-
Bartolucci: Chamber Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Bartolucci
Available for licensing: https://www.brilliantclassicslicensing.com/albums/bartolucci-chamber-music/
More Information: https://www.brilliantclassics.com/articles/b/bartolucci-chamber-music/
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: h...
published: 06 Jun 2019
-
Polyphony: Bartolucci - "Crux fidelis" (Lyric video)
Please help us keep our channel alive by donating as little as 1$
https://patreon.com/AOTC
----
Social media:
----------
Facebook: https://facebook.com/adorationofthecross
Twitter: https://twitter.com/adorationcross
About the chant
--------
Crux Fidelis is part of a larger work by Saint Venantius Honorius Clementianus Fortunatus (c530-c609) beginning Pange lingua ('Sing, my tongue'). He wrote it for a procession that brought a part of the true Cross to Queen Radegunda in 570. This hymn is used on Good Friday during the Adoration of the Cross and in the Liturgy of the Hours during Holy Week and on feasts of the Cross.
#Polyphony #CruxFidelis
------
This chant is performed by Maîtrise de la Cathédrale Notre-Dame de Paris / Michel Marc Gervais
Chant Text :
------
Crux fidelis inter om...
published: 20 Nov 2018
-
Missa Pro Defunctis (Domenico Bartolucci)
Coro della Cappella Sistina diretto dal Mons. Domenico Bartolucci, registrazione dei primi anni sessanta nella sede dell'RCA di via Tiburtina
published: 14 Feb 2015
-
Cappella Sistina w/ Boy Soloist - Crux fidelis–Pange lingua [Bartolucci] - 1960s
This is how a child singer's voice sounds when it has been allowed to develop from an infant to adolescent *unhindered and untampered with.* The coordination is almost exactly the same as all of the greatest of the greatest singers. Let your ear draw positive comparisons with the voices of Melba, Tetrazzini, and Moreschi for instance. Let the contrasts, though, be heard through differences of scale: the size of the apparatus and the relative strength and vigor of the bodies of the older singers. The greatest singers were those who either were able to continue singing from childhood through adulthood with the voice physiologically in this untampered-with state or—through exercise, study, intuition, and self-realization—developed or returned their bodies to this state.
Of course, not all si...
published: 28 Nov 2020
-
Cardinal Domenico Bartolucci greets the Pope Benedict XVI.
Cardinal Domenico Bartolucci greets the Holy Father Benedict XVI. before the performance of four of his works, in the Palace of Castel Gandolfo, 31 August 2011
Domenico kard. Bartolucci pozdravlja Svetoga Oca Benedikta XVI. prije koncerta na kojem su izvedene četiri njegove skladne, u ljetnikovcu u Castel Gandolfu, 31. kolovoza 2011.
published: 03 Sep 2011
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Mottetti (D. Bartolucci)
Il maestro Domenico Bartolucci dirige il coro della Cappella Sistina nell'esecuzione, registrata nei primissimi anni sessanta, su vinile negli studi della RCA sulla via Tiburtina, dei suoi mottetti.
Lato A: INVIOLATA - TOTA PULCHRA - DOLOROSA ET VENERABILIS - ALMA REDEMPTORIS MATER - AVE REGINA COELORUM - REGINA COELI - SALVE REGINA.
Lato B: ADORO TE DEVOTE - CRUX FIDELIS - PANGE LINGUA - O SACRUM CONVIVIUM - ATTENDE DOMINE.
published: 10 Aug 2016
-
Parce, Domine - Psalmus L - Miserere mei, Deus (Bartolucci)
Mercoledì delle Ceneri – Santa Messa
Basilica di San Pietro, 17 febbraio 2021
Ash Wednesday - Holy Mass
Saint Peter's Basilica, 17 February 2021
Mercredi des Cendres - Messe
17 février 2021
Antiphona Parce, Domine
Psalmus L - Miserere mei, Deus
published: 18 Feb 2021
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Funeral of Cardinal Domenico Bartolucci - Funerali del Card. Domenico Bartolucci
(EN) Funeral of Cardinal Domenico Bartolucci concelebrated by Cardinal Angelo Sodano, Dean of the College of Cardinals. After the Mass Pope Francis presides over the rite of the Last "Commendatio" and of the "Valedictio".
