- published: 24 Jul 2011
- views: 5562
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Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909)
Serenata española (Sérénade Espagnole) opus 181 (rec. 1936)
Orientale from Cantos de España, Opus 232 no. 2 (rec. 1930)
Torre bermeja from 12 Piezas caracteristicas, opus 92 no. 12 (rec. 1930)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
Claude Debussy (1862-1918):
From Images, 2e Livre:
3. Poissons d'or, dedicated to Ricardo Viñes
Ricardo Viñes, piano
Recorded in 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a famous Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and of Marcelle Meyer.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes.
In his honour, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida.
(Source: Wikipedia)
Artwork: Gold fish, 19th Century Japanese lacquer-work, a source of inspiration for Debussy (it hung in his study).
- published: 24 Jul 2011
- views: 6537
Ricard Vines - Cuatro Homenajes(1924).
1.A la memoire de Maurice Ravel
2.A la memoire de Gbriel Faure
3.A la memoire de Erik Satie
4.Hommage a Leon-Pul Fargue
Joaquin Soriano(piano)
ヴィニエス作曲の小品集。
- published: 14 Jun 2012
- views: 1999
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 8946
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 6986
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 2485
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
This is part of a radio talk in 1938, commemorating the 20th anniversary of Debussy's death.
I found an English translation of it in "Debussy Remembered" by Roger Nichols, but it is also not complete.
(From 2:13) "Claude Debussy was a little bit frightening, with his magnificently ugly face and his curious, clumsily sculpted overhanging forehead (rather like Verlaine's). From the shadows of this forehead, two immense, catlike eyes kept watch, casting ironic and ambiguous looks. The whole effect suggested the romantic image of a "condottiere" [Mercenary Captain] or even, if I may say so, of a proud Calabrian bandit. [...] Debussy himself was neither pompous nor austere. At times he could join himself in quite childish ways. I remember in one occasion, after dinner, we spent the whole evening, with two other guests, drawing pigs with our eyes closed, and being allowed to take the pencil off the paper only once, to make dots for the eyes! I've always regretted not keeping the hilarious drawings Debussy produced that evening. Another time I was bold enough to ask if I could play him one of his Préludes, "La Fille aux cheveux de ripolin"! [The girl with the enamelled hair] Debussy was fond enough of making fun of others, but this play on words left him most decidedly unamused."
Artwork by Odilon Redon (1840-1916), Ricardo Viñes 1903
- published: 15 Aug 2011
- views: 2833
Claude Debussy (1862-1918):
From Estampes (1903:
2. La Soirée dans Grenade - Mouvement de Habanera
Ricardo Viñes (1875-1943), piano
Recorded in the 30s
- published: 14 Aug 2011
- views: 2985
Ricardo Viñes (5 February 1875 – 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have led many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Ricardo_Viñes
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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10:07Ricardo Viñes plays Albéniz
Ricardo Viñes plays AlbénizRicardo Viñes plays Albéniz
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909) Serenata española (Sérénade Espagnole) opus 181 (rec. 1936) Orientale from Cantos de España, Opus 232 no. 2 (rec. 1930) Torre bermeja from 12 Piezas caracteristicas, opus 92 no. 12 (rec. 1930) Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube) -
3:21Ricardo Viñes plays Debussy Poissons d'Or
Ricardo Viñes plays Debussy Poissons d'OrRicardo Viñes plays Debussy Poissons d'Or
Claude Debussy (1862-1918): From Images, 2e Livre: 3. Poissons d'or, dedicated to Ricardo Viñes Ricardo Viñes, piano Recorded in 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a famous Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and of Marcelle Meyer. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. In his honour, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. (Source: Wikipedia) Artwork: Gold fish, 19th Century Japanese lacquer-work, a source of inspiration for Debussy (it hung in his study). -
15:27Ricard Vines - Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924).Ricard Vines - Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924). 1.A la memoire de Maurice Ravel 2.A la memoire de Gbriel Faure 3.A la memoire de Erik Satie 4.Hommage a Leon-Pul Fargue Joaquin Soriano(piano) ヴィニエス作曲の小品集。 -
3:37Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this. Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943. In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him. (Wikipedia) -
2:44Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this. Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943. In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him. (Wikipedia) -
13:38richiesgenial Vines **ALL VINES** Ricardo O'farrill
richiesgenial Vines **ALL VINES** Ricardo O'farrillrichiesgenial Vines **ALL VINES** Ricardo O'farrill
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4:16Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
Ricardo Viñes plays De Falla Introduction and Ritual Fire DanceRicardo Viñes plays De Falla Introduction and Ritual Fire Dance
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this. Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943. In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him. (Wikipedia) -
3:37Ricardo Viñes speaks on Claude Debussy (1938)
Ricardo Viñes speaks on Claude Debussy (1938)Ricardo Viñes speaks on Claude Debussy (1938)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube) This is part of a radio talk in 1938, commemorating the 20th anniversary of Debussy's death. I found an English translation of it in "Debussy Remembered" by Roger Nichols, but it is also not complete. (From 2:13) "Claude Debussy was a little bit frightening, with his magnificently ugly face and his curious, clumsily sculpted overhanging forehead (rather like Verlaine's). From the shadows of this forehead, two immense, catlike eyes kept watch, casting ironic and ambiguous looks. The whole effect suggested the romantic image of a "condottiere" [Mercenary Captain] or even, if I may say so, of a proud Calabrian bandit. [...] Debussy himself was neither pompous nor austere. At times he could join himself in quite childish ways. I remember in one occasion, after dinner, we spent the whole evening, with two other guests, drawing pigs with our eyes closed, and being allowed to take the pencil off the paper only once, to make dots for the eyes! I've always regretted not keeping the hilarious drawings Debussy produced that evening. Another time I was bold enough to ask if I could play him one of his Préludes, "La Fille aux cheveux de ripolin"! [The girl with the enamelled hair] Debussy was fond enough of making fun of others, but this play on words left him most decidedly unamused." Artwork by Odilon Redon (1840-1916), Ricardo Viñes 1903 -
2:38Ricardo Viñes plays Scarlatti Sonata in D major K 29
Ricardo Viñes plays Scarlatti Sonata in D major K 29Ricardo Viñes plays Scarlatti Sonata in D major K 29
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4:04Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
Claude Debussy (1862-1918): From Estampes (1903: 2. La Soirée dans Grenade - Mouvement de Habanera Ricardo Viñes (1875-1943), piano Recorded in the 30s
- Alexander Borodin
- Barcelona
- Benjamin Godard
- Brahms
- Catalonia
- Cayetano Troiani
- Claude Debussy
- Domenico Scarlatti
- Déodat de Séverac
- Erik Satie
- Francis Poulenc
- Gaspard de la nuit
- Gluck
- Isaac Albéniz
- Jeux d'eau (Ravel)
- Joaquín Turina
- Les Apaches
- Lleida
- Llotja de Lleida
- Léo-Pol Morin
- Manuel Blancafort
- Manuel de Falla
- Maurice Ravel
- Menuet antique
- Miroirs
- Paris Conservatoire
- Ricardo Viñes
- Spanish music
- Wikipedia Persondata
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Ricardo Viñes plays Albéniz
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909) Serenata española (Sérénade Espagnole) opus 181 (rec. 1936) Orientale from Cantos de España, Opus 232 no. 2 (rec. 1930) Torre bermeja from 12 Piezas caracteristicas, opus 92 no. 12 (rec. 1930) Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube) -
Ricardo Viñes plays Debussy Poissons d'Or
Claude Debussy (1862-1918): From Images, 2e Livre: 3. Poissons d'or, dedicated to Ricardo Viñes Ricardo Viñes, piano Recorded in 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a famous Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and of Marcelle Meyer. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pa... -
Ricard Vines - Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924). 1.A la memoire de Maurice Ravel 2.A la memoire de Gbriel Faure 3.A la memoire de Erik Satie 4.Hommage a Leon-Pul Fargue Joaquin Soriano(piano) ヴィニエス作曲の小品集。 -
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique ... -
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique ... -
richiesgenial Vines **ALL VINES** Ricardo O'farrill
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Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
Rec. 1930 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique ... -
Ricardo Viñes speaks on Claude Debussy (1938)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube) This is part of a radio talk in 1938, commemorating the 20th anniversary of Debussy's death. I found an English translation of it in "Debussy Remembered" by Roger Nichols, but it is also not complete. (From 2:13) "Claude Debussy was a little bit frightening, with his magnificently ugly face and his curious, clumsily sculpted overhanging forehead (rather like Verlaine's... -
Ricardo Viñes plays Scarlatti Sonata in D major K 29
-
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
Claude Debussy (1862-1918): From Estampes (1903: 2. La Soirée dans Grenade - Mouvement de Habanera Ricardo Viñes (1875-1943), piano Recorded in the 30s
Ricardo Viñes plays Albéniz
- Order: Reorder
- Duration: 10:07
- Updated: 24 Jul 2011
- views: 5562
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909)
Serenata española (Sérénade Espagnole) opus 181 (rec. 1936)
Orientale from Cantos de España, Opus ...
