- published: 21 Nov 2015
- views: 1052
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This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the Pro Res 422 HQ codec. The same color corrections were applied to them in Resolve; the only difference between is the codecs that were used.
This was only a 20 second clip that was originally 427 MBs.
The file size differences after rendering were as follows:
H.264 = 362 MBs
DNxHD 220 1080 p = 425 MBs
Cineform YUV 10 bit = 650 MBs
For casual viewing, all the clips were passable. Upon closer viewing, the winner seemed to be DNxHD 220. The level of detail, overall color, and its ability to handle motion were all noted as positives. For its file size, the H.264 was very good, but upon closer inspection, especially in the trees, the motion recording is not as smooth. For the size of its file, one might have expected Cineform to have retained the most quality, but among the viewers polled, it did not stand out above the DNxHD codec. The takeaway is if you are just doing an informal or casual project, you can probably get by with just using H.264. It takes up the least amount of space and is passable for the casual viewer. For a more serious project, then DNxHD appears to be a good choice. As far as we can tell, there is no appreciable difference that Cineform has over DNxHD, and given the large file it creates, DNxHD would appear to be the odds on favorite.
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :)
MPEG STREAMCLIP:
http://www.squared5.com/
VIDEOCODEC PACK:
http://www.free-codecs.com/download/k_lite_codec_pack.htm
DNxHD CODEC:
http://www.videohelp.com/download/AvidCodecs%20LE%202.3.8%20Windows.zip
MUSICA:
Giacomo Citro: http://www.youtube.com/tris81
RADIO TRISTE MA TRISTE BELLA
è una radio che conduco di tanto in tanto, musica triste ma triste bella da sottofondo
LINK: http://www.spreaker.com/show/radiotristematristebella
CONTATTI:
Facebook : http://www.facebook.com/slidingtheory
Twitter : https://twitter.com/slidingtheory
Email : slidingtheory@gmail.com
- published: 08 Apr 2013
- views: 9988
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing.
DNxHD Codec - Beauty Without Bandwidth
Avid DNxHD is a revolutionary HD codec technology engineered to create mastering-quality HD media at dramatically reduced file sizes, shattering the barriers to real-time HD productivity, whether using local storage or in real-time collaborative workflows.
- published: 24 Sep 2010
- views: 2651
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final Cut).
On pourra ainsi faire du batch encoding de tous les rushes directement depuis Adobe media encoder. Et exporter avec l'excellent codec d'Avid.
- published: 05 Dec 2011
- views: 11073
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular.
- published: 11 Mar 2014
- views: 433
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the Media Browser, changing audio channels on clips.
You can see a playlist with all the chapters from this video here: http://www.youtube.com/playlist?list=PL-sXlPDO1HA7WPlCOdWnJ6om6mfsxDjup&feature;=edit_ok
- published: 05 Jun 2013
- views: 10896
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd
Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos Ninja2 and Nikon D800.
Atomos Ninja2とNikon D800を使用して行った、Apple ProResとAvid DNｘHDの画質比較
*The brightness of the sun is unstable.
太陽の明るさは不安定です。
NIKON D800 AF-S NIKKOR 24-70mm F2.8 G ED
- published: 08 Feb 2013
- views: 20200
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will really love how smooth it makes footage in your editors timeline. Available here for windows and Mac: http://avid.force.com/pkb/articles/en_US/download/en423319
- published: 26 Sep 2015
- views: 175
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict requirements on turn-in format. It must be 720p H264 mov. Last year I was the only crew member, and I managed to complete the project late, so it was shown out of contest. This year we had about 10 very talented people. I was the only one with a PC, everyone else had macs. We didn't have any sort of worklfow set up. It was coming down to the wire, and I had to choose between getting a subpar render and being out of contest. I chose the first.
Since turning the movie in, I've been researching and testing, and discussing with my 2nd AC what we could have done better. Below is what I've come up with, and the results of the test are in this video. For the future, I may also set up at least two networked stations running Lightworks to minimize imports and exports.
1. Set Canon 7D settings to record RAW at the highest resolution at 29.97 frame rate
2. Import RAW MOV files into Adobe Media Encoder
3. Encode files to Avid DNxHD - Color levels 709, Alpha None, Resolution 1080p/29.97 DNxHD 2280 8-bit, quality 90 using Adobe Media Encoder
4. Import into Lightworks (requires the Avid DNxHD codec license, available from EditShare)using the "link" option.
5. Export to AVI UYVY, 29.97 fps, HD 1080, 1920x1080, 48khz sample rate. This is an uncompressed format.
6. Import into Adobe Media Encoder
7. Export to 720p H264, 29.97 fps using Adobe Media Encoder
I don't like the 720p H264 too much with this workflow, but it does look presentable. Were I to do it again, this would be what I would turn in. Changing step 7 to export to 1080 H264 gives really good results, great for uploading to Youtube, which I will do once the moratorium on upload passes.
David
Director, Wolfpack Penthouse
- published: 13 May 2013
- views: 879
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bitrate footage from falling apart once uploaded. If my computer was faster I would've used the 10Bit in lieu of the 8 Bit but for 8 Bit it held up nicely. I highly recommend the Avid Codec. Before editing I would transfer all your K7 / K5 footage to the Avid Codec and then also render using the Avid Codec.
All footage shot with a Pentax K7 in 720P and Mastered in 720P using the AVID DNxHD Codec in Sony Vegas Pro 8. No Color Correction in Post and only Sharpening Added in Vegas to all the clips. The Pentax is a little soft in appearance so I added Medium Sharpening in Vegas. Everything is handheld or tripod. No steadicam or Slider.