(IT) Le Esequie saranno concelebrate dal Card. Angelo Sodano, Decano del Collegio Cardinalizio, all'Altare della Cattedra della Basilica Vaticana. Al termine della Celebrazione Eucaristica, Papa Francesco presiederà il rito dell'Ultima Commendatio e della Valedictio.
published: 13 Nov 2013
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Bartolucci: O sacrum convivium - Cappella Musicale Pontificia Sistina/Bartolucci (1985)
Domenico Bartolucci (1917-2013)
O SACRUM CONVIVIUM
Cappella Musicale Pontificia Sistina
DOMENICO BARTOLUCCI, director
Recording: St. Peter's Basilica, Rome, June 29, 1985
published: 07 May 2019
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Sub Tuum Praesidium (BARTOLUCCI)
Domenico Bartolucci
Former Choir Master of the Cappella Sistina - Vatican
For full video of the Mass see: https://youtu.be/GcgvGr2GARM
Sub tuum praesidium confugimus,
Sancta Dei Genitrix.
Nostras deprecationes ne despicias
in necessitatibus nostris,
sed a periculis cunctis
libera nos semper,
Virgo gloriosa et benedicta.
http://www.fondazionebartolucci.it/public/spartiti/mottetti_cappella/Sub%20tuum%20praesidium%204v.pdf
Domenico Bartolucci (7 May 1917 – 11 November 2013) was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognized in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestr...
published: 04 Oct 2020
1:12:49
Bartolucci: Chamber Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Bartolucci
Available for licensing: https:/...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Bartolucci
Available for licensing: https://www.brilliantclassicslicensing.com/albums/bartolucci-chamber-music/
More Information: https://www.brilliantclassics.com/articles/b/bartolucci-chamber-music/
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Domenico Bartolucci
Artists: Marco Venturi (piano), Luca Venturi (violin), Giacomo Scarponi (violin), Ivo Scarponi (cello), Angelo Cicillin (viola)
Domenico Bartolucci was in some ways a 20th-century descendant of the liturgical musicians who composed for the church – and especially the Catholic church in Italy – during the 16th, 17th and 18th centuries. Born in 1917, he was appointed Master of Music at the Sistine Chapel in the Vatican, but he also taught at the Accademia Nazionale di Santa Cecilia in Rome. Most of his considerable output was, naturally, sacred in form and purpose: not only motets and mass settings but symphonic oratorios and even a sacred opera based on the life of the painter Brunelleschi. He was appointed a cardinal in 2010 and died in 2013.
Very little of his music has been recorded. Here, however, is a new studio recording of his chamber music, made in the Pontifical Institute for Sacred Music in Rome. Thegenre of Prelude, Intermezzo and Fugue implies a keyboard work of the type written by Bach or Franck; here, however, are two examples scored for violin/cello duet and for string trio, both demonstrating Bartolucci’s considerable mastery of counterpoint. They are joined by a Piano Trio with a lovely second-movement Canzone, and a Violin Sonata of engaging richness: there are moments of great passion in the first movement, of elegiac delicacy in the slow movement, grotesque elements in the third movement, and a luminous fluidity reminiscent of Mozart in the finale.
