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Reza Baraheni (Persian: رضا براهنی‎, born in Tabriz, Iran in 1935) is an exiled Iranian novelist, poet, critic, and political activist.

Former president of PEN Canada, the often called "Iran's finest living Writer"^{[citation needed]} lives in Toronto, Canada, where he used to teach at the Centre for Comparative Literature at the University of Toronto.

He’s the author of more than fifty books of poetry, fiction, literary theory and criticism, written in Persian and English.^{[citation needed]}
His works has been translated in a dozen of languages.^{[citation needed]}
Moreover, he has translated into Persian works by Shakespeare, Kundera, Mandelstam, Andric, and Fanon.

Winner of the Scholars-at-Risk-Program Award of the University of Toronto and Massey College, Baraheni has taught in the University of Tehran, Iran,^{[citation needed]} University of Texas in Austin, Indiana University in Bloomington, Indiana, the University of Maryland, Baltimore County, the University of Toronto and York University. He has also been Fellow of St. Antony’s College, Oxford University, Britain, Fellow of the University of Iowa, Iowa City, and Fellow of Winters College, York University.

Political life[link]

Baraheni, along with his late friends and fellow-writers, Jalal Al-Ahmad and Gholamhossein Saedi, initiated the first steps in 1966 leading to the founding of the Writers Association of Iran in the following year. Their historical stormy meeting with the Shah’s Prime Minister Amir-Abbas Hoveida in that year, led to an open confrontation with the Shah’s regime, placing the struggle for unhampered transmission of thought as a preliminary step towards genuine democracy on the agenda of Iran’s contemporary history. In spite of the laborious struggle of some of the most famous writers of the country to turn the Writers Association of Iran ^[1] into an officially recognized human rights organization, the Shah’s government suppressed the association, intimidated many of its members, arresting and torturing some of its members, among them Baraheni, who had returned from the United States after the completion of a year-long teaching position in Texas and Utah. In 1973, he was arrested and imprisoned in Tehran. Baraheni was tortured and kept in a solitary confinement for 104 days (See God’s Shadow, Prison Poems, 1976; The Crowned Cannibals, 1977, Introduction by E.L. Doctorow).

Back in the United States a year later, Baraheni joined the American branch of the International PEN, working very closely with Edward Albee, Allen Ginsberg, Richard Howard and others at PEN’s Freedom to Write Committee, sharing at the same time, with Kay Boyle, the Honorary Chair of the Committee for Artistic and Intellectual Freedom (CAIFI) to release Iranian writers and artists from prison. He published his prose and poetry in the Time Magazine, the New York Times, the New York Review of Books, the American Poetry Review...

In 1976, during his exile in the U.S., human rights organizations were alarmed that the Shah’s SAVAK agents had arrived in the U.S. with the intention of assassinating Iranian opposition leaders, among them Baraheni.^{[citation needed]} With the help of the American PEN and the assistance of Ramsey Clarke, Baraheni exposed the Shah’s plot.^{[citation needed]}

Baraheni returned to Iran in the company of more than thirty other intellectuals in 1979, four days after the Shah fled the country. Baraheni, who had been a founding member of the Writers Association of Iran, had no political ambitions.^{[citation needed]} He joined his friends^[who?] in the association, and this time the uphill struggle for democracy and the unhampered transmission of thought, in fact, the battle against repression and censorship, was with the newly established Islamic Republic of Iran.^{[citation needed]}

Baraheni’s concentration was on three major themes: 1)the unhampered transmission of thought; 2)equal rights for oppressed nationalities in Iran and; 3)equal rights for women with men.^{[citation needed]} In the wave of the crackdown against the intellectuals, the liberals and the left in Iran in 1981, Baraheni found himself once more in the solitary confinement,^{[citation needed]} this time under the new regime. Upon his release from prison in the winter of 1982 under international pressure, he was fired on the trumped up charge^{[citation needed]} of having cooperated with counter-revolutionary groups on the campus of the University of Tehran. He was not allowed to leave the country for many years.

With the death of Khomeini, senior members of the Writers Association of Iran,^[who?] Baraheni among them, decided that they should revive the association. They formed the Consulting Assembly of the Writers Association of Iran, and wrote two texts of utmost importance. Baraheni was one of the three members of the Association who wrote the “Text of 134 Iranian Writers.” He was one of the “Group of Eight” who undertook the job of getting the signatures of other Iranian writers. He was also secretly assigned to send the text to his connections abroad. Baraheni translated the Text into English and sent it to the International PEN.