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909)
Serenata española (Sérénade Espagnole) opus 181 (rec. 1936)
Orientale from Cantos de España, Opus 232 no. 2 (rec. 1930)
Torre bermeja from 12 Piezas caracteristicas, opus 92 no. 12 (rec. 1930)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
wn.com/Ricardo Viñes Plays Albéniz
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909)
Serenata española (Sérénade Espagnole) opus 181 (rec. 1936)
Orientale from Cantos de España, Opus 232 no. 2 (rec. 1930)
Torre bermeja from 12 Piezas caracteristicas, opus 92 no. 12 (rec. 1930)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
- published: 24 Jul 2011
- views: 5562
Ricardo Viñes plays Debussy Poissons d'Or
- Order: Reorder
- Duration: 3:21
- Updated: 24 Jul 2011
- views: 6537
Claude Debussy (1862-1918):
From Images, 2e Livre:
3. Poissons d'or, dedicated to Ricardo Viñes
Ricardo Viñes, piano
Recorded in 1930
Ricardo Viñes (5 F...
Claude Debussy (1862-1918):
From Images, 2e Livre:
3. Poissons d'or, dedicated to Ricardo Viñes
Ricardo Viñes, piano
Recorded in 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a famous Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and of Marcelle Meyer.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes.
In his honour, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida.
(Source: Wikipedia)
Artwork: Gold fish, 19th Century Japanese lacquer-work, a source of inspiration for Debussy (it hung in his study).
wn.com/Ricardo Viñes Plays Debussy Poissons D'Or
Claude Debussy (1862-1918):
From Images, 2e Livre:
3. Poissons d'or, dedicated to Ricardo Viñes
Ricardo Viñes, piano
Recorded in 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a famous Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and of Marcelle Meyer.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes.
In his honour, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida.
(Source: Wikipedia)
Artwork: Gold fish, 19th Century Japanese lacquer-work, a source of inspiration for Debussy (it hung in his study).
- published: 24 Jul 2011
- views: 6537
Ricard Vines - Cuatro Homenajes(1924).
- Order: Reorder
- Duration: 15:27
- Updated: 14 Jun 2012
- views: 1999
Ricard Vines - Cuatro Homenajes(1924).
1.A la memoire de Maurice Ravel
2.A la memoire de Gbriel Faure
3.A la memoire de Erik Satie
4.Hommage a Leon-Pul Fargue
...
Ricard Vines - Cuatro Homenajes(1924).
1.A la memoire de Maurice Ravel
2.A la memoire de Gbriel Faure
3.A la memoire de Erik Satie
4.Hommage a Leon-Pul Fargue
Joaquin Soriano(piano)
ヴィニエス作曲の小品集。
wn.com/Ricard Vines Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924).
1.A la memoire de Maurice Ravel
2.A la memoire de Gbriel Faure
3.A la memoire de Erik Satie
4.Hommage a Leon-Pul Fargue
Joaquin Soriano(piano)
ヴィニエス作曲の小品集。
- published: 14 Jun 2012
- views: 1999
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
- Order: Reorder
- Duration: 3:37
- Updated: 02 Nov 2010
- views: 8946
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude D...
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
wn.com/Ricardo Viñes Plays Albéniz Granada (Serenata) Op. 47 No. 1
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 8946
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
- Order: Reorder
- Duration: 2:44
- Updated: 02 Nov 2010
- views: 6986
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude D...
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
wn.com/Ricardo Viñes Plays Albeniz Seguidillas Op. 232 No. 5
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 6986
richiesgenial Vines **ALL VINES** Ricardo O'farrill
- Order: Reorder
- Duration: 13:38
- Updated: 13 May 2015
- views: 208696
- published: 13 May 2015
- views: 208696
Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
- Order: Reorder
- Duration: 4:16
- Updated: 02 Nov 2010
- views: 2485
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude D...
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
wn.com/Ricardo Viñes Plays De Falla Introduction And Ritual Fire Dance
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 2485
Ricardo Viñes speaks on Claude Debussy (1938)
- Order: Reorder
- Duration: 3:37
- Updated: 15 Aug 2011
- views: 2833
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Rave...
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
This is part of a radio talk in 1938, commemorating the 20th anniversary of Debussy's death.
I found an English translation of it in "Debussy Remembered" by Roger Nichols, but it is also not complete.
(From 2:13) "Claude Debussy was a little bit frightening, with his magnificently ugly face and his curious, clumsily sculpted overhanging forehead (rather like Verlaine's). From the shadows of this forehead, two immense, catlike eyes kept watch, casting ironic and ambiguous looks. The whole effect suggested the romantic image of a "condottiere" [Mercenary Captain] or even, if I may say so, of a proud Calabrian bandit. [...] Debussy himself was neither pompous nor austere. At times he could join himself in quite childish ways. I remember in one occasion, after dinner, we spent the whole evening, with two other guests, drawing pigs with our eyes closed, and being allowed to take the pencil off the paper only once, to make dots for the eyes! I've always regretted not keeping the hilarious drawings Debussy produced that evening. Another time I was bold enough to ask if I could play him one of his Préludes, "La Fille aux cheveux de ripolin"! [The girl with the enamelled hair] Debussy was fond enough of making fun of others, but this play on words left him most decidedly unamused."
Artwork by Odilon Redon (1840-1916), Ricardo Viñes 1903
wn.com/Ricardo Viñes Speaks On Claude Debussy (1938)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelona and then at the Paris Conservatoire, where he made friends with Ravel. He gave many first performances of works by Debussy, Satie, Ravel, de Falla and Albéniz. His diary mentions a number of meetings with Debussy, both musical and social. Debussy dedicated his "Poissons d'Or" to him. (I posted the recording of Viñes on YouTube)
This is part of a radio talk in 1938, commemorating the 20th anniversary of Debussy's death.
I found an English translation of it in "Debussy Remembered" by Roger Nichols, but it is also not complete.
(From 2:13) "Claude Debussy was a little bit frightening, with his magnificently ugly face and his curious, clumsily sculpted overhanging forehead (rather like Verlaine's). From the shadows of this forehead, two immense, catlike eyes kept watch, casting ironic and ambiguous looks. The whole effect suggested the romantic image of a "condottiere" [Mercenary Captain] or even, if I may say so, of a proud Calabrian bandit. [...] Debussy himself was neither pompous nor austere. At times he could join himself in quite childish ways. I remember in one occasion, after dinner, we spent the whole evening, with two other guests, drawing pigs with our eyes closed, and being allowed to take the pencil off the paper only once, to make dots for the eyes! I've always regretted not keeping the hilarious drawings Debussy produced that evening. Another time I was bold enough to ask if I could play him one of his Préludes, "La Fille aux cheveux de ripolin"! [The girl with the enamelled hair] Debussy was fond enough of making fun of others, but this play on words left him most decidedly unamused."