Tracklist:
00:00:00 Trio in A Major for Violin, Cello and Piano: I. Allegro moderato
00:02:56 Trio in A Major for Violin, Cello and Piano: II. Canzone
00:09:37 Trio in A Major for Violin, Cello and Piano: III. Scherzo
00:17:45 Trio in A Major for Violin, Cello and Piano: IV. Rondò
00:26:45 Prelude, Intermezzo and Fugue in A Minor: I. Preludio – Mosso ma non troppo
00:36:37 Prelude, Intermezzo and Fugue in A Minor: II. Intermezzo – Moderato
00:38:53 Prelude, Intermezzo and Fugue in A Minor: III. Fuga – Mosso con brio
00:41:08 Prelude, Intermezzo and Fugue in C Minor: I. Preludio – Andante comodo
00:43:59 Prelude, Intermezzo and Fugue in C Minor: II. Intermezzo – Moderato
00:46:49 Prelude, Intermezzo and Fugue in C Minor: III. Fuga – Moderato poco mosso
00:49:51 Sonata in G Major: I. Allegro moderato
00:52:20 Sonata in G Major: II. Andante sostenuto
01:01:59 Sonata in G Major: III. Vivo e vigoroso
01:08:34 Sonata in G Major: IV. Allegro con brio
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#DomenicoBartolucci #Violin #conductor #Classical #BrilliantClassics #Music #Composer #ClassicalMusic
https://wn.com/Bartolucci_Chamber_Music
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): https://brilliant-classics.lnk.to/Bartolucci
Available for licensing: https://www.brilliantclassicslicensing.com/albums/bartolucci-chamber-music/
More Information: https://www.brilliantclassics.com/articles/b/bartolucci-chamber-music/
Social media:
Brilliant Classics Facebook: https://brilliant-classics.lnk.to/Facebook
Brilliant Classics Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
New Classical Releases: https://brilliant-classics.lnk.to/NewReleases
The Best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Domenico Bartolucci
Artists: Marco Venturi (piano), Luca Venturi (violin), Giacomo Scarponi (violin), Ivo Scarponi (cello), Angelo Cicillin (viola)
Domenico Bartolucci was in some ways a 20th-century descendant of the liturgical musicians who composed for the church – and especially the Catholic church in Italy – during the 16th, 17th and 18th centuries. Born in 1917, he was appointed Master of Music at the Sistine Chapel in the Vatican, but he also taught at the Accademia Nazionale di Santa Cecilia in Rome. Most of his considerable output was, naturally, sacred in form and purpose: not only motets and mass settings but symphonic oratorios and even a sacred opera based on the life of the painter Brunelleschi. He was appointed a cardinal in 2010 and died in 2013.
Very little of his music has been recorded. Here, however, is a new studio recording of his chamber music, made in the Pontifical Institute for Sacred Music in Rome. Thegenre of Prelude, Intermezzo and Fugue implies a keyboard work of the type written by Bach or Franck; here, however, are two examples scored for violin/cello duet and for string trio, both demonstrating Bartolucci’s considerable mastery of counterpoint. They are joined by a Piano Trio with a lovely second-movement Canzone, and a Violin Sonata of engaging richness: there are moments of great passion in the first movement, of elegiac delicacy in the slow movement, grotesque elements in the third movement, and a luminous fluidity reminiscent of Mozart in the finale.
Tracklist:
00:00:00 Trio in A Major for Violin, Cello and Piano: I. Allegro moderato
00:02:56 Trio in A Major for Violin, Cello and Piano: II. Canzone
00:09:37 Trio in A Major for Violin, Cello and Piano: III. Scherzo
00:17:45 Trio in A Major for Violin, Cello and Piano: IV. Rondò
00:26:45 Prelude, Intermezzo and Fugue in A Minor: I. Preludio – Mosso ma non troppo
00:36:37 Prelude, Intermezzo and Fugue in A Minor: II. Intermezzo – Moderato
00:38:53 Prelude, Intermezzo and Fugue in A Minor: III. Fuga – Mosso con brio
00:41:08 Prelude, Intermezzo and Fugue in C Minor: I. Preludio – Andante comodo
00:43:59 Prelude, Intermezzo and Fugue in C Minor: II. Intermezzo – Moderato
00:46:49 Prelude, Intermezzo and Fugue in C Minor: III. Fuga – Moderato poco mosso
00:49:51 Sonata in G Major: I. Allegro moderato
00:52:20 Sonata in G Major: II. Andante sostenuto
01:01:59 Sonata in G Major: III. Vivo e vigoroso
01:08:34 Sonata in G Major: IV. Allegro con brio
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak, Schubert and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
#DomenicoBartolucci #Violin #conductor #Classical #BrilliantClassics #Music #Composer #ClassicalMusic
- published: 06 Jun 2019
- views: 25086
5:39
Polyphony: Bartolucci - "Crux fidelis" (Lyric video)
Please help us keep our channel alive by donating as little as 1$
https://patreon.com/AOTC
----
Social media:
----------
Facebook: https://facebook.com/adora...
