Feed

Feed or The Feed may refer to:

Animal foodstuffs

Telecommunications

Computing

Feed Magazine

Feed or feedmag.com (1995–2001) was one of the earliest online magazines that relied entirely on its original content.

History

Feed was founded in New York by Stefanie Syman and Steven Johnson in May 1995, with novelist Sam Lipsyte serving as one of its editors.

One of the web's earliest general-interest daily publications, Feed focused on media, pop culture, technology, science and the arts.

Feed soon found a devoted following among an alternative readership and was critically acclaimed, but as a small independent publication it struggled to raise sufficient advertising revenue.

In July 2000, following a sharp downturn in Internet investment, Feed merged with the popular editorial site Suck.com to create Automatic Media. The two sites sought to streamline their operations and collaborate with low staffing costs. Their joint project Plastic.com was founded with only four staffed employees. Despite the faithful cult following and a combined reader base of over 1 million, Automatic Media folded in June 2001, and Feed closed operations.

Feed (Grant novel)

Feed is the first book in the Newsflesh series of science fiction/horror novels written by Seanan McGuire under the pen name Mira Grant and published by Orbit Books in 2010. Set during the aftermath of a zombie apocalypse and written from the perspective of blog journalist Georgia Mason, Feed follows Georgia and her news team as they follow the presidential campaign of Republican senator Peter Ryman. A series of deadly incidents leads Georgia and her brother Shaun to discover efforts to undermine the campaign, linked to a larger conspiracy involving the undead.

McGuire's interests in horror movies and virology inspired her to write the book, but she struggled with the plot until a friend suggested using an election as a framing device. The novel has been praised for its detailed worldbuilding, including the characters' awareness of previous zombie fiction—an element McGuire had found lacking in most horror works. Feed came second in the 2011 Hugo Award for Best Novel category. Deadline is the second book in the Newsflesh series. Just before the third installment, Blackout (May 22, 2012), was published, McGuire released an alternate ending to Feed.

Vital

Vital or Vitals may refer to:

See also

Vital (Anberlin album)

Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.

Critical reception

Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.

At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."

Vital (Van der Graaf Generator album)

Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.

The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.