Plot
In Austin, Texas, the girlfriends Julia, Arlene and Shanna meet in a bar to drink, smoke and make out with their boyfriends before traveling alone to Lake LBJ to spend the weekend together. They meet the former Hollywood stuntman Mike, who takes Pam out in his "death-proof" stunt car. Fourteen months later, Mike turns up in Lebanon, Tennessee and chase Abernathy, Zoë and Kim, but these girls are tough and decide to pay-back the attack.
Keywords: 2000s, beaten-to-death, beating, black-&-white-to-color, black-and-white-scene, black-comedy, breaking-the-fourth-wall, broken-glass, broken-windshield, car-accident
White-Hot Terror At 200 MPH!
It's Going To Be A Wild Ride
A crash course in revenge
A White-Hot Juggernaut At 200 Miles Per Hour!
These 8 Women Are About To Meet 1 Diabolical Man!
Stuntman Mike: Well, Pam... Which way you going, left or right?::Pam: Right!::Stuntman Mike: Oh, that's too bad...::Pam: Why?::Stuntman Mike: Because it was a fifty fifty shot on wheter you'd be going left or right. You see we're both going left. You could have just as easily been going left, too. And if that was the case... It would have been a while before you started getting scared. But since you're going the other way, I'm afraid you're gonna have to start getting scared... immediately!
Shanna: Oh, "come on," my ass!
Jungle Julia: [to Arlene] I think you got Mike laid tonight.::[the two of them laugh]::Jungle Julia: [to Stuntman Mike] Looking good, Cannonball Run!::Pam: He's just giving me a ride.::Jungle Julia: Oh, no doubt.::Arlene: [waves to them] Have a nice ride.::[they go back to laughing]::Pam: Look, double-fucks...::[she approaches them]::Pam: ...I am not gonna fuck him!::Stuntman Mike: [as he lights a cigarette] I can hear you!::[Jungle Julia and Arlene laugh and Pam approaches even closer]::Pam: He's old enough to be my da...::Stuntman Mike: I can still hear you!::[the girls go back to laughing]::Pam: Bye!
Pam: Hey, Warren! Is there anybody in this place you could vouch for to give me a ride home?::Stuntman Mike: [tosses his keys across the bar] Fair lady, your chariot awaits.
Arlene: Who do you want to hear?::Jungle Julia: Dave Dee, Dozy, Beaky, Mick and Tich.::Arlene: Who?::Jungle Julia: Dave, Dee, Dozy, Beaky, Mick and Tich.::Arlene: Who the fuck are they?::Jungle Julia: For your information, Pete Townshend, at one point, almost quit The Who. And if he had, he would have ended up in this group, thus making it Dave Dee, Dozy, Beaky, Mick, Tich and Pete. And if you ask me, he should have.::[flips on the radio to hear "Hold Tight" by Dave, Dee, Dozy, Beaky, Mick & Tich]::Jungle Julia: That's my boy!
Pam: Is that cowboy wisdom?::Stuntman Mike: I'm not a cowboy, Pam... I'm a stuntman.
Kim: You gotta break that nigga off a piece!
Pam: [talking about Mike's car] Are you sure it's safe?::Stuntman Mike: It's better than safe. It's death proof.
Stuntman Mike: [as he drives] Hey, Pam, remember when I said this car was death proof? Well, that wasn't a lie. This car is 100% death proof. Only to get the benefit of it, honey, you REALLY need to be sitting in my seat.::[slams his boot to the brake and sends Pam flying face-first into the dashboard]
Waitress at Guero's: Okay! Warren is sending over shots... And you know the house rule: if he sends over shots, you gotta do them!::Arlene: Why?::Jungle Julia: Hey! There is the rule baby: Warren says it, we do it!::Warren the Bartender: I love that philosophy: Warren says it, we do it! So let's do it!::Arlene: What is it?::Warren the Bartender: Hey! Shot first, questions later. Here we go, post-time! Hum!::Jungle Julia: Wouhou!::Warren the Bartender: Is that a tasty beverage or is that a tasty be-ve-rage?::Arlene: What the fuck is it?::Warren the Bartender: Chartreuse! The only liquor so good they named a color after it!
Plot
A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics.
Keywords: accidental-suicide, actress, anthropophagus, apology, assassination, assault, assault-rifle, attempted-rape, austin-texas, b-movie
The sleaze-filled saga of an exploitation double feature.
A Rodriguez/Tarantino Double Feature
See! Two great movies for one low price! Together in one smash explosive show
A double feature that'll tear you in two!
You might feel a little prick. (segment "Planet Terror")
You'll Come Home for the Holidays... In A Body Bag (segment 'Thanksgiving')
Stuntman Mike: Do I frighten you?::[Arlene nods]::Stuntman Mike: Is it my scar?::Arlene: It's your car.::Stuntman Mike: Yeah, I know. I'm sorry. It's my mom's car.
Pam: Take a picture, it lasts longer.::Stuntman Mike: What?::Pam: That table. Seems to keep them getting your attention.::Stuntman Mike: Is that the girl from the billboard outside?::Pam: Yup.::Stuntman Mike: She sure is a striking looking woman. Look at that hair.::Pam: Lots of leave-in conditioner.::Stuntman Mike: Is that jealousy I detect?::Pam: Hardly. But if you wanna get with Jungle Julia, there's a real easy way to do that.::Stuntman Mike: Yeah? And what would that be?::Pam: Get famous. You won't have to find her, she'll find you. And you don't even wanna know what she did for that billboard. Enjoy it cocksucker, you've earned it.::Stuntman Mike: What did she ever do to you?::Pam: We went to school together, from kindergarten to high school, that's what she did to me. She was her height right now at twelve. She was a monster! Half the guy she still fucks from the old class she used to beat up and terrorize in the fifth grade.::Stuntman Mike: And I see she used to beat you up and take your chocolate milk.::Pam: That pituitary case might've kicked my ass a couple of times... Sorry, I'm built like a girl and not a black man, but I'd die before I ever gave Julia Lucai my chocolate milk.
Abernathy: I was wondering if my friends and I could take the car out on our own just to see if we feel comfortable in it.::Jasper: Why would I do something stupid like that?::Abernathy: To better sell your automobile.::Jasper: How do I know you're not just gonna steal it?::Abernathy: Four reasons. One: we are not thieves. Two: that would be rude. Three: we are staying at the Day's Inn in town, you can check with them, we are registered for the next month. Well, Zoe's not, but Kim and I are so we are totally track-downable.::Jasper: Who's Kim? The colored girl?::Abernathy: Yes, Kim would be the girl of color. And four, and most importantly, that will give you a chance to get to know our other friend, Lee.::[points out Lee]::Jasper: She looks kinda familiar::Abernathy: That is because she is a famous movie star. We are making a Hollywood movie here in town::Jasper: Why's she dressed like that?::Abernathy: Because it's a cheerleader movie and she's one of the cheerleaders.::Jasper: What's a cheerleader movie?::Abernathy: A movie about cheerleaders.::Jasper: Is it a porno?::Abernathy: [looks at Jasper] *Yes*! But don't mention it. She's shy.
Cherry: It's go go, not cry cry.
[as Wray is dying]::Cherry: [crying] No... you can't go. Two against the world, remember?::Wray: There will be, I promise::Wray: [touching her stomach] I never miss.
[repeated line]::Wray: I never miss.
[repeated line]::J.T.: Best in Texas.
J.T.: Hey, hey. You want some barbeque? Best in Texas.::Cherry: Oh, no thanks.::J.T.: What's the matter? You don't eat meat?::Cherry: Oh, I eat meat. I also eat lots of shit.::Cherry: [grins] See that?::J.T.: What's that?::Cherry: Shit-eating grin.::J.T.: [laughs] You ought to be a comedian.::Cherry: What do you think of the leg?::J.T.: [laughs] Sure is funny.
