Let's Dance may refer to:

The imperative mood (abbreviated IMP) expresses commands or requests as a grammatical mood. These commands or requests urge the audience to act a certain way. It also may signal a prohibition, permission, or any other kind of exhortation.

Formulation of the English imperative simply uses the bare infinitive form of the verb. The infinitive form usually corresponds to the second-person present indicative form, with the exception of the verb be. The subject of these sentences is usually understood as you (the second person) except in the case of "Let's" which implies first person and at least a second person. Other languages such as Latin, French and German have several inflected imperative forms, which can vary according to grammatical categories such as:

For instance, Latin regular forms can exist:

Some consider this richness of forms useful for a better understanding, particularly because no subject pronoun normally specifies with the imperative.

The use of the imperative mood be seen as impolite, inappropriate or even offensive in certain circumstances. Commonly, polite speech will instead express the same thing as a question or statement, such as:

David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.