Crash (1996 film)

Crash is a 1996 Canadian-British psychological thriller film written and directed by David Cronenberg based on J. G. Ballard's 1973 novel of the same name. It tells the story of a group of people who take sexual pleasure from car crashes, a notable form of paraphilia. The film stars James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter, and Rosanna Arquette.

The film generated considerable controversy on its release and opened to mixed and highly divergent reactions from critics. While some praised the film for its daring premise and originality, others criticized its combination of graphic sexuality with violence. Although it was nominated for the Palme d'Or (the grand prize) at the 1996 Cannes Film Festival, it instead won the Special Jury Prize, which is considered the third-most prestigious prize. The film's music score was composed by Howard Shore.

Plot

Film producer James Ballard (James Spader) and his wife, Catherine (Deborah Kara Unger), are in an open marriage. The couple engage in various infidelities, but between them have only unenthusiastic sex. Their arousal is heightened by discussing the intimate details of their extramarital sex.

Crash!

Crash! is a 1977 film directed by Charles Band. It starred José Ferrer, Sue Lyon, John Ericson, Leslie Parrish, John Carradine and Reggie Nalder.

Plot

Jealous invalid husband (Ferrer) tries to kill sexy blond wife (Lyon), who uses occult powers and devices to try to kill him.

DVD Release

A DVD of the film has been released in Germany, but it has yet to see a Region 1 DVD release.

External links

Crash (The Human League album)

Crash is the fifth studio album by the British synthpop band The Human League, released in 1986. Crash would provide the band with their second US number-one single, "Human", the same year. It was produced by the American production team of Jimmy Jam and Terry Lewis who also wrote several tracks.

Background

After spending two years recording their fourth album Hysteria, which met with only moderate commercial success, the band struggled to record further material. By 1985, musician/songwriter Jo Callis had left the group. Virgin Records, worried by the lack of progress in one of their leading acts, called the band principals to a meeting where a solution was sought. As the problem was perceived to be the lack of production, it was suggested that the band take up an offer to work with Minneapolis based production duo Jimmy Jam and Terry Lewis. Jam and Lewis who had written for and produced The SOS Band, Cherrelle and Alexander O'Neal, and had just finished working on Janet Jackson's breakthrough album Control. They had developed an interest in The Human League after the success of their US releases; they were also seeking an opportunity to cross over into the mainstream pop and saw The Human League as the perfect opportunity.

Crash (2004 film)

Crash is a 2004 ensemble drama film co-written, produced, and directed by Paul Haggis. The film is about racial and social tensions in Los Angeles, California. A self-described "passion piece" for Haggis, Crash was inspired by a real-life incident, in which his Porsche was carjacked outside a video store on Wilshire Boulevard in 1991.

Several characters' stories interweave during two days in Los Angeles: a black detective estranged from his mother; his criminal younger brother and gang associate; the white district attorney and his irritated, pampered wife; a racist white police officer who disgusts his more idealistic younger partner; an African American Hollywood director and his wife who must deal with the officer; a Persian-immigrant father who is wary of others; and a hard-working Hispanic family man, a locksmith. The film differs from many other films about racism in its rather impartial approach to the issue. Rather than separating the characters into victims and offenders, victims of racism are often shown to be prejudiced themselves in different contexts and situations. Also, racist remarks and actions are often shown to stem from ignorance and misconception rather than a malicious personality.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.