Artwork by Odilon Redon (1840-1916), Ricardo Viñes 1903
- published: 15 Aug 2011
- views: 2833
Ricardo Viñes plays Scarlatti Sonata in D major K 29
- Order: Reorder
- Duration: 2:38
- Updated: 04 Sep 2011
- views: 873
- published: 04 Sep 2011
- views: 873
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
- Order: Reorder
- Duration: 4:04
- Updated: 14 Aug 2011
- views: 2985
Claude Debussy (1862-1918):
From Estampes (1903:
2. La Soirée dans Grenade - Mouvement de Habanera
Ricardo Viñes (1875-1943), piano
Recorded in the 30s
Claude Debussy (1862-1918):
From Estampes (1903:
2. La Soirée dans Grenade - Mouvement de Habanera
Ricardo Viñes (1875-1943), piano
Recorded in the 30s
wn.com/Ricardo Viñes Plays Debussy La Soirée Dans Grenade (Estampe No. Ii)
Claude Debussy (1862-1918):
From Estampes (1903:
2. La Soirée dans Grenade - Mouvement de Habanera
Ricardo Viñes (1875-1943), piano
Recorded in the 30s
- published: 14 Aug 2011
- views: 2985
-
Ricardo Viñes plays Albeniz Tango in A minor Op. 164 No. 3
Rec. 1936 Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin. He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches. Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique ... -
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Ricardo Viñes (1875-1943): Debussy - Étude no.10
Ricardo Viñes worked closely with Debussy, who he idolised, premiering many of Debussy's piano works until he fell out of favour as the preferred interpreter in around 1908. He also worked closely with Ravel premiering many of his works, and championing other Spanish and French piano music of the period. His hour or so of studio recordings gives an uneven picture of the quality of his playing. This performance is of a short excerpt from Debussy's tenth Étude ("pour les sonorités opposées") and was taken from a radio broadcast in 1938.
Ricardo Viñes plays Albeniz Tango in A minor Op. 164 No. 3
- Order: Reorder
- Duration: 3:25
- Updated: 02 Nov 2010
- views: 4736
Rec. 1936
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude D...
Rec. 1936
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
wn.com/Ricardo Viñes Plays Albeniz Tango In A Minor Op. 164 No. 3
Rec. 1936
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He first publicly performed many important works by Maurice Ravel, Claude Debussy, Erik Satie, Manuel de Falla, Déodat de Séverac and Isaac Albéniz. He was also the piano teacher of composer Francis Poulenc and pianist Léo-Pol Morin.
He was born in Lleida, Catalonia. He studied piano at the Paris Conservatoire under Charles-Wilfrid de Bériot, and composition and harmony with Benjamin Godard and Albert Lavignac. He was influential with Ravel supplying him many readings and was a member of the group known as Les Apaches.
Viñes premiered works including Ravel's Menuet antique (1898), Jeux d'eau (1902), Pavane pour une infante défunte (1902), Miroirs (1906), and Gaspard de la nuit (1909). Menuet antique and the second movement of Miroirs, "Oiseaux tristes" (Sad birds), were dedicated to Viñes. Ravel felt it was fun to dedicate such an unpianistic work to a pianist. Viñes was effeminate, and both he and Ravel were eternal bachelors. These facts have lead many to suspect that there was more to their friendship, although Viñes's ten-year diary of their times together makes no confirmation of this.
Viñes became known for presenting new music, especially of French and Spanish origin, although he had debuted Russian works as well. As a composer, the best known of his works are the Two Hommages, for Séverac and Satie. He also published writing about Spanish music in Spanish and French publications. Viñes died in Barcelona in 1943.
In his honor, an International piano competition "Ricard Viñes" is held each year in his birthtown Lleida. The city council also named one of the city's most popular squares after him, the "Plaça Ricard Vinyes". The main room of the Llotja de Lleida theater-convenction center (opened in 2010) is also named after him.
(Wikipedia)
- published: 02 Nov 2010
- views: 4736
NEW RUDY MANCUSO Vine Compilations 2015 (ALL VINES) | Best Rudy Mancuso Vines
- Order: Reorder
- Duration: 35:42
- Updated: 10 May 2015
- views: 2668747
Hope You Enjoyed This Video! Remember To Like It & Share The Video With ALL Of Your Friends!
Help Us Reach Our Goal Of 10,000 Subscribers By Subscribing Here!...
Hope You Enjoyed This Video! Remember To Like It & Share The Video With ALL Of Your Friends!
Help Us Reach Our Goal Of 10,000 Subscribers By Subscribing Here! : http://bit.ly/1E3Ia1Y
Want To Make Money Off Your YouTube Videos? Go To : http://bit.ly/1HZ1ulL
--------------------------------------------------------
+ Best Thug Life Compilation Of 2015 :
https://www.youtube.com/watch?v=4o45slY0NQs
+ Iridocyclitis Vine Compilation :
https://www.youtube.com/watch?v=vClwsEYjy7Q
+ Best "Run" Vine Compilation :
https://www.youtube.com/watch?v=5uTKfbPKVrM
--------------------------------------------------------
wn.com/New Rudy Mancuso Vine Compilations 2015 (All Vines) | Best Rudy Mancuso Vines
Hope You Enjoyed This Video! Remember To Like It & Share The Video With ALL Of Your Friends!
Help Us Reach Our Goal Of 10,000 Subscribers By Subscribing Here! : http://bit.ly/1E3Ia1Y
Want To Make Money Off Your YouTube Videos? Go To : http://bit.ly/1HZ1ulL
--------------------------------------------------------
+ Best Thug Life Compilation Of 2015 :
https://www.youtube.com/watch?v=4o45slY0NQs
+ Iridocyclitis Vine Compilation :
https://www.youtube.com/watch?v=vClwsEYjy7Q
+ Best "Run" Vine Compilation :
https://www.youtube.com/watch?v=5uTKfbPKVrM
--------------------------------------------------------
- published: 10 May 2015
- views: 2668747
Ricardo Viñes (1875-1943): Debussy - Étude no.10
- Order: Reorder
- Duration: 2:35
- Updated: 17 Feb 2008
- views: 7498
Ricardo Viñes worked closely with Debussy, who he idolised, premiering many of Debussy's piano works until he fell out of favour as the preferred interpreter in...
Ricardo Viñes worked closely with Debussy, who he idolised, premiering many of Debussy's piano works until he fell out of favour as the preferred interpreter in around 1908. He also worked closely with Ravel premiering many of his works, and championing other Spanish and French piano music of the period.
His hour or so of studio recordings gives an uneven picture of the quality of his playing.
This performance is of a short excerpt from Debussy's tenth Étude ("pour les sonorités opposées") and was taken from a radio broadcast in 1938.
wn.com/Ricardo Viñes (1875 1943) Debussy Étude No.10
Ricardo Viñes worked closely with Debussy, who he idolised, premiering many of Debussy's piano works until he fell out of favour as the preferred interpreter in around 1908. He also worked closely with Ravel premiering many of his works, and championing other Spanish and French piano music of the period.
His hour or so of studio recordings gives an uneven picture of the quality of his playing.
This performance is of a short excerpt from Debussy's tenth Étude ("pour les sonorités opposées") and was taken from a radio broadcast in 1938.
