![Lata - Pal Bhar Main Yeh Kya Ho Gaya - Swami [1977] Lata - Pal Bhar Main Yeh Kya Ho Gaya - Swami [1977]](http://web.archive.org./web/20110516035412im_/http://i.ytimg.com/vi/4cYqUeSut_g/0.jpg)
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- Published: 29 Mar 2010
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Coordinates | 29°57′53″N90°4′14″N |
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Name | Swami |
Producer | Jaya Charavarty |
Director | Basu Chatterjee |
Music director | Rajesh Roshan |
Writer | Manu Bhandari dialogue Basu Chatterjee writerSharat Chandra Chatterji (book) |
Lyrics | Ameet Khanna |
Starring | Shabana AzmiVikramGirish Karnad |
Music | Rajesh Roshan |
Cinematography | K. K. Mahajan |
Released | 1977 |
Country | India |
Language | Hindi |
Swami is a 1977 Hindi film directed by Basu Chatterjee and produced by Jaya Chakravarty (mother of Hema Malini).
The film stars Shabana Azmi, Vikram, Girish Karnad, Utpal Dutt. Hema Malini and Dharmendra make a guest appearance together in the film. The film's music is by Rajesh Roshan.
Category:1977 films Category:Indian films Category:Hindi-language films Category:Films directed by Basu Chatterjee
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Coordinates | 29°57′53″N90°4′14″N |
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Name | Lata Mangeshkar |
Background | solo_singer |
Born | September 28, 1929Indore, Central India Agency |
Instrument | Vocals |
Genre | Film music (playback singing) |
Occupation | Singer |
Years active | 1942–present |
Lata Mangeshkar (; born September 28, 1929) is a singer from India. She is one of the best-known and most respected playback singers in India. Mangeshkar's career started in 1942 and has spanned over six and a half decades. She has recorded songs for over a thousand Bollywood movies and has sung songs in over thirty-six regional Indian languages and foreign languages, but primarily in Hindi. She is the elder sister of Asha Bhosle and brother Hridayanath Mangeshkar and sisters Usha Mangeshkar and Meena Mangeshkar. She is the second vocalist ever to have received the Bharat Ratna, India's highest civilian honour.
Mangeshkar was featured in the Guinness Book of World Records from 1974 to 1991 for having made the most recordings in the world. The claim was that she had recorded no less than 25,000 solo, duet, and chorus-backed songs in 20 Indian languages between 1948 to 1974 (30,000 songs between 1948 and 1987, according to the 1987 edition). Over the years, while several sources have supported this claim, others have raised concerns over its veracity, claiming that this number was highly exaggerated and that Mangeshkar's younger sister, Asha Bhosle, had more song recordings than she had.
Mangeshkar took her first music lessons from her father. At the age of five, she started to work as an actress in her father's musical plays (sangeet naatak in Marathi). On the first day in the school, she started teaching songs to other children. When the teacher stopped her, she was so angry that she stopped going to the school.
“Aayega Aanewaala,” a song in the movie Mahal (1949) was composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.
Mangeshkar sang many raga-based songs for Naushad in movies such as Baiju Bawra (1952), Mughal-E-Azam (1960), and Kohinoor (1960). Ae Chorre Ki Jaat Badi Bewafa, a duet with G. M. Durrani, was her first song for composer, Naushad. The duo, Shankar-Jaikishan, chose Mangeshkar for Aag, Aah (1953), Shree 420 (1955), and Chori Chori (1956). Before 1957, composer Sachin Dev (S. D.) Burman chose Mangeshkar as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between Lata and Burman in 1957, and Lata did not sing Burman's compositions again until 1962.
In 1963, Mangeshkar returned to collaboration with S. D. Burman. She also sang for R. D. Burman's very first film Chhote Nawaab and later for his films such as Bhoot Bangla (1965), Pati Patni (1966), Baharon ke Sapne (1967) and Abhilasha (1969). She also recorded several popular songs for S. D. Burman, including Aaj Phir Jeene Ki Tamanna Hai, Gata Rahe Mera Dil (duet with Kishore Kumar) and Piya Tose from Guide (1965), and Hothon Pe Aisi Baat from Jewel Thief (1967).
During the 1960s, Lata Mangeshkar continued her association with Madan Mohan which included the songs Aap Ki Nazron Ne Samjha from Anpadh (1962), Lag Ja Gale and Naina Barse Rim Jhim from Woh Kaun Thi? (1964), Woh Chup Rahen To from Jahan Ara (1964), and Tu Jahan Jahan Chalega from Mera Saaya (1966).
The 1960s also witnessed the beginning of Mangeshkar's association with Laxmikant-Pyarelal, the music directors for whom she sang the most songs in her career.
She also sang several playback songs for Marathi films, composed by Marathi music directors including Hridaynath Mangeshkar, Vasant Prabhu, Srinivas Khale, Sudhir Phadke and herself (under the name Anandghan). During the 1960s and 1970s, she also sang several Bengali songs, composed by music directors like Salil Chowdhury and Hemant Kumar.
Lata Mangeshkar has recorded duets with Mukesh, Manna Dey, Mohammed Rafi, and Kishore Kumar. From the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. Mangeshkar wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film's producer conceded to select composers. But Rafi took a diametrically opposite view, and believed that a playback singer's claim on the filmmaker ended with the payment of the agreed fee for the song. During the recording of the song Tasveer Teri Dil Mein (Maya, 1961), Mangeshkar lost her cool with Rafi in a certain passage of the song. Rafi felt belittled, as the music director Salil Chowdhury chose to back Mangeshkar . The situation worsened as Lata Mangeshkar declared that she would no longer sing with Rafi. Rafi stated that he was only as keen to sing with Mangeshkar as she was with him.
In 1999, she was nominated as a member of Rajya Sabha. However, she did not attend the Rajya Sabha sessions regularly, inviting criticism from several members of the House, including the Deputy Chairperson Najma Heptullah, Pranab Mukherjee and Shabana Azmi. She stated the reason for her absence as ill-health; it was also reported that she had not taken a salary, allowance or a house in Delhi for being a Member of Parliament.
In 2001, Lata Mangeshkar was awarded Bharat Ratna, India's highest civilian honor. In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie's auction, and a part of the money was donated for the 2005 Pakistan earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja (2001); she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.
In 2000s, Lata Mangeshkar, along with other residents of the Peddar Road area in Mumbai, opposed the construction of a flyover in the area. She believed that construction of the flyover would increase air and noise pollution in the area, and threatened to quit the city if the flyover was built. In 2006, it was reported that she and her sister Asha Bhosle had purchased apartments in Parel and were planning to move out of Peddar Road.
Lata Mangeshkar's song Wada Na Tod is in the film Eternal Sunshine of the Spotless Mind (2004) and on the film's soundtrack.
On June 21, 2007, she released an album Saadgi, featuring eight ghazal-like songs written by Javed Akhtar and composed by Mayuresh Pai.
She won Maharashtra State Government's Best Music Director Award for the film Sadhi Manase. The song Airanichya deva tula from the same film received best song award.
Lata Mangeshkar has won several awards and honors, including Padma Bhushan (1969), Padma Vibhushan (1999), Dada Saheb Phalke Award (1989), Maharashtra Bhushan Award (1997), NTR National Award (1999), Bharat Ratna (2001), ANR National Award (2009), three National Film Awards, and 12 Bengal Film Journalists' Association Awards. She has also won four Filmfare Best Female Playback Awards. In 1969, she made the unusual gesture of giving up the Filmfare Best Female Playback Award, in order to promote fresh talent. She was later awarded Filmfare Lifetime Achievement Award in 1993.
In 1984, the State Government of Madhya Pradesh instituted the Lata Mangeshkar Award in honor of Lata Mangeshkar. The State Government of Maharashtra also instituted a Lata Mangeshkar Award in 1992.
In 1974, The Guinness Book of Records listed Lata Mangeshkar as the most recorded artist in the history, stating that she had reportedly recorded "not less than 25,000 solo, duet and chorus backed songs in 20 Indian languages" between 1948 and 1974. Her record was contested by Mohammed Rafi, who was claimed to have sung around 28,000 songs. After Rafi's death, in its 1984 edition, the Guinness Book of World Records stated Lata Mangeshkar's name for the "Most Recordings", but also stated Rafi's claim. The later editions of Guinness Book stated that Lata Mangeshkar had sung no fewer than 30,000 songs between 1948 and 1987.