[repeated line]::Cherry: I was going to be a stand-up comedian.
Announcer: [from Segment "Don't] If you... are thinking... of going... into... this house... DON'T!
Plot
Three vignettes, "The Domino Players", "The Secret Miracle" and "point of View," are linked by telephone conversations being surreptitiously listened to by Marcos, the main character. Navigating the fine line between comedy and tragedy, "107 Street" not only richly illustrates the particulars of ethnic life in one pulsating New York City neighborhood, it explores that world's universality. Premiered at the 2004 New York International Latino Film Festival.
Plot
While escaping from Nazis during the WWII, a Jewish man dug suitcases full of things dear to his heart in the ground two. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, which makes him look obsessed. He keeps checking old maps and keeps digging, trying to find, in fact, those he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant Chassidic family with many children, although her secular manners clearly fly in the face of many commandments. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so she stays despite the resistance of the father, normally - an indisputable authority in the family. She develops a special bond with the youngest of the boys, four-year old Simcha, so far incapable of speaking. She teaches him while walking in the park, and it seems that during the upcoming Passover Seder, Simcha will be able to chant parts of the Haggadah. The old repulsive superintendent of the building is a constant wet blanket for the entire family and now for Chaya. However, as opposed to the observant Jews, she cannot be a victim and is not going to put up with his anti-Semitic tricks, so she fights him, thus exciting the children's admiration and family head's wrath. Unfortunately, walks with Simcha end in a tragedy: after sneaking to the park, he drowns in the pond, and some Chassids hold Chaya responsible. A beautiful, warm picture filled with compassion and humanism, making understandable even the behavior of the superintendent - a mean pathetic anti-Semite: he is so terribly lonely that has only his dog to talk to.
Keywords: based-on-novel, female-frontal-nudity, female-nudity, holocaust-memories, independent-film, jew, jewish, mental-retardation, nanny, orthodox-jew
Mrs. Silberschmidt, Chaya's Mother: It's not the luggage he lost in that filthy war, it was himself.
Chaya Silberschmidt: No cinema, no radio, no theater, no television. Not much fun then.
Plot
Dr Gerald Bull was a genius at designing and building superguns. (Very large long range guns capable of shooting more than 100 Miles.) When a plan by the CIA to export restricted material using him was exposed, the CIA denied all knowledge and he went to jail. He was later released to help Saddam Hussein build a new supergun capable of firing over 500 miles. Israel, upon learning of the supergun, fears it would be used against themselves.
Keywords: airport, archival-footage, arms-dealer, artillery, assassination, ayatollah, baghdad-iraq, ballistics, based-on-true-story, billiards
Jim Price: What do you want me to say, Gerry? You were fucked! Up, down, and sideways!
Dr. Gerald Bull: We're working for Iraq, gentlemen, not Switzerland. These people won't listen to excuses!
Dr. Gerald Bull: [to Marouf and Hashim] You know, you people really know how to scare the shit out of a guy just with a look. That's a real talent. I wish I had it. I can't even scare my secretary. Think you can teach it to me. [They stare at him silently]
Plot
A group of terrorists bomb peace negotiations in Mexico. One of the terrorists contracts a fever disease during the attack. The terrorists flee across the border to the US and while they are in the process of crossing the border they committ a murder. The sick terrorist infects a large number of people in New Mexico, and the patients start dying as the doctors are unable to cure the disease. A female doctor from the Centers for Disease Control arrives in New Mexico. Together with an FBI agent she starts to search for the terrorists. But there are also others who are looking for the terrorists...
Keywords: rural, terrorism, virus
Plot
Camille, Dov and Joëlle live on the edge of society and are involved in petty theft helping them to buy their drug doses and to survive as best they can. One day, while attempting to rob a movie theater, they activate the alarm signal and it is Pierre, Camille's brother, who is doing a heist in the same building, who is arrested red-handed. The three young people decide to kidnap a police officer and exchange him for Pierre.
Dov Davidoff is an American comedian. Dov Davidoff is originally from Englishtown, NJ. In addition to performing regularly in clubs and colleges throughout the country, Davidoff has been seen as an actor in the hit movie Invincible with Mark Wahlberg, and on any number of TV shows, most notably as a series regular in NBC’s Raines with Jeff Goldblum.
He also had his own Comedy Central Presents special, as well as talk show appearances, including The Tonight Show with Jay Leno, The Late Late Show, Last Call with Carson Daly, and other Comedy Central shows, Chappelle's Show, Tough Crowd with Colin Quinn, E Network's Chelsea Lately, 101 Celebrity OOPS, and Premium Blend. Davidoff has been featured twice at HBO’s U.S. Comedy Arts Festival in Aspen, and at the Just for Laughs festival in Montreal.
On April 22, 2008, he released his CD entitled "The Point Is.." on Comedy Central Records. Two years later, Comedy Central aired his first stand-up special entitled "Filthy Operation" on May 1st, 2010.
Dov Charney (born January 31, 1969, Montreal, Canada) is the founder and CEO of American Apparel, a clothing manufacturer, wholesaler, and retailer which he started at age 20. Charney is known for his success as an entrepreneur, and passion for simple clothing. His "contrarian" leadership style, which he feels promotes creativity, has drawn both extensive praise and criticism. Charney has earned recognition in the media for management decisions to pay a fair wage and refusing to outsource manufacturing. The Los Angeles Times named him as one of the Top 100 powerful people in Southern California and in 2009, he was nominated as a Time 100 finalist by Time magazine.
Charney's father, Morris Charney, is an architect, and his mother, Sylvia Safdie, an artist. Both his parents are of Jewish descent. Charney is a nephew of architect Moshe Safdie. He attended Choate Rosemary Hall, a private boarding school in Connecticut and St. George's School of Montreal. Charney grew up with, and was influenced heavily by, the culture of Montreal. He briefly attended Tufts University. As a teenager, he "fell in love" with the United States, and drew a sharp contrast between American and Canadian cultures. As a teenager, Charney was an admirer of American-made products. As a teen, he became disillusioned with Quebec nationalism which was widespread during the 1980s. In interviews, he has stated that he considers himself to be a continuation of the trend of Canadian-Jewish entrepreneurs.
Gabriel J. Iglecias (born July 15, 1976), known professionally as Gabriel Iglesias, is an American standup comedian and actor, known for his shows I'm Not Fat… I’m Fluffy and Hot & Fluffy. He employs storytelling, effected voices and sound effects in his act, whose other trademarks include references to his weight and his use of Hawaiian shirts. He has been called a "comedy genius" by Hector Saldaña of the San Antonio Express-News.
Gabriel Iglesias was born Gabriel J. Iglecias in San Diego, California. He is of Mexican-American heritage. His mother placed a letter "c" in his surname in retaliation for his father's absence during his birth, though he does not use this spelling in his every day life, preferring to use the one with the "s". He and his mother lived in Riverside, Corona, Santa Ana, Baldwin Park and Compton before settling in Long Beach, where Iglesias spent most of his life growing up.
Before going into comedy, Iglesias worked for a cell phone company in Los Angeles. Although his family urged him to remain in that job for its financial security, he insisted on trying his hand at comedy. When maintaining both occupations proved too difficult to handle, he decided to take the risk of doing comedy full time, against the advice of his mother, who cautioned him against such a move. Iglesias nonetheless left the phone company, which eventually resulted in his being evicted from his home and losing his car. Despite this, he persisted with comedy.
Roberto Gastone Zeffiro Rossellini (8 May 1906 – 3 June 1977) was an Italian film director and screenwriter. Rossellini was one of the directors of the Italian neorealist cinema, contributing films such as Roma città aperta (Rome, Open City 1945) to the movement.
