Goregrind

Goregrind is a musical subgenre of grindcore and death metal. British band Carcass are commonly credited for the emergence of the genre. Goregrind is recognized for its highly distorted, "watery" sounding vocals and abrasive musicianship rooted in grindcore.

History

Despite the early impact of albums such as Repulsion's Horrified and Impetigo's Ultimo Mondo Cannibale, the origins of the genre really lie with the British band Carcass, who began their career in the late 1980s. In their Reek of Putrefaction-era, Carcass used pitch shifters, medical imagery and several visceral associations when it originally conceived the band, a deviation from the frequently political or left-wing lyrics commonly used in the hardcore punk and grindcore scenes.

Characteristics

According to Matthew Harvey,

Zero Tolerance described goregrind as being defined by "detuned guitars, blasting drums (sometimes with a high-tuned, clanging 'biscuit tin' snare drum sound), sickening lyrics and often heavily processed/distorted vocals. Goregrind bands commonly use extremely low or pitch-shifted vocals. The lyrics' subject matter often features violent themes including gore, forensic pathology, death, and rape. Lyrics sometimes have a clear tongue-in-cheek Z-grade horror-movie feel and are not expected to be taken seriously. Cyjan, drummer for Polish goregrind band Dead Infection, commented, "Musically, there's no real difference between grindcore and goregrind, but lyrically, whereas the first is socially and politically concerned, goregrind, as the name implies, deals with everything related to blood, pathological aspects or accidents with fatal results."

Death metal

Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking, deep growling vocals and screams, aggressive, powerful drumming featuring double kick or blast beat techniques, minor keys or atonality, abrupt tempo, key, and time signature changes and chromatic chord progressions. The lyrical themes of death metal may invoke slasher film-stylized violence,religion (sometimes Satanism), occultism, Lovecraftian horror, nature, mysticism, mythology, philosophy, science fiction, and politics, and they may describe extreme acts, including mutilation, dissection, torture, rape, cannibalism, and necrophilia.

Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation.Possessed and Death, along with bands such as Obituary,Autopsy and Morbid Angel, are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular genre niche record labels like Combat, Earache, and Roadrunner, began to sign death metal bands at a rapid rate.

End time

The end time (also called end times, end of time, end of days, last days, final days, or eschaton) is a future time-period described variously in the eschatologies of several world religions (both Abrahamic and non-Abrahamic), where world events achieve a final climax.

The Abrahamic faiths maintain a linear cosmology, with end-time scenarios containing themes of transformation and redemption. In Judaism, the term "end of days" makes reference to the Messianic Age, and includes an in-gathering of the exiled Jewish diaspora, the coming of the Messiah, the resurrection of the righteous and the world to come. Some sects of Christianity depict the end time as a period of tribulation that precedes the second coming of Christ, who will face the Antichrist along with his power structure and usher in the Kingdom of God. However, other Christians believe that the end time represents the personal tribulation experienced before they become enlightened with the Word of God. In Islam, the Day of Judgement is preceded by the appearance of the Mahdi mounted on a white stallion. With the help of Isa (Jesus), the Mahdi will triumph over Masih ad-Dajjal (the false messiah).