Please help us keep our channel alive by donating as little as 1$
https://patreon.com/AOTC
----
Social media:
----------
Facebook: https://facebook.com/adorationofthecross
Twitter: https://twitter.com/adorationcross
About the chant
--------
Crux Fidelis is part of a larger work by Saint Venantius Honorius Clementianus Fortunatus (c530-c609) beginning Pange lingua ('Sing, my tongue'). He wrote it for a procession that brought a part of the true Cross to Queen Radegunda in 570. This hymn is used on Good Friday during the Adoration of the Cross and in the Liturgy of the Hours during Holy Week and on feasts of the Cross.
#Polyphony #CruxFidelis
------
This chant is performed by Maîtrise de la Cathédrale Notre-Dame de Paris / Michel Marc Gervais
Chant Text :
------
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
Pange lingua gloriosi lauream certaminis, et super vía trophaeo dic triunfum nobilem: qualiter Redemptor orbis immolatus vicerit.
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
Sempiterna sit beatae Trinitati gloria; aequa Patri Filioque, par decus Paraclito; unius Trinique nomen laudet universitas.
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
https://wn.com/Polyphony_Bartolucci_Crux_Fidelis_(Lyric_Video)
Please help us keep our channel alive by donating as little as 1$
https://patreon.com/AOTC
----
Social media:
----------
Facebook: https://facebook.com/adorationofthecross
Twitter: https://twitter.com/adorationcross
About the chant
--------
Crux Fidelis is part of a larger work by Saint Venantius Honorius Clementianus Fortunatus (c530-c609) beginning Pange lingua ('Sing, my tongue'). He wrote it for a procession that brought a part of the true Cross to Queen Radegunda in 570. This hymn is used on Good Friday during the Adoration of the Cross and in the Liturgy of the Hours during Holy Week and on feasts of the Cross.
#Polyphony #CruxFidelis
------
This chant is performed by Maîtrise de la Cathédrale Notre-Dame de Paris / Michel Marc Gervais
Chant Text :
------
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
Pange lingua gloriosi lauream certaminis, et super vía trophaeo dic triunfum nobilem: qualiter Redemptor orbis immolatus vicerit.
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
Sempiterna sit beatae Trinitati gloria; aequa Patri Filioque, par decus Paraclito; unius Trinique nomen laudet universitas.
Crux fidelis inter omnes arbor una nobilis: nulla silva talem profert fronde, flore, germine.
Dulce lignum, dulces clavos, dulce pondus sustinet.
- published: 20 Nov 2018
- views: 192903
46:11
Missa Pro Defunctis (Domenico Bartolucci)
Coro della Cappella Sistina diretto dal Mons. Domenico Bartolucci, registrazione dei primi anni sessanta nella sede dell'RCA di via Tiburtina
Coro della Cappella Sistina diretto dal Mons. Domenico Bartolucci, registrazione dei primi anni sessanta nella sede dell'RCA di via Tiburtina
https://wn.com/Missa_Pro_Defunctis_(Domenico_Bartolucci)
Coro della Cappella Sistina diretto dal Mons. Domenico Bartolucci, registrazione dei primi anni sessanta nella sede dell'RCA di via Tiburtina
- published: 14 Feb 2015
- views: 4632
8:50
Cappella Sistina w/ Boy Soloist - Crux fidelis–Pange lingua [Bartolucci] - 1960s
This is how a child singer's voice sounds when it has been allowed to develop from an infant to adolescent *unhindered and untampered with.* The coordination is...