Rossellini was born in Rome. His mother, Elettra (née Bellan), was a housewife, and his father, Angiolo Giuseppe "Beppino" Rossellini, owned a construction firm. His mother was of part French descent, from immigrants who had arrived in Italy during the Napoleonic Wars. He lived on the Via Ludovisi, where Benito Mussolini had his first Roman hotel in 1922 when Fascism obtained power in Italy.
Rossellini's father built the first cinema in Rome, granting his son an unlimited free pass; the young Rossellini started frequenting the cinema at an early age. When his father died, he worked as a soundmaker for films and for a certain time he experienced all the accessory jobs related to the creation of a film, gaining competence in each field. Rossellini had a brother, Renzo, who later scored many of his films.
when I see you
I want to holler
you make me steamy
under the collar
you - you know you're my
sweet hot Chihuahua
if I can't have you
I'm gonna get blowed up
said blow up
hot Chihuahua
why don't you treat me to
your special flavors
I can reciprocate with
some special favors
your such a hazard but
you are my pleasure
don't get me boiled up or
YOU GOT YOUR LEFT HAND
YOU GOT YOUR RIGHT HAND
THE LEFT HAND'S DIDDLING
WHILE THE RIGHT HAND GOES TO WORK
YOU GOT BOTH HANDS
YOU GOT PRAYING HANDS
THEY PRAY FOR NO MAN
O.K....RELAX...
ASSUME THE POSITION
LEFT HOME WITH A FRIEND OF MINE
GONE TWO YEARS AND I DON'T KNOW WHY
NOW I'M HAPPY ALL THE TIME
I CAN'T THINK AND I'M FEELIN' FINE
GIRL PUT ME IN A SITUATION
GOING THROUGH SOFT CORE MUTATION
THINK YOU HEARD THIS ALL BEFORE
NOW YOU'RE GONNA HEAR SOME MORE
I KNOW A PLACE WHERE DREAMS GET CRUSHED
HOPES ARE SMASHED BUT THAT AIN'T MUCH
VOLUNTARY EXPERIMENTATION
GOING THROUGH SOFT CORE MUTATION
I'M GOING UNDER
DOWN UNDER WHERE THE LIGHTS ARE LOW
TO A PLACE WHERE ALL THE MUTANTS GO
DOING THINGS I NEVER DID BEFORE
INSIDE OUT AND COMING BACK FOR MORE
LITTLE GIRLS WITH THE FOUR RED LIPS
NEVER KNEW IT COULD BE LIKE THIS
YOU PUT ME IN A SITUATION
ITCHY, ITCHY GOO
GOT ME THINKING OF YOU
ITCHY GOO, ITCHY GOO
OH, BABY, I LOVE YOU
ITCHY GOO, ITCHY GOO, ITCHY GOO GOO GOO
IT'S ALL I WANNA DO, WHAMMO
ITCHY, ITCHY GOO
THERE'S A PILE NEXT TO YOU
ITCHY GOO, ITCHY GOO
AND IT'S TURNIN BLUE
ITCHY GOO, ITCHY GOO, ITCHY GOO GOO GOO
IT'S ALL I WANNA DO, WHAMMO
YOU GOT ME RUNNING IN CIRCLES
LIKE A PEE-PEE BABY
I'M SO HAPPY I JUST WANNA DIE
CAUSE THIS BABY LOVE
IT COMES FROM UP ABOVE
MOVE ON OVER
I WANNA GET CLOSER
MOVE ON OVER
WANNA TWADDLE WITH YOU
MOVE ON OVER
SATISFY MY URGES
PLEASE, PLEASE HELP
I GOT THE GOO, GOO ITCH
YOU GOT ME RUNNING IN CIRCLES
WITH THE OLD DOGS
AND THE YOUNG DOGS
CLAP TOGETHER
FOR A SPRING
YOU CAN BEST
WELL I'LL GIVE IT
THEY'LL BE RUNNING FAST AND FREE
(???)
MONEY'S NEVER WRONG
(???)
THERE'S A MESSAGE IN THIS DITTY
THERE'S A MORAL TO THIS SONG
WHEN THE DOGS
GET THEIR BONES
REMEMBER THEY'LL BE HOWLIN'
MONEY'S NEVER WRONG
PRETTY LITTLE MONGO
EVERYBODY WANTS HER TOILET
SAME OLD STORY
SHE WON'T LET NOBODY NEAR IT
THE WAY SHE TEASES THEM
IT'S SUCH A SHAME
SHE'S GOT ALL THE HUBOONS
CRYING OUT HER NAME
SOO BAWLS SOO BAWLS
SHE'S GOT EM HOWLING
SHE'S GOT EM GROWLING
SOO BAWLS SOO BAWLS
SHE'S GOT EM GOING CLEAN OUT OF THEIR MINDS
SOO BAWLS SOO BAWLS
THERE AIN'T A MAN IN TOWN WHO WOULDN'T
HAVE HER FOR HIS DAUGHTER
THEYS ALL TRADE THEIR BRAINS FOR
ONE TASTE OF HER TOILET WATER
1-2-3-4 TELL THE PEOPLE WHAT SHE WORE
THEY'RE ALL TRYING HARD TO CALL HER UP
BUT HER PHONE'S BEEN DISCONNECTED
[VERSE 1]
SOMETHING ABOUT THE WAY YOU TASTE
MAKES ME WANT TO CLEAR MY THROAT
THERE'S A MAGIC IN YOUR MOVEMENTS
THAT REALLY GETS MY GOAT
I LOOKED FOR SILVER LININGS
BUT YOU'RE ROTTEN TO THE CORE
I'VE HAD JUST ABOUT ALL I CAN TAKE
YOU KNOW I CAN'T TAKE IT NO MORE
[CHORUS]
GOT A GUT FEELING
GOT A GUT FEELING
GOT A GUT FEELIN', FEELIN'
[VERSE 2]
CENTERED 'ROUND LONG TIME AGO
ON YOUR ABILITY TO TORMENT
THEN YOU TOOK YOUR TONGS OF LOVE
AND STRIPPED AWAY MY GARMENT
I LOOKED FOR SILVER LININGS
BUT YOU'RE ROTTEN TO THE CORE
I'VE HAD JUST ABOUT ALL I CAN TAKE
YOU KNOW I CAN'T TAKE IT NO MORE
[CHORUS]
GOT A GUT FEELING
GOT A GUT FEELING
GOT A GUT FEELIN', FEELIN'
GOT A GUT FEELING \
GOT A GUT FEELIN', FEELIN' / X4
GOT A GUT FEELING
GOT A GUT WOO-HOO-HOO-HOO-HOO!!
OOH!!!
[SLAP YOUR MAMMY]
SLAP YOUR MAMMY DOWN \
SLAP YOUR PAPPY DOWN AGAIN / X4
SLAP YOUR MAMMY DOWN \
SLAP YOUR PAPPY DOWN AGAIN \
OH MOVE IT UP AND DOWN NOW \
> X2
SLAP YOUR MAMMY DOWN /
SLAP YOUR PAPPY DOWN AGAIN /
well its an open road
and its full of life
but it stops somewhere
cause time keeps ticking away
let me tell you about a boy
an average spud
he was twice in love
with two very different girls
knowing life was short
he told them both the truth
but they already knew
now he's a happy guy
well its a random turn
on a game show wheel
and it stops somewhere
cause time keeps ticking away
let me tell you about a man
a tragic case
love kicked in his face
he shriveled up and died
from a broken heard
reincarnated as a work of art
he's got a brand new start
hey!
