- published: 28 Aug 2015
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Logographic systems, or logographies, are writing systems in which each symbol represents a concept rather than a sound, as in syllabaric, phonographic, or phonemic (alphabetic) systems.
Logographic systems include the earliest writing systems; the first historical civilizations of the Near East, Africa, China, and Central America used some form of logographic writing.
A purely logographic script would be impractical for most languages, and none is known, apart from one devised for the artificial language Toki Pona, which is a purposely limited language with only 120 morphemes. A more recent attempt is Zlango, intended for use in text messaging, currently including around 300 "icons." All logographic scripts ever used for natural languages rely on the rebus principle to extend a relatively limited set of logograms: A subset of characters is used for their phonetic values, either consonantal or syllabic. The term logosyllabary is used to emphasize the partially phonetic nature of these scripts when the phonetic domain is the syllable. In both Ancient Egyptian hieroglyphs and in Chinese, there has been the additional development of fusing such phonetic elements with determinatives; such "radical and phonetic" characters make up the bulk of the script, and both languages relegated simple rebuses to the spelling of foreign loan words and words from non-standard dialects.
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A writing system is any conventional method of visually representing verbal communication. While both writing and speech are useful in conveying messages, writing differs in also being a reliable form of information storage and transfer. The processes of encoding and decoding writing systems involve shared understanding between writers and readers of the meaning behind the sets of characters that make up a script. Writing is usually recorded onto a durable medium, such as paper or electronic storage, although non-durable methods may also be used, such as writing on a computer display, in sand, or by skywriting.
The general attributes of writing systems can be placed into broad categories such as alphabets, syllabaries, or logographies. Any particular system can have attributes of more than one category. In the alphabetic category, there is a standard set of letters (basic written symbols or graphemes) of consonants and vowels that encode based on the general principle that the letters (or letter pair/groups) represent speech sounds. In a syllabary, each symbol correlates to a syllable or mora. In a logography, each character represents a word, morpheme, or other semantic units. Other categories include abjads, which differ from alphabets in that vowels are not indicated, and abugidas or alphasyllabaries, with each character representing a consonant–vowel pairing. Alphabets typically use a set of 20-to-35 symbols to fully express a language, whereas syllabaries can have 80-to-100, and logographies can have several hundreds of symbols.
The history of writing is primarily the development of expressing language by letters or other marks and also the study and description of these developments.
In the history of how systems of representation of language through graphic means have evolved in different human civilizations, more complete writing systems were preceded by proto-writing, systems of ideographic and/or early mnemonic symbols. True writing, in which the content of a linguistic utterance is encoded so that another reader can reconstruct, with a fair degree of accuracy, the exact utterance written down is a later development. It is distinguished from proto-writing which typically avoids encoding grammatical words and affixes, making it more difficult or impossible to reconstruct the exact meaning intended by the writer unless a great deal of context is already known in advance. One of the earliest forms of written expression is cuneiform.
Writing numbers for the purpose of record keeping began long before the writing of language. See History of writing ancient numbers for how the writing of numbers began.
Watch prehistoric pictures turn into written words as ancient civilizations around the world learn to write for the very first time! You took Thoth's Pill. Now your journey continues. Leave the cave days behind and take a leap into history with logographs. Early writing systems from China to Egypt to Sumer to Mesoamerica use these word symbols in their earliest writings. Who was the first to write? Was writing invented independently in many places around the world? How did the oldest writing systems work? Explore these questions as your trip goes on. Watch all of Thoth's Pill: https://www.youtube.com/playlist?list=PLc4s09N3L2h3HtaAYVqOVKGt2h6wRasw2 Who created this? Art, animations and music by NativLang CC-BY and public domain credits: https://docs.google.com/document/d/1zyYKGKVOZmDG1...
Watch this ancient Chinese scribe figure out how to use a fixed set of characters to write limitless words in his language. How? By combining meaning writing (logographs) and sound writing (rebus)! The result is a set of helpful hints called determinatives, because they help you determine the meaning of a pronunciation character. Determinatives show up in Mayan, Egyptian and other ancient writing systems. In Hanzi (Chinese) and Kanji (Japanese) they're called radicals, simply because they narrow down the root meaning (the "radix") of the written character. While we're visiting China, we'll stumble across an unexpected tension: should writing be easier for the reader to read or for the writer to write? Oh, and why don't we go a step further? What if we pat Chinese characters on the back,...
In the second E-lecture of this short series, Prof. Handke discusses the modern writing systems and exemplifies the main variants of logographic and phonographic systems. This includes a short discussion about the pros and cons of the central variants, abstract logographic vs. alphabetic.
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Download this project http://videohive.net/item/corporate-logograph/10118123?WT.oss_phrase=&WT.oss;_rank=23&WT.z;_author=Aimar4ik&WT.ac;=search_list&ref;=ae5000 YOU NEED ELEMENT 3D v1.6 PLUGIN After Effects CS 5.5/6/CC/CC2014 Project 1920×1080 Full HD, 1280×720 HD 29.97 Fps 2 projects (with Optical Flares and Optical Flares PreRender) Help file included Footages on top billboard aren’t included Graphics with alpha channel included Music is not included but contact me to get file Tutorial included Font “Walkway Black” you can find here: Font If you need help customizing the project write me via profile page
If you want to see a specific video please post a comment and subscribe. This is a graph i found on the internet and wanted to share it with you so you could see how it was done. The Equation X1 = {1, -1}(2.5sin(.5T) + 4) Y1 = .7T + 2 X2 = {1, -1}(7sin(.5T) + 4) Y2 = 1.8T - 1.5π X3 = {1, -1}(cos(.5T) + 1) Y3 = 2sin(.5T) - .1T2 - 3 X4 = {1, -1}(.25T + 2) Y4 = .5T-1 + 2 X5 = .6T - .6π Y5 = .75sin(.5T) + 5 X6 = {1, -1}(1.4cos(.6T) - 3.4) Y6 = 1.7sin(.6T) - 3
This video shows you how to pronounce Logograph
Sorry for the bad quality. Žygimantas Kudirka - Lithuania - Logograph of animals in space Albert II, the rhesus monkey died. Three mice died. Fourteen mice aboard the rocket Jupiter also died. Fruit flies survived. The monkey Gordo died. The monkey Yorick came back. The monkeys Able and Baker returned, but died under surgery. Two dogs and the rabbit Marfusa returned. The dogs Tsygan and Dezik survived, but died on a subsequent flight. Two frogs and twelve mice died: the rocket was destroyed during the launch. Laika died during the flight, as was intended: her return was not possible. After ten days Laika would have been poisoned with food so as not to burn alive on returning into the Earth’s atmosphere. Chayka and Lisichka died. Belka and Strelka returned, and were stuffed. Pchyolka...
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Lack of trust, all alone
Lookin' down at the bottom of a hole
I've no trust, bare my soul
Are we alone or do we have friends
Or are we just searchin' for a means to an end
What up, peace out, my boys and all that
But as soon as we leave they talk behind our backs
Low selfimage of the way things are
Either way we lose and we can never go far
'Cause always we'll wonder as to just what's the deal
It just depends on what you feel is real
Perception is everything inside our brains
With much bigger problems, no time for games
Of people acting down but it's just a facade
Can't say it to my face, isn't that odd
Just what exactly does trust mean
Is it about being down with the scene
Or is it about following your own true heart
And being true to your friends to the end from the start
Just what is wealth it's just how you view it
It's not having to wonder whether or not you might lose it
It can't be about material gain
If you're drowning alone neck deep in pain
To trust and lay your soul on the line
May not be the nature of most humankind
Lookin' over your shoulder is no way to go