- published: 17 Feb 2008
- views: 7498
-
Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906. Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other. Miroirs has five movements, each dedicated to a member of Les Apaches: 1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work... -
Manuel de Falla,Nights in the Gardens of Spain.
Falla began this work as a set of nocturnes for solo piano in 1909, but on the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for piano with orchestra. Falla completed it in 1915 and dedicated it to Ricardo Viñes. However the pianist at the first performance was neither Viñes nor Falla (who was a competent pianist), but José Cubiles. The first performance was given on April 9, 1916, at Madrid's Teatro Real with the Orquesta Sinfónica de Madrid conducted by Enrique Fernández Arbós. Viñes first played the work in its San Sebastián premiere, shortly after the world premiere, with the same forces. Arthur Rubinstein was in the audience that night, and he introduced the work to Buenos Aires. The Paris premiere took place in January 1920, with the pianist Joaquín Nin... -
Maurice Ravel - Gaspard de la nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil. Movements: 1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early ... -
10 pianists in comparison - Spanish pianists on Spanish piano répertoire !
Dédié à Julia Paintings : José de Ribera 0:00 : 3:36 : 9:24 : 15:28 : 19:46 : 28:29 : 34:13 : 41:29 : 51:56 : 59:35 : -
Manuel de Falla ‒ Noches en los jardines de España
Manuel de Falla (1876 - 1946), Nights in the Gardens of Spain (Noches en los jardines de España) for piano and orchestra (1909-1916) Polish National Radio Symphony Orchestra; Francois-Joel Thiollier piano; conductor Antoni Wit 00:00 - No. 1 En el Generalife 10:40 - No. 2 Danze lejana 15:43 - No. 3 En los jardines de la Sierra de Cordoba Manuel de Falla, born in Cádiz in 1876, studied in Madrid, where he was a pupil of the leading nationalist composer Pedrell. In 1907 he went to Paris, finding there an ambience that suited him very well. It was here that he first planned Nights in the Gardens of Spain, conceived originally as a series of pieces for solo piano, until Ricardo Viñes, the Catalan pianist, teacher of Poulenc and leading exponent of contemporary French and Spanish music, persu... -
Manuel de Falla: Noches en los jardines de España (1915)
Manuel de Falla: Noches en los jardines de España (1915). Alicia de Larrocha, piano. Orchestre Symphonique de Montréal. Charles Dutoit, director. 1. En el Generalife (00:00) 2. Danza lejana (10:12) 3. En los jardines de la sierra de Córdoba (15:33) Noches en los jardines de España es una pieza musical compuesta por el compositor andaluz Manuel de Falla (1876-1946). Falla comenzó esta pieza como un conjunto de nocturnos para piano solo en 1909, pero el pianista Ricardo Viñes le sugirió que transformara los nocturnos en una obra para piano y orquesta. Falla la terminó en 1915, dedicándosela a Ricardo Viñes. La primera ejecución se realizó el 9 de abril de 1916 en el Teatro Real de Madrid por la Orquesta Sinfónica de Madrid dirigida por Enrique Fernández Arbós; con José Cubiles al piano.... -
De cabezón a Haydn, por Miquel Villalba
Concierto de Miquel Villalba en el ciclo de miércoles "París 1905. Viñes, una historia del piano". Cuatro conciertos históricos. (I) De Cabezón a Haydn. 18/11/2015 http://www.march.es/videos/?p0=9929&l;=1 http://www.march.es/ “Qué inquietud sentía por saber justito el programa de ese primer concierto […]. Pero Dios me ayudó, pues no solamente no me equivoqué sino que toqué de manera magnetizadora muchas piezas, tanto que tuve que repetir la Sonata de Scarlatti, L’Arlequine de Couperin y L’Hymen des oiseaux de Dandrieu”. Con estas palabras recordaba Ricardo Viñes en su Diario el éxito obtenido en el primero de sus “Conciertos históricos”, el 27 de marzo de 1905. El repertorio de este recital, con obras desde Cabezón hasta Haydn, es reproducido por Miquel Villalba. -
Gluck-Brahms: Gavotte from "Iphigénie en Aulide" - 10 Historical Pianists in Comparison
1. Francis Planté (00:00)* 2. Ricardo Viñes (02:50) 3. Josef Hofmann (05:35) 4. Harold Samuel (09:14) 5. Percy Grainger (12:06) 6. Ossip Gabrilowitsch (15:09) 7. Ignaz Friedman (18:34) 8. Mischa Levitzki (21:24) 9. Guiomar Novaes (24:40) 10. Wilhelm Kempff (28:49) * (arr. by Planté) -
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections) Beautiful music to relax, study, sleep, work or sooth a baby combined with videos of nature will put you in a good mood. Enjoy the happy stream. Miroirs is a suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group, Les Apaches. http://en.wikipedia.org/wiki/Miroirs http://en.wikipedia.org/wiki/Maurice_Ravel 0:00 - 5:07 I. Noctuelles ("Night Moths"). Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes pl...
Maurice Ravel - Miroirs
- Order: Reorder
- Duration: 28:38
- Updated: 04 Sep 2012
- views: 401732
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes...
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
wn.com/Maurice Ravel Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. "Noctuelles" ("Night Moths") - Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. "Oiseaux tristes" ("Sad Birds") - Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. "Une barque sur l'océan" ("A boat on the Ocean") - Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. "Alborada del gracioso" ("The Gracioso's Aubade") - Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. "La vallée des cloches" ("The Valley of Bells") - Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Pianist: Jean-Efflam Bavouzet
- published: 04 Sep 2012
- views: 401732
Manuel de Falla,Nights in the Gardens of Spain.
- Order: Reorder
- Duration: 22:23
- Updated: 07 Jan 2014
- views: 9782
Falla began this work as a set of nocturnes for solo piano in 1909, but on the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for ...
Falla began this work as a set of nocturnes for solo piano in 1909, but on the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for piano with orchestra. Falla completed it in 1915 and dedicated it to Ricardo Viñes. However the pianist at the first performance was neither Viñes nor Falla (who was a competent pianist), but José Cubiles. The first performance was given on April 9, 1916, at Madrid's Teatro Real with the Orquesta Sinfónica de Madrid conducted by Enrique Fernández Arbós.
Viñes first played the work in its San Sebastián premiere, shortly after the world premiere, with the same forces. Arthur Rubinstein was in the audience that night, and he introduced the work to Buenos Aires. The Paris premiere took place in January 1920, with the pianist Joaquín Nin playing under Fernández Arbós. The composer himself was the soloist at the London premiere in 1921, at a Queen's Hall concert under the baton of Edward Clark.
The work depicts three gardens:
En el Generalife (In the Generalife): The first gardens are in the Generalife, the jasmine-scented gardens surrounding the summer palace of the king's harem at the Alhambra.
Danza lejana (Distant Dance): The second garden is an unidentified distant one in which there is an exotic dance.
En los jardines de la Sierra de Córdoba (In the Gardens of the Sierra de Córdoba): The third gardens are in the Sierra de Córdoba in Spain and feature lively gypsy dancing and singing for the feast of Corpus Christi.
Falla referred to Nights in the Gardens of Spain as "symphonic impressions".
Steven Osborne(piano)/Danish National Orchestra/Ludovic Morlot.
wn.com/Manuel De Falla,Nights In The Gardens Of Spain.
Falla began this work as a set of nocturnes for solo piano in 1909, but on the suggestion of the pianist Ricardo Viñes he turned the nocturnes into a piece for piano with orchestra. Falla completed it in 1915 and dedicated it to Ricardo Viñes. However the pianist at the first performance was neither Viñes nor Falla (who was a competent pianist), but José Cubiles. The first performance was given on April 9, 1916, at Madrid's Teatro Real with the Orquesta Sinfónica de Madrid conducted by Enrique Fernández Arbós.