The second text was the re-writing of the charter of the Writers Association of Iran.^{[citation needed]} Several times, Baraheni and two other senior members of the association were called by the Revolutionary Tribunal of the Islamic Republic of Iran,^{[citation needed]} asking them to withdraw their signatures from the resolutions of the association, and Baraheni was told that he was a persona non grata. He knew that he had to leave the country. Baraheni made arrangements with Swedish friends to get out of Iran and travel to Sweden. With the help of Eugene Schoulgin, head of the International PEN’s “Writers in Prison Committee,” and Ron Graham, the President of PEN Canada in 1996, Baraheni sought asylum in Canada. He arrived in Canada in January 1997. He later became the President of PEN Canada (2000–2002). During his presidency, Baraheni recommended a change in the Charter of the International PEN to permit the inclusion of all kinds of literature in the charter.

He now lives in Canada where he was a visiting professor at the University of Toronto’s Centre for Comparative Literature and past president of PEN Canada from June 2001-June 2003. He was also the Hart House Review's feature writer (poetry) for its 2007 edition when the magazine decided to go with a theme on exiled writers/artists.

His most famous work is The Crowned Cannibals: Writings on Repression in Iran, which recounts his days in prison against the Shah of Iran^{[citation needed]}. He also spoke against the discriminative treatment of his Azerbaijani background by the Iranian intelligentsia during Mohammed Reza Shah's rule.^{[notes 1][2]}

Bibliography[link]

English[link]

• God's shadow : prison poems (Indiana University Press, Bloomington - 1976)
• The crowned cannibals: Writings on repression in Iran (Random House, Vintage, New York - 1977, introduction by E. L. Doctorow)

Anthologies[link]

• Approaching Literature in the 21 St Century - ed. Peter Schakel and Jack Ridl (Bedford/St. Martin’s, Boston - 2005)
• God’s Spies - ed. Alberto Manguel (Macfarlane, Walter & Ross, Toronto - 1999)
• The Prison where I Live, ed. Siobhan Dowd, Forward by Joseph Brodsky (Cassell, London - 1996)

French[link]

Novels[link]

• Les saisons en enfer du jeune Ayyaz (Pauvert - Paris, 2000)
• Shéhérazade et son romancier (2ème éd.) (Fayard - Paris, 2002)
• Elias à New-York (Fayard - Paris, 2004)
• Les mystères de mon pays - vol. 1 (Fayard - Paris, 2009)
• Les mystères de mon pays - vol. 2 (Fayard - Paris, to be published 2012)

Short Stories & other Texts[link]

• Lilith (Fayard - Paris, 2007)
• Une femme (remue.net - Paris, 2007)
• Le poète comme prisonnier (remue.net - Paris, 2007)
• L'aveuglement exilique (remue.net - Paris, 2007)

Poems[link]

• Aux papillons (excerpts) (Revue Diasporiques n°11 - Paris, 2010)

External links[link]

• '"Anthology of poems in Persian"'
• "Addressing Butterflies : a Poetry Collection in Persian; 1/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 2/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 3/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 4/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 5/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 6/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 7/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 8/9"
• "Addressing Butterflies : a Poetry Collection in Persian; 9/9"

Notes[link]

1. ^

   Reza Baraheni, another native of Azerbaijan, is particularly scathing in describing how some of the Persian-speaking intelligentsia approached his Azeri heritage during Mohammed Reza Shah's rule:

   I learned Persian at great cost to my identity as an Azerbaijani Turk, and only after I had mastered this language and was on the point of becoming thoroughly Persianized was I reminded of my roots by those who were directing polemics against me in the Persian press.
   
   Whenever I wrote something good about an original Persian author, I was hailed as a man who had finally left behind his subhuman Turkish background^{[citation needed]} and should be considered as great as the Persians.^{[citation needed]} Whenever I said something derogatory about a writer's work, the response was always that I was an Azerbaijani.. [and] whatever I had written could be of no significance at all… When I finally succeeded in establishing myself in their literary Who's Who in their own language and on their own terms, they came up with the sorry notion that there was not even a single drop of Azerbaijani blood in my veins

   —(Yekta Steininger 2010, p. 73)

References[link]

• http://www.iisg.nl/archives/en/files/i/10886062.php
• http://www.radiozamaneh.org/literature/2006/12/post_93.html