This is how a child singer's voice sounds when it has been allowed to develop from an infant to adolescent *unhindered and untampered with.* The coordination is almost exactly the same as all of the greatest of the greatest singers. Let your ear draw positive comparisons with the voices of Melba, Tetrazzini, and Moreschi for instance. Let the contrasts, though, be heard through differences of scale: the size of the apparatus and the relative strength and vigor of the bodies of the older singers. The greatest singers were those who either were able to continue singing from childhood through adulthood with the voice physiologically in this untampered-with state or—through exercise, study, intuition, and self-realization—developed or returned their bodies to this state.
Of course, not all singing traditions currently understand this and may prefer some other the sound. That sound is obtained by manipulation, first consciously by the ear and the mind and then unconsciously by the muscles of the throat, whose perfect coordination is slowly disintegrated... and then by the engagement of the muscles of the neck, jaw, and lips, whose job it now becomes to actuate the voice and hold it together for as long as the body can withstand the contortion or until the boy's voice breaks, after which point, his body now learned in the art of contortion for act of sound making, will start the process anew with a yet larger apparatus. Those children, being disallowed from remaining in the natural, coordinated state *cannot* sing the way heard in this recording.
Those child singers that do manage to retain the natural coordination and not muck about with it—and I do mean ones other than from the historical Sistine Chapel or other Roman basilica choirs—share almost exactly the same vocal qualities with each other, contra-distinct from the child singers described here above.
Score for this gorgeous motet can be found here: https://bit.ly/3qclaw3
.....................................
This channel is primarily about vocal emission—aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school.
Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3
#CappellaSistina #BoySopranos #Trebles
https://wn.com/Cappella_Sistina_W_Boy_Soloist_Crux_Fidelis–Pange_Lingua_Bartolucci_1960S
This is how a child singer's voice sounds when it has been allowed to develop from an infant to adolescent *unhindered and untampered with.* The coordination is almost exactly the same as all of the greatest of the greatest singers. Let your ear draw positive comparisons with the voices of Melba, Tetrazzini, and Moreschi for instance. Let the contrasts, though, be heard through differences of scale: the size of the apparatus and the relative strength and vigor of the bodies of the older singers. The greatest singers were those who either were able to continue singing from childhood through adulthood with the voice physiologically in this untampered-with state or—through exercise, study, intuition, and self-realization—developed or returned their bodies to this state.
Of course, not all singing traditions currently understand this and may prefer some other the sound. That sound is obtained by manipulation, first consciously by the ear and the mind and then unconsciously by the muscles of the throat, whose perfect coordination is slowly disintegrated... and then by the engagement of the muscles of the neck, jaw, and lips, whose job it now becomes to actuate the voice and hold it together for as long as the body can withstand the contortion or until the boy's voice breaks, after which point, his body now learned in the art of contortion for act of sound making, will start the process anew with a yet larger apparatus. Those children, being disallowed from remaining in the natural, coordinated state *cannot* sing the way heard in this recording.
Those child singers that do manage to retain the natural coordination and not muck about with it—and I do mean ones other than from the historical Sistine Chapel or other Roman basilica choirs—share almost exactly the same vocal qualities with each other, contra-distinct from the child singers described here above.
Score for this gorgeous motet can be found here: https://bit.ly/3qclaw3
.....................................
This channel is primarily about vocal emission—aural examples of basically correct singing, correct impostazione—chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it—with occasional video examples that demonstrate what the body, face, mouth, jaw, and tongue look like when used with correct impostazione—the vocal emission of the one and only Italian school.
Caveat: I'm biased in favor of baritones and baritone literature, but if you want to learn about and listen to all the greatest singers in the old-school tradition, explore this spreadsheet (voice parts are separated by tabs): https://bit.ly/2W4qmE3
#CappellaSistina #BoySopranos #Trebles
- published: 28 Nov 2020
- views: 1236
4:05
Cardinal Domenico Bartolucci greets the Pope Benedict XVI.
Cardinal Domenico Bartolucci greets the Holy Father Benedict XVI. before the performance of four of his works, in the Palace of Castel Gandolfo, 31 August 2011
...
Cardinal Domenico Bartolucci greets the Holy Father Benedict XVI. before the performance of four of his works, in the Palace of Castel Gandolfo, 31 August 2011
Domenico kard. Bartolucci pozdravlja Svetoga Oca Benedikta XVI. prije koncerta na kojem su izvedene četiri njegove skladne, u ljetnikovcu u Castel Gandolfu, 31. kolovoza 2011.
https://wn.com/Cardinal_Domenico_Bartolucci_Greets_The_Pope_Benedict_Xvi.
Cardinal Domenico Bartolucci greets the Holy Father Benedict XVI. before the performance of four of his works, in the Palace of Castel Gandolfo, 31 August 2011
Domenico kard. Bartolucci pozdravlja Svetoga Oca Benedikta XVI. prije koncerta na kojem su izvedene četiri njegove skladne, u ljetnikovcu u Castel Gandolfu, 31. kolovoza 2011.
- published: 03 Sep 2011
- views: 13283
42:54
Mottetti (D. Bartolucci)
Il maestro Domenico Bartolucci dirige il coro della Cappella Sistina nell'esecuzione, registrata nei primissimi anni sessanta, su vinile negli studi della RCA s...
Il maestro Domenico Bartolucci dirige il coro della Cappella Sistina nell'esecuzione, registrata nei primissimi anni sessanta, su vinile negli studi della RCA sulla via Tiburtina, dei suoi mottetti.
Lato A: INVIOLATA - TOTA PULCHRA - DOLOROSA ET VENERABILIS - ALMA REDEMPTORIS MATER - AVE REGINA COELORUM - REGINA COELI - SALVE REGINA.
Lato B: ADORO TE DEVOTE - CRUX FIDELIS - PANGE LINGUA - O SACRUM CONVIVIUM - ATTENDE DOMINE.
https://wn.com/Mottetti_(D._Bartolucci)
Il maestro Domenico Bartolucci dirige il coro della Cappella Sistina nell'esecuzione, registrata nei primissimi anni sessanta, su vinile negli studi della RCA sulla via Tiburtina, dei suoi mottetti.
Lato A: INVIOLATA - TOTA PULCHRA - DOLOROSA ET VENERABILIS - ALMA REDEMPTORIS MATER - AVE REGINA COELORUM - REGINA COELI - SALVE REGINA.
Lato B: ADORO TE DEVOTE - CRUX FIDELIS - PANGE LINGUA - O SACRUM CONVIVIUM - ATTENDE DOMINE.
- published: 10 Aug 2016
- views: 5785
8:37
Parce, Domine - Psalmus L - Miserere mei, Deus (Bartolucci)
Mercoledì delle Ceneri – Santa Messa
Basilica di San Pietro, 17 febbraio 2021
Ash Wednesday - Holy Mass
Saint Peter's Basilica, 17 February 2021
Mercredi des ...
Mercoledì delle Ceneri – Santa Messa
Basilica di San Pietro, 17 febbraio 2021
Ash Wednesday - Holy Mass
Saint Peter's Basilica, 17 February 2021
Mercredi des Cendres - Messe
17 février 2021
Antiphona Parce, Domine
Psalmus L - Miserere mei, Deus
https://wn.com/Parce,_Domine_Psalmus_L_Miserere_Mei,_Deus_(Bartolucci)
Mercoledì delle Ceneri – Santa Messa
Basilica di San Pietro, 17 febbraio 2021
Ash Wednesday - Holy Mass
Saint Peter's Basilica, 17 February 2021
Mercredi des Cendres - Messe
17 février 2021
Antiphona Parce, Domine
Psalmus L - Miserere mei, Deus
- published: 18 Feb 2021
- views: 37232
1:13:49
Funeral of Cardinal Domenico Bartolucci - Funerali del Card. Domenico Bartolucci
(EN) Funeral of Cardinal Domenico Bartolucci concelebrated by Cardinal Angelo Sodano, Dean of the College of Cardinals. After the Mass Pope Francis presides ove...
(EN) Funeral of Cardinal Domenico Bartolucci concelebrated by Cardinal Angelo Sodano, Dean of the College of Cardinals. After the Mass Pope Francis presides over the rite of the Last "Commendatio" and of the "Valedictio".
(IT) Le Esequie saranno concelebrate dal Card. Angelo Sodano, Decano del Collegio Cardinalizio, all'Altare della Cattedra della Basilica Vaticana. Al termine della Celebrazione Eucaristica, Papa Francesco presiederà il rito dell'Ultima Commendatio e della Valedictio.
https://wn.com/Funeral_Of_Cardinal_Domenico_Bartolucci_Funerali_Del_Card._Domenico_Bartolucci
(EN) Funeral of Cardinal Domenico Bartolucci concelebrated by Cardinal Angelo Sodano, Dean of the College of Cardinals. After the Mass Pope Francis presides over the rite of the Last "Commendatio" and of the "Valedictio".
(IT) Le Esequie saranno concelebrate dal Card. Angelo Sodano, Decano del Collegio Cardinalizio, all'Altare della Cattedra della Basilica Vaticana. Al termine della Celebrazione Eucaristica, Papa Francesco presiederà il rito dell'Ultima Commendatio e della Valedictio.
- published: 13 Nov 2013
- views: 290485
2:37
Bartolucci: O sacrum convivium - Cappella Musicale Pontificia Sistina/Bartolucci (1985)
Domenico Bartolucci (1917-2013)
O SACRUM CONVIVIUM
Cappella Musicale Pontificia Sistina
DOMENICO BARTOLUCCI, director
Recording: St. Peter's Basilica, Rome, Jun...
Domenico Bartolucci (1917-2013)
O SACRUM CONVIVIUM
Cappella Musicale Pontificia Sistina
DOMENICO BARTOLUCCI, director
Recording: St. Peter's Basilica, Rome, June 29, 1985
https://wn.com/Bartolucci_O_Sacrum_Convivium_Cappella_Musicale_Pontificia_Sistina_Bartolucci_(1985)
Domenico Bartolucci (1917-2013)
O SACRUM CONVIVIUM
Cappella Musicale Pontificia Sistina
DOMENICO BARTOLUCCI, director
Recording: St. Peter's Basilica, Rome, June 29, 1985
- published: 07 May 2019
- views: 567
3:00
Sub Tuum Praesidium (BARTOLUCCI)
Domenico Bartolucci
Former Choir Master of the Cappella Sistina - Vatican
For full video of the Mass see: https://youtu.be/GcgvGr2GARM
Sub tuum praesidium co...
Domenico Bartolucci
Former Choir Master of the Cappella Sistina - Vatican
For full video of the Mass see: https://youtu.be/GcgvGr2GARM
Sub tuum praesidium confugimus,
Sancta Dei Genitrix.
Nostras deprecationes ne despicias
in necessitatibus nostris,
sed a periculis cunctis
libera nos semper,
Virgo gloriosa et benedicta.
http://www.fondazionebartolucci.it/public/spartiti/mottetti_cappella/Sub%20tuum%20praesidium%204v.pdf
Domenico Bartolucci (7 May 1917 – 11 November 2013) was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognized in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestrina, Bartolucci led the Sistine Chapel Choir in performances worldwide, and also directed numerous concerts with the Choir of the Academy of Santa Cecilia, including a tour of the former Soviet Union.
https://wn.com/Sub_Tuum_Praesidium_(Bartolucci)
Domenico Bartolucci
Former Choir Master of the Cappella Sistina - Vatican
For full video of the Mass see: https://youtu.be/GcgvGr2GARM
Sub tuum praesidium confugimus,
Sancta Dei Genitrix.
Nostras deprecationes ne despicias
in necessitatibus nostris,
sed a periculis cunctis
libera nos semper,
Virgo gloriosa et benedicta.
http://www.fondazionebartolucci.it/public/spartiti/mottetti_cappella/Sub%20tuum%20praesidium%204v.pdf
Domenico Bartolucci (7 May 1917 – 11 November 2013) was an Italian cardinal of the Catholic Church. He was the former director of the Sistine Chapel Choir and the Accademia Nazionale di Santa Cecilia, and was recognized in the field of music both as a director and a prolific composer. Considered among the most authoritative interpreters of Giovanni Pierluigi da Palestrina, Bartolucci led the Sistine Chapel Choir in performances worldwide, and also directed numerous concerts with the Choir of the Academy of Santa Cecilia, including a tour of the former Soviet Union.
- published: 04 Oct 2020
- views: 567
-
The Dwarf planets' & Minor planets' amount of moons in the Solar system!
The five most recognized dwarf planets are
- Ceres
- Pluto
- Haumea
- Makemake
- Eris
The other objects are classified as minor planets or Trans-Neptunian Objects (TNOs) but may be possible dwarf planets. There are loads of more dwarf planets/minor planets out there but here's all of them I could find. Enjoy and happy St. Patrick's day! ☘️
published: 17 Mar 2020
-
The size comparison of the top 9 known dwarf planets/minor planets in the Solar system!
This is the size comparison of the top 9 largest dwarf planets in the Solarsystem.
★Haumea's size comparison is weird due to it being a spherical-football shaped object. It has equatorial and polar diameters and radiuses.
★I made a mistake with the dwarf planet (minor planet) Gonggong (2007 OR10). The actual diameter is 1,230 km.
Music: Faded
Musician: Alan Walker
published: 08 Aug 2019
3:41
The Dwarf planets' & Minor planets' amount of moons in the Solar system!
The five most recognized dwarf planets are
- Ceres
- Pluto
- Haumea
- Makemake
- Eris
The other objects are classified as minor planets or Trans-Neptunian Obj...
The five most recognized dwarf planets are
- Ceres
- Pluto
- Haumea
- Makemake
- Eris
The other objects are classified as minor planets or Trans-Neptunian Objects (TNOs) but may be possible dwarf planets. There are loads of more dwarf planets/minor planets out there but here's all of them I could find. Enjoy and happy St. Patrick's day! ☘️
https://wn.com/The_Dwarf_Planets'_Minor_Planets'_Amount_Of_Moons_In_The_Solar_System
The five most recognized dwarf planets are
- Ceres
- Pluto
- Haumea
- Makemake
- Eris
The other objects are classified as minor planets or Trans-Neptunian Objects (TNOs) but may be possible dwarf planets. There are loads of more dwarf planets/minor planets out there but here's all of them I could find. Enjoy and happy St. Patrick's day! ☘️
- published: 17 Mar 2020
- views: 8845
2:49
The size comparison of the top 9 known dwarf planets/minor planets in the Solar system!
This is the size comparison of the top 9 largest dwarf planets in the Solarsystem.
★Haumea's size comparison is weird due to it being a spherical-football shap...
This is the size comparison of the top 9 largest dwarf planets in the Solarsystem.
★Haumea's size comparison is weird due to it being a spherical-football shaped object. It has equatorial and polar diameters and radiuses.
★I made a mistake with the dwarf planet (minor planet) Gonggong (2007 OR10). The actual diameter is 1,230 km.
Music: Faded
Musician: Alan Walker
https://wn.com/The_Size_Comparison_Of_The_Top_9_Known_Dwarf_Planets_Minor_Planets_In_The_Solar_System
This is the size comparison of the top 9 largest dwarf planets in the Solarsystem.
★Haumea's size comparison is weird due to it being a spherical-football shaped object. It has equatorial and polar diameters and radiuses.
★I made a mistake with the dwarf planet (minor planet) Gonggong (2007 OR10). The actual diameter is 1,230 km.
Music: Faded
Musician: Alan Walker
- published: 08 Aug 2019
- views: 24797