Viñes first played the work in its San Sebastián premiere, shortly after the world premiere, with the same forces. Arthur Rubinstein was in the audience that night, and he introduced the work to Buenos Aires. The Paris premiere took place in January 1920, with the pianist Joaquín Nin playing under Fernández Arbós. The composer himself was the soloist at the London premiere in 1921, at a Queen's Hall concert under the baton of Edward Clark.
The work depicts three gardens:
En el Generalife (In the Generalife): The first gardens are in the Generalife, the jasmine-scented gardens surrounding the summer palace of the king's harem at the Alhambra.
Danza lejana (Distant Dance): The second garden is an unidentified distant one in which there is an exotic dance.
En los jardines de la Sierra de Córdoba (In the Gardens of the Sierra de Córdoba): The third gardens are in the Sierra de Córdoba in Spain and feature lively gypsy dancing and singing for the feast of Corpus Christi.
Falla referred to Nights in the Gardens of Spain as "symphonic impressions".
Steven Osborne(piano)/Danish National Orchestra/Ludovic Morlot.
- published: 07 Jan 2014
- views: 9782
Maurice Ravel - Gaspard de la nuit
- Order: Reorder
- Duration: 23:26
- Updated: 01 Sep 2012
- views: 106269
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three mov...
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil.
Movements:
1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords.
2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change.
3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
Pianist: Jean-Efflam Bavouzet
wn.com/Maurice Ravel Gaspard De La Nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of pieces for solo piano, composed in 1908 by Maurice Ravel. It has three movements, each based on a poem by Aloysius Bertrand, and it was premiered on January 9, 1909, in Paris by Ricardo Viñes. The name "Gaspard" is derived from its original Persian form, denoting "the man in charge of the royal treasures": "Gaspard of the Night" or the treasurer of the night thus creates allusions to someone in charge of all that is jewel-like, dark, mysterious, perhaps even morose. "Gaspard de la nuit" is an old French expression for the Devil.
Movements:
1. "Ondine": an oneiric tale of a water fairy singing to seduce the observer into visiting her kingdom deep at the bottom of a lake. It is reminiscent of Ravel's early piano masterpiece, the Jeux d'eau (1901), with the sounds of water falling and flowing, woven with cascades. This piece contains technical problems for the right hand such as the fast repetition of three-note chords.
2. "Le gibet": the observer is presented with a view of the desert, where the lone corpse of a hanged man on a gibbet stands out against the horizon, reddened by the setting sun; the sound of a bell tolls from inside the walls of a far-off city, creating the deathly atmosphere that surrounds the observer. Throughout the entire piece is a B-flat octave ostinato, imitative of the tolling bell, that must remain distinctive and constant in tone as the notes cross over and dynamics change.
3. "Scarbo": this movement depicts the nighttime mischief of a small fiend or goblin, making pirouettes, flitting in and out of the darkness, disappearing and suddenly reappearing. Its uneven flight, hitting and scratching against the walls, casting a growing shadow in the moonlight, creates a nightmarish scene for the observer lying in his bed. With its repeated notes and two terrifying climaxes, this is the high point of technical difficulty of the three movements. Technical difficulties include repeated notes in both hands, and double-note scales in major seconds in the right hand.
Pianist: Jean-Efflam Bavouzet
- published: 01 Sep 2012
- views: 106269
10 pianists in comparison - Spanish pianists on Spanish piano répertoire !
- Order: Reorder
- Duration: 64:57
- Updated: 15 Apr 2016
- views: 11
Dédié à Julia
Paintings : José de Ribera
0:00 :
3:36 :
9:24 :
15:28 :
19:46 :
28:29 :
34:13 :
41:29 :
51:56 :
59:35 :
Dédié à Julia
Paintings : José de Ribera
0:00 :
3:36 :
9:24 :
15:28 :
19:46 :
28:29 :
34:13 :
41:29 :
51:56 :
59:35 :
wn.com/10 Pianists In Comparison Spanish Pianists On Spanish Piano Répertoire
Dédié à Julia
Paintings : José de Ribera
0:00 :
3:36 :
9:24 :
15:28 :
19:46 :
28:29 :
34:13 :
41:29 :
51:56 :
59:35 :
- published: 15 Apr 2016
- views: 11
Manuel de Falla ‒ Noches en los jardines de España
- Order: Reorder
- Duration: 24:42
- Updated: 09 Jan 2016
- views: 361
Manuel de Falla (1876 - 1946), Nights in the Gardens of Spain (Noches en los jardines de España) for piano and orchestra (1909-1916)
Polish National Radio Symp...
Manuel de Falla (1876 - 1946), Nights in the Gardens of Spain (Noches en los jardines de España) for piano and orchestra (1909-1916)
Polish National Radio Symphony Orchestra; Francois-Joel Thiollier piano; conductor Antoni Wit
00:00 - No. 1 En el Generalife
10:40 - No. 2 Danze lejana
15:43 - No. 3 En los jardines de la Sierra de Cordoba
Manuel de Falla, born in Cádiz in 1876, studied in Madrid, where he was a pupil of the leading nationalist composer Pedrell. In 1907 he went to Paris, finding there an ambience that suited him very well. It was here that he first planned Nights in the Gardens of Spain, conceived originally as a series of pieces for solo piano, until Ricardo Viñes, the Catalan pianist, teacher of Poulenc and leading exponent of contemporary French and Spanish music, persuaded him to adopt the form of a work in three movements for piano and orchestra. De Falla wrote the work after his return to Spain in 1914, dedicating it to Ricardo Vines. The first performance was given in Madrid in April 1916 with the pianist José Cubiles, under the direction of Enrique Fernandez Arbós. It was introduced to London audiences in 1921, when the composer appeared as soloist. These so-called symphonic impressions are less symphonic than impressionistic, starting with an evocative depiction of the gardens of the Generalife near the Alhambra, monument to the Moorish rule of Granada. The Danza lejana (Distant Dance) of the second movement leads to the final impression of the gardens of la Sierra de Córdoba. The composer himself settled in Granada, after his return from Paris, investigating and absorbing there the spirit of Andalusia, of which the whole work is redolent.
(Naxos)
wn.com/Manuel De Falla ‒ Noches En Los Jardines De España
Manuel de Falla (1876 - 1946), Nights in the Gardens of Spain (Noches en los jardines de España) for piano and orchestra (1909-1916)
Polish National Radio Symphony Orchestra; Francois-Joel Thiollier piano; conductor Antoni Wit
00:00 - No. 1 En el Generalife
10:40 - No. 2 Danze lejana
15:43 - No. 3 En los jardines de la Sierra de Cordoba
Manuel de Falla, born in Cádiz in 1876, studied in Madrid, where he was a pupil of the leading nationalist composer Pedrell. In 1907 he went to Paris, finding there an ambience that suited him very well. It was here that he first planned Nights in the Gardens of Spain, conceived originally as a series of pieces for solo piano, until Ricardo Viñes, the Catalan pianist, teacher of Poulenc and leading exponent of contemporary French and Spanish music, persuaded him to adopt the form of a work in three movements for piano and orchestra. De Falla wrote the work after his return to Spain in 1914, dedicating it to Ricardo Vines. The first performance was given in Madrid in April 1916 with the pianist José Cubiles, under the direction of Enrique Fernandez Arbós. It was introduced to London audiences in 1921, when the composer appeared as soloist. These so-called symphonic impressions are less symphonic than impressionistic, starting with an evocative depiction of the gardens of the Generalife near the Alhambra, monument to the Moorish rule of Granada. The Danza lejana (Distant Dance) of the second movement leads to the final impression of the gardens of la Sierra de Córdoba. The composer himself settled in Granada, after his return from Paris, investigating and absorbing there the spirit of Andalusia, of which the whole work is redolent.
