Son House

Eddie James "Son" House, Jr. (March 21, 1902 – October 19, 1988) was an American blues singer and guitarist, noted for his highly emotional style of singing and slide guitar playing.

After years of hostility to secular music, as a preacher, and for a few years also as a church pastor, he turned to blues performance at the age of 25. He quickly developed a unique style by applying the rhythmic drive, vocal power and emotional intensity of his preaching to the newly learned idiom. In a short career interrupted by a spell in Parchman Farm penitentiary, he developed to the point that Charley Patton, the foremost blues artist of the Mississippi Delta region, invited him to share engagements, and to accompany him to a 1930 recording session for Paramount Records.

Issued at the start of The Great Depression, the records did not sell and did not lead to national recognition. Locally, Son remained popular, and in the 1930s, together with Patton's associate, Willie Brown, he was the leading musician of Coahoma County. There he was a formative influence on Robert Johnson and Muddy Waters. In 1941 and 1942, House and the members of his band were recorded by Alan Lomax and John W. Work for Library of Congress and Fisk University. The following year, he left the Delta for Rochester, New York, and gave up music.

Death Letter

"Death Letter", also known as "Death Letter Blues", is the signature song of the Delta blues musician Son House. It is structured upon House's earlier recording "My Black Mama, Part 2" from 1930. House's 1965 performance was on a metal-bodied National resonator guitar using a copper slide.

One commentator noted that it is "one of the most anguished and emotionally stunning laments in the Delta blues œuvre."

Lyrics

Lyrically, the song is about a man who learns of the death of the woman he loves through a letter delivered to him early in the morning. The narrator later views her body on the cooling board at the morgue, attends her funeral, and returns to his home in a state of depression.

House's lyrics draw from traditional sources. Other blues musicians recorded related songs, including Lead Belly ("Death Letter Blues"), Ishman Bracey ("Trouble Hearted Blues"), Ida Cox ("Death Letter Blues"), Robert Wilkins ("Nashville Stonewall") and Blind Willie McTell ("On The Cooling Board").

Blues

Blues is a genre and musical form that originated in African-American communities in the "Deep South" of the United States around the end of the 19th century. The genre developed from roots in traditional African music, combined with European American folk music. Blues incorporated spirituals, work songs, field hollers, shouts, and chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. The blue notes (or "worried notes") which are often thirds or fifths which are flatter in pitch than in other music styles, are also an important part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect called a groove.

Blues as a genre possesses other characteristics such as lyrics, bass lines, and instruments. The lyrics of early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating troubles experienced within African American society.

Delta blues

The Delta blues is one of the earliest styles of blues music. It originated in the Mississippi Delta, a region of the United States that stretches from Memphis, Tennessee in the north to Vicksburg, Mississippi in the south, Helena, Arkansas in the west to the Yazoo River on the east. The Mississippi Delta area is famous both for its fertile soil and its poverty. Guitar and harmonica are the dominant instruments used, with slide guitar (usually on the steel guitar) being a hallmark of the style. The vocal styles range from introspective and soulful to passionate and fiery. Delta blues is also regarded as a regional variation of country blues.

Origin

Although Delta blues certainly existed in some form or another at the turn of the 20th century, it was first recorded in the late 1920s, when record companies realized the potential African American market in Race records. The ‘major’ labels produced the earliest recordings and consisted mostly of one person singing and playing an instrument; however, the use of a band was more common during live performances. Current belief is that Freddie Spruell is the first Delta blues artist recorded, as he waxed "Milk Cow Blues" in Chicago in June 1926. Record company talent scouts made some of these early recordings on 'field trips' to the South; however, the labels invited some Delta blues performers to travel to northern cities to record. According to Dixon & Godrich [1981], Tommy Johnson and Ishman Bracey were recorded by Victor on that company's second field trip to Memphis, in 1928. Robert Wilkins was first recorded by Victor in Memphis in 1928, and Big Joe Williams and Garfield Akers also in Memphis (1929) by Brunswick/Vocalion.

House

A house is a building that functions as a home, ranging from simple dwellings such as rudimentary huts of nomadic tribes and the improvised shacks in shantytowns to complex, fixed structures of wood, brick, marble or other materials containing plumbing, ventilation and electrical systems. Most conventional modern houses in Western cultures will contain a bedroom, bathroom, kitchen or cooking area, and a living room. In traditional agriculture-oriented societies, domestic animals such as chickens or larger livestock (like cattle) may share part of the house with humans. The social unit that lives in a house is known as a household. Most commonly, a household is a family unit of some kind, although households may also be other social groups or individuals. The design and structure of the house is also subject to change as a consequence of globalization, urbanization and other social, economic, demographic, and technological reasons. Various other cultural factors also influence the building style and patterns of domestic space.