristic uncertainty as to place and time can’t hobble this beautifully wrought, London-set adaptation of the Roald Dahl story reuniting Mark Rylance and Steven Spielberg after Bridge of Spies
Only Yesterday review – an utterly beguiling classic