Lens: Pentax Prime 50mm 1.8 / 2.8
Music Creative Commons CCMixter - BOCrew "When the Sky Turns Blue"
- published: 03 Jan 2013
- views: 1470
Twitter: https://twitter.com/Colt501
Website: https://www.flickr.com/photos/janlauserphotography
- published: 01 Feb 2016
- views: 47
- Loading...
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1:50Codec Comparison : h.264 vs DNxHD vs Cineform YUV
Codec Comparison : h.264 vs DNxHD vs Cineform YUVCodec Comparison : h.264 vs DNxHD vs Cineform YUV
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the Pro Res 422 HQ codec. The same color corrections were applied to them in Resolve; the only difference between is the codecs that were used. This was only a 20 second clip that was originally 427 MBs. The file size differences after rendering were as follows: H.264 = 362 MBs DNxHD 220 1080 p = 425 MBs Cineform YUV 10 bit = 650 MBs For casual viewing, all the clips were passable. Upon closer viewing, the winner seemed to be DNxHD 220. The level of detail, overall color, and its ability to handle motion were all noted as positives. For its file size, the H.264 was very good, but upon closer inspection, especially in the trees, the motion recording is not as smooth. For the size of its file, one might have expected Cineform to have retained the most quality, but among the viewers polled, it did not stand out above the DNxHD codec. The takeaway is if you are just doing an informal or casual project, you can probably get by with just using H.264. It takes up the least amount of space and is passable for the casual viewer. For a more serious project, then DNxHD appears to be a good choice. As far as we can tell, there is no appreciable difference that Cineform has over DNxHD, and given the large file it creates, DNxHD would appear to be the odds on favorite. -
10:25VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHDVIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :) MPEG STREAMCLIP: http://www.squared5.com/ VIDEOCODEC PACK: http://www.free-codecs.com/download/k_lite_codec_pack.htm DNxHD CODEC: http://www.videohelp.com/download/AvidCodecs%20LE%202.3.8%20Windows.zip MUSICA: Giacomo Citro: http://www.youtube.com/tris81 RADIO TRISTE MA TRISTE BELLA è una radio che conduco di tanto in tanto, musica triste ma triste bella da sottofondo LINK: http://www.spreaker.com/show/radiotristematristebella CONTATTI: Facebook : http://www.facebook.com/slidingtheory Twitter : https://twitter.com/slidingtheory Email : slidingtheory@gmail.com -
1:16Avid DNxHD - Beauty without the bandwidth
Avid DNxHD - Beauty without the bandwidthAvid DNxHD - Beauty without the bandwidth
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing. DNxHD Codec - Beauty Without Bandwidth Avid DNxHD is a revolutionary HD codec technology engineered to create mastering-quality HD media at dramatically reduced file sizes, shattering the barriers to real-time HD productivity, whether using local storage or in real-time collaborative workflows. -
6:30Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHDCanon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final Cut). On pourra ainsi faire du batch encoding de tous les rushes directement depuis Adobe media encoder. Et exporter avec l'excellent codec d'Avid. -
0:16Avid DnxHD codec render test particle sphere
Avid DnxHD codec render test particle sphereAvid DnxHD codec render test particle sphere
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular. -
7:0208: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the Media Browser, changing audio channels on clips. You can see a playlist with all the chapters from this video here: http://www.youtube.com/playlist?list=PL-sXlPDO1HA7WPlCOdWnJ6om6mfsxDjup&feature;=edit_ok -
3:01Comparison of image quality ProRes and DNxHD.
Comparison of image quality ProRes and DNxHD.Comparison of image quality ProRes and DNxHD.
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos Ninja2 and Nikon D800. Atomos Ninja2とNikon D800を使用して行った、Apple ProResとAvid DNｘHDの画質比較 *The brightness of the sun is unstable. 太陽の明るさは不安定です。 NIKON D800 AF-S NIKKOR 24-70mm F2.8 G ED -
4:48Sony Vegas smoother edits with intermediate codecs
Sony Vegas smoother edits with intermediate codecsSony Vegas smoother edits with intermediate codecs
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will really love how smooth it makes footage in your editors timeline. Available here for windows and Mac: http://avid.force.com/pkb/articles/en_US/download/en423319 -
0:22Lightworks workflow test using DNXHD codec for output into 720p
Lightworks workflow test using DNXHD codec for output into 720pLightworks workflow test using DNXHD codec for output into 720p
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict requirements on turn-in format. It must be 720p H264 mov. Last year I was the only crew member, and I managed to complete the project late, so it was shown out of contest. This year we had about 10 very talented people. I was the only one with a PC, everyone else had macs. We didn't have any sort of worklfow set up. It was coming down to the wire, and I had to choose between getting a subpar render and being out of contest. I chose the first. Since turning the movie in, I've been researching and testing, and discussing with my 2nd AC what we could have done better. Below is what I've come up with, and the results of the test are in this video. For the future, I may also set up at least two networked stations running Lightworks to minimize imports and exports. 1. Set Canon 7D settings to record RAW at the highest resolution at 29.97 frame rate 2. Import RAW MOV files into Adobe Media Encoder 3. Encode files to Avid DNxHD - Color levels 709, Alpha None, Resolution 1080p/29.97 DNxHD 2280 8-bit, quality 90 using Adobe Media Encoder 4. Import into Lightworks (requires the Avid DNxHD codec license, available from EditShare)using the "link" option. 5. Export to AVI UYVY, 29.97 fps, HD 1080, 1920x1080, 48khz sample rate. This is an uncompressed format. 6. Import into Adobe Media Encoder 7. Export to 720p H264, 29.97 fps using Adobe Media Encoder I don't like the 720p H264 too much with this workflow, but it does look presentable. Were I to do it again, this would be what I would turn in. Changing step 7 to export to 1080 H264 gives really good results, great for uploading to Youtube, which I will do once the moratorium on upload passes. David Director, Wolfpack Penthouse -