WELL HE CAUGHT HIS FIRST WHIFF IN THE JUNGLES
OF'NAM
THAT SLANT-EYED CATFISH TASTED BETTER THAN MOM
NOW EVERY SINGLE NIGHT SHE DROPS HER BIG BOMB
CAUSE HE'S A BAMB00 BIMBO
THOSE HOOK MARKS REALLY SHOW
CAUSE HE'S A BAMBOO BIMB0
HE WENT FOR IT NOW EVERYONE KNOWS
HE'S A BAMBOO BIMB0
HE CAUGHT HIS FIRST GLANCE IN "FIELD AND STREAM"
THAT SALT WATER TAFFY WAS A FISHERMAN'S
WET DREAM
NOW EVERY SINGLE NIGHT HE'S STILL GETTIN'
THAT BIG REAM
CAUSE HE'S A BAMBOO BIMB0
HE FELL IT AND EVERYONE KNOWS
HE'S A BAMBOO BIMBO
JUST A MONKEY WITH A RING IN HIS NOSE
HE'S A BAMBO0 BIMBO
CAN'T SAY I NEVER TOLD YA SO
HE'S A BAMBOO BIMB0
hell is where you put me
and hell is where you're going to
until the next life
I say this twisted prayer for you
may the torment you put out
come back around twice multiplied.
Even though you let me go
I've got to let you know
I'd cry if you died.
The past is where you see me
the past is what will bring you down
destiny a moon eclipsed
in the shadows all is darkness now
may the evil in your heart
be your one and only friend for life
you pretend I don't exist
I have to let you know
I'd cry if you died
somewhere special
voices form words
and the words have meaning
so I reach out for someone new
and I wonder
will it ever be alright
(then I hear you secret radio
signaling that its time to go)
hell is where you put me
and hell is where well meet again
I will be waiting
to repeat a scene that never ends
molten pools of mockery
reflect a million sleepless nights
even though you acted low
I've got to let you know
ICE STARTS MELTIN' 33 DEGREES
(A CHANGE IS GONNA CUM)
LITTLE GIRL THINKIN' 'BOUT THE BIRDS AND BEES
(A CHANGE IS GONNA CUM)
MAN GROWS UP GOES DOWN ON HIS KNEES
(A CHANGE IS GONNA CUM)
HERE IT COMES!
EVERY NEW BEGINNING IS A DELICATE TIME
BUT JUST LIKE WHEN THE END COMES IT'S NEVER VERY PRETTY
AND EVERY IN-BETWEEN TIME LOOKS LIKE A PERFECT PICTURE
IT SEEMS TO LAST FOREVER
BECAUSE IT'S STANDING STILL
BUT OH BABY
(A CHANGE IS GONNA CUM)
NOT JUST MAYBE
(A CHANGE IS GONNA CUM)
OZONE LAYER STARTS TO DISAPPEAR
(A CHANGE IS GONNA CUM)
SPACEMAN MAKES IT WITH AN ALIEN GIRL
(A CHANGE IS GONNA CUM)
SCIENTISTS PROVE WE WERE NEVER HERE!
(A CHANGE IS GONNA CUM)
HERE IT COMES!
BUT OH MAMA
(A CHANGE IS GONNA CUM)
PSYCHODRAMA
BE STIFF B-ABIES BE STIFF
FRUIT OOZE IS WETLY LEWD
STAY DRY IN RUBBER BOOTS AND
CUCUMBERS RIPE AND RUDE
BEND OVER FIXED TO SHOOT AND
BREATH HARD IN METAL SUITS
LIVE RIGHT MAKE LOTS OF LOOT
WET WOMEN WASTE YOUR FOOD
GO SOLO NO NO TWO'S AND
DEEP SLEEPERS JERK THE ROOT
I HAD THE BODY OF A TWO AND A HALF
YEAR OLD BABY
I HAD THE BRAIN OF A MAN
I USED TO PLAY UNDERNEATH MY MOMMA'S SKIRTS
ALL DAY
I PARKED MY CAR IN HER GARAGE
SHE DIDN'T KNOW I WAS A MIDGET
SHE THOUGHT IT WAS ALL INNOCENT PLAY
SHE DIDN'T KNOW I WAS A MIDGET
AUTO MODOWN
DOWN IN YOUNGSTOWN
BODIES IN THE STREET
AUTO MOWDOWN
NOON IN DOWNTOWN
BODIES WITH NO FEET
AUTO MOWDOWN
DOWN IN YOUNGSTOWN
BODIES GOT DE'BLUES
AUTO MOWDOWN
NOON IN DOWNTOWN
BODIES WITH NO SHOES
AN ACIDHEAD GOON IN A 55 DODGE
DIDN'T MEAN TO DO IT
BUT A SIDEWALK RUN IN THE NOONDAY SUN
Yeah
Yeah
Yeah
Got an urge got a surge
And it's out of control
Got an urge I wanna purge
'Cause I'm losing control
Uncontrollable urge
I wanna tell you all about it
Got an uncontrollable urge
It makes me scream and shout it
I've an uncontrollable urge
I've an uncontrollable urge
It's got style, it's got class
So strong I can't let it pass
I gotta tell you all about it
I gotta scream and shout it
Yeah
Yeah
Yeah
Got an urge, got a surge
And it's out of control now
Got an urge I wanna purge
'Cause I'm losing control
Uncontrollable urge
I wanna tell you all about it
Got an uncontrollable urge
It makes me scream and shout it, that's right!
I've an uncontrollable urge
I've an uncontrollable urge
It's got style, it's got class
So strong I can't let it pass
I gotta tell you all about it
I gotta scream and shout it
I got an uncontrollable urge
I wanna tell you all about it
An uncontrollable urge
It makes me scream and shout it
And I said yeah
And I said yeah, yeah
And I said yeah
And I said yeah, yeah
And I said yeah, yeah, yeah
Yeah
Yeah
Yeah
THEY TELL US THAT
WE LOST OUR TAILS
EVOLVING UP
FROM LITTLE SNAILS
I SAY IT'S ALL
JUST WIND IN SAILS
ARE WE NOT MEN?
WE ARE DEVO!
WE'RE PINHEADS NOW
WE ARE NOT WHOLE
WE'RE PINHEADS ALL
JOCKO HOMO
ARE WE NOT MEN?
D-E-V-O
MONKEY MEN ALL
IN BUSINESS SUIT
TEACHERS AND CRITICS
ALL DANCE THE POOT
ARE WE NOT MEN?
WE ARE DEVO!
ARE WE NOT MEN?
D-E-V-O
GOD MADE MAN
BUT HE USED THE MONKEY TO DO IT
APES IN THE PLAN
WE'RE ALL HERE TO PROVE IT
I CAN WALK LIKE AN APE
TALK LIKE AN APE
I CAN DO WHAT A MONKEY CAN DO
GOD MADE MAN
BUT A MONKEY SUPPLIED THE GLUE
WE MUST REPEAT
JONEE WENT TO THE PAWNSHOP
BOUGHT HIMSELF A GUITAR
NOW HE'S GONNA GO FAR
YOU GOTTA LOVE 'EM AND LEAVE 'EM
SOMETIMES YOU DECEIVE 'EM
YOU MADE HER CRY
JONEE YOU'RE BAD
YOU'RE GONNA MAKE HER SAD
JONEE JUMPED IN HIS DATSUN
DROVE OUT ON THE EXPRESSWAY
WENT HEAD-ON INTO A SEMI
HIS GUITAR IS ALL THAT'S LEFT NOW
HE MADE HER CRY
NOW SHE CALLS HIS NAME
UPON THE BUZZER
OUICK ON THE START-
LET'S GO¡¤LET'S GO-LET'S GO!
FOR IT'S HI-DEE-HO-
YOU KNOW WHERE YOU WANT TO GO-
DON'T BE A SMOE
GET IN THE SHOW-
BOUNCE OFF THE BACKBOARDS
AND BLOCK THAT PASS
LET'S GO!-LET'S GO!-LET'S GO!
