Plot
Suffering from hysteria, Sabina Spielrein is hospitalized under the care of Dr. Carl Jung who has begun using Dr. Sigmund Freud's talking cure with some of his patients. Spielrain's psychological problems are deeply rooted in her childhood and violent father. She is highly intelligent however and hopes to be a doctor, eventually becoming a psychiatrist in her own right. The married Jung and Spielrein eventually become lovers. Jung and Freud develop an almost father-son relationship with Freud seeing the young Jung as his likely successor as the standard-bearer of his beliefs. A deep rift develops between them when Jung diverges from Freud's belief that while psychoanalysis can reveal the cause of psychological problems it cannot cure the patient.

Keywords: 1900s, adultery, austria, baby, baby-boy, baby-girl, bare-breasts, based-on-book, based-on-play, bathtub

Plot
Seduced by Jung, killed by hate, redeemed by history. In 1905 a 19-year-old Russian girl suffering from severe hysteria is admitted into a psychiatric hospital in Zurich. A young doctor, Carl Gustav Jung, takes her under his care and for the first time experiments with the psychoanalytical method of his teacher, Sigmund Freud. Based on recently exposed secret correspondence between Jung, Freud and Sabina Spielrein, this true story begins with the Spielrein's healing, closely related to her passionate love affair with Jung, followed by her return to post-revolutionary Russia ? where she became a psychoanalyst herself founding the famous White School ? and her sudden death in 1942, the victim of Nazi violence. The investigation of this story becomes an essential component of the film via two modern researchers, Marie, a young French scholar, and Fraser, a historian from Glasgow, who follow Sabina's life from Zurich to Moscow to Rostow, leading to the discovery of missing portions of the original correspondence. And since any exploration of others' lives inevitably leads to delving into one's own self, the two stories then finally interweave and are swept away in the passionate journey.

Keywords: 1900s, 1920s, 1930s, 1940s, angel, bare-breasts, bathtub, beating, book, borscht

Plot
The history of psychoanalysis is littered with the discarded psyches of the women whose diagnoses were key to the fame of the great masters. One such woman was Sabina Spielrein. Unlike the rest, she didn't vanish forever from history. Elisabeth Márton's film relates, restages and remembers the tragic story of Spielrein's life as gleaned from a box of her papers discovered in 1977 in the cellar of Geneva's former Institute of Psychology. Spielrein was a young Russian-Jewish woman of 18 when she arrived in August 1904 at the Burghölzli clinic in Zurich where Carl Gustav Jung had set up shop. She was his first patient. He was 29 and married. Her cathexis was rapid and she formed an intense attachment to her young doctor, who seems to have reciprocated. But after Sigmund Freud's note (above) on the nefarious nature of females, the doctors hatched the theory of counter-transference to explain their feelings. Luckily, this wouldn't be Sabina's final contribution to psychoanalysis. Pronounced cured, she became a psychoanalyst herself and, within eight years, was practising alongside the founding fathers. The correspondence between Spielrein, Freud and Jung discovered that day in the Geneva basement has become essential to understanding the evolution of psychoanalysis ^Ö and the virtually insurmountable challenges facing women who sought to contribute in any role other than that of patient. Márton's deft re-enactments and the actors' dramatic readings of Spielrein's own words tell a chilling story, bringing to light both the work of this pioneer and the dark side of psychoanalysis. Documentary and drama carry Spielrein's life into the cross-hairs of warring ideologies (Communism, National Socialism). With a rare gift for melding subjectivity with biographical facts, Márton brings Sabina Spielrein back to life, body and soul.

Plot
The history of psychoanalysis is littered with the discarded psyches of the women whose diagnoses were key to the fame of the great masters. One such woman was Sabina Spielrein. Unlike the rest, she didn't vanish forever from history. Elisabeth Márton's film relates, restages and remembers the tragic story of Spielrein's life as gleaned from a box of her papers discovered in 1977 in the cellar of Geneva's former Institute of Psychology. Spielrein was a young Russian-Jewish woman of 18 when she arrived in August 1904 at the Burghölzli clinic in Zurich where Carl Gustav Jung had set up shop. She was his first patient. He was 29 and married. Her cathexis was rapid and she formed an intense attachment to her young doctor, who seems to have reciprocated. But after Sigmund Freud's note (above) on the nefarious nature of females, the doctors hatched the theory of counter-transference to explain their feelings. Luckily, this wouldn't be Sabina's final contribution to psychoanalysis. Pronounced cured, she became a psychoanalyst herself and, within eight years, was practising alongside the founding fathers. The correspondence between Spielrein, Freud and Jung discovered that day in the Geneva basement has become essential to understanding the evolution of psychoanalysis ^Ö and the virtually insurmountable challenges facing women who sought to contribute in any role other than that of patient. Márton's deft re-enactments and the actors' dramatic readings of Spielrein's own words tell a chilling story, bringing to light both the work of this pioneer and the dark side of psychoanalysis. Documentary and drama carry Spielrein's life into the cross-hairs of warring ideologies (Communism, National Socialism). With a rare gift for melding subjectivity with biographical facts, Márton brings Sabina Spielrein back to life, body and soul.