1:46Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TESTPentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bitrate footage from falling apart once uploaded. If my computer was faster I would've used the 10Bit in lieu of the 8 Bit but for 8 Bit it held up nicely. I highly recommend the Avid Codec. Before editing I would transfer all your K7 / K5 footage to the Avid Codec and then also render using the Avid Codec. All footage shot with a Pentax K7 in 720P and Mastered in 720P using the AVID DNxHD Codec in Sony Vegas Pro 8. No Color Correction in Post and only Sharpening Added in Vegas to all the clips. The Pentax is a little soft in appearance so I added Medium Sharpening in Vegas. Everything is handheld or tripod. No steadicam or Slider. Lens: Pentax Prime 50mm 1.8 / 2.8 Music Creative Commons CCMixter - BOCrew "When the Sky Turns Blue" -
12:00FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi UpdateFilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
Twitter: https://twitter.com/Colt501 Website: https://www.flickr.com/photos/janlauserphotography -
0:16Codec test: DNxHD HQ 8bits
Codec test: DNxHD HQ 8bitsCodec test: DNxHD HQ 8bits
-
Codec Comparison : h.264 vs DNxHD vs Cineform YUV
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the Pro Res 422 HQ codec. The same color corrections were applied to them in Resolve; the only difference between is the codecs that were used. This was only a 20 second clip that was originally 427 MBs. The file size differences after rendering were as follows: H.264 = 362 MBs DNxHD 220 1080 p = 425 MBs Cineform YUV 10 bit = 650 MBs For casual viewing, all the clips were passable. Upon closer viewing, the winner seemed to be DNxHD 220. The level of detail, overall color, and its ability to handle motion were all noted as positives. For its file size, the H.264 was very good, but upon closer inspection, especially in the trees, the mo... -
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :) MPEG STREAMCLIP: http://www.squared5.com/ VIDEOCODEC PACK: http://www.free-codecs.com/download/k_lite_codec_pack.htm DNxHD CODEC: http://www.videohelp.com/download/AvidCodecs%20LE%202.3.8%20Windows.zip MUSICA: Giacomo Citro: http://www.youtube.com/tris81 RADIO TRISTE MA TRISTE BELLA è una radio che conduco di tanto in tanto, musica triste ma triste bella da sottofondo LINK: http://www.spreaker.com/show/radiotristematristebella CONTATTI: Facebook : http://www.facebook.com/slidingtheory Twitter : https://twitter.com/slidingtheory Email : slidingtheory@gmail.com -
Avid DNxHD - Beauty without the bandwidth
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing. DNxHD Codec - Beauty Without Bandwidth Avid DNxHD is a revolutionary HD codec technology engineered to create mastering-quality HD media at dramatically reduced file sizes, shattering the barriers to real-time HD productivity, whether using local storage or in real-time collaborative workflows. -
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final Cut). On pourra ainsi faire du batch encoding de tous les rushes directement depuis Adobe media encoder. Et exporter avec l'excellent codec d'Avid. -
Avid DnxHD codec render test particle sphere
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular. -
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the Media Browser, changing audio channels on clips. You can see a playlist with all the chapters from this video here: http://www.youtube.com/playlist?list=PL-sXlPDO1HA7WPlCOdWnJ6om6mfsxDjup&feature;=edit_ok -
Comparison of image quality ProRes and DNxHD.
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos Ninja2 and Nikon D800. Atomos Ninja2とNikon D800を使用して行った、Apple ProResとAvid DNｘHDの画質比較 *The brightness of the sun is unstable. 太陽の明るさは不安定です。 NIKON D800 AF-S NIKKOR 24-70mm F2.8 G ED -
Sony Vegas smoother edits with intermediate codecs
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will really love how smooth it makes footage in your editors timeline. Available here for windows and Mac: http://avid.force.com/pkb/articles/en_US/download/en423319 -
Lightworks workflow test using DNXHD codec for output into 720p
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict requirements on turn-in format. It must be 720p H264 mov. Last year I was the only crew member, and I managed to complete the project late, so it was shown out of contest. This year we had about 10 very talented people. I was the only one with a PC, everyone else had macs. We didn't have any sort of worklfow set up. It was coming down to the wire, and I had to choose between getting a subpar render and being out of contest. I chose the first. Since turning the movie in, I've been researching and testing, and discussing with my 2nd AC what we could have done better. Below is what I've come up with, and the results of the test are in this v... -
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bitrate footage from falling apart once uploaded. If my computer was faster I would've used the 10Bit in lieu of the 8 Bit but for 8 Bit it held up nicely. I highly recommend the Avid Codec. Before editing I would transfer all your K7 / K5 footage to the Avid Codec and then also render using the Avid Codec. All footage shot with a Pentax K7 in 720P and Mastered in 720P using the AVID DNxHD Codec in Sony Vegas Pro 8. No Color Correction in Post and only Sharpening Added in Vegas to all the clips. The Pentax is a little soft in appearance so I added Medium Sharpening in Vegas. Everything is handheld or tripod. No steadicam or Slider.... -
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
Twitter: https://twitter.com/Colt501 Website: https://www.flickr.com/photos/janlauserphotography -
Codec test: DNxHD HQ 8bits
Codec Comparison : h.264 vs DNxHD vs Cineform YUV
- Order: Reorder
- Duration: 1:50
- Updated: 21 Nov 2015
- views: 1052
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the P...