Although the entry has not been printed in Guinness editions since 1991, reputable sources claim that she has recorded thousands of songs, with estimates ranging up to figures as large as 50,000. However, even the earliest Guinness claim of 25,000 songs (between 1948–1974) was claimed to be exaggerated by other sources, who stated that the number of songs sung by Lata Mangeshkar in Hindustani (Hindi-Urdu films till 1991 was found to be 5250. Mangeshkar herself stated that she does not keep a record of the number of songs recorded by her, and that she did not know from where Guinness Book editors got their information.
Category:1929 births Category:Indian female singers Category:Indian film singers Category:Recipients of the Bharat Ratna Category:Recipients of the Padma Vibhushan Category:Recipients of the Padma Bhushan Category:Living people Category:Bollywood playback singers Category:Marathi people Category:Kollywood playback singers Category:People from Indore Category:Marathi playback singers Category:Telugu playback singers Category:Kannada playback singers Category:Hindi-language singers Category:Marathi-language singers Category:Bengali-language singers Category:Gujarati-language singers Category:Tamil-language singers Category:English-language singers Category:Dadasaheb Phalke Award recipients Category:Recipients of the Maharashtra Bhushan Award
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 29°57′53″N90°4′14″N |
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Name | Zeenat Aman |
Birthdate | November 19, 1951 |
Birth place | Bombay |
Yearsactive | 1971 - 1989, 1999, 2003, 2006 - present |
Occupation | Actress |
Spouse | Mazhar Khan (1985 - 1998, his death) |
Aman graduated from St. Xavier's College, Mumbai and went to University of Southern California in Los Angeles, California for further studies on student aid. Upon returning to India, she first took a job as a journalist for Femina and then later on moved on to modeling. One of the first few brands that she modeled for was Taj Mahal Tea and Television X Debut in 1966 exclusively. She was the second runner up in the Miss India Contest and went on to win the Miss Asia Pacific in 1970.
Dev Anand offered Zaheeda (his second heroine in Prem Pujari) the role of sister in Hare Rama Hare Krishna (1972). Not realizing the importance of this secondary role, Zaheeda wanted the lead female part (eventually played by Mumtaz), and she opted out. Aman was chosen as a last-minute replacement. and BFJA Award for Best Actress. Throughout the 1970s, the Dev-Zeenat pairing was seen in half a dozen films: Heera Panna (1973), Ishq Ishq Ishq (1974), Prem Shastra (1974), Warrant (1975), Darling Darling (1977) and Kalabaaz (1977). Of these, Warrant, was the biggest box-office success.
Her hip looks in "Yaadon Ki Baaraat' (1973) as the girl carrying a guitar, singing 'churaliya hai tumne jo dil ko' (in Asha Bhonsle's voice) has won her more popularity and the hearts of millions of fans. Her role of a Westernized revenge-seeking action heroine contributed to the film's huge success, and her fans reconnected with her again. Westernised heroines like Parveen Babi and Tina Munim now followed in her footsteps, by the late 1970s. Aman continued to act in hits like Dharam Veer, Chhaila Babu and The Great Gambler.
Category:1951 births Category:Indian film actors Category:Living people Category:St. Xavier's College, Mumbai alumni Category:Indian Muslims Category:BFJA Awards winners Category:Filmfare Awards winners Category:Indian actors Category:Hindi film actors Category:Indian beauty pageant winners Category:University of Southern California alumni
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 29°57′53″N90°4′14″N |
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Name | Mohammed Rafi |
Background | solo_singer |
Born | December 24, 1924 Kotla Sultan Singh, Punjab, British India |
Died | July 31, 1980 Mumbai, Maharashtra, India |
Origin | Indian |
Instrument | Vocalist |
Genre | Indian classical, ghazal, playback singing |
Occupation | Hindi and regional playback singer |
Years active | 1944–1980 |
In a career spanning about 40 years, Rafi sang over 26,000 film songs. His songs ranged from classical numbers to patriotic songs, sad lamentations to highly romantic numbers, qawwalis to ghazals and bhajans, and from slow melancholic tunes to fast fun filled songs. He had a strong command of Hindi and Urdu and a powerful range that could accommodate this variety. He sang in many Indian languages including Hindi, Konkani, Urdu, Bhojpuri, Oriya, Punjabi, Bengali, Marathi, Sindhi, Kannada, Gujarati, Telugu, Maghi, Maithili and Assamese. He also recorded a few English, Persian, Spanish and Dutch songs.
An article in Times of India, published on July 24, 2010 sums up his voice as, "If there are 101 ways of saying "I love you" in a song, Mohammed Rafi knew them all. The awkwardness of puppy love, the friskiness of teen romance, the philosophy of unrequited love and the anguish of heartbreak - he could explore every crevice of ardour. It wasn't just love, his voice could capture the navras of life - a failed poet's melancholy, a fiery unionist's vim, a debt-ridden farmer's despair, really anybody at all.Rafi, whose career spanned nearly four decades, was a singer for every season and every reason."
Rafi's first public performance came at the age of 13, when he was allowed to sing at a concert featuring K. L. Saigal. In that same year, Rafi was invited by All India Radio Lahore station to sing for them. He made his professional debut in the Shyam Sunder-directed 1941 film Gul Baloch and the Bombay film, Gaon Ki Gauri, the following year.
Rafi also did brief roles in movies like Laila-Majnu (1945) and Jugnu. In Laila-Majnu, he was seen singing ‘tera jalwa’ as a part of the chorus.
In 1948, after the assassination of Mahatma Gandhi, the team of Husanlal Bhagatram-Rajendra Krishan-Rafi had overnight created the song ‘Suno suno ae duniyawalon, Bapuji ki amar kahani…’. and "Khabar Kisi ko Nahiin, woh kidhar Dekhte (Beqasoor, 1950), etc.
Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi Cinema.
Ravi and Rafi produced several other songs, in the films China Town (1962), Kaajal (1965), and Do Badan (1966).
In an interview to BBC recorded in Nov 1977, Rafi claimed to have sung 25,000 to 26,000 songs till then. According to the available figures, Rafi has sung 4,516 Hindi film songs, 112 non-Hindi film songs, and 328 private (non-film) songs from 1945 to 1980.
At the same period Kishore Kumar's popularity increased due to the songs he sang, controversially, for the film Aradhana in Mohd Rafi`s absence during Rafi's Hajj pilgrimage in 1969. The music for Aradhana was composed by S. D. Burman, and he had used Rafi as the male playback voice for the first two recorded duets, "Baaghon Mein Bahaar Hai" and "Gunguna Rahen Hain Bhanwre". Some of Rafi's songs of the early 1970s were with music directors like Laxmikant Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include "Tum mujhe Yun Bhula na Paoge" (a signature song of Rafi in 1971) from Pagla Kahin Ka, "Yeh Duniya Yeh Mehfil" from Heer Ranjha (1970), "Jhilmil Sitaron ka" from Jeevan Mrityu (a duet with Lata Mangeshkar, 1970), "Gulabi Aankhen" from The Train (1970), "Yeh Jo Chilman Hain" and "Itna to Yaad Hain Mujhe" from Mehboob Ki Mehndi (1971), "Mera mann tera pyasa" Gambler, "Chalo Dildar Chalo" from 1972 released Pakeezah, "Chura Liya Hain Tumne" from Yaadon Ki Baarat (a duet with Asha Bhosle, 1973), "Na tu Zameen Ke liye" from 1973 released Dilip Kumar movie Dastan, "Tum Jo Mil Gaye Ho" from Hanste Zakhm (1973), "teri bindiya re", from Abhimaan(1973) and "Aaj mausam bada beimaan hai" from Loafer (1973).
Rafi was buried at the Juhu Muslim cemetery. It was one of the biggest funeral processions Mumbai had ever witnessed, with over 10,000 people attending.
In 2010, his tomb was demolished to make space for new bodies. Fans of Mohammed Rafi who arrive twice a year at his tomb, on December 24 and July 31, to mark his birth and death anniversary, use the coconut tree nearest to his grave as a marker.
He was a teetotaller, a highly religious and extremely humble person. He was a devout Muslim. Once, when a lesser-known composer Nisar Bazmi (who had migrated from Pakistan) didn’t have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also helped producers financially. As Laxmikant (of the Laxmikant-Pyarelal duo) once observed – “He always gave without thinking of the returns”.
