Booker T. & the M.G.'s is an instrumental R&B/funk band that was influential in shaping the sound of Southern soul and Memphis soul. The original members of the group were Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson, Jr. (drums). In the 1960s, as members of the house band of Stax Records, they played on hundreds of recordings by artists such as Wilson Pickett, Otis Redding, Bill Withers, Sam & Dave, Carla Thomas, Rufus Thomas, Johnnie Taylor and Albert King. They also released instrumental records under their own name, of which the best known is the 1962 hit single "Green Onions". As originators of the unique Stax sound, the group was one of the most prolific, respected, and imitated of its era. By the mid-1960s, bands on both sides of the Atlantic were trying to sound like Booker T. & the M.G.'s.
In 1965, Steinberg was replaced by Donald "Duck" Dunn, who played with the group until his death in 2012. Al Jackson, Jr. was murdered in 1975, after which Dunn, Cropper and Jones reunited on numerous occasions using various drummers, including Willie Hall, Anton Fig, Steve Jordan and Steve Potts.
The MG's is a 1973 album recorded by the MG's for Stax Records. Both frontman Booker T. Jones and guitarist Steve Cropper were estranged from Stax by 1973. Remaining members Donald "Duck" Dunn and Al Jackson, Jr. recruited Bobby Manuel to replace Cropper and Carson Whitsett to replace Jones.
Billed as "The MG's" since Jones was not involved with the project, the group released two singles, "Sugar Cane" and "Neck Bone". The singles and the album were not commercially successful, but were critically well received. By 1975, Jones and Cropper agreed to reform the original lineup with Jackson and Dunn, but just days before their scheduled reunion, Jackson was murdered at his home in Memphis, Tennessee.
All tracks composed by Donald "Duck" Dunn, Al Jackson, Jr., Bobby Manuel, Carson Whitsett; except where indicated
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row". Critics have focused on the innovative way in which Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that in an important sense the 1960s "started" with this album.
Leading with the hit single "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and "Highway 61 Revisited". He named the album after the major American highway which connected his birthplace, Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi.
"Highway 61 Revisited" is the title track of Bob Dylan's 1965 album Highway 61 Revisited. It was also released as the B-side to the single "Can You Please Crawl Out Your Window?" later the same year. In 2004, Rolling Stone magazine ranked the song as number 373 in their 500 Greatest Songs of All Time.
Highway 61 runs from Duluth, Minnesota, where Bob Dylan grew up in the 1940s and 1950s down to New Orleans, Louisiana. It was a major transit route out of the Deep South particularly for African Americans traveling north to Chicago, St Louis and Memphis, following the Mississippi River valley for most of its 1,400 miles (2,300 km).
The song has five stanzas. In each stanza, someone describes an unusual problem that is ultimately resolved on Highway 61. In Verse 1, God tells Abraham to "kill me a son". God wants the killing done on Highway 61. This stanza references Genesis 22, in which God commands Abraham to kill one of his two sons, Isaac. Abram, the original name of the biblical Abraham, is the name of Dylan's own father. Verse 2 describes a poor fellow, Georgia Sam, who is beyond the helping of the welfare department. He is told to go down Highway 61. Georgia Sam may be a reference to Piedmont blues musician Blind Willie McTell, who occasionally went by Georgia Sam when recording.