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the Pro Res 422 HQ codec. The same color corrections were applied to them in Resolve; the only difference between is the codecs that were used.
This was only a 20 second clip that was originally 427 MBs.
The file size differences after rendering were as follows:
H.264 = 362 MBs
DNxHD 220 1080 p = 425 MBs
Cineform YUV 10 bit = 650 MBs
For casual viewing, all the clips were passable. Upon closer viewing, the winner seemed to be DNxHD 220. The level of detail, overall color, and its ability to handle motion were all noted as positives. For its file size, the H.264 was very good, but upon closer inspection, especially in the trees, the motion recording is not as smooth. For the size of its file, one might have expected Cineform to have retained the most quality, but among the viewers polled, it did not stand out above the DNxHD codec. The takeaway is if you are just doing an informal or casual project, you can probably get by with just using H.264. It takes up the least amount of space and is passable for the casual viewer. For a more serious project, then DNxHD appears to be a good choice. As far as we can tell, there is no appreciable difference that Cineform has over DNxHD, and given the large file it creates, DNxHD would appear to be the odds on favorite.
wn.com/Codec Comparison H.264 Vs Dnxhd Vs Cineform Yuv
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolve. This video clip was shot in a Black Magic Cinema Camera using the Pro Res 422 HQ codec. The same color corrections were applied to them in Resolve; the only difference between is the codecs that were used.
This was only a 20 second clip that was originally 427 MBs.
The file size differences after rendering were as follows:
H.264 = 362 MBs
DNxHD 220 1080 p = 425 MBs
Cineform YUV 10 bit = 650 MBs
For casual viewing, all the clips were passable. Upon closer viewing, the winner seemed to be DNxHD 220. The level of detail, overall color, and its ability to handle motion were all noted as positives. For its file size, the H.264 was very good, but upon closer inspection, especially in the trees, the motion recording is not as smooth. For the size of its file, one might have expected Cineform to have retained the most quality, but among the viewers polled, it did not stand out above the DNxHD codec. The takeaway is if you are just doing an informal or casual project, you can probably get by with just using H.264. It takes up the least amount of space and is passable for the casual viewer. For a more serious project, then DNxHD appears to be a good choice. As far as we can tell, there is no appreciable difference that Cineform has over DNxHD, and given the large file it creates, DNxHD would appear to be the odds on favorite.
- published: 21 Nov 2015
- views: 1052
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
- Order: Reorder
- Duration: 10:25
- Updated: 08 Apr 2013
- views: 9988
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :)
MPEG STREAMCLIP:
http://www.squared5.com/
VIDEOCODEC PACK:
http://www.free-code...
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :)
MPEG STREAMCLIP:
http://www.squared5.com/
VIDEOCODEC PACK:
http://www.free-codecs.com/download/k_lite_codec_pack.htm
DNxHD CODEC:
http://www.videohelp.com/download/AvidCodecs%20LE%202.3.8%20Windows.zip
MUSICA:
Giacomo Citro: http://www.youtube.com/tris81
RADIO TRISTE MA TRISTE BELLA
è una radio che conduco di tanto in tanto, musica triste ma triste bella da sottofondo
LINK: http://www.spreaker.com/show/radiotristematristebella
CONTATTI:
Facebook : http://www.facebook.com/slidingtheory
Twitter : https://twitter.com/slidingtheory
Email : slidingtheory@gmail.com
wn.com/Videomaking 23 Formati Video, Codec H264, Proress 422Hq, Dnxhd
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :)
MPEG STREAMCLIP:
http://www.squared5.com/
VIDEOCODEC PACK:
http://www.free-codecs.com/download/k_lite_codec_pack.htm
DNxHD CODEC:
http://www.videohelp.com/download/AvidCodecs%20LE%202.3.8%20Windows.zip
MUSICA:
Giacomo Citro: http://www.youtube.com/tris81
RADIO TRISTE MA TRISTE BELLA
è una radio che conduco di tanto in tanto, musica triste ma triste bella da sottofondo
LINK: http://www.spreaker.com/show/radiotristematristebella
CONTATTI:
Facebook : http://www.facebook.com/slidingtheory
Twitter : https://twitter.com/slidingtheory
Email : slidingtheory@gmail.com
- published: 08 Apr 2013
- views: 9988
Avid DNxHD - Beauty without the bandwidth
- Order: Reorder
- Duration: 1:16
- Updated: 24 Sep 2010
- views: 2651
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing.
DNxHD Codec - Beauty Without Bandwidth
...
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing.
DNxHD Codec - Beauty Without Bandwidth
Avid DNxHD is a revolutionary HD codec technology engineered to create mastering-quality HD media at dramatically reduced file sizes, shattering the barriers to real-time HD productivity, whether using local storage or in real-time collaborative workflows.
wn.com/Avid Dnxhd Beauty Without The Bandwidth
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High-Res Editing and Finishing.
DNxHD Codec - Beauty Without Bandwidth
Avid DNxHD is a revolutionary HD codec technology engineered to create mastering-quality HD media at dramatically reduced file sizes, shattering the barriers to real-time HD productivity, whether using local storage or in real-time collaborative workflows.
- published: 24 Sep 2010
- views: 2651
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
- Order: Reorder
- Duration: 6:30
- Updated: 05 Dec 2011
- views: 11073
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final ...
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final Cut).
On pourra ainsi faire du batch encoding de tous les rushes directement depuis Adobe media encoder. Et exporter avec l'excellent codec d'Avid.
wn.com/Canon 5D Mark Ii, Monter Facilement Dans Premiere Pro Avec Le Codec Avid Dnxhd
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisant le codec avid DNxHD (exactement comme le ProRes d'Apple dans Final Cut).