GRAB HER BY THE NECK
AND THROW HER DOWN
LET'S GO!-LET'S GO!¡¤LET'S GO!
GA GA GO GO GOO-
VOU KNOW WHAT VOU WANT TO DO
KICK'EM IN THE SHOE
TILL YOUR THROUGH
BEAT IT DOWN THE PATH
AND CATCH THAT EARLY WORM
LET'S GO! LET'S GO! LET'S GOI
I'm envious of your I.Q. of 37
You, you're the one
It's written all over your face
You, you're the one
I'd like to take your place
I'm envious of your I.Q. of 37
Your lack of brains just drives me crazy
It's the only way to get by and be lazy
You, you're the one
It's written all over your face
You, you're so dumb
I'd like to take your place
I'm envious of your I.Q. of 37
From where I come it's the dumber the better
I HEAR EM COMIN CAN U HEAR EM COMIN?
I SEE EM COMIN CAN U SEE EM COMIN?
I FEEL EM COMIN GONNA MESS UP THE PLUMBING
IT'S D-E-V-O FROM O-H-I-O
IT'S D-E-V-O FROM O-H-I-O
I HEAR EM COMIN CAN YOU SEE EM COMIN?
I SEE EM COMIN CAN YOU FEEL EM COMIN?
WELL KEEP ON TWITCHING
CHANGO!
CHANGO!
THE BEAR (?)
I COME UP THE RIVER
LIKE BEAT MAN
I COME UP THE RIVER
LIKE SKOKE MAN FLY
I COME UP THE RIVER
TO KILL MANY PEOPLE
I COME UP THE RIVER
WITH LASER GUN
DEAR UNCLE, DEAR UNCLE, DEAR UNCLE
DEAR UNCLE, DEAR UNCLE
YOUR SON JUST HAD INTERCOURSE
WITH BAGGY BREAST
YOUR SON JUST HAD INTERCOURSE
WITH DEATH DEBBIE
MY MOMMY DIDN'T HOLD ME WHEN I WAS YOUNG
SHE DIDN'T GIVE ME BREAST
AND WENT INSANE
MY MOMMY DIDN'T HOLD ME WHEN I WAS YOUNG
SHE DIDN'T GIVE ME BREAST
if you ever had a clue
you never acted like you knew
when you took away the reasons
and you chopped my heart in two
once you start to doubt
when you don't know what it's about
its time to read the warning signs
of a man turned inside out
for a guy needs a good reason
something to prod him on
when you chopped me up like liver
it all started going wrong
so I bought a fiberglass helmet and
some goggles to match
I'm a human bullet baby
and you haven't seen the last
of a man turned inside out
I'm a man turned inside out
so I got myself a position
and I'm working my way up
took a three way lucky number
now I'm heading to the top
once you start to doubt
when you don't know what it's about
it's time to read the warning signs
WHEN I WOKE UP THIS MORNING
I WASN'T IN MY BED
YOU KNOW I HAD AN ITCHY ITCHY FEELING
RUNNING ROUND MY HEAD
I LOOKED AT MY WATCH
AND THIS IS WHAT IT SAID
YOU GOT THEM DAWGHAUS BLUES
GOT THEM IN YOUR SHOES
BOY YOU KNOW YOU'RE BOUND TO LOSE
WELL I GOT UP
AND HEADED HOME RIGHT AWAY
YOU KNOW I WAS WONDERING
WHAT MY BABY WOULD SAY
SHE SAID WAIT!
SHE SAID WAIT!
WELL YOU BEEN OUT ALL NIGHT
GOT INTO A FIGHT
AND NOW YOU GOT THEM DAWGHAUS BLUES
I SAID BABY BABY BABY
BABY PLEASE DON'T GO
I SAID BABY BABY BABY
THERE'S SOMETHIN' YOU SHOULD KNOW
WELL THAT TRICK YOU DO
IT'S NOT SO NEW
SOMEDAY THEM DAWGHAUS BLUES ARE GONNA GET TO YOU
YO BOBBY
YOU KNOW MY WOMAN WAS WAITIN'
STICK IN HAND
SHE BEAT ME GOOD (WHEW)
NOW I DON'T UNDERSTAND
I THOUGHT THERE WAS FREEDOM
IN THE HERE LAND
I GOT THEM DAWGHAUS BLUES
I GOT THEM IN MY SHOES
MAN YOU KNOW I'M GONNA LOSE
I SAID
WALK ME OUT IN THE MORNING DEW MY FRIEND
WALK ME OUT IN THE MORNING DEW TODAY
CAN'T WALK YOU OUT IN THE MORNING DEW MY FRIEND
CAN'T WALK YOU OUT IN THE MORNING DEW TODAY
I THOUGHT I HEARD A BABY CRY THIS MORNING
I THOUGHT I HEARD A BABY CRY TODAY
YOU DIDN'T HEAR NO BABY CRY THIS MORNING
YOU DIDN'T HEAR NO BABY CRY TODAY
WHERE HAVE ALL THE PEOPLE GONE THIS MORNING
WHERE HAVE ALL THE PEOPLE GONE TODAY
YOU'LL NEVER FIND NO PEOPLE HERE THIS MORNING
YOU DIDN'T NEED THOSE PEOPLE ANYWAY
I THOUGHT I HEARD A YOUNG MALE CALL THIS MORNING
I THOUGHT I HEARD A YOUNG MALE CALL TODAY
YOU DIDN'T HEAR NO YOUNG GIRL CALL THIS MORNING
YOU DIDN'T HEAR NO YOUNG GIRL CALL TODAY
AND NOW I CAN'T WALK YOU OUT IN THE MORNING DEW MY FRIEND
girl of my dreams she don't love me
always the way it seems to be
my baby doll
light of my life she turns it on
over my head not close enough
my baby doll
baby doll
you look so good
baby doll
you feel so big
baby doll
you let me have it
why did you do it baby doll
quick-tempered queen knows what she wants
and what I got is what its not
POPEYE'S BIG PUNCH KNOCKS BLUTO COLD
CARTOON PEOPLE DON'T GO OLD
YOSEMITE SAM BLOWS UP HIS HEAD
BUT YOU AND ME WIND UP DEAD
DREAMED I LAID A TOASTER
DADDY CAUGHT ME IN THE ACT
CAN U TAKE IT?
BEAUTY QUEENS GET BIGGER ALL THE TIME
MAMMA IS IN A BASKET, CROSSED A DOUBLE
YELLOW LINE
MAGAZINES AND T.V. SHOW US NICE BEHINDS
ALL THE KIND OF STUFF NOBODY EVER FINDS
HEADLINES IN THE PAPER "KILLED BY ROCK N' ROLL"
BABY TALKIN' BITCHES LOOKIN' FOR A MAN
MAMMA BE-BE-DA-DA GET LOST WHILE U CAN
WE DO NOT LIKE THE WAY YOU SLIDE
WE DO NOT LIKE THE SOFT INSIDE
WE DO NOT LIKE YOU MANY WAYS
AND WE COULD DO WITHOUT YOU FOR DAYS
BABY TALKIN' BITCHES DYING WITHOUT FUN
MAN WAS MEANT FOR WOMAN. WHY ARE YOU
IF YOU OBEY SOCIETY'S RULES
YOU WILL BE SOCIETY'S FOOLS
YOU'LL OBEY AND THEN DISOBEY
YOU'LL DISOBEY BUT THEN YOU'LL OBEY
YOU THOUGHT YOUR MOM AND DAD WERE FOOLS
YOU NEVER WANTED TO LISTEN IN SCHOOL
NOW YOUR MIND WON'T GO WHERE YOU WANT TO TAKE IT
YOU GOT A RIDE BUT YOU'RE NOT GONNA MAKE IT
YOU'LL NEVER CATCH UP!