Rafi's song from the film Gumnaam (1965), "Jaan Pehechan Ho", was used on the soundtrack of Ghost World (2001). The film opens with the lead character dancing around in her bedroom to a video of Gumnaam.
His "Aaj Mausam Bada Beiman Hai" is featured in the 2001 film Monsoon Wedding.
His song "Mera Man Tera Pyasa" (Gambler, 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Sunshine of the Spotless Mind (2004). This song is played in the background in Kate Winslet's character's home while the lead pair are having a drink - at approx 00.11.14 runtime.
Several of Rafi's unreleased songs will be used for an upcoming film titled Sorry Madam.
A documentary about Rafi’s life is under production by The Films Division of India.
In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD entitled Rafi Resurrected comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre and Symphony Hall, Birmingham.
The Padma Shri Mohammed Rafi Chowk in the Bandra suburb of Mumbai and Pune (extending MG Road) is named after Rafi. The same Poll voted "Man re, tu kahe na Dheer Dhare" (Chitralekha, 1964), sung by Rafi as the #1 song. Three songs tied up for the #2 place and two of them were sung by Rafi. The songs were "Tere Mere Sapne Ab Ek Rang Hain" (Guide, 1965) and "Din Dhal Jaye, hai raat na jaye" (Guide, 1965).
This poll was published in Outlook Magazine, the jury of which included many people in the Indian music industry; Abhijeet, Adesh Srivastava, Alisha Chinai, Anu Malik, Ehsaan, Gulzar, Hariharan, Himesh Reshammiya, Jatin, Javed Akhtar, Kailash Kher, Kavita Krishnamurthy, Khayyam, Kumar Sanu, Lalit, Loy, Mahalaxmi Iyer, Mahendra Kapoor, Manna Dey, Prasoon Joshi, Rajesh Roshan, Sadhna Sargam, Sameer, Sandesh Shandilya, Shaan, Shankar, Shantanu Moitra, Shreya Ghoshal, Sonu Nigam and Talat Aziz.
In an article in Times of India, Rafi is described as "a versatile singer, who could render classical, rock and roll, indeed any kind of song with ease, he was Hindi film's favourite male voice through the 1950s and 1960s". Music director Rajesh Roshan, who composed some of the songs with Rafi, remembers him as "a warm-hearted simple person with no ego".
Music lovers have appealed to the Government of India to honour the singer, posthumously, with Bharat Ratna (India's Highest Civilian Award)
Veteran actor Shammi Kapoor said, "I am incomplete without Mohammad Rafi. I used to often go for the recoding of my song, which was sung by Mohammad Rafi, only because I used to like telling him how I would perform on this song on screen so that he can sing it that way. Even he liked my involvement".
On September 22, 2007, a shrine to Rafi designed by artist Tasawar Bashir was unveiled on Fazeley Street, Birmingham, UK. Bashir is hoping that Rafi will attain sainthood as a result.
Singers like Shabbir Kumar, Mohammed Aziz and, more recently, Sonu Nigam, who made a name by adopting his style, perhaps owe their entire careers to Rafi.
After his death, seven Hindi movies have been dedicated to Mohd Rafi; Allah Rakha, Mard, Coolie, Desh-Premee, Naseeb, Aas-Paas and Heeralal-Pannalal.
Nominated: | Dosti | Laxmikant Pyarelal | Majrooh Sultanpuri |- | 1966 | Arzoo | Shankar Jaikishan | Hasrat Jaipuri |}
Winner {| class="wikitable sortable" |- ! Year ! Film ! Music director ! Lyricist |- | 1964 | Chitralekha | Roshan | Sahir Ludhyanvi |}
Category:1924 births Category:1980 deaths Category:Bollywood playback singers Category:Indian film singers Category:Indian Muslims Category:People from Amritsar Category:Indian male singers Category:Filmfare Awards winners Category:Deaths from myocardial infarction Category:Recipients of the Padma Shri Category:Punjabi people Category:Indian musicians Category:Indian singers Category:People from Mumbai Category:Marathi-language singers
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Coordinates | 29°57′53″N90°4′14″N |
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Name | Suman Kalyanpur |
Background | solo_singer |
Born | January 28, 1937 Dhaka, East Bengal |
Genre | Indian classical music, playback singing |
Occupation | Singer |
Years active | 1954–1981 |
Suman Kalyanpur aka Suman Hemadey was born on January 28, 1937 in Dhaka, Bangladesh, (which was then a part of India under British Raj), her maiden name being Hemmady. In 1943, her family moved to Mumbai (then Bombay), where she received her musical training. She married Ramanand S. Kalyanpur.
Once Talat Mahmood heard Kalyanpur singing in a musical concert. Highly impressed, he recommended her to his music recording company, HMV. At age 17, she provided her first playback singing for the movie, Mangu (1954), singing the song Koi Pukāre Dheere Se Tujhe.
Kalyanpur provided playback singing for Miyān Bibi Rāzi (1960), Bāt Ek Rāt Ki (1962), Dil Ek Mandir (1963), Dil Hi To Hai (1963), Shagoon (1964), Jahān Āra (1964), Sānjh Aur Sawerā (1964), Noor Jahān (1967), Saathi (1968) and Pakeezāh (1971). She sang for composers Shankar Jaikishan, Roshan, Madan Mohan, S. D. Burman, Hemant Kumar, Chitragupta, Naushad, S. N. Tripathi, and Ghulam Mohammed, singing the most songs for the first two in the list. She has sung over 740 movie and non-movie songs.
Some of Kalyanpur's popular songs include Nā Tum Hamen Jāno (Bāt Ek Rāt Ki), Chhodo, Chhodo Mori Bāiyān (Miyā Biwi Rāzi), Dil Gham Se Jal Rahā (Shamā), Yun Hi Dil Ne Chāhā Thā (Dil Hi To Hai), Bujhā Diye Hain (Shagoon), Mere Sang Gā (Janwar), Mere Mehboob Na Jā (Noor Mahal), Tum Agar Aa Sako To & Zindagi Doob Gai Dard Ke Toofano Mein (Ek Sāl Pehle), Jo Ham Pe Guzarti Hai (Mohabbat Isko Kehten Hain), Sharābi Sharābi Yeh Sāwan Kā Mausam (Noor Jehān) and Behena Ne Bhai Ki Kalai Main (Resham ki Dori), for which she was nominated for the Filmfare Best Female Playback Award in 1975.
Kalyanpur sang with Lata Mangeshkar the duet Kabhi Āj, Kabhi Kal, Kabhi Parason under the direction of composer Hemant Kumar. She recorded some popular duets with male singers Mohammad Rafi, Manna Dey, Mukesh, Talat Mahmood, and Hemant Kumar. Some of her memorable duets with Rafi are Parbaton Ke Pedon Par Shaam Ka Basera He, Ājahuna Āye Bālamā, Tumane Pukārā Āur Hum Chale Āye", "Bād Muddat Ke Yeh Ghadi Āyee, Mujhhe Yeh Bhool Nā, Tujhhko Dilbari Ki Kasam and Chānd Takatā Hai Idhar. With Manna Dey, she sang the popular duet Na Jāne Kahān Ham The under the music direction of Dattaram.
Kalyanpur also recorded some memorable songs with a classical base, including Manamohan Man Mein Ho Tumhi, Mere Sang Gā Gungunā, and Gir Gayi Re More Māthe Ki Bindiyā. She received three times the prestigious Sur Sringar Samsad award for the best classical song in a Hindi movie.
Kalyanpur recorded songs for movies in several languages besides Hindi: Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Rajasthani, Bengali, Oriya, and Punjabi. Her recordings include devotional songs, ghazals, and thumris.
In Marathi, Kalyanpur recorded for composers Sudhir Phadke, Dashrath Pujāri, and Ashok Patki. Some of her well-known Marathi songs are Rimjhhim Jharate Shrāwan Dhārā, Shabda Shabda Japun Thhewa, Re Kshanāchyā Sangateene, Keshava Madhava, Omkar Pradhan Roop Ganeshache, Jethe Sāgarā Dharanee Milate, Bhaktichyā Phulānchā Goad To Suwās, Nāvikā Re Vara Vahe Re, and Ketakichyā Banee Tethe Nāchalā Ga Mora,Yaa Laadkya Mulano.
Recently in Jan 2010 she has been awarded with prestigious Lata Mangeshkar Award by Government of Maharashtra.