On pourra ainsi faire du batch encoding de tous les rushes directement depuis Adobe media encoder. Et exporter avec l'excellent codec d'Avid.
- published: 05 Dec 2011
- views: 11073
Avid DnxHD codec render test particle sphere
- Order: Reorder
- Duration: 0:16
- Updated: 11 Mar 2014
- views: 433
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular.
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular.
wn.com/Avid Dnxhd Codec Render Test Particle Sphere
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode Particular.
- published: 11 Mar 2014
- views: 433
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
- Order: Reorder
- Duration: 7:02
- Updated: 05 Jun 2013
- views: 10896
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the...
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the Media Browser, changing audio channels on clips.
You can see a playlist with all the chapters from this video here: http://www.youtube.com/playlist?list=PL-sXlPDO1HA7WPlCOdWnJ6om6mfsxDjup&feature;=edit_ok
wn.com/08 Premiere Pro Cc Avid Dnxhd, Multicamera Mercury Transmit
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the sound, and small Mercury Transmit changes, importing projects using the Media Browser, changing audio channels on clips.
You can see a playlist with all the chapters from this video here: http://www.youtube.com/playlist?list=PL-sXlPDO1HA7WPlCOdWnJ6om6mfsxDjup&feature;=edit_ok
- published: 05 Jun 2013
- views: 10896
Comparison of image quality ProRes and DNxHD.
- Order: Reorder
- Duration: 3:01
- Updated: 08 Feb 2013
- views: 20200
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd
Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos ...
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd
Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos Ninja2 and Nikon D800.
Atomos Ninja2とNikon D800を使用して行った、Apple ProResとAvid DNｘHDの画質比較
*The brightness of the sun is unstable.
太陽の明るさは不安定です。
NIKON D800 AF-S NIKKOR 24-70mm F2.8 G ED
wn.com/Comparison Of Image Quality Prores And Dnxhd.
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd
Comparison of image quality Apple ProRes and Avid DNxHD, with Atomos Ninja2 and Nikon D800.
Atomos Ninja2とNikon D800を使用して行った、Apple ProResとAvid DNｘHDの画質比較
*The brightness of the sun is unstable.
太陽の明るさは不安定です。
NIKON D800 AF-S NIKKOR 24-70mm F2.8 G ED
- published: 08 Feb 2013
- views: 20200
Sony Vegas smoother edits with intermediate codecs
- Order: Reorder
- Duration: 4:48
- Updated: 26 Sep 2015
- views: 175
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will re...
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will really love how smooth it makes footage in your editors timeline. Available here for windows and Mac: http://avid.force.com/pkb/articles/en_US/download/en423319
wn.com/Sony Vegas Smoother Edits With Intermediate Codecs
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this example I use the DNxHD Avid Codecs 2.3.7 - It's free and you will really love how smooth it makes footage in your editors timeline. Available here for windows and Mac: http://avid.force.com/pkb/articles/en_US/download/en423319
- published: 26 Sep 2015
- views: 175
Lightworks workflow test using DNXHD codec for output into 720p
- Order: Reorder
- Duration: 0:22
- Updated: 13 May 2013
- views: 879
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict require...
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict requirements on turn-in format. It must be 720p H264 mov. Last year I was the only crew member, and I managed to complete the project late, so it was shown out of contest. This year we had about 10 very talented people. I was the only one with a PC, everyone else had macs. We didn't have any sort of worklfow set up. It was coming down to the wire, and I had to choose between getting a subpar render and being out of contest. I chose the first.
Since turning the movie in, I've been researching and testing, and discussing with my 2nd AC what we could have done better. Below is what I've come up with, and the results of the test are in this video. For the future, I may also set up at least two networked stations running Lightworks to minimize imports and exports.
1. Set Canon 7D settings to record RAW at the highest resolution at 29.97 frame rate
2. Import RAW MOV files into Adobe Media Encoder
3. Encode files to Avid DNxHD - Color levels 709, Alpha None, Resolution 1080p/29.97 DNxHD 2280 8-bit, quality 90 using Adobe Media Encoder
4. Import into Lightworks (requires the Avid DNxHD codec license, available from EditShare)using the "link" option.
5. Export to AVI UYVY, 29.97 fps, HD 1080, 1920x1080, 48khz sample rate. This is an uncompressed format.
6. Import into Adobe Media Encoder
7. Export to 720p H264, 29.97 fps using Adobe Media Encoder
I don't like the 720p H264 too much with this workflow, but it does look presentable. Were I to do it again, this would be what I would turn in. Changing step 7 to export to 1080 H264 gives really good results, great for uploading to Youtube, which I will do once the moratorium on upload passes.
David
Director, Wolfpack Penthouse
wn.com/Lightworks Workflow Test Using Dnxhd Codec For Output Into 720P
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest moments were during the rendering process. The race has strict requirements on turn-in format. It must be 720p H264 mov. Last year I was the only crew member, and I managed to complete the project late, so it was shown out of contest. This year we had about 10 very talented people. I was the only one with a PC, everyone else had macs. We didn't have any sort of worklfow set up. It was coming down to the wire, and I had to choose between getting a subpar render and being out of contest. I chose the first.
Since turning the movie in, I've been researching and testing, and discussing with my 2nd AC what we could have done better. Below is what I've come up with, and the results of the test are in this video. For the future, I may also set up at least two networked stations running Lightworks to minimize imports and exports.