DAD. PASS THE CATSUP!
CLEAN THAT MESS UP! LISTEN UP!
IF YOU OBEY SOCIETY'S FOOLS
YOU'LL BE SOCIETY'S TOOLS
AND YOU'LL OBEY AND THEN DISOBEY
YOU'LL DISOBEY BUT THEN YOU'LL OBEY
YOU THOUGHT YOUR MOM AND DAD WERE QUEER
YOU ALWAYS WANTED EGG IN YOUR BEER
NOW YOUR DOG WON'T GO
WHEN YOU TRY TO MAKE IT
HE'S GOT A BONE BUT HE'S NOT GONNA SHAKE IT
IF YOU TAKE SOCIETY'S TOOLS
YOU WILL MAKE SOCIETY'S RULES
WHICH YOU'LL OBEY AND THEN DISOBEY
YOU'LL DISOBEY BUT THEN YOU'LL OBEY
THAT'S ALL FOR NOW
THAT'S ALL WE KNOW
GOLDEN ENERGY
FOR THE GUY OR GAL
WHOSE HAD A HARD HARD DAY
GOLDEN ENERGY
TO HELP YOU MEET THE DEMANDS
OF AN ENERGETIC MATE
OR A RED HOT DATE
GOLDEN ENERGY DRIPPING DOWN ON YOU
GOLDEN ENERGY
NATURAL APHRODISIAC
GOLDEN ENERGY
WORKING HARD TO KEEP YOU ON FULL
PUMPING IRON ALL THE WAY
KEEPS YOU FROM BEING TOO
TOO TIRED
ROOTIN BOOTIN SURE FIRED
GOLDEN ENERGY MEETS ALL REQUIREMENTS
POSTS NO BILLS
POOTS NO GUFF
NEEDS NO PRESCRIPTIONS
GOLDEN ENERGY HANDLE IF YOU CARE
IF YOU DARE
The first time I saw you
I knew there would be no other
That tingle told me
We were meant for one another
I'm calling you
1, 2, 3
Buttered beauties of the negroid north
Spread your glossy tallow on me
Oiled wonder of the midnight forest
Toss down your web on me
She's got me by the tether
(Sticking it out)
In simulated leather
(Sticking it out)
I think she broke my tether
I NEED A CHICK TO SUCK MY DICK
I NEED A DOG TO LICK MY HOG
I NEED A CAT TO STROKE MY BAT
I'M PUKIN AND SHITIN' AND DYIN' OF THIRST
I AIN'T GOT NO FIELD TO PLOW
THERE'S NO HOLE FOR MY POLE
I'D FUCK A MINK STOLE
I NEED A WOMAN WHO UNDERSTANDS
THERE'S NOTHING MORE SPIRITUAL
THAN DOG STYLE LOVE
AND WHEN I FIND HER
I'M GOING TO GET DOWN ON MY KNEES
I'M GOING TO EAT HER
--------------------------------------------------------------------------------
Blockhead
--------------------------------------------------------------------------------
NEVER LEAVES A GAP
UNFILLED
ALWAYS PAYS ON TIME
ALWAYS FITS THE BILL
HE COMES WELL PREPARED
CUBE TOP
SQUARED OFF
EIGHT CORNERS
90-DEGREE ANGLES
FLAT TOP
STARES STRAIGHT AHEAD
STOCK PARTS
BLOCKHEAD
NEVER TIPS OVER
STANDS UP ON HIS OWN
HE IS A BLOCKHEAD
THINKING MAN FULL GROWN
HE COMES WELL PREPARED
THINK I GOT YOUR DIAL TONE
THINK I GOT BILLY BAXTER'S BONE
THINK I GOT A BUBBLE-SAC
THINK I GOT A BIG MAC ATTACK
HOLD THE PICKLES HOLD THE LETTUCE
SPECIAL ORDERS DON'T UPSET US
ALL WE ASK IS THAT YOU LET US
SERVE IT YOUR WAY
TOO MUCH PARANOIAS
MY MOMMA'S AFRAID TO TELL ME
THE THINGS SHE'S AFRAID OF
I BEEN DIPPED IN DOUBLE MEANING
I BEEN STUCK WITH STATIC CLING
THINK I GOT A RUPTO-PAC
I SAW MY BABY YESTERDAY
SHE SPENT HER MONEY ON A CAR
I DIDN'T GET HER VERY FAR
SO MY BABY SAID TO ME
YOU KNOW MY BABY SHE
SAID SLOPPY
SUPERMARKET FLASHBACKS
SHOW ARMS AND LEGS IN PLASTIC SACKS
FAT MEN TWELVE BANANAS HIGH
DIE WHILE ALL THE WOMEN CRY
LOVE-LOVE GETS SUCKED AWAY
ON BIG FAT LIPS WHILE PEOPLE PRAY
BOY PLUS GIRL MAKE MESS OUT OF SEX
NO BABIES COME
WHAT HAPPENS NEXT
DE-EVOLUTION SELF-EXECUTION NO-SOLUTION
I'M A POTATO AND I'M SO HIP
TEENAGE HOODLUMS STAND IN LINE
DONATE BLOOD TO PAY FOR CRIME
BUTCHERS STEAL DOCTOR'S TOOLS
SOW PRETTY HEADS ON DOGS AND MULES
HI-FI SYSTEMS MEN IN PAIRS
TAPE BODIES FALLING DOWN THE STAIRS
FATHER-SON TEAMS SPLIT THE COST OF NIGHTTIME GIRLS BUT ALL IS LOST
TO DE-EVOLUTION SELF-EXECUTION
NO-SOLUTION
I'M A SPUDMAN I GOT EYES ALL AROUND
MARTIAN FEET TURN DIRT AND STONE
FOR BURIED TREASURE HUMAN BONE
MADISON MEN TATTOO ADS ON
TEN YEAR OLDS WITH SUCKER PADS
ROCKETS RUST ATTACK DECAY THINGS
FALL APART WHILE SPACEMEN PLAY
NOW DADDY ZERO DROPS HIS BROWN
GODOWNGODOWNGODOWN
TO DE-EVOLUTION SELF-EXECUTION
NO-SOLUTION
SITTIN' AFTER SUPPER
WATCHED THE F.B.I.
ASKED FOR THE CIGARETTE
I GOT NO REPLY
THEN YOU DROPPED YOUR COULOTTES
REVEALING RUBBER UNDERPANTS
SWEAT WAS FORMING IN MY SHOES
BUT YOU ENDED OUR ROMANCE
I BEEN REFUSED
I LOST MY SHOES
LAST MONDAY MORNING
MINUS 20 DEGREES
WALKED TO UNEMPLOYMENT
ON MY KNEES
DOGS IN THE OCEAN
FIGS IN THE SEA WELL COME ON BABY
AND WAKKA-WAKKA-WAKKA WITH ME
BOUGHT A KODAK BROWNIE
DEVELOPED FILM AT HOME
TOOK SOME SHOTS OF SISTER
PANTS WERE FULL OF LOAM
TOOK A COUPLE BACK VIEWS
TOOK SOME UP FRONT
THREE TRIES WALLET SIZE
I WAS LOOKIN' AT THAT CUNT
I BEEN REFUSED
LISTEN COMRADE I DON'T CARE
HOW LONG YOU WANT TO GROW YOUR HAIR
IT DOESN'T MATTER TO ME
HEY LADY HAVE YOU HEARD THE NEWS?
