Nail (album)

Nail is the fourth studio album by Scraping Foetus Off the Wheel. It was released in October 1985, through record labels Self Immolation and Some Bizzare.

Background

The album incorporates a variety of musical genres, including classical and industrial rock, and the lyrics are often esoteric. For example, the tempo and instrumentation in "Descent into the Inferno" is infrequent: the song's first half is sparse and percussive; in the latter stages the song gathers momentum and features synthesizers. "The Overture from Pigdom Come", a composition resembling a classical piece of music, is juxtaposed with perhaps the most brutal track on the album, "Private War", a track that features one minute of various grinding noises.

There are various obscure references within the songs, some more lucid than others. "The Throne of Agony" has the lyrics "Alas, poor Yorick, I knew me well", a paraphrase of a line from Shakespeare's Hamlet (Hamlet: "Alas, poor Yorick! I knew him, Horatio..."). The line "Turn on, tune in, drop out" in "DI-1-9026" refers to the Timothy Leary phrase. Jack and the Beanstalk is also referenced, with a variation of the chant "Fee, fie, foe, fum!" appearing in the final track.

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Vibes (video game)

Vibes is a rhythm action video game developed by UK-based studio Laughing Jackal. It was released as a PlayStation mini on the PlayStation Network in North America on June 8, 2010 and Europe on June 9, 2010.

Gameplay

The gameplay of Vibes is typical of rhythm action games. The player is required to press buttons in a sequence dictated on the screen. By successfully timing button presses, the player scores. In Vibes, the player controls a customizable pointer and has to press the corresponding button as it approaches, in addition to having the correct direction.

List of music tracks

Sonic Boom Six – Back 2 Skool (Punk)

Craig Taro Gold – Itsuka (J-Pop)

Nikolai Rimsky-Korsakov – Flight of the Bumblebee/ William Tell medley (Classical)

RedCloud – Traveling Circus (Hip Hop)

The Words – FAG (Indie)

Fake Elegance – Hello (Pop)

Minimalist Orchestra – Flicker (D&B)

Jamsons Nook – Sway (Rock/Indie)

Acidman – Tekno (Techno)

Soundtrap – Secret Lover (main mix) (Electro)

The Jancee Pornick Casino – Dom Perignon Blues (Psychobilly)

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Vibes (film)

Vibes is a film released in 1988 starring Cyndi Lauper, Jeff Goldblum, Julian Sands and Peter Falk. It was directed by Ken Kwapis. The plot revolves around Sylvia, a ditzy psychic, and Nick, her equally odd psychic friend and their trip into the Ecuadorian Andes to find the "source of psychic energy".

Plot

Lauper plays Sylvia Pickel (pronounced with an emphasis on the "kel", as she points out), a trance-medium who has contact with a wisecracking spirit guide named Louise. She first began communicating with Louise after falling from a ladder at the age of twelve and remaining comatose for two weeks. Subsequently, Louise taught her astral projection while Sylvia was placed in special homes for being "different." At a study of physics, she meets fellow psychic Nick Deezy (Goldblum), a psychometrist who can determine the history of events surrounding an object by touching it. Sylvia has a history of bad luck with men, and her overly flirtatious behavior turns off Nick right away.

Sylvia comes home to her apartment one night to find Harry Buscafusco (Falk) lounging in her kitchen. He claims to want to hire her for $50,000 if she'll accompany him to Ecuador where his son has allegedly gone missing. Sylvia recruits Nick who is reluctant but also eager to leave his job as a museum curator where his special talents are abused like a circus act.

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Remix (I Like The)

"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.

"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.

Critical reception

PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.

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Remix (Mushroomhead album)

The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".

Track listing

Bwomp (Full Length Version)

Elevation (Skin Mix)

2nd Thoughts (Fuck like Pigs Mix)

Episode 29 (Hardcore Mix)

Snap (Gravy Mix)

Mommy (Malfunction Mix)

Everyone's Got One (Only Mix)

The Wrist (Hand of Solo Mix)

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Remix (book)

Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.

Summary

In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.

Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.

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