(Naxos)
- published: 09 Jan 2016
- views: 361
Manuel de Falla: Noches en los jardines de España (1915)
- Order: Reorder
- Duration: 24:27
- Updated: 08 Nov 2015
- views: 1918
Manuel de Falla: Noches en los jardines de España (1915).
Alicia de Larrocha, piano. Orchestre Symphonique de Montréal. Charles Dutoit, director.
1. En el Ge...
Manuel de Falla: Noches en los jardines de España (1915).
Alicia de Larrocha, piano. Orchestre Symphonique de Montréal. Charles Dutoit, director.
1. En el Generalife (00:00)
2. Danza lejana (10:12)
3. En los jardines de la sierra de Córdoba (15:33)
Noches en los jardines de España es una pieza musical compuesta por el compositor andaluz Manuel de Falla (1876-1946).
Falla comenzó esta pieza como un conjunto de nocturnos para piano solo en 1909, pero el pianista Ricardo Viñes le sugirió que transformara los nocturnos en una obra para piano y orquesta. Falla la terminó en 1915, dedicándosela a Ricardo Viñes. La primera ejecución se realizó el 9 de abril de 1916 en el Teatro Real de Madrid por la Orquesta Sinfónica de Madrid dirigida por Enrique Fernández Arbós; con José Cubiles al piano.
La obra describe 3 jardines:
En el Generalife (Palacio de la Alhambra)
Danza lejana (este segundo jardín no es identificable)
En los jardines de la Sierra de Córdoba. El habitante más renombrado de las Sierras de Córdoba fue el filósofo sufí Ibn Masarra, sobre quien un libro importante, que es fácil que Falla conociera, apareció dos años antes de las Noches.
Falla describió las Noches en los jardines de España como «impresiones sinfónicas». La parte del piano es elaborada, brillante y elocuente, pero raramente dominante. La partitura orquestal es exuberante. Se trata de la obra más impresionista del maestro gaditano. Es también la única de sus obras para piano y orquesta exclusivamente; su más reconocida de su obra orquestal, batiéndose el puesto con El sombrero de tres picos (1919) y El amor brujo (1917).
Con partitura incluida. Alicia de Larrocha, piano. No me pertenecen ni el audio ni las partituras que se enseñan en el vídeo.
-audio: https://www.youtube.com/watch?v=pgy0d2lJv9M&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR / https://www.youtube.com/watch?v=ZaDi9mB1qFg&index;=2&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR / https://www.youtube.com/watch?v=TY8o6_7G_Uk&index;=3&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR
wn.com/Manuel De Falla Noches En Los Jardines De España (1915)
Manuel de Falla: Noches en los jardines de España (1915).
Alicia de Larrocha, piano. Orchestre Symphonique de Montréal. Charles Dutoit, director.
1. En el Generalife (00:00)
2. Danza lejana (10:12)
3. En los jardines de la sierra de Córdoba (15:33)
Noches en los jardines de España es una pieza musical compuesta por el compositor andaluz Manuel de Falla (1876-1946).
Falla comenzó esta pieza como un conjunto de nocturnos para piano solo en 1909, pero el pianista Ricardo Viñes le sugirió que transformara los nocturnos en una obra para piano y orquesta. Falla la terminó en 1915, dedicándosela a Ricardo Viñes. La primera ejecución se realizó el 9 de abril de 1916 en el Teatro Real de Madrid por la Orquesta Sinfónica de Madrid dirigida por Enrique Fernández Arbós; con José Cubiles al piano.
La obra describe 3 jardines:
En el Generalife (Palacio de la Alhambra)
Danza lejana (este segundo jardín no es identificable)
En los jardines de la Sierra de Córdoba. El habitante más renombrado de las Sierras de Córdoba fue el filósofo sufí Ibn Masarra, sobre quien un libro importante, que es fácil que Falla conociera, apareció dos años antes de las Noches.
Falla describió las Noches en los jardines de España como «impresiones sinfónicas». La parte del piano es elaborada, brillante y elocuente, pero raramente dominante. La partitura orquestal es exuberante. Se trata de la obra más impresionista del maestro gaditano. Es también la única de sus obras para piano y orquesta exclusivamente; su más reconocida de su obra orquestal, batiéndose el puesto con El sombrero de tres picos (1919) y El amor brujo (1917).
Con partitura incluida. Alicia de Larrocha, piano. No me pertenecen ni el audio ni las partituras que se enseñan en el vídeo.
-audio: https://www.youtube.com/watch?v=pgy0d2lJv9M&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR / https://www.youtube.com/watch?v=ZaDi9mB1qFg&index;=2&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR / https://www.youtube.com/watch?v=TY8o6_7G_Uk&index;=3&list;=PLYvFN2hxu-x15OyOWhD9vgmi-6W216lcR
- published: 08 Nov 2015
- views: 1918
De cabezón a Haydn, por Miquel Villalba
- Order: Reorder
- Duration: 57:56
- Updated: 27 Jan 2016
- views: 140
Concierto de Miquel Villalba en el ciclo de miércoles "París 1905. Viñes, una historia del piano". Cuatro conciertos históricos. (I) De Cabezón a Haydn. 18/11/2...
Concierto de Miquel Villalba en el ciclo de miércoles "París 1905. Viñes, una historia del piano". Cuatro conciertos históricos. (I) De Cabezón a Haydn. 18/11/2015
http://www.march.es/videos/?p0=9929&l;=1
http://www.march.es/
“Qué inquietud sentía por saber justito el programa de ese primer concierto […]. Pero Dios me ayudó, pues no solamente no me equivoqué sino que toqué de manera magnetizadora muchas piezas, tanto que tuve que repetir la Sonata de Scarlatti, L’Arlequine de Couperin y L’Hymen des oiseaux de Dandrieu”. Con estas palabras recordaba Ricardo Viñes en su Diario el éxito obtenido en el primero de sus “Conciertos históricos”, el 27 de marzo de 1905. El repertorio de este recital, con obras desde Cabezón hasta Haydn, es reproducido por Miquel Villalba.
wn.com/De Cabezón A Haydn, Por Miquel Villalba
Concierto de Miquel Villalba en el ciclo de miércoles "París 1905. Viñes, una historia del piano". Cuatro conciertos históricos. (I) De Cabezón a Haydn. 18/11/2015
http://www.march.es/videos/?p0=9929&l;=1
http://www.march.es/
“Qué inquietud sentía por saber justito el programa de ese primer concierto […]. Pero Dios me ayudó, pues no solamente no me equivoqué sino que toqué de manera magnetizadora muchas piezas, tanto que tuve que repetir la Sonata de Scarlatti, L’Arlequine de Couperin y L’Hymen des oiseaux de Dandrieu”. Con estas palabras recordaba Ricardo Viñes en su Diario el éxito obtenido en el primero de sus “Conciertos históricos”, el 27 de marzo de 1905. El repertorio de este recital, con obras desde Cabezón hasta Haydn, es reproducido por Miquel Villalba.
- published: 27 Jan 2016
- views: 140
Gluck-Brahms: Gavotte from "Iphigénie en Aulide" - 10 Historical Pianists in Comparison
- Order: Reorder
- Duration: 32:05
- Updated: 28 May 2013
- views: 1074
1. Francis Planté (00:00)*
2. Ricardo Viñes (02:50)
3. Josef Hofmann (05:35)
4. Harold Samuel (09:14)
5. Percy Grainger (12:06)
6. Ossip Gabrilowitsch (15:09)
7...
