Industrial (album)

Industrial is the debut album by the band Pitchshifter. It was released in 1991 on Peaceville Records.

After Industrial was released the band released a single "Death Industrial" with two new tracks that would later be released on Submit.

According to bassist and singer Mark Clayden the band "made the first album for £500 in a week in a shithole studio in Leeds."

Track listing

1998 re-release bonus track

Personnel

References

Freeze (album)

Freeze is the tenth studio album by Dutch rock and roll and blues group Herman Brood & His Wild Romance. The album reached #63 on the Dutch album chart on 3 November 1990, and stayed on the chart for 5 weeks. Brood, who had just won the 1989 Popprijs, one of the highest Dutch awards for popular music, recorded Freeze with the help of Clarence Clemons of the E Street Band and Tejano accordion player Flaco Jiménez. Lack of success for this album leads Brood to stop touring.

Track listing

Personnel

References

Freeze (software engineering)

In software engineering, a freeze is a point in time in the development process after which the rules for making changes to the source code or related resources become more strict, or the period during which those rules are applied. A freeze helps move the project forward towards a release or the end of an iteration by reducing the scale or frequency of changes, and may be used to help meet a roadmap. The exact rules depend on the type of freeze and the particular development process in use; for example, they may include only allowing changes which fix bugs, or allowing changes only after thorough review by other members of the development team. They may also specify what happens if a change contrary to the rules is required, such as restarting the freeze period.

Two common types of freezes are:

Freeze (art exhibition)

Freeze is the title of an art exhibition that took place in July 1988 in an empty London Port Authority building at Surrey Docks in London Docklands. Its main organiser was Damien Hirst. It was significant in the subsequent development of the Young British Artists.

Organisation

Freeze was orchestrated by Damien Hirst, who was then a student at Goldsmiths College of Art. Hirst and his collaborators consciously imitated the look of Charles Saatchi's first gallery in St John's Wood that had opened a few years earlier. Saatchi, an art collector, attended Freeze and purchased a piece of art by Mat Collishaw. Michael Craig-Martin, a tutor at Goldsmiths Art College, used his influence in the London art world to convince Norman Rosenthal and Nicholas Serota to visit the exhibition.

A show of work by Angus Fairhurst in February 1988 was the precursor to Freeze. Fairhurst, along with other students from Goldsmiths College of Art, were instrumental in organizing Freeze. It was there that the work of the Young British Artists caught the attention of the collector Charles Saatchi.

Nail (album)

Nail is the fourth studio album by Scraping Foetus Off the Wheel. It was released in October 1985, through record labels Self Immolation and Some Bizzare.

Background

The album incorporates a variety of musical genres, including classical and industrial rock, and the lyrics are often esoteric. For example, the tempo and instrumentation in "Descent into the Inferno" is infrequent: the song's first half is sparse and percussive; in the latter stages the song gathers momentum and features synthesizers. "The Overture from Pigdom Come", a composition resembling a classical piece of music, is juxtaposed with perhaps the most brutal track on the album, "Private War", a track that features one minute of various grinding noises.

There are various obscure references within the songs, some more lucid than others. "The Throne of Agony" has the lyrics "Alas, poor Yorick, I knew me well", a paraphrase of a line from Shakespeare's Hamlet (Hamlet: "Alas, poor Yorick! I knew him, Horatio..."). The line "Turn on, tune in, drop out" in "DI-1-9026" refers to the Timothy Leary phrase. Jack and the Beanstalk is also referenced, with a variation of the chant "Fee, fie, foe, fum!" appearing in the final track.

Electro

Electro or Elektro may refer to:

Music

Fiction

Other

Electro (comics)

Electro is the name of several fictional characters that appears in comic books published by Marvel Comics, including two from Marvel's predecessors, Timely Comics and Atlas Comics. The most prominent Electro is Maxwell Dillon, a supervillain and an enemy of Spider-Man. He was created by Stan Lee and Steve Ditko in The Amazing Spider-Man #9 (Feb. 1964).

Electro (Timely Comics)

The first comics character of this name was the robot hero Electro, who possessed superhuman strength and could run at 100 mph, a backup-feature star in Marvel Mystery Comics, flagship title of Marvel's Golden Age predecessor, Timely Comics. Created by writer-artist Steve Dahlman, Electro appeared in Marvel Mystery #4—19 (Feb. 1940—May 1941). His origin story described his invention by Professor Philo Zog, one of a group of twelve known as the Secret Operatives.

Electro appears in The Twelve by J. Michael Straczynski and Chris Weston, published in 2008 and 2012.

Electro appears, part of a cadre of heroes trapped in a secret bunker during the Battle of Berlin, seemingly for examination by Nazi scientists. After the fall of the Third Reich, the eleven heroes are left in suspended animation, with no one knowing of their final fate, and Electro is cut off by the telepatic mindwaves of Philo Zog.