Gospel music

Gospel music is a music genre in Christian music. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is composed and performed for many purposes, including aesthetic pleasure, religious or ceremonial purposes, and as an entertainment product for the marketplace. Gospel music usually has dominant vocals (often with strong use of harmony) with Christian lyrics. Gospel music can be traced to the early 17th century, with roots in the black oral tradition. Hymns and sacred songs were repeated in a call and response fashion. Most of the churches relied on hand clapping and foot stomping as rhythmic accompaniment. Most of the singing was done a cappella. The first published use of the term ″Gospel Song" probably appeared in 1874. The original gospel songs were written and composed by authors such as George F. Root, Philip Bliss, Charles H. Gabriel, William Howard Doane, and Fanny Crosby. Gospel music publishing houses emerged. The advent of radio in the 1920s greatly increased the audience for gospel music. Following World War II, gospel music moved into major auditoriums, and gospel music concerts became quite elaborate.

Nigerian gospel

Gospel music is a kind of African, motivational Christian music that has become a major part of Nigerian music. In the 1960s the Evangelical Church of West Africa Choir was popular, and in the early 1970s Bola Aare, Sola Rotimi, Good women Choir, Ebenezer Obey and later, Panam Percy Paul, Onyeka Onwenu, Lanre Teriba (ATORISE), Tope Alabi, Asu Ekiye, Keffi, and Sammie Okposo were notable. Also, in the early 1970s & 80s Arch Bishop Benson Idahosa's choir, The Christian Redeemed Voices were known for their gospel sound. He the late Bishop, would purchase instruments for the choir and each one of them would be mastered by skillful musicians. The Bishop would challenge his student pastors and young adult church members to pick up instruments and play them. Play them...they did, no training only the gift of God deposited and called out by the Bishop. There was a lady by the name of Minister Dorothy James (Evangel Temple, USA) and Rev. David Mporampora(Uganda)they transformed gospel music in West Africa. Nigeria in particular. I would say without a doubt, they laid the foundation of the sound we now hear. Many students were from other West African nations and they took that sound and passion for Gospel music back with them. Jackson Tugbeh (Liberia), now (Lagos) Rev. Lesley Tex (Ghana) were students and a part of the influence. The Arts, the worship dance saw its start in Africa in the Church of God Mission. Thanks to Arch Bishop Idahosa who was open to all God had for his people, the gospel sound would never be the same. The fusion in music and the gospel he bought to Africa is still amazing.

Nigerians

Nigerians or Nigerian people are citizens and/or people with ancestry from Nigeria. Nigeria is composed of multiple ethnic groups and cultures and the term Nigerian refers to a citizenship-based civic nationality. Nigerians derive from over 250 ethnic groups and languages. Though there are multiple ethnic groups in Nigeria, economic factors result in significant mobility of Nigerians of multiple ethnic and religious backgrounds to reside in territories in Nigeria that are outside their ethnic or religious background, resulting in the intermixing of the various ethnic and religious groups, especially in Nigeria's cities. The English language is the lingua franca of Nigerians. About 50 percent of Nigerians are Muslims and the other 50 percent are Christians.

Nigerians come from multiple ethnic and religious backgrounds as the creation of Nigeria was the result of a colonial creation by the British Empire that did not correlate with ethnic and religious boundaries.

There have been several major historical states in Nigeria that have influenced Nigerian society via their strong kings and their advanced legal and taxation systems, and the use of religion to legitimize the power of the king and to unite the people. Northern Nigeria has been culturally influenced by Islamic influence including several major historic Islamic states in the region. The Kanem-Bornu Empire and the Sokoto Caliphate were major historical Islamic states in northern Nigeria. Southern Nigeria historically held several powerful states, including the Benin Empire and Oyo Empire, Ife Empire and several other Yoruba states.

Gospel

A gospel is an account describing the life, death, and resurrection of Jesus of Nazareth. The most widely known examples are the four canonical gospels of Matthew, Mark, Luke, and John which are included in the New Testament, but the term is also used to refer to apocryphal gospels, non-canonical gospels, Jewish-Christian gospels, and gnostic gospels.

Christianity places a high value on the four canonical gospels, which it considers to be a revelation from God and central to its belief system. Christianity traditionally teaches that the four canonical gospels are an accurate and authoritative representation of the life of Jesus, but many scholars and historians, as well as liberal churches, note that much of that which is contained in the gospels is not historically reliable. This position however, requires a liberal view of Biblical inerrancy. For example, professor of religion Linda Woodhead notes some scholarship reinforces the claim that "the gospels' birth and resurrection narratives can be explained as attempts to fit Jesus’s life into the logic of Jewish expectation". However, New Testament scholar N. T. Wright holds firmly to the historical authenticity of the death and resurrection of Jesus, stating that of the whole Bible, this is the story with the most overwhelming historical evidence.

A Woman

A Woman was Charlie Chaplin's ninth film for Essanay Films. It was made in Los Angeles at the Majestic Studio and released in 1915. The film starts with Chaplin meeting Edna (Edna Purviance) and her parents in a park; the mother is played by Marta Golden and the father by Charles Insley. In this film, Chaplin dresses as a woman to fool Edna's father. It was the third and last time Chaplin played the role of a woman on film. He played a woman in two Keystone films: The Masquerader and A Busy Day.

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