YOU CAN BURN YOUR WIG AND BURN YOUR SHOES
IT DOESN'T MATTER TO ME
BUT THERE'S SOMETHING BIGGER THAN MY VCR
SOMETHING IMPORTANT AND IT'S WAITING FOR YOU
OH YEAH
KNOCK IT OFF PAL I HEARD YOUR STORY BEFORE
TELL ME SOMETHING NEW THAT'S WHAT I'M WAITING FOR
IT DOESN'T MATTER TO ME
'CAUSE THERE'S A TRAIN COMIN' INTO THE STATION
BUT IT'S HEADIN' FOR A NEW DESTINATION
AND I TELL YOU MY FRIEND YOU BETTER COUNT ME IN
LISTEN COMRADE I DON'T CARE
IF YOU EVER CHANGE YOUR UNDERWEAR
baby baby baby hurt me bad
baby baby
baby baby made me cry
baby
i wanna die
somebody tell me where she's hiding out
i gotta find that cheatin' gal
can't go can't go can't go sleep at night
can't sleep can't sleep
it's not right
sunlight sunlight in my eyes
sunlight
makes me rise
i can't sleep until my baby says it's over
i gotta hear it face to face
i love you darlin' it's a cryin' shame
the way you run around like you're in a big game
i'm so unhappy i could cry every time i think about you
boo hoo
baby baby baby please come back
baby baby
sunlight sunlight in my eyes
sunlight
makes me rise
i can't sleep until my baby says it's over
i gotta hear it face to face
i love you darlin' it's a cryin' shame
the way you run around like you're in a big game
i shoot around in a trance all day and think about you
all the time
i love you darlin' it's a cryin' shame
the way you run around like you're in a big game
it's so unfair that you're so happy when i'm hurtin' inside
i love you darlin' it's a cryin' shame
the way you run around like you're in a big game
i'm so unhappy i could cry every time i think about you
I DESIRE I DESIRE
I PLEDGE ALLEGIANCE TO THE THOUGHT
THAT YOUR LOVE IS ALL THAT MATTERS
AND YOUR GESTURES HAVE THE POWER
TO BRING THE WHOLE WORLD TO ITS KNEES
DON'T LET ME TORMENT YOU
DON'T LET ME BRING YOU DOWN
DON'T EVER LET ME HURT YOU
DON'T LET ME FAIL BECAUSE
I DESIRE YOUR ATTENTION
I DESIRE YOUR PERFECT LOVE
I DESIRE NOTHING MORE (THAN THIS)
(OR LESS)
TO GIVE YOU HAPPINESS
COULD BECOME A LIFETIME GOAL
A SMILE I MIGHT BRING YOU
IS MORE IMPORTANT THAN WORLD PEACE
I PLEDGE ALLEGIANCE TO THE FACT
THAT YOU'RE WISE TO WALK AWAY
FOR NOTHING IS MORE DANGEROUS
DOCTOR SAYS YOU AIN'T GOT LONG TO LIVE
NURSE SAYS YOU AIN'T GOT MUCH TO GIVE
DON'T LISTEN TO YOUR DOCTOR
DON'T PLAY UP TO THE NURSE
WAVE GOODBYE TO YOUR DOCTOR
JUST BECAUSE YOU'RE BOTTLED UP
Are you ready?
action boy now
action girl now
be prepared to climb another mountain
Are you ready?
action boy now
action girl now
be prepared to swim across the ocean
Are you ready?
be prepared
to fill you plate
be prepared
don't hesitate
be prepared
for a great big bust
be prepared
to do what you must
be prepared
to take a hit
be prepared
to go for it
be prepared
for a sneak attack
be prepared
just don't look back
They say, where there's a will there's a way
We've heard, these are the things that they say
So….
Reach out for that big fat star
stick to the groove
and go real far
outrun the ones who steal the Abar (??)
Are you ready?
action boy now
action girl now
be prepared to blast into the future
action boy now
action girl now
be prepared to rearrange the picture
IF YOU COULD JUST GET YOUR MIND TOGETHER
THEN COME ALONG WITH ME
HOLD HANDS AND WATCH THE SUNRISE
FROM THE BOTTOM OF THE SEA
BUT FIRST ARE YOU EXPERIENCED?
WELL HAVE YOU EVER BEEN EXPERIENCED?
WELL I HAVE I HAVE
I KNOW I KNOW
YOU'LL PROBABLY SCREAM AND CRY
YOUR LITTLE WORLD WON'T LET YOU GO
BUT WHO IN YOUR WORLD
ARE YOU TRYING TO PROVE
THAT YOU'RE MADE OUT OF GOLD
AND CAN'T BE SOLD
LET ME PROVE IT TO YOU
BEAUTIFUL MUTANTS I CAN HEAR IN THE DISTANCE
I THINK THEY'RE CALLIN' OUR NAME
MAYBE YOU CAN'T HEAR THEM BUT YOU WILL
IF YOU'LL TAKE HOLD OF MY HAND
OH NOT NECESSARILY BEAUTIFUL
GOING ROUND THE WORLD
DON'T KNOW WHERE WE'RE GOING
WE DON'T EVEN CARE
BUT YOU JUST CAN'T BE FROM SOMEPLACE ELSE
UNLESS YOU GO SOMEWHERE
AND WE'RE IN THE SAME BOAT
SO AS LONG AS IT FLOATS
WE MIGHT AS WELL STOP 'N' STARE
AT THE BIG PICTURE
THE BIG PICTURE
GET THE B-I-I-I-I-I-I-I-I-I-G PICTURE
WE'RE ALMOST THERE
WE'RE GONNA KEEP ON GOING
'TIL THAT NEW AGE DAWNS
ALWAYS KEEPING AN EYE ON THE STARS IN THE SKY
IN CASE ONE STARTS TO FALL
AND WE'RE IN THE SAME BOAT
AS THE ONES WHO CAN'T FLOAT
SO THEY MIGHT FREAK OUT AND SINK US ALL
AND MISS THE BIG PICTURE
(GOING ROUND THE WORLD)
THE BIG PICTURE
(GOT TO GET IT NOW)
LIKE A FISH IN THE WATER
YOU DON'T KNOW WHERE YOU'VE BEEN
'TIL YOU JUMP OUT AND TAKE A LOOK AROUND
EVERYBODY IT'S A GOOD THING
EVERYBODY WANTS A GOOD THING
EVERYBODY AIN'T IT TRUE THAT
EVERYBODY'S LOOKING FOR THE SAME THING
AIN'T IT TRUE THERE'S JUST NO DOUBT
THERE'S SOME THINGS THAT YOU CAN'T DO WITHOUT
AND THAT'S GOOD
AIN'T IT TRUE AS THE SUN THAT SHINES
YOU GOT YOURS AND YOU GOT MINE
AND THAT'S GOOD
EVERYBODY'S JUST LIKE YOU IT'S TRUE
EVERYBODY WANTS A GOOD THING TOO
NOW LET'S HAVE A GREAT BIG HAND
FOR EVERYBODY WHO CAN UNDERSTAND
LIFE'S A BEE WITHOUT A BUZZ
IT'S GOING GREAT TILL YOU GET STUNG
AND LET US NOT FORGET TO TOAST
EVERYONE WHO MIGHT HAVE MISSED THE BOAT
AND TO EVERYBODY ELSE WHO WAITS
UNTIL THE NEXT ONE SAILS IN AGAIN
EVERYBODY IT'S A GOOD THING
Super Cop (12 times)
I was born to serve justice
but I don't sermonize
good is good
bad is bad
and I never compromise
they lock me in a rocket
made of flesh and bone
I'll meet you in the war zone
with my fists of stone
I'm a Super Cop
I'm a Super Cop
My body's a machine
made to synchronize
every time I'm called to action
make me recognize
when the forces of corruption
do the tyrannize
then I shift to overdrive
and start to pulverize
I'm a Super Cop
Eliminate the foe
with karate chops
I'm a Super Cop
I'm a super charged cop
and I can't be stopped.