1. Set Canon 7D settings to record RAW at the highest resolution at 29.97 frame rate
2. Import RAW MOV files into Adobe Media Encoder
3. Encode files to Avid DNxHD - Color levels 709, Alpha None, Resolution 1080p/29.97 DNxHD 2280 8-bit, quality 90 using Adobe Media Encoder
4. Import into Lightworks (requires the Avid DNxHD codec license, available from EditShare)using the "link" option.
5. Export to AVI UYVY, 29.97 fps, HD 1080, 1920x1080, 48khz sample rate. This is an uncompressed format.
6. Import into Adobe Media Encoder
7. Export to 720p H264, 29.97 fps using Adobe Media Encoder
I don't like the 720p H264 too much with this workflow, but it does look presentable. Were I to do it again, this would be what I would turn in. Changing step 7 to export to 1080 H264 gives really good results, great for uploading to Youtube, which I will do once the moratorium on upload passes.
David
Director, Wolfpack Penthouse
- published: 13 May 2013
- views: 879
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
- Order: Reorder
- Duration: 1:46
- Updated: 03 Jan 2013
- views: 1470
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bi...
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bitrate footage from falling apart once uploaded. If my computer was faster I would've used the 10Bit in lieu of the 8 Bit but for 8 Bit it held up nicely. I highly recommend the Avid Codec. Before editing I would transfer all your K7 / K5 footage to the Avid Codec and then also render using the Avid Codec.
All footage shot with a Pentax K7 in 720P and Mastered in 720P using the AVID DNxHD Codec in Sony Vegas Pro 8. No Color Correction in Post and only Sharpening Added in Vegas to all the clips. The Pentax is a little soft in appearance so I added Medium Sharpening in Vegas. Everything is handheld or tripod. No steadicam or Slider.
Lens: Pentax Prime 50mm 1.8 / 2.8
Music Creative Commons CCMixter - BOCrew "When the Sky Turns Blue"
wn.com/Pentax K7 720P Sony Vegas Pro 8 Avid Dnxhd Codec Test
Just wanted to see what some of my footage would look like once uploaded to Youtube. From my pov the AVID Codec seems to help considerably in keeping the low bitrate footage from falling apart once uploaded. If my computer was faster I would've used the 10Bit in lieu of the 8 Bit but for 8 Bit it held up nicely. I highly recommend the Avid Codec. Before editing I would transfer all your K7 / K5 footage to the Avid Codec and then also render using the Avid Codec.
All footage shot with a Pentax K7 in 720P and Mastered in 720P using the AVID DNxHD Codec in Sony Vegas Pro 8. No Color Correction in Post and only Sharpening Added in Vegas to all the clips. The Pentax is a little soft in appearance so I added Medium Sharpening in Vegas. Everything is handheld or tripod. No steadicam or Slider.
Lens: Pentax Prime 50mm 1.8 / 2.8
Music Creative Commons CCMixter - BOCrew "When the Sky Turns Blue"
- published: 03 Jan 2013
- views: 1470
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
- Order: Reorder
- Duration: 12:00
- Updated: 01 Feb 2016
- views: 47
Twitter: https://twitter.com/Colt501
Website: https://www.flickr.com/photos/janlauserphotography
Twitter: https://twitter.com/Colt501
Website: https://www.flickr.com/photos/janlauserphotography
wn.com/Filmnews Helix 1 Axis Gimbal, Red Dnxhd Codec Update, Odyssey 7Q Record Modi Update
Twitter: https://twitter.com/Colt501
Website: https://www.flickr.com/photos/janlauserphotography
- published: 01 Feb 2016
- views: 47
Codec test: DNxHD HQ 8bits
- Order: Reorder
- Duration: 0:16
- Updated: 30 Mar 2016
- views: 16
- published: 30 Mar 2016
- views: 16
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1:50
Codec Comparison : h.264 vs DNxHD vs Cineform YUV
This is just a quick comparison of three codecs you can render out from in Da Vinci Resolv...
published: 21 Nov 2015
Codec Comparison : h.264 vs DNxHD vs Cineform YUV
Codec Comparison : h.264 vs DNxHD vs Cineform YUV
- Report rights infringement
- published: 21 Nov 2015
- views: 1052
10:25
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
Grazie per i MI PIACE e le condivisioni, aiuti a far crescere SlidingTheory :)
MPEG STREA...
published: 08 Apr 2013
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
VIDEOMAKING #23 - Formati video, Codec H264, ProRess 422hq, DNxHD
- Report rights infringement
- published: 08 Apr 2013
- views: 9988
1:16
Avid DNxHD - Beauty without the bandwidth
This promo has been made Using Avid DS - Conform, Composite, Stereo 3D, Graphics, and High...
published: 24 Sep 2010
Avid DNxHD - Beauty without the bandwidth
Avid DNxHD - Beauty without the bandwidth
- Report rights infringement
- published: 24 Sep 2010
- views: 2651
6:30
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
Comment monter des rushes issues d'un Canon 5D ou de tout autre camescope AVCHD en utilisa...
published: 05 Dec 2011
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
Canon 5D Mark II, monter facilement dans Premiere Pro avec le codec Avid DNxHD
- Report rights infringement
- published: 05 Dec 2011
- views: 11073
0:16
Avid DnxHD codec render test particle sphere
Avid DnxHD codec render test particle sphere made in Adobe After Effects CS6 with Trapcode...
published: 11 Mar 2014
Avid DnxHD codec render test particle sphere
Avid DnxHD codec render test particle sphere
- Report rights infringement
- published: 11 Mar 2014
- views: 433
7:02
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
Using Avid DNxHD render codec in Premiere Pro, creating a multicamera sequence using the s...
published: 05 Jun 2013
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
08: Premiere Pro CC - Avid DNxHD, Multicamera & Mercury Transmit
- Report rights infringement
- published: 05 Jun 2013
- views: 10896
3:01
Comparison of image quality ProRes and DNxHD.
http://d800video.tumblr.com/post/42994007667/comparison-of-image-quality-prores-and-dnxhd
...
published: 08 Feb 2013
Comparison of image quality ProRes and DNxHD.