Category:1937 births Category:Living people Category:Indian female singers Category:Marathi playback singers
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Coordinates | 29°57′53″N90°4′14″N |
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Name | Shammi Kapoor |
Name | Shammi Kapoor |
Birth date | October 21, 1931 |
Birth place | Mumbai, Maharashtra India |
Years active | 1952- present |
Height | |
Birth name | Shamsher Raj Kapoor |
Filmfareawards | Best Actor1968 Brahmachari Best Supporting Actor1982 VidhaataFilmfare Lifetime Achievement Award (1995) |
Spouse | Geeta Bali (1955-1965) (due to her death) Neela (1969 - Present) |
Website | junglee.org.in |
Shammi Kapoor (, ), born 21 October 1931 in a Punjabi Khatri family, is an Indian film actor and director. He was a prominent lead actor in Hindi cinema during the late 1950s and 1960s.
He was given the name Shamsher Raj Kapoor at his birth in Mumbai to film and theatre actor Prithviraj Kapoor. Shammi was the second of the three sons born to Prithviraj (the other two being Raj Kapoor and Shashi Kapoor), both of whom were, like their father, successful Bollywood actors. Though he was born in Mumbai, he spent a major portion of his childhood in Kolkata, where his father was involved with New Theatres Studios, acting in films. It was in Kolkata only that he did his Montessory and Kindergarten. After coming back to Mumbai, he first went to St. Joseph's Convent (Wadala) and then, to Don Bosco School. Shammi Kapoor finished his schooling from New Era School, at Hughes Road.
Shammi Kapoor is hailed to be the one of the finest actors that Hindi cinema has ever produced. He was the leading star of Hindi cinema during the late 1950s as well as the 1960s. One of the successful sons of film and theatre actor Prithviraj Kapoor, Shammi was extremely versatile as an actor. He debuted in Bollywood in 1953, with the film Jeevan Jyoti and went on to deliver hits like Tumsa Nahin Dekha, Dil Deke Dekho, Junglee, Dil Tera Diwana, Professor, China Town, Rajkumar, Kashmir Ki Kali, Janwar, Teesri Manzil, An Evening in Paris, Bramhachari, and Andaz and Vidhaata. He received the Filmfare Best Actor Award in 1968 for his performance in Brahmachari and Filmfare Award for Best Supporting Actor for Vidhaata in 1982.
At the height of his career, Shammi Kapoor - tall, athletic, lively, fair complexioned, green-eyed and with handsome features- was a heartthrob and his good looks and physique complemented his image.
In the 1970s, Kapoor’s weight problem proved an obstacle in his path of success and ended his career as a romantic hero. One of his last hits, in which he played the lead role, was Andaz (1971). With time, he moved to carecter roles and acted in films like Zameer, Hero and Vidhaata. In 1974, he donned the hat of a director and made Manoranjan, a film based on Irma La Douce. Two years later, he made Bandalbaaz (1976). However, both the films failed to create magic at the box office. His last appearance, as a character actor, was in the delayed 2006 film, Sandwich.Recently he has decided to act with Ranbir Kapoor, the grandson/great-nephew of his brother Raj Kapoor, in Imitiaz Ali's next movie.
In 1969, he married his second wife Neela Devi Gohil from the Royal Family of Bhavnagar in Gujarat, and his significant weight gain ended his career as a romantic hero in the early 1970s, with Andaz (1971) being one of his last hits. He turned into a successful supporting actor in the 70's, playing Saira Banu's father in Zameer (1975), when he had been her leading man a decade earlier in Junglee (1961) and Bluff Master (1964) and playing Amitabh Bachchan's foster father in Parvarish. He also directed Manoranjan (1974) a copy of Irma La Douce and in which he played a supporting role himself and Bandalbaaz (1976), but neither were successful. In the 1980s and 1990s, he continued to play supporting roles in many films and won a Filmfare Best Supporting Actor Award for his performance in Vidhaata (1982). He eventually cut down on film appearances by the late 1990s and early 2000s and made his last appearance in the delayed 2006 release Sandwich.
Shammi Kapoor is one of the leading internet users in India. He is the founder and chairman of Internet Users Community of India (IUCI). Apart from that, he has also played a major role in setting up internet organizations like the Ethical Hackers Association. Kapoor also maintains a website dedicated to the ‘Kapoor family’. In 2006, he told interviewers that he goes to dialysis three times a week. Even that has failed to depress him. Rather, he is thankful to God for giving him so much.
Category:1931 births Category:Indian Hindus Category:Living people Category:Indian film actors Category:Hindi film actors Category:Filmfare Awards winners Category:People from Mumbai Category:Punjabi people
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Coordinates | 29°57′53″N90°4′14″N |
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Name | Kishore Kumar |
Background | solo_singer |
Spouse | Rama Devi, Madhubala, Yogeeta Bali, Leena Chandawarkar |
Birth name | Abhas Kumar Ganguly |
Born | August 04, 1929Khandwa, Central Provinces and Berar |
Died | October 13, 1987Mumbai, Maharashtra |
Genre | Playback, Rabindra Sangeet, rock and roll |
Occupation | Singer, actor, director, musician, producer |
Years active | 1946–1987 |
Kishore Kumar (, ; 4 August 1929 – 13 October 1987) was an Indian film playback singer and an actor who also worked as lyricist, composer, producer, director, screenwriter and scriptwriter. Kishore Kumar sang in many Indian languages including Bengali, Hindi, Marathi, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. He was the winner of 8 Filmfare Award for Best Male Playback Singer and holds the record for most number of Filmfare Awards won for that category.
While Kishore Kumar was still a child, Ashok Kumar became a popular Bollywood actor. (Later, Anoop Kumar also ventured into cinema with the help of Ashok Kumar). Spending time with his brothers, Kishore Kumar also started to take a keen interest in movies and music. He became a fan of singer-actor Kundan Lal Saigal, whom he considered his guru, and he tried to follow Saigal's singing style.
Kishore Kumar played hero in the Bombay Talkies film Andolan (1951), directed by Phani Majumdar. Although Kishore Kumar got some assignments as an actor with help of his brother, he was more interested in becoming a singer. He was not interested in acting, but his elder brother Ashok Kumar wanted him to be an actor like himself.
He starred in Bimal Roy's Naukri (1954) and Hrishikesh Mukherjee's directorial debut Musafir (1957). Salil Chowdhury, the music director for Naukri was initially dismissive of him as a singer, when he came to know that Kishore Kumar didn't have any formal training in music. However, after hearing his voice, he gave him the song Chhota sa ghar hoga, which was supposed to be sung by Hemant Kumar.
Kishore Kumar starred in films New Delhi (1957), Aasha (1957), Chalti Ka Naam Gaadi (1958), Half Ticket (1962), and Padosan (1968). Chalti Ka Naam Gaadi, his home production, starred the three Ganguly brothers, and Madhubala. The film is about romance between a city girl (Madhubala) and a car mechanic (Kishore Kumar), with a subplot involving brothers.
Music director S. D. Burman is credited with spotting Kishore Kumar's talent as a singer, and advancing his singing career. During the making of Mashaal (1950), Burman visited Ashok Kumar's house, where he heard Kishore imitating K. L. Saigal. He complimented Kishore, but also told him that he should develop a style of his own, instead of copying Saigal. He kept Burman's advice in mind, and eventually developed his own style of singing, which featured the yodeling that he had heard on some records of Jimmie Rodgers bought by his brother Anoop Kumar.
S. D. Burman recorded with Kishore for Dev Anand's Munimji (1954), Taxi Driver (1954), House No. 44 (1955), Funtoosh (1956), Nau Do Gyarah (1957), Paying Guest (1957), Guide (1965), Jewel Thief (1967), Prem Pujari (1970), and Tere Mere Sapne (1971). He also composed music for Kishore Kumar's home production Chalti Ka Naam Gaadi (1958). Some of their initial films included the songs "Maana Janaab Ne Pukara Nahin" from Paying Guest, "Hum Hain Rahi Pyar Ke" from Nau Do Gyarah (1957), "Ai Meri Topi Palat Ke Aa" from Funtoosh, and "Ek Ladki Bheegi Bhaagi Si" and "Haal Kaisa Hai Janaab Ka" from Chalti Ka Naam Gaadi (1958). When S. D. Burman was not on good terms with Lata Mangeshkar during 1957-62, he gave patronage to her younger sister, Asha Bhosle. The Asha Bhosle-Kishore Kumar duets composed by S. D. Burman include "Chhod Do Aanchal" from Paying Guest (1957), "Ankhon Mein Kya Ji" from Nau Do Gyarah (1957), "Haal Kaisa Hai Janaab Ka" and "Paanch Rupaiya Baara Aana" from Chalti Ka Naam Gaadi (1958), "Chhedo Na Meri Zulfein" from Ganga Ki Lahren (1964), and "Arre Yaar Meri Tum Bhi Ho Gajab" from [Teen Devian|Teen Deviyan] (1965).