I'm a Super Cop
I was born to serve justice
Get my name
I'm a Super Cop
Kung fu action is my game
I'm a cop now
a Super Cop now
He drives around in a world turned upside down
I'm a cop now
a Super Cop now
He's gotta round up all the evil clowns
I'm a cop now
a Super Cop now
What he sees just makes him want to cry
I'm a cop now
a Super Cop now
He works alone 'cause if he don't he'll die
(spoken) The truth and protect
the motto I ascribe to
with equal justice
for the down and out or well to do
I'm a super cop
a gangster's worst nightmare
one man demolition team
I'll send them into disrepair
He's been fighting,
fighting for so long
I'm a Super Cop
He's been righting,
righting every wrong
I'm a Super Cop
Now he's hiding
from the long arm of the law
I'm a cop now
a Super Cop now
he gets up and tries to save the world
I'm a cop now
a Super Cop now
he goes out and tries to find a girl
I'm a cop now
a Super Cop now
if you're a punk he'll aim straight for your belt
I'm a cop now
a Super Cop now
he makes the news every time he kicks some butt
WHEN YOU HEAR WOULDA SHOULDA COULDA
GOTTA THINK MIGHTA BEEN IN SPITE OF
LOW DOWN TIRED OF BEING A FIGHTER
TURN AROUND PUT IT ALL BEHIND YOU
CAUGHT IN A TRAP AND YOU CAN'T WALK OUT
IT'S IN YOUR MIND SO YOU CAN'T WALK OUT
NOW DON'T GET STUCK
STUCK IN A LOOP AGAIN
WELL YOU'RE GONNA GET STUCK
STUCK IN A LOOP AGAIN
WHEN YOU HEAR MAYBE BABY SOMEDAY
GOTTA SAY WHEN DO I GET IT MY WAY
FREEZE-DRIED WAITIN' FOR THE BIG DAY
GET WISE TAKE ANOTHER FREEWAY
CAUGHT IN A TRAP AND YOU CAN'T WALK OUT
IT'S IN YOUR MIND SO YOU CAN'T WALK OUT
JUST WHEN YOU THINK YOU'VE GOT IT BEAT
IT SETS YOU UP AND KNOCKS YOU DOWN
TRY TO BLOW IT OFF OR TRADE IT IN
AND YOU'LL WIND UP IN THE LOST AND FOUND
AND THEN YOU'RE STUCK
STUCK IN A LOOP AGAIN
WELL YOU'RE GONNA GET STUCK
STUCK IN A LOOP AGAIN
MAYBE RANDOM MAYBE A SCAM
FATE LAYS WASTE TO THE GREATEST PLANS
THAT'S LIFE
TALK ABOUT KARMA MOAN ABOUT SIN
JUST DON'T GET STUCK IN THAT LOOP AGAIN
WHEN I WAS YOUNG I THOUGHT I STOOD
ON SOLID GROUND WELL THAT PROVED WRONG
EVERYTHING I KNOW WAS TRUE
JUST BLEW UP IN MY FACE
ISN'T LIFE WONDERFUL?
I REALLY DIDN'T THINK SO
I TOOK MY CHIPS AND CASHED THEM IN
AND LET THE GAMES BEGIN
CAUSE IT'S EASY
IT'S PREFECTLY EASY
TO SPIN THAT WHEEL 'ROUND
'TIL YOU TURN IT ALL UPSIDE DOWN
IT'S EASY
IT'S PERFECTLY EASY
TO LET THAT WHEEL SPIN
'TIL THE NUMBERS COME BACK RIGHT TO YOU
NOW SPIN THAT WHEEL
THERE'S NOTHING TO LOSE
SPIN THAT WHEEL
IT'S WAITING FOR YOU
NOW SPIN THAT WHEEL
LET THE WHEEL DECIDE
SPIN THAT WHEEL
GO ALONG FOR THE RIDE
SPIN THE WHEEL
YOU LOSE!
WHEN I WAS YOUNG AND SET TO MOVE
I STARTED LOOKING FORWARD TO
THE FUN THAT DISAPPEARED SO SOON
I WANTED TO CHECK OUT
ISN'T LIFE WONDERFUL?
I DIDN'T USED TO THINK SO
I TOOK MY CHIPS AND CASHED THEM IN
AND STARTED UP AGAIN
SOMEONE SAID THAT
NO ONE KNOWS WHAT
GOES ON INSIDE
SOMEONE IN LOVE
STRANGE AS IT SEEMS
IT MAKES THEM DO THINGS
IN THEIR RIGHT MINDS
WOULD NEVER THINK OF
PEOPLE GET AWAY WITH THINGS
THEY DON'T DESERVE
A JURISDICTION OF LOVE
ENOUGH'S NOT ENOUGH
WHEN LOVE GETS ROUGH
THE JURISDICTION OF LOVE
OFF THEIR WALLS
JUST LIKE NIAGARA FALLS
LOGICAL THOUGHT
IS NO COMFORT
IT ONLY MAKES THE
MATTER SEEM WORSE
MIGHT EQUALS RIGHT
IN CONCUBIAL FIGHT
THE JURISDICTION OF LOVE
LOVE EQUALS WAR
I DON'T LIKE IT NO MORE
THE JURISDICTION OF LOVE
PEOPLE GET AWAY WITH THINGS
THEY DON'T DESERVE
A JURISDICTION OF LOVE
WHEN LOVE TURNS THE CRANK
IT DEMANDS CARTE BLANCHE
WELL I KINDA FEEL SORRY FOR JIMMY
YEAH BUT YOU DON'T KNOW THE WHOLE STORY HE WASN'T A NICE GUY
WHADDYA MEAN?
LET ME TELL YA
JIMMY'S IN A WHEEL CHAIR AND I DON'T CARE
HE USED TO WALK HIS DOG
AND THEN HE'D BEAT HIM GOOD
LIKE HIS PRETTY WIFE
AND NOW THEY'RE UP AND GONE
AND JIMMY'S IN A WHEELCHAIR AND I DON'T CARE
HE WAS THE PRESIDENT
OF A COMPANY
HE KEPT HIS WORKERS POOR
HE'D LIE AND CHEAT AND STEAL
WELL WHEN JUSTICE STRIKES
WELL EVERY ONCE IN A WHILE
IT MAKES A BULLSEYE HIT
WELL EVERY ONCE IN A WHILE
HE USED TO YELL AND SCREAM
UNTIL HIS SON WOULD CRY
THEN HE'D RUN HIM DOWN
WELL HE DON'T RUN NO MORE
JIMMY'S IN A WHEELCHAIR AND I DON'T CARE
HE GOT BIG AND FAT
AND HE WAS RIDIN' HIGH
MAKIN' LOTS OF CASH
TRASHIN' OTHERS' LIVES
NOW JIMMY'S IN A WHEELCHAIR AND I DON'T CARE
LORD HE HAD IT COMIN'
NOW HE'S CRYIN' IN HIS BEER
PEEK-A-BOO!
I CAN SEE YOU
AND I KNOW WHAT YOU DO
SO PUT YOUR HANDS ON YOUR FACE
AND COVER UP YOUR EYES
DON'T LOOK UNTIL I SIGNAL
PEEK-A-BOO! PEEK-A-BOO! PEEK-A-BOO!
THE WAY THAT WE WEREN'T IS WHAT WE'LL BECOME
SO PLEASE PAY ATTENTION WHILE I SHOW YOU SOME
OF WHAT'S ABOUT TO HAPPEN
PEEK-A-BOO!
I KNOW WHAT YOU DO
CAUSE I DO IT TOO
LAUGH IF YOU WANT TO OR SAY YOU DON'T CARE
IF YOU CANNOT SEE IT YOU THINK IT'S NOT THERE