Comparison of image quality ProRes and DNxHD.
- Report rights infringement
- published: 08 Feb 2013
- views: 20200
4:48
Sony Vegas smoother edits with intermediate codecs
Get buttery smooth edits within sony vegas when using a good intermediate codec. In this e...
published: 26 Sep 2015
Sony Vegas smoother edits with intermediate codecs
Sony Vegas smoother edits with intermediate codecs
- Report rights infringement
- published: 26 Sep 2015
- views: 175
0:22
Lightworks workflow test using DNXHD codec for output into 720p
Video Association of Dallas' 24 Hour Video Race 2013 is over, and once again, the tensest ...
published: 13 May 2013
Lightworks workflow test using DNXHD codec for output into 720p
Lightworks workflow test using DNXHD codec for output into 720p
- Report rights infringement
- published: 13 May 2013
- views: 879
1:46
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
Just wanted to see what some of my footage would look like once uploaded to Youtube. From ...
published: 03 Jan 2013
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec TEST
- Report rights infringement
- published: 03 Jan 2013
- views: 1470
12:00
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
Twitter: https://twitter.com/Colt501
Website: https://www.flickr.com/photos/janlauserphoto...
published: 01 Feb 2016
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Update, Odyssey 7Q record modi Update
- Report rights infringement
- published: 01 Feb 2016
- views: 47
0:16
Codec test: DNxHD HQ 8bits
published: 30 Mar 2016
Codec test: DNxHD HQ 8bits
Codec test: DNxHD HQ 8bits
- Report rights infringement
- published: 30 Mar 2016
- views: 16
Codec Comparison : h.264 vs DNxHD vs Cineform YUV...
VIDEOMAKING #23 - Formati video, Codec H264, ProRe...
Avid DNxHD - Beauty without the bandwidth...
Canon 5D Mark II, monter facilement dans Premiere ...
Avid DnxHD codec render test particle sphere...
08: Premiere Pro CC - Avid DNxHD, Multicamera & Me...
Comparison of image quality ProRes and DNxHD....
Sony Vegas smoother edits with intermediate codecs...
Lightworks workflow test using DNXHD codec for out...
Pentax K7 720P Sony Vegas Pro 8 AVID DNxHD Codec T...
FilmNews:: Helix 1 Axis Gimbal, RED DNxHD codec Up...
Codec test: DNxHD HQ 8bits...
photo: WN / Sweet Radoc
Burgers contain rat and human DNA, study finds
Edit The Independent 11 May 2016photo: Creative Commons / Presse03
Surplus Killings: When Wolves Behave Like Humans
Edit WorldNews.com 11 May 2016
Wasteful killings over time can in reality cause starvation among an entire pack. Scientists Puzzled Over Rare Surplus KillingTherefore, scientists were puzzled when a pack of gray wolves in northwestern Wyoming committed a rare occurrence ... Officials were also concerned the killings, two adult cows and nine calves, would cause unfounded fears among ranchers and hunters ... Animal nature is seldom wasteful ... It is displaced ... March, 2016. ....
photo: AP / Associated Press Photo
Report: ISIS Android Alphabet App Appears Harmless, But Has Hidden Dangers
Edit WorldNews.com 11 May 2016
According to the jihadi monitoring site Vocativ, the app cannot be downloaded in the Google Store but only using AKP files that are being shared among the group’s supporters.ISIS has previously released apps, such as its “jihadist news feed” in November 2015, and a radio app in February that broadcasts the group’s propaganda....
photo: AP / Alastair Grant
Queen says Chinese officials were 'very rude' during Xi Jinping's state visit
Edit The Guardian 11 May 2016
‘Oh, bad luck,’ Queen tells police commander in charge of visit security, in off-guard moment caught on camera at Buckingham Palace garden party. The “golden era” of UK-China relations appears to have lost some of its glitter after the Queen accused Chinese officials of being “very rude” to the British ambassador during president Xi Jinping’s first state visit to Britain last year ... “Oh, bad luck.”. Related ... Twitter ... Related ... Transcript ... ....
photo: US Navy / MCS1 Brett Cote
Tensions Grow As US Navy Warship Sails Close To Disputed Chinese Island
Edit WorldNews.com 10 May 2016
Tensions in the South China Sea ratcheted up on Tuesday as a U.S. Navy warship sailed within 12 nautical miles of a disputed island claimed by China, Time Magazine reports via Reuters.Officials say the U.S. move is sure to spark outrage from Beijing as China is protective of its claim.Department of Defense spokesperson Bill Urban told Reuters the USS William P ... in the disputed area ... The U.S....
« back to news headlines
Daum PotPlayer
Edit ZDNet 11 May 2016
Daum Potplayer is a free Multimedia player that supports a variety of different video codecs and formats.Potplayer already includes... ....
SCOTTY Introduces Portable Ground Station, “SCOTTY Mobile HD” (Scotty Group SE)
Edit Public Technologies 11 May 2016Keysight Technologies Adds Enhanced Voice Services Codec to IMS SIP Network Emulator Software (Keysight Technologies Inc)
Edit Public Technologies 11 May 2016
Keysight's E6966B-5TP enhanced voice services (EVS) codec option allows network operators, mobile device manufacturers and designers to fully test their EVS implementation Keysight's UXM wireless test set enhancements include more IMS/VoLTE controls in its LTE/LTE-A test application software ... KEYS) today announced support for the new 3GPP Enhanced Voice Services (EVS) codec with the Keysight E6966B IMS-SIP network emulator software....