C. Ramchandra was another music director who recognized Kishore Kumar's talent as a singer.
R. D. Burman frequently used Kishore Kumar as the male singer, and recorded several hit songs with him in the 1970s. Some of the popular Kishore Kumar-R. D. Burman songs include "O Maajhi Re" from Khushboo, "Yeh Shaam Mastaani" and "Yeh Jo Mohabbat Hai" from Kati Patang (1971), "Kuchh To Log Kahenge" from Amar Prem (1972), "Raat Kali Ek Khwab Mein Aayi" from Buddha Mil Gaya (1971), "Musafir Hoon Yaaron" from Parichay (1972), "Diye Jalte Hain" from Namak Haraam (1973), "Meri Bheegi Bheegi Si" from Anamika (1973), "Zindagi Ke Safar Mein" from Aap Ki Kasam (1974), "Agar Tum Na Hote", Humein Tum Se Pyaar Kitna from Kudrat, "Mere Naina Saawan Bhadon" from Mehbooba, and "Chingari Koi Bhadke" (Amar Prem), "Jab Bhi Koi Kangana" from Shaukeen (1986). R. D. Burman also recorded several hit duets pairing Kishore Kumar with Asha Bhosle and with Lata Mangeshkar. Some of these duets include "Panna Ki Tamanna" from Heera Panna (1973), "Neend Chura Ke Raaton Mein" from the film Shareef Budmaash, "Kya Yehi Pyaar Hai" from Sanjay Dutt's debut film Rocky (1981), "Sagar Kinare" from Sagar in [1985], "Aap Ki Aankhon Mein Kuchh" from Ghar, "Jaane Ja Dhoondta" and "Nahi Nahi" from Jawani Diwani, "Kharoshoo" from Harjai (1982).
Apart from the Burmans, Kishore Kumar worked with other music directors as well. The composer duo Laxmikant-Pyarelal (L-P) also composed many hit songs sung by Kishore Kumar. Some of their hit songs include Mere Mehboob Qayamat Hogi from Mr. X In Bombay, Mere Naseeb Mein Aye Dost from Do Raaste, Yeh Jeevan Hai from Piya Ka Ghar, Mere Dil Mein Aaj Kya Hai from , Nahi Mai Nahi Dekh Sakta from Majboor, Mere diwanepan ki bhi from Mehboob Ki Mehndi, Naach Meri Bulbul from Roti, Chal Chal Mere Haathi from Haathi Mere Saathi, Gaadi Bula Rahi Hai from Dost, Ruk Jaana Nahi from Imtihaan, Ek Ritu Aaye from Gautam Govinda, My Name Is Anthony Gonsalves from Amar Akbar Anthony Bahut Khoobsurat Jawan Ek Ladki from Dostana and Om Shanti Om as well as Paisa Yeh Paisa from Karz. L-P, also composed several hit Kishore-Lata duets, including Achchha To Hum Chalte Hain from Aan Milo Sajna, Gore Rang Pe Na Itna from Roti, Main Solah Baras Ki from Karz, and Din Mahine Saal from Avtaar, Tu Kitne Baras Ki from Karz. L-P also got Kishore Kumar and Mohammed Rafi to sing duets for the films Dostana, Ram Balram and Deedaar-E-Yaar. L-P composed a duet with Kishore Kumar and Alisha Chinoy, I love you (Kaate Nahin Katate Yeh Din Yeh Raat) from Mr. India in (1987). Salil Chowdhury recorded songs like Koi Hota Jisko Apna from Mere Apne and Gujar Gaye Din Din from Annadata. Ravindra Jain recorded Ghungroo Ki Tarah, and the duet Tota Maina Ki Kahani from Fakira. Khaiyyaam recorded beautiful duets with Lata Mangeshkar such as Hazar Rahein from Thodisi Bewafai, Aankhon Mein Humne Aapke Sapne Sajaye Hain, Chandani Raat Mein Ek Bar. Hridaynath Mangeshkar recorded Zindagi Aa Raha Hoon Main from Mashaal. Kalyanji-Anandji recorded several hit songs with Kishore Kumar including Zindagi Ka Safar and Jeevan se na haar Jeenewale , from Safar, Pal Pal Dil Ke Paas from Black Mail, Apne Jeevan Ki Uljhan from Uljhan, Mera Jeevan Kora Kagaz from Kora Kagaz, O Saathi Re from Muqaddar Ka Sikandar, Khaike Paan Banaraswala from Don, Neele Neele Ambar Par from Kalakar and Pal Bhar Ke Liye from Johny Mera Naam''.
Other composers including Rajesh Roshan, Sapan Chakravarty, and Bappi Lahiri also worked with Kishore Kumar. Rajesh Roshan's first hit film Julie featured hit songs sung by Kishore Kumar, Bhool Gaya Saab Kuchh (duet with Lata Mangeshkar) and Dil Kya Kare Jab Kisise. Their other hits include Chhookar mere man ko from Yaarana , Tune Abhi Dekha Nahin from Do Aur Do Paanch and Kahan Tak Ye Man Ko Andhere Chhalenge from Baaton Baaton Mein. Bappi Lahiri also recorded many popular songs with Kishore Kumar, including Pag Ghunghroo Bandh from Namak Halal (1982), Manzilen Apni Jagah Hai from Sharaabi (1984) and Chalte Chalte Mere Ye Geet from Chalte Chalte (1976), Saason Se Nahi Kadmose Nahi from Mohabbat in (1987) and duets with (Lata Mangeshkar)) like Taa thaiya from Himmatwala in (1984), Albela Mausam from Tohfa in (1985) and another duet Pyar Ka Tohfa from the same film.
During the Indian Emergency (1975–1977), Sanjay Gandhi asked Kishore Kumar to sing for a Congress rally in Mumbai, but Kishore Kumar refused. As a result, the Government put an unofficial ban on playing Kishore Kumar songs on the All India Radio or television.
With patronage from R. D. Burman and Rajesh Roshan, Kishore Kumar's son Amit Kumar also became a Bollywood singer in the 1980s. Kishore Kumar also continuted singing for several actors. He also did some stage shows, apparently to earn money to pay his income tax arrears.
However, on 13 October 1987, he died of a heart attack in Mumbai at 4:45 pm. His body was taken to Khandwa for cremation. He had recorded his last song a day before he died. The song was Guru Guru, a duet with Asha Bhosle, for the film Waqt Ki Aawaz (1988) composed by Bappi Lahiri for Mithun Chakraborty and Sridevi.
Kishore Kumar's song Pal Bhar Ke Liye from the film Johny Mera Naam (1970) was used in an episode of The Simpsons titled Kiss Kiss, Bang Bangalore. His songs have also been featured in several films, including Such a Long Journey (1998) and Side Streets (1998). Sony TV organised the television singing contest K for Kishore to search for a singer like Kishore Kumar.
He married four times. His first wife was Ruma Guha Thakurta aka Ruma Ghosh. Their marriage lasted from 1950 to 1958. Kishore Kumar's second wife was the actress Madhubala, who had worked with him on many films including his home production Chalti Ka Naam Gaadi (1958). When Kishore Kumar proposed to her, Madhubala was sick and was planning to go to London for treatment. At this time, she didn't know that she had a ventricular septal defect, and her father wanted her to wait and consult the London doctors first. Nevertheless, Madhubala married Kishore Kumar in 1960. Madhubala was a Muslim, and the two had a civil marriage. Kishore Kumar even converted to Islam, and took the name Karim Abdul.
His family was against the marriage, and the couple also had a Hindu marriage to please them, but Madhubala was not accepted by them. The doctors in London told Madhubala that she would not live for long. The marriage lasted for 9 years, and ended with Madhubala's death on 23 February 1969. Kishore Kumar's third marriage was to Yogeeta Bali, and lasted from 1976 to 4 August 1978. Kishore Kumar was married to Leena Chandavarkar from 1980 until his death.