1. Francis Planté (00:00)*
2. Ricardo Viñes (02:50)
3. Josef Hofmann (05:35)
4. Harold Samuel (09:14)
5. Percy Grainger (12:06)
6. Ossip Gabrilowitsch (15:09)
7. Ignaz Friedman (18:34)
8. Mischa Levitzki (21:24)
9. Guiomar Novaes (24:40)
10. Wilhelm Kempff (28:49)
* (arr. by Planté)
wn.com/Gluck Brahms Gavotte From Iphigénie En Aulide 10 Historical Pianists In Comparison
1. Francis Planté (00:00)*
2. Ricardo Viñes (02:50)
3. Josef Hofmann (05:35)
4. Harold Samuel (09:14)
5. Percy Grainger (12:06)
6. Ossip Gabrilowitsch (15:09)
7. Ignaz Friedman (18:34)
8. Mischa Levitzki (21:24)
9. Guiomar Novaes (24:40)
10. Wilhelm Kempff (28:49)
* (arr. by Planté)
- published: 28 May 2013
- views: 1074
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
- Order: Reorder
- Duration: 29:35
- Updated: 11 Jan 2015
- views: 429
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful music to relax, study, sleep, work or sooth a baby combined with videos of nature wi...
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful music to relax, study, sleep, work or sooth a baby combined with videos of nature will put you in a good mood. Enjoy the happy stream.
Miroirs is a suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group, Les Apaches.
http://en.wikipedia.org/wiki/Miroirs
http://en.wikipedia.org/wiki/Maurice_Ravel
0:00 - 5:07 I. Noctuelles ("Night Moths"). Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
5:08 - 9:19 II. Oiseaux Tristes ("Sad Birds"). Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
9:20 - 16:49 III. Une barque sur l'ocean ("A Boat on the Ocean"). Dedicated to Paul Sordes, the piece recounts a boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set.
16:50 - 23:21 IV. Alborada del gracioso ("Morning Song of the Jester"). Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
23:22 - 29:34 V. La Valleé des Cloches ("The Valley of Bells"). Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Performed by Robert Ewen Birchall.
https://musopen.org/music/2562/maurice-ravel/miroirs/
Score:
http://imslp.org/wiki/Miroirs_%28Ravel,_Maurice%29
This video features beautiful nature footage:
"Stream" http://www.beachfrontbroll.com/2011/10/took-hike.html
by Beachfront B-Roll which is licensed under CC BY
http://creativecommons.org/licenses/by/3.0/
https://www.youtube.com/user/kloszardpl
wn.com/Beautiful Classical Music Maurice Ravel Miroirs (Reflections)
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful music to relax, study, sleep, work or sooth a baby combined with videos of nature will put you in a good mood. Enjoy the happy stream.
Miroirs is a suite for solo piano written by French composer Maurice Ravel between 1904 and 1905. First performed by Ricardo Viñes in 1906, Miroirs contains five movements, each dedicated to a fellow member of the French avant-garde artist group, Les Apaches.
http://en.wikipedia.org/wiki/Miroirs
http://en.wikipedia.org/wiki/Maurice_Ravel
0:00 - 5:07 I. Noctuelles ("Night Moths"). Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
5:08 - 9:19 II. Oiseaux Tristes ("Sad Birds"). Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
9:20 - 16:49 III. Une barque sur l'ocean ("A Boat on the Ocean"). Dedicated to Paul Sordes, the piece recounts a boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set.
16:50 - 23:21 IV. Alborada del gracioso ("Morning Song of the Jester"). Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
23:22 - 29:34 V. La Valleé des Cloches ("The Valley of Bells"). Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.
Performed by Robert Ewen Birchall.
https://musopen.org/music/2562/maurice-ravel/miroirs/
Score:
http://imslp.org/wiki/Miroirs_%28Ravel,_Maurice%29
This video features beautiful nature footage:
"Stream" http://www.beachfrontbroll.com/2011/10/took-hike.html
by Beachfront B-Roll which is licensed under CC BY
http://creativecommons.org/licenses/by/3.0/
https://www.youtube.com/user/kloszardpl
- published: 11 Jan 2015
- views: 429
-
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Konzerte Richard Goode
Neu im Zeitschriftenhandel: http://bit.ly/Piano-News-mykiosk oder direkt hier bestellen: http://bit.ly/Piano-News-Einzelheft-Verlag (Verlag) oder hier: http://bit.ly/Piano-News-Einzelheft-IP (versandkostenfrei in D) oder hier: http://bit.ly/Piano-News-Einzelheft-PVN (auch aus dem Ausland) Abonnement: http://bit.ly/Piano-News-Abo-Verlag (Abo Verlag) Piano News Magazin für Klavier und Flügel E D I T O R I A L C R E S C E N D O INFOS AUS DER SZENE K L A V I E R - N E W S NEUIGKEITEN VON KLAVIERBAUUNTERNEHMEN I N T E R V I E W RICHARD GOODE „ICH BRAUCHE MUSIK, DIE WIRKLICH NOTWENDIG IST." P O R T R Ä T KIT ARMSTRONG ZWISCHEN STRUKTUR UND EMOTIONEN A U F N A H M E HERBERT SCHUCH NIMMT AUF H Ä N D L E R DIE „KLAVIERMACHERMEISTER" IN WIEN IDEALISMUS NACH AUßEN TRAGEN P O R T R Ä T JEROME R... -
Interview of Dr. Roy Howat by Prof. Rainer Schulte
Center for Translation Studies and School of Arts and Humanities present: "Baudelaire, Fauré, Debussy, and the flowering of French mélodie" Interview with Dr. Roy Howat, musicologist and pianist http://www.royhowat.com/ Keyboard Research Fellow, Royal Academy of Music, London Research Fellow, Royal Conservatoire of Scotland, Glasgow -
Hanging out with Timothy Andres | Hang #3
Listen to Timothy Andres play "At the River" (2011) here: http://youtu.be/XHg3ofLLtok Timothy Andres (b. 1985, Palo Alto, CA) is a composer and pianist. He grew up in rural Connecticut and lives in Brooklyn, NY. His compositions meld a classical-music upbringing with diverse interests in the natural world, graphic arts, technology, cooking, and photography. He has been praised for his "acute ear" by the New York Times's Anthony Tommasini and "stubborn nose" by the New Yorker's Alex Ross. http://www.andres.com —————— I Care If You Listen is a blog about Contemporary Classical Music (some people also say New Music), design, architecture, technology, and the idea of craftsmanship. It is curated by Thomas Deneuville, a French-born composer living in New York City, with the help of ... -
Giorgi Latso-Latsabidze plays Debussy - Estampes
LIVE RECORDING PALM DESERT CALIFORNIA 03.06.2014 (sound quality is not the very best but still descent and recognizable considering that this was recorded from a camcorder which was set not on the podium. You can ever hear some coughing in the audience) ***Estampes est une œuvre pour piano composée par Claude Debussy en 1903. Sa création eut lieu le 9 janvier 1904 par le pianiste Ricardo Viñes à la Salle Érard de la Société nationale de musique. Il s'agit d'un triptyque de trois pièces assez courtes intitulées Pagodes, La soirée dans Grenade et Jardins sous la pluie. Giorgi Latso-Latsabidze, piano -
Martha Argerich - Ravel Jeux d'eau
Martha Argerich Jeux d'eau Ravel Joseph-Maurice Ravel (March 7, 1875 -- December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects. Jeux d'eau is a piece for solo piano by Maurice Ravel. The title is often translated as "Fountains", "Water Games", or "Playing water". At the time of writing Jeux d'eau, Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. Pianist Ricardo Viñes was the first to publicly perform the work in 1902, although it had been privately performed for Les Apaches previously. The piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este (from the 3ème année of his Années de pèlerinage), and Ravel explained its origins in this way: Jeux d'eau, appearing in ... -
Marguerite Long parle 1 partie
Marguerite Long parle 1 partie -
Préludes, Debussy - performed by Jeremy Denk - full version in HD!