Hewlett Packard Enterprise Simplifies Connectivity Across the IoT Ecosystem
Edit Stockhouse 11 May 2016
http.//media.marketwire.com/attachments/201510/91892_hpe.jpg http.//at.marketwire.com/accesstracking/AccessTrackingLogServlet?PrId=1258286&ProfileId=051205&sourceType=1. SANTA CLARA, CA -- (Marketwired) -- -- Today at IoT World 2016 Hewlett Packard Enterprise (NYSE ... Enhance Data Security - utilizes key exchanges and Codec libraries to interpret data flows in a secure manner ... Availability ... (1) Gartner, Forecast ... Editorial contact ... ....
NTT Group Sponsors World Triathlon Series and Provides Digital Tools (NTT - Nippon Telegraph & Telephone Corporation)
Edit Public Technologies 11 May 2016
(Source. NTT - Nippon Telegraph & Telephone Corporation). (Media Advisory). 11 May 2016. International Triathlon Union. Japan Triathlon Union. NTT Group. NTT Group Sponsors World Triathlon Series and Provides Digital Tools ... The overall aim is to further increase the value of triathlon events ... Contact ... Date . 14 May 2016 ... NTT Electronics Technical support via video codec for NTT East, provider of the Triathlon Live Footage Distribution Service....
Cutting an Escape, a Heist, and a Two-Act Action Sequence for the Season Finale of Marvel’s ‘Agent Carter’ (Avid Technology Inc)
Edit Public Technologies 10 May 2016
(Source. Avid Technology Inc). The Season Two picture editorial team consisted of three picture editors ... The show was shot primarily on Arri Alexa, and our editorial DNxHD 36 dailies were processed by Encore....
BIOSTAR Announces New Motherboards Featuring Braswell Refresh Processors - New low-power, fanless motherboard with onboard Intel SoC processors featuring BIOSTAR 6+ technology (Biostar Microtech International Corp)
Edit Public Technologies 10 May 2016
(Source. Biostar Microtech International Corp). May 6th, 2016, Taipei, Taiwan - BIOSTAR proudly announces a new line up of motherboards featuring the new 14nm Intel Braswell Refresh SoC processors that feature many improvements from its older 22nm counterpart Baytrail SoC ... Max ... CODEC Realtek ALC662 6-Channel HD Audio ... CODEC Realtek ALC662 6-Channel HD Audio ... CODEC Realtek ALC662 6-Channel HD Audio ... CODEC Realtek ALC662 6-Channel HD Audio....
ATEME Drives the First Live 4K-UHD Opera Broadcast in Spain (ATEME SA)
Edit Public Technologies 10 May 2016
(Source. ATEME SA) ... The broadcast took place via HISPASAT satellite and terrestrial network, in partnership with ATEME, who provided the digital compression of the signal ... Thanks to its TITAN solution, ATEME played a major role in this technological first, encoding the content in UHD using HEVC codec ... It supports HEVC, H.264 and MPEG-2 codecs, with resolutions from mobile devices to 4K-UHD ... About ATEME.. ATEME (PARIS ... Follow us on Twitter....
Konami's switch to mobile turns a profit
Edit Shacknews 10 May 2016
Operating profit increased about $86 million ... Despite the mobile focus, Konami reportedly was hiring for a new Metal Gear game, and Solid Snake voice actor David Hayter mentioned in March via Twitter a codec call between Snake and Colonel Campbell ... ....
Viewer content expectations and delivery developments (ATEME SA)
Edit Public Technologies 10 May 2016
(Source. ATEME SA). Viewer content expectations and delivery developments. ATEME VP marketing Remi Beaudouin discusses viewer content expectations and delivery developments. Article by David Davies issued on Sunday, April 17, 2016, SVG Europe ... any input, any codec, any output, any resolution ... Software encoders are now starting to deliver the promised benefits of this radically different codec, reducing bandwidth over MPEG-4 by 30 to 50%....
Digital Radio for the World (Fraunhofer Gesellschaft)
Edit Public Technologies 10 May 2016
(Source. Fraunhofer Gesellschaft) ... »Digital radio works the same way as terrestrial FM radio via air waves, but with better quality, more variety and innovative extra features ... Willi Steul ... The MPEG audio codecs xHE-AAC and HE-AAC process data intelligently, reducing data volumes drastically while retaining quality levels. »The xHE-AAC and HE-AAC codecs are the foundation of digital radio's excellent sound quality ... (noodl. 33488519) ....
magicJack Launches New magicJack Connect App
Edit Stockhouse 10 May 2016
Provides free worldwide app-to-app Wi-Fi calling and messaging. Offers unlimited worldwide U.S. calling plan with a U.S. number for $9.99 per year Includes low-priced unlimited international calling plans for select countries Gives users the ability to purchase phone numbers from 50+ countries. WEST PALM BEACH, Fla ... ... MagicJack Connect also boasts superior voice quality due to the wideband codec it utilizes ... U.S ... ... ....
magicJack Launches New magicJack Connect App (magicJack VocalTec Ltd)
Edit Public Technologies 10 May 2016
(Source. magicJack VocalTec Ltd). May 10, 2016 Provides free worldwide app-to-app Wi-Fi calling and messaging. Offers unlimited worldwide U.S. calling plan with a U.S. number for $9.99 per year Includes low-priced unlimited international calling plans for select countries Gives users the ability to purchase phone numbers from 50+ countries ... MagicJack Connect also boasts superior voice quality due to the wideband codec it utilizes ... U.S....
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