Kishore Kumar had two sons, Amit Kumar (playback singer) with Ruma, and Sumit Kumar with Leena Chandavarkar.
Kishore Kumar is said to have been paranoid about not being paid. Once, when he discovered that his dues hadn't been fully paid, he landed up for shooting with make-up on only one side of his face. When the director questioned him, he replied "Aadha paisa to aadha make-up." (Half make-up for half payment). Hrishikesh Mukherjee, the director of the film, was asked to meet Kishore Kumar to discuss the project. However, when he went to Kishore Kumar's house, he was driven away by the gatekeeper due to a misunderstanding. Kishore Kumar (himself a Bengali) hadn't been paid for a stage show organized by another Bengali man, and had instructed his gatekeeper to drive away this "Bengali", if he ever visited the house. When Hrishikesh Mukherjee (also a Bengali) went to Kishore Kumar's house, the gatekeeper drove him away, mistaking him for the "Bengali" that Kishore Kumar had asked him to drive away. Consequently, Mehmood had to leave the film as well, and new actors (Rajesh Khanna and Amitabh Bachchan) were signed up for the film.
In spite of his "no money, no work" principle, sometimes Kishore Kumar recorded for free even when the producers were willing to pay. He recorded for free, for some films produced by Rajesh Khanna and Danny Denzongpa. On one occasion, Kishore Kumar helped actor-turned-producer Bipin Gupta, by giving him Rs. 20,000 for the film Dal Mein Kala (1964). When the little-known actor Arun Kumar Mukherjee died, Kishore Kumar regularly sent money to his family in Bhagalpur. Kishore Kumar had put a "Beware of Kishore" sign at the door of his Warden Road flat, where he stayed for some time while his bungalow was being done up. Once, the producer-director H. S. Rawail, who owed him some money, visited his flat to pay the dues. Kishore Kumar took the money, and when Rawail offered to shake hands with him, he reportedly put Rawail's hand in his mouth, bit it, and asked "Didn’t you see the sign?". Rawail laughed off the incident and left quickly. Once, when a reporter made a comment about how lonely he must be, Kishore Kumar took her to his garden. He then named some of the trees in his garden, and introduced them to the reporter as his closest friends.
Once, a producer went to court to get a decree that Kishore Kumar must follow the director's orders. As a consequence, Kishore Kumar obeyed the director to the letter. He refused to alight from his car until the director ordered him to do so. Once, after a car scene in Mumbai, he drove on till Khandala because the director forgot to say "Cut". 1972 - Best Male Playback Singer for Andaz 1973 - Best Male Playback Singer for Hare Rama Hare Krishna 1975 - Best Male Playback Singer for Kora Kagaz
Category:1929 births Category:1987 deaths Category:Bengali people Category:People from Khandwa Category:Indian male singers Category:Indian actors Category:Indian film actors Category:Indian film singers Category:Cardiovascular disease deaths in India Category:Indian comedians Category:Bollywood playback singers Category:Yodelers Category:Bengali musicians Category:Bengali actors Category:Assamese playback singers Category:Indian former Muslims Category:People from Mumbai Category:Hindi film actors Category:Hindi film directors Category:Indian film directors Category:Indian film producers
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Coordinates | 29°57′53″N90°4′14″N |
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Birth name | Hema Malini R. Chakravarty |
Name | Hema Malini |
Birth date | October 16, 1948 |
Birth place | Ammankudi, Tamil Nadu, India |
Spouse | Dharmendra (1980-present) |
Years active | 1961 – present |
Occupation | Actress, Director and Producer |
Hema Malini (; ) (born 16 October 1948) is an Indian actress, director and producer, as well as a Bharatanatyam dancer-choreographer. Making her acting debut in Sapno Ka Saudagar (1968), she went on to appear in numerous successful Bollywood films, most notably those with actor and future-husband Dharmendra. She was initially promoted as "Dream Girl", and in 1977 starred in a film of the same name. During this period, she established herself as one of Hindi cinema's leading actresses, noted for both her comic and dramatic roles, and her accomplished classical dancing.
Malini is one of the most successful female filmstars in the history of Indian cinema. Appearing in over 150 films in a career span of 40 years, she has starred in a large number of hit films, and her performances in both commercial and arthouse cinema, were often recognised. She now spends most of her time involved in charitable and social ventures, though she still makes occasional appearances in films. In 2000, she was honoured with the Padma Shri by the Government of India.
Hema starred in many movies throughout the 1970s and 1980s and is perhaps best remembered for her glamour, style, and accomplished classical dancing. She formed a hit pair with Dharmendra, and the duo performed a number of hit movies like Sholay, Charas, Aas Paas, Jugnu, Seeta Aur Geeta, The Burning Train. She also achieved some strong dramatic or comic moments in films like Trishul, Joshila, Lal Patthar, Meera, Khushboo and Kinara.
After taking a long break from films for a number of years in the 1990s and early 2000s, Hema has recently made a comeback of sorts. She co-starred with Amitabh Bachchan in the successful film Baghban (2003), and played a cameo role (also opposite Bachchan) in the 2004 blockbuster Veer-Zaara. In both films, she played a self-possessed, old married woman rather than the ingenuinee roles of her earlier career.
She tried her hand at directing and made the 1992 film Dil Aashna Hai which featured an all-star cast including Shahrukh Khan and the late Divya Bharti. She also directed and starred in the TV serial Noopur, in which she was depicted as a Bharatanatyam dancer going to America.
Top Bollywood stars like Sanjeev Kumar and Jeetendra proposed to her, but she married Dharmendra on 2 May 1980.
Nominated
Category:Indian dancers Category:Indian vegetarians Category:Indian film actors Category:Indian television actors Category:Hindi film actors Category:Hindi film directors Category:Indian film producers Category:Tamil actors Category:Recipients of the Padma Shri Category:Filmfare Awards winners Category:People from Tamil Nadu Category:Bharatiya Janata Party politicians Category:Nominated Rajya Sabha members Category:Indian Hindus Category:Indian film directors Category:Indian actor-politicians Category:1948 births Category:Living people
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Coordinates | 29°57′53″N90°4′14″N |
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Name | Asha Bhosle |
Background | solo_singer |
Birth name | Asha Mangeshkar |
Born | September 08, 1933Sangli, Bombay Presidency, British India |
Genre | Pop, folk, Indian classical music |
Occupation | Singer, playback singer |
Years active | 1943–present |
Renowned for her voice range and often credited for her versatility, Bhosle's work includes film music, pop, ghazals, bhajans, traditional Indian Classical music, folk songs, qawwalis, Rabindra Sangeets and Nazrul Geetis. She has sung in over 18 languages including Assamese, Hindi, Urdu, Telugu, Marathi, Bengali, Gujarati, Punjabi, Tamil, English, Russian, Czech, Nepali, Malay and Malayalam.
In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. The World Records Academy, an international organization which certifies world records, recognized her as the "Most Recorded Artist" in the world, in September 2009.
At the age of 16, she eloped with 31-year-old Ganpatrao Bhosle, marrying him against her family's wishes. Ganpatrao was sister Lata's personal secretary. The marriage failed miserably. Her husband and in-laws mistreated her. After a few years of marriage, Bhosle was turned out (around 1960) by a suspicious Ganpatrao and she went to her maternal home with two children and pregnant with her third child, Anand. She continued to sing in films to earn money.
At that time, prominent playback singers like Geeta Dutt, Shamshad Begum and Lata Mangeshkar (her sister) monopolized the singing for the "heroine" roles and the big films, whilst Asha Bhosle used to get the assignments they did not take: singing for the bad girls and vamps, or songs in the second-grade movies. In the 1950s, she sang more songs than most other playback singers in Bollywood (not counting Lata), yet most of these were in low budget B or C-grade films. Her earliest songs were composed by A R Qureshi, Sajjad Hussain and Ghulam Mohammed, most of which failed to do well. Some of the most popular Asha Bhosle-Helen numbers are Piya Tu Ab To Aaja (Caravan), O Haseena Zulfon Wali (Teesri Manzil), and Yeh Mera Dil (Don).
By the 1980s, Asha Bhosle had been stereotyped as a "cabaret singer" and a "pop crooner". In Rekha-starrer Umrao Jaan, she proved her versatility by singing ghazals like Dil cheez kya hai, In aankhon ki masti ke, Ye kya jagah hai doston and Justju jiski thi. The music director Khayyam, had lowered her pitch by half a note. Asha herself was surprised that she could sing so differently. The ghazals won her the first National Award of her career. A few years later, she won another National Award for the song Mera Kuchh Saamaan from Ijaazat (1987).