Jeremy Denk gives a stunning performance of Debussy's Préludes! Full version in HD. Claude Debussy's Préludes are two sets of pieces for solo piano. They are divided into two separate livres, or books, of twelve preludes each. Unlike previous collections of preludes, such as those of J.S. Bach and Chopin, Debussy's do not follow a strict pattern of key signatures. Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913. Performance practice There is no proof that Debussy necessarily intended the preludes to be performed as a cycle, although the musical language throughout each book is so consistent that performers often do so. An impo... -
Alicia de Larrocha plays Rodrigo - A l' ombre de Torre Bermeja
JOAQUIN RODRIGO (1901-1999) A l' ombre de Torre Bermeja (In the Shadow of the Crimson Tower) Alicia de Larrocha (piano) Recorded: 1962, France This famous piece never recorded commercially by Alicia de Larrocha, this recording was broadcast by the Radio France. ______________________________________________________ A l' ombre de Torre Bermeja (In the Shadow of the Crimson Tower) was written in tribute on the death of the great Spanish pianist Ricardo Viñes (1875-1943), and first published in a memorial album in Madrid. Rodrigo commented that 'it was a kind of paraphrase of Albéniz's work, of his first phase, entitled Torre Bermeja'. Albéniz's music is reflected throughout in rapid arpeggios and the tolling bell of the old tower. ********************************************************...
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Konzerte Richard Goode
- Order: Reorder
- Duration: 4:33
- Updated: 01 Nov 2013
- views: 114
Neu im Zeitschriftenhandel: http://bit.ly/Piano-News-mykiosk
oder direkt hier bestellen: http://bit.ly/Piano-News-Einzelheft-Verlag (Verlag)
oder hier: http://b...
Neu im Zeitschriftenhandel: http://bit.ly/Piano-News-mykiosk
oder direkt hier bestellen: http://bit.ly/Piano-News-Einzelheft-Verlag (Verlag)
oder hier: http://bit.ly/Piano-News-Einzelheft-IP (versandkostenfrei in D)
oder hier: http://bit.ly/Piano-News-Einzelheft-PVN (auch aus dem Ausland)
Abonnement:
http://bit.ly/Piano-News-Abo-Verlag (Abo Verlag)
Piano News Magazin für Klavier und Flügel
E D I T O R I A L
C R E S C E N D O
INFOS AUS DER SZENE
K L A V I E R - N E W S
NEUIGKEITEN VON
KLAVIERBAUUNTERNEHMEN
I N T E R V I E W
RICHARD GOODE
„ICH BRAUCHE MUSIK, DIE WIRKLICH
NOTWENDIG IST."
P O R T R Ä T
KIT ARMSTRONG
ZWISCHEN STRUKTUR UND EMOTIONEN
A U F N A H M E
HERBERT SCHUCH NIMMT AUF
H Ä N D L E R
DIE „KLAVIERMACHERMEISTER" IN WIEN
IDEALISMUS NACH AUßEN TRAGEN
P O R T R Ä T
JEROME ROSE
VISIONÄR AM KLAVIER
WE T T B E W E R B E
TERMINE FÜR PROFIS
B E T R A C H T U N G E N
BACH UND DIE ENTSTEHUNG DES
KLAVIERKONZERTS (TEIL 1)
KONZERTE FÜR EIN KLAVIER
K O N Z E R T E
TERMINE FÜR LIEBHABER
P O R T R Ä T
DIETER FALK
DER FLÜGEL IN POP UND GOSPEL
B U C H V O R S T E L L U N G
BEETHOVENS KLAVIERSONATEN
AUSZUG AUS HANS-JOACHIM HINRICHSENS
NEUEM BUCH
P I A N I S T E N
RICARDO VIÑES
HEROISCHER VERFECHTER
DER MUSIKALISCHEN MODERNE
I N T E R V I E W
NICHOLAS RIMMER
MIT EINEM GANZ BESTIMMTEN SCHLIFF
B Ü C H E R
- KARL ULRICH SCHNABELS
UNTERRICHTSMETHODE
- DER FAST UNBEKANNTE PIANIST
HUBERT HARRY
H Ä N D L E R
HIER KÖNNEN SIE PIANONEWS KAUFEN
MU S I K S C H U L E
EIN GRIGORY-SOKOLOV-RECITAL UND
DIE FACEBOOK-GENERATION
D I E N E U E CD
RAFAL BLECHACZ
ZU SEINER NEUEN CD MIT
CHOPINS POLONAISEN
ERWACHSENE AM KLAVIER
HAUSMITTELCHEN ZUR HEIZPERIODE
P R O F I - T I P P S
VOM UMGANG MIT
HISTORISCHEN INSTRUMENTEN (2)
J A Z Z-WO R K S H O P
MIT RAINER BRÜNINGHAUS (40)
KONTRAPUNKTISCHE ARBEIT
N O T E N
NEUE KLAVIERWERKE AUF DEM PULT
E D I T I O N E N
HOROWITZ IN DER CARNEGIE HALL
B E S O N D E R E N O T E N
VIENNA SYMPHONY PLAY ALONG
A L T E A U F N A H M E N
TEXTTREUE MIT PERSÖNLICHER NOTE
H Ö R E I N D R U C K
NEUE CDS
VORSCHAU/IMPRESSUM
www.pianonews.de
060516201300006
wn.com/Musik Klavier Magazin Piano News 6 2013 Cd Dvd Konzerte Richard Goode
Neu im Zeitschriftenhandel: http://bit.ly/Piano-News-mykiosk
oder direkt hier bestellen: http://bit.ly/Piano-News-Einzelheft-Verlag (Verlag)
oder hier: http://bit.ly/Piano-News-Einzelheft-IP (versandkostenfrei in D)
oder hier: http://bit.ly/Piano-News-Einzelheft-PVN (auch aus dem Ausland)
Abonnement:
http://bit.ly/Piano-News-Abo-Verlag (Abo Verlag)
Piano News Magazin für Klavier und Flügel
E D I T O R I A L
C R E S C E N D O
INFOS AUS DER SZENE
K L A V I E R - N E W S
NEUIGKEITEN VON
KLAVIERBAUUNTERNEHMEN
I N T E R V I E W
RICHARD GOODE
„ICH BRAUCHE MUSIK, DIE WIRKLICH
NOTWENDIG IST."
P O R T R Ä T
KIT ARMSTRONG
ZWISCHEN STRUKTUR UND EMOTIONEN
A U F N A H M E
HERBERT SCHUCH NIMMT AUF
H Ä N D L E R
DIE „KLAVIERMACHERMEISTER" IN WIEN
IDEALISMUS NACH AUßEN TRAGEN
P O R T R Ä T
JEROME ROSE
VISIONÄR AM KLAVIER
WE T T B E W E R B E
TERMINE FÜR PROFIS
B E T R A C H T U N G E N
BACH UND DIE ENTSTEHUNG DES
KLAVIERKONZERTS (TEIL 1)
KONZERTE FÜR EIN KLAVIER
K O N Z E R T E
TERMINE FÜR LIEBHABER
P O R T R Ä T
DIETER FALK
DER FLÜGEL IN POP UND GOSPEL
B U C H V O R S T E L L U N G
BEETHOVENS KLAVIERSONATEN
AUSZUG AUS HANS-JOACHIM HINRICHSENS
NEUEM BUCH
P I A N I S T E N
RICARDO VIÑES
HEROISCHER VERFECHTER
DER MUSIKALISCHEN MODERNE
I N T E R V I E W
NICHOLAS RIMMER
MIT EINEM GANZ BESTIMMTEN SCHLIFF
B Ü C H E R
- KARL ULRICH SCHNABELS
UNTERRICHTSMETHODE
- DER FAST UNBEKANNTE PIANIST
HUBERT HARRY
H Ä N D L E R
HIER KÖNNEN SIE PIANONEWS KