Eddie Brock

Eddie Brock is a fictional character appearing in American comic books published by Marvel Comics. Created by David Michelinie and Todd McFarlane, the character was originally a comic book supervillain. His earliest appearance is a cameo in Web of Spider-Man #18 (September 1986), before making his first full appearance in The Amazing Spider-Man #300 (May 1988) as the first and best-known incarnation of Venom. The character has since appeared in many Marvel Comics publications, including his own series Venom. Introduced as a villain of Spider-Man, the character becomes an anti-hero, working with and against superheroes.

In the original version of the story, Eddie Brock is a journalist who exposes the identity of a serial killer only for the real killer to be caught by Spider-Man, thus he accused the wrong man. Disgraced and suicidal, he comes into contact with an alien Symbiote, rejected by Peter Parker. The Symbiote bonds with him and they become Venom and together they seek out revenge against their mutual enemy. Though he repeatedly comes into conflict with Spider-Man, he also attempts to operate as a hero, albeit a violent one, seeking to save those he deems "innocent". In 2008, after being separated from the Venom Symbiote, he gains a new Symbiote and becomes the anti-hero Anti-Venom. However, that symbiote is sacrificed to help cure the "Spider-Island" epidemic during the 2011 storyline. In 2012, he is bonded to the Toxin symbiote. Though he is a human with no powers, the Venom Symbiote suit bestows upon him a range of abilities including many of the powers belonging to Spider-Man, the Symbiote's original host.

Spider-Man

Spider-Man is a fictional superhero appearing in American comic books published by Marvel Comics existing in its shared universe. The character was created by writer-editor Stan Lee and writer-artist Steve Ditko, and first appeared in the anthology comic book Amazing Fantasy #15 (Aug. 1962) in the Silver Age of Comic Books. Lee and Ditko conceived the character as an orphan being raised by his Aunt May and Uncle Ben, and as a teenager, having to deal with the normal struggles of adolescence in addition to those of a costumed crime-fighter. Spider-Man's creators gave him super strength and agility, the ability to cling to most surfaces, shoot spider-webs using wrist-mounted devices of his own invention, which he calls "web-shooters", and react to danger quickly with his "spider-sense", enabling him to combat his foes.

When Spider-Man first appeared in the early 1960s, teenagers in superhero comic books were usually relegated to the role of sidekick to the protagonist. The Spider-Man series broke ground by featuring Peter Parker, the high school student behind Spider-Man's secret identity and with whose "self-obsessions with rejection, inadequacy, and loneliness" young readers could relate. While Spider-Man had all the makings of a sidekick, unlike previous teen heroes such as Bucky and Robin, Spider-Man had no superhero mentor like Captain America and Batman; he thus had to learn for himself that "with great power there must also come great responsibility"—a line included in a text box in the final panel of the first Spider-Man story but later retroactively attributed to his guardian, the late Uncle Ben.

Spider-Man 3

Spider-Man 3 is a 2007 American superhero film produced by Marvel Studios, and distributed by Columbia Pictures based on the fictional Marvel Comics character Spider-Man. It was directed by Sam Raimi and scripted by Sam and Ivan Raimi and Alvin Sargent. It is the final film in the Sam Raimi Spider-Man trilogy. The film stars Tobey Maguire, Kirsten Dunst, James Franco, Thomas Haden Church, Topher Grace, Bryce Dallas Howard, Rosemary Harris, J. K. Simmons, James Cromwell and Cliff Robertson in his final film appearance.

Set one year after the events of Spider-Man 2, Peter Parker has become a cultural phenomenon as Spider-Man, while Mary Jane Watson continues her Broadway career. Harry Osborn still seeks vengeance for his father's death, and an escaped Flint Marko falls into a particle accelerator and is transformed into a shape-shifting sand manipulator. An extraterrestrial symbiote crashes to Earth and bonds with Peter, influencing his behavior for the worst.

Development of Spider-Man 3 began immediately after the release of Spider-Man 2 for a 2007 release. During pre-production, Raimi originally wanted another villain to be included along with Sandman, but at the request of producer Avi Arad, the director added Venom and the producers also requested the addition of Gwen Stacy. Principal photography for the film began in January 2006, and took place in Los Angeles and Cleveland, before moving to New York City from May until July 2006. Additional pick-up shots were made after August and the film wrapped in October 2006. During post-production, Sony Pictures Imageworks created 900 visual effects shots.

Copyright Act

Copyright Act (with its variations) is a stock short title used for legislation in Australia, Canada, Hong Kong, India, Malaysia, New Zealand, the United Kingdom and the United States relating to the copyright. The Bill for an Act with this short title will usually have been known as a Copyright Bill during its passage through Parliament.

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Australia

Canada

Hong Kong

India

Malaysia

New Zealand

United Kingdom

United States

Copyright Act of 1976

The Copyright Act of 1976 is a United States copyright law and remains the primary basis of copyright law in the United States, as amended by several later enacted copyright provisions. The Act spells out the basic rights of copyright holders, codified the doctrine of "fair use," and for most new copyrights adopted a unitary term based on the date of the author's death rather than the prior scheme of fixed initial and renewal terms. It became Public Law number 94-553 on October 19, 1976 and went into effect on January 1, 1978.

History and purpose

Before the 1976 Act, the last major revision to statutory copyright law in the United States occurred in 1909. In deliberating the Act, Congress noted that extensive technological advances had occurred since the adoption of the 1909 Act. Television, motion pictures, sound recordings, and radio were cited as examples. The Act was designed in part to address intellectual property questions raised by these new forms of communication. (see House report number 94-1476)