In 1995, a 62-year-old Asha Bhosle did playback for young actress Urmila Matondkar in the movie Rangeela. The soundtrack featured songs like Tanha Tanha and Rangeela Re sung by her, and composed by music director A. R. Rahman, who went on to record many more songs with her.
As late as 2005, 72-year-old Asha Bhosle's numbers for the Tamil film Chandramukhi and the pop song Lucky Lips for Salman Khan-starrer were chartbusters. Some of the other popular Tamil songs sung by Bhosle are Oh! Butterfly, September Maadham and Vennila Vennila.
In October 2004, The Very Best of Asha Bhosle, The Queen of Bollywood, a compilation album of songs recorded by Bhosle for albums and Bollywood films that were released during 1966-2003, was released.
Music director O. P. Nayyar's association with Asha Bhosle is part of Bollywood lore. He was the composer who first gave Asha her own distinct identity. Many people have speculated about a romantic relationship between the two.
Nayyar first met Asha in 1952, at the music recording of Chham Chhama Chham. He first called her for a film called Mangu (1954), and gave her a big break in CID (1956). However, it was the success of Naya Daur (1957), that made the duo very popular. After 1959, she was emotionally and professionally involved with Nayyar.
The team of O.P. Nayyar and Asha Bhosle is best remembered for their breezy and sometimes sirenish songs. Some good examples of their sensuous numbers are Aaiye meherbaan picturised on Madhubala (Howrah Bridge, 1958) and Yeh hai reshmi zulfon ka andhera picturised on Mumtaz (Mere Sanam, 1965). They recorded songs for many hit movies like Naya Daur (1957), Tumsa Nahin Dekha (1957), Howrah Bridge (1958), Ek Musafir Ek Hasina (1962), Kashmir Ki Kali (1964), etc. Some of their most popular songs include Aao huzur tumko (Kismat), Jaaiye aap kahan (Mere Sanam) etc. O.P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets. some of these songs include Ude jab jab zulfein teri (Naya Daur). Main pyaar ka rahi hoon (Ek Musafir Ek Haseena), Deewana Hua Baadal, Ishaaron hi isharon mein (Kashmir Ki Kali) etc.
Asha recorded her last song for O.P. Nayyar in the movie Pran Jaye Par Vachan Na Jaye (1974). The solo number Chain se got many awards, but it was not included in the movie.
They split on August 5, 1972. It is not clear what made them part their ways. On being asked the reason for their parting, O P Nayyar once said, "I know astrology very well. I knew that one day I had to part with her. Something also happened, that upset me, so I left her." She gives the credit for her first big break to B. R. Chopra, the producer of Naya Daur.
;Khayyam Another music director who recognized Bhosle's talent early was Khayyam. His partnership with Asha Bhosle dates back to his first movie Biwi (1948). Khayyam gave her some good assignments in the 1950s, including Dard and Phir Subah Hogi. But the team is chiefly remembered for the songs of Umrao Jaan.
;Ravi Music composer Ravi considered Asha one of his favorite singers. She sang for his first movie Vachan (1955). The melodious lullaby from the movie, Chandamama door ke became an overnight hit among young mothers in India. Ravi got her to sing bhajans for the movies Gharana, Grihasti, Kajal and Phool Aur Patthar, at a time when most of the composers remembered her only when they needed to record B-grade songs picturized on the vamps or the side-heroines. Ravi and Asha Bhosle recorded a variety of songs, including the popular funny duet with Kishore Kumar - C A T...Cat maane billi (Dilli Ka Thug). The bhajan Tora man darpan (Kajal) is considered one of Asha Bhosle's best songs.
They also recorded songs for many popular movies like Waqt, Chaudhvin Ka Chand, Gumrah, Bahu Beti, China Town, Aadmi Aur Insaan, Dhund, Humraaz, and Kajal with her. For Chaudhvin Ka Chand, Ravi wanted Geeta Dutt (the wife of producer Guru Dutt) to sing the songs. But when she backed out, Guru Dutt insisted that Asha Bhosle sing the songs. During this period, S D Burman used Asha Bhosle as his lead female voice. She and S D Burman gave many hit songs in movies such as Kaala Pani, Kaala Bazaar, Insaan Jaag Utha, Lajwanti, Sujata and Teen Deviyaan (1965). They recorded many songs together after 1962 as well. Most famous of these songs were Asha Bhosle's duets with Mohammed Rafi and Kishore Kumar. The song Ab ke baras in Bimal Roy's Bandini (1963) consolidated her position as a lead singer. The seductive song Raat Akeli Hai from Jewel Thief (1967), picturised on Tanuja, became very popular.
;Rahul Dev Burman (Pancham) Asha first met Rahul Dev Burman (a.k.a. "Pancham") when she was a mother of two and he was in 10th grade having dropped out to pursue music. Their partnership was first noticed in Teesri Manzil (1966). She went on to record a variety of songs with him - cabarets, rock, disco, ghazals, Indian classical music and many more.
In the 1970s, Asha Bhosle and Pancham's youthful, Western songs took Bollywood music by storm - the raunchy cabaret Piya tu ab to aaja (Caravan, 1971, picturized on Helen), the rebellious Dum Maro Dum ( Hare Rama Hare Krishna, 1971), the sexy Duniya mein (Apna Desh, 1972), the romantic Chura Liyaa Hai Tumne (Yaadon Ki Baaraat, 1973). Pancham also recorded many hit duets with Asha Bhosle and Kishore Kumar - Jaane jaan, dhoondhta phir raha (Jawani Diwani), Bhali bhali si ek soorat (Buddha Mil Gaya) etc.
In 1980s, Pancham and Asha Bhosle recorded subtle numbers for films like Ijaazat (1987)- Mera kuch saaman, Khaali haath shaam aayi hai, Katra Katra. They also recorded the popular duet O Maria (Saagar). Mera Kuchch saamaan, the R.D. Burman composition for Gulzar's Ijaazat won her the National Award for Best Singer.
Asha Bhosle used to call R D Burman "Bubs". She married him in 1980. Their partnership lasted until his death.
RD Burman made her sing some of the most legendary songs in Bengali language as well, namely Mohuyae Jomechhe Aaj mou go,Chokhe Chokhe kotha bolo Chokhhe naame brishti(Bengali version of Jaane Kya Baat hai), Baanshi sune ki ghore thaka jaye,Sondhya Belae tumi aami,Aaj Gungun gun gunje amar (Bengali version of Pyaar Deewana hota hai),etc.
;Ilaiyaraaja The prolific south Indian film composer Ilaiyaraaja began employing Asha Bhosle's vocals in the early 1980s, their earliest collaboration being for the film Moondram Pirai (1982) (or Sadma, its Hindi remake in 1983). Their association continued, mostly through the latter half of the 1980s and early 1990s. Some of their notable songs from this period include Shenbagamae (Enga Ooru Paattukkaaran, 1987, Tamil). In 2000, Asha sung Ilaiyaraaja's theme song for Kamal Haasan's political film Hey Ram. The song, Janmon Ki Jwala (or Aparna's Theme), was a duet with ghazal singer Hariharan.
;A. R. Rahman A. R. Rahman is given the credit for Asha Bhosle's 'comeback' with Rangeela (1994). Songs like Tanha Tanha and Rangeela Re were chartbusters. She and Rahman went on to record more hits like Mujhe Rang De (Thakshak), Radha Kaise Na Jale (Lagaan, duet with Udit Narayan), Kahin Aag Lage (Taal), O Bhanware (Daud, duet with K. J. Yesudas), Venilla Venilla (Iruvar,1999), Dhuan Dhuan (Meenaxi,2004). Naushad, later in his life, also admitted that he has been unfair to Asha Bhonsle. Asha has also worked with other noted Bollywood composers like Jatin Lalit, Bappi Lahiri, Kalyanji Anandji, Usha Khanna, Chitragupt, and Roshan.
In 1990s, Asha experimented with the remixed R D Burman songs. She was criticized by many, including Khayyam for tampering with old melodies. Nevertheless, albums like Rahul And I became quite popular. In 1997, Asha did a private Indipop album Janam Samjha Karo with Leslie Lewis. The album was hugely popular and won her many awards including the 1997 MTV Award.
Asha had been once asked by the director B R Ishaara to compose music for one of his films, but she had politely declined. In 2002, she turned music composer with the album Aap Ki Asha, an eight-song music and video album. The lyrics were written by Majrooh Sultanpuri (his last lyrics) and the music was composed by Asha herself. The album was released by Sachin Tendulkar on May 21, 2001 at a lavish party in Mumbai. The album received mixed reviews.
Asha had spotted Pakistani singer Adnan Sami's talent when he was about 10 years old. At that time was performing in London, with R D Burman. It was she who had asked him to pursue his interests in music seriously. When Adnan grew up and became a professional musician, Asha sang the title duet with him for his best-selling album Kabhi to nazar milao. The two came together again in the album Barse Badal. The album comprises eight songs, based on Indian Classical music. She contributed the song Yun Na Thi to the recording Womad Talking Book Volume Four: An Introduction to Asia 1 on Womad Records.
Asha has sung ghazals for many albums like Meraj-E-Ghazal, Aabshar-E-Ghazal and Kashish. In 2005, Asha released a self-title album (Asha), a tribute to the four ghazal maestros - Mehdi Hassan, Ghulam Ali, Farida Khanum and Jagjit Singh. The album features eight of her favorite ghazals like Farida Khanum’s Aaj Jaane Ki Zid Na Karo, Ghulam Ali’s Chupke Chupke, Aawargi and Dil Mein Ek Lahar, Jagjit Singh’s Ahista Ahista and Mehdi Hassan’s Ranjish Hi Sahi, Rafta Rafta and Mujhe Tum Nazar Se. These classic ghazals were recreated with modern sounds by the musician Pandit Somesh Mathur. The album was aimed at the younger generation, who, according to Asha, are "turned off" by the traditional sounds of tabla and sarangi.
Numerous compilations of Asha's songs have been released as well. To commemorate her 60th birthday, in 1993 EMI India released three cassettes: Bala Main Bairagan Hoongi (devotional songs), The Golden Collection: Memorable Ghazals (non-film ghazals by composers such as Ghulam Ali, R D Burman and Nazar Hussain), and The Golden Collection: The Ever Versatile Asha Bhosle (44 popular film songs).
In 2006, she recorded an album Asha and Friends, singing duets, with film actors Sanjay Dutt and Urmila Matondkar and famous cricket player Brett Lee, with whom she sang, You're the One for Me (Haan Main Tumhara Hoon). All these songs composed by Shamir Tandon were shot on video by journalist turned director S Ramachandran.
In the mid-1980s, Asha sang with Boy George (Bow down mister) and Stephen Lauscombe. In 1997, she sang a love song with the boy band Code Red, at the age of 64. She also recorded the song The Way you Dream (One Giant Leap, ) with Michael Stipe that was used in the English movie, Bulletproof Monk. The song was also released on the self-titled album 1 Giant Leap for 2002.
In 1997, the British band Cornershop paid tribute to Asha with their song Brimful of Asha, an international hit which was later remixed by Fatboy Slim. In 2001, the CD single of Nelly Furtado's "I'm Like A Bird" included a "Nellie vs. Asha Remix" created by Digital Cutup Lounge.
In 2003, British opera pop singer Sarah Brightman sampled her song "Dil Cheez Kya Hai" on her album Harem. It was used as the intro for her song "You Take My Breath Away".
In 2005, American string quartet Kronos Quartet re-recorded the R D Burman compositions like Chura Liya, Piya Tu, Mera Kuchh Saaman among others and got Asha to sing them. Despite her age (she had crossed 70), she recorded three to four songs in a day, leaving the quartet members stupefied. On August 23, 2005, You've stolen my heart - Songs From R D Burman's Bollywood was released in US. The album was nominated for Grammy Awards 2006 in the category of "Best Contemporary World Music Album". Earlier, in 1990s, a friend had introduced David Harrington of Kronos Quartet to the song Aaj ki raat. Harrington was mesmerised, and the song ended up on the album Kronos Caravan.
Also in 2005, The Black Eyed Peas sampled her songs "Ae Naujawan Sab Kuchh Yahan" (Apradh, 1972) and "Yeh Mera Dil Pyaar Ka Diwana" (Don, 1978) in their hit single "Don't Phunk with My Heart". In late 2006, Asha collaborated with Australian test cricket star, Brett Lee. The single, You're the One for Me debuted at number 4 on the charts and reached a peak position of number 2.
In 2006 Asha Bhosle recorded one song for the soundtrack of Pakistani movie Mein Ek Din Laut Kay Aaaonga. singing the song Dil Key Taar Bajey with famous Pakistani pop singer Jawad Ahmed. The song was aired as the part of the film's promotional campaign and became very popular, featuring on top music charts.
Asha is an excellent cook and cooking is her favorite hobby. She often gets flooded with requests by Bollywood celebrities for kadai ghosht and biryani and has rarely turned down a request. In fact, her paya curry, Goan fish curry and dal are very popular with the Kapoor family of Bollywood. Once, when asked in a Times of India interview, what if her singing career had not taken off, she said "I would have become a cook. I'd have cooked in four houses and made money."
Asha is a successful restaurateur and runs restaurants in Dubai and Kuwait, called Asha's. Asha's offers traditional north-western Indian cuisine. It has a presence in the Wafi City development in Dubai, as well as three restaurants in Kuwait, at The Avenues Mall, the Marina Mall and a brand new third outlet at the Spoons Complex. Other restaurants can be found in Abu Dhabi's Khaldiya Mall, Doha's Villagio and Bahrain's City Center Mall, with future outposts planned for Dubai's Mall of the Emirates and Cairo, Egypt. Asha Bhosle has a 20% stake in the business. Asha is not involved in day-to-day running of the restaurant which is looked after by the Wafi Group. She takes care of the kitchen and the décor. She personally trained the chefs for almost six months. According to a December 2004 report in the Menu Magazine, Russell Scott, a former head of Harry Ramsden's (the fish and chips chain), secured the UK rights to the Asha's brand and planned to open up to 40 restaurants over the next five years. As part of her chain of restaurants, Asha's, Ashatai has recently opened a new restaurant in Birmingham, UK.
Asha's fashion statement is white sarees with sparkling embroidery, pearls around her neck and diamonds. Harrington of Kronos Quartet said "The first time I met Ashaji she was dressed in the most beautiful sari with diamonds and looked very regal. Then I looked down and saw that she was wearing tennis shoes! I thought I love this woman."
Asha is a good mimicry artist as well. At a concert at World Trade Center in Dubai on April 22, 2004, she mimicked the song Kabhi To Nazar Milaao in the voices of Noor Jehan, Lata Mangeshkar and Ghulam Ali.
Nowadays, apart from singing and her restaurant, Asha is also working on her autobiography.
Lata considered Asha's act of eloping with her lover as irresponsible, leaving her alone to sing and earn for the family. This led to tensions among them. Asha herself accepted in an interview Asha said about the movie — "To have two women in long plaits, take a couple of incidents and exaggerate them into a 3-hour film is such a waste of time." She won her first two awards in 1967 and 1968, when Lata Mangeshkar still used to accept the award (Mangeshkar asked not to be considered for the award nominations after 1969 to promote new talent). After receiving the award in 1979, Bhosle emulated her elder sister and requested that her name not be considered for the nominations hereafter. Despite this, Bhosle is the most frequent winner of this award to date, tying with Alka Yagnik. She was later given a Special Award for Rangeela in 1996, and the Filmfare Lifetime Achievement Award in 2001. Following is the list of her Filmfare Awards:
Filmfare Best Female Playback Award:
Other Awards:
;National Film Awards Asha has won the National Film Award for Best Female Playback Singer twice:
;Other awards Asha has won numerous other awards, some of which include: 1987: Nightingale Of Asia Award (from the Indo–Pak Association, UK).
;Honours and recognitions
Category:1933 births Category:Living people Category:Bengali-language singers Category:Bollywood playback singers Category:Dadasaheb Phalke Award recipients Category:English-language singers Category:Female guitarists Category:Gujarati-language singers Category:Hindi-language singers Category:Indian female singers Category:Indian film singers Category:Indian guitarists Category:Kollywood playback singers Category:Marathi-language singers Category:Marathi playback singers Category:Nepali-language singers Category:People from Maharashtra Category:Recipients of the Padma Vibhushan Category:Russian-language singers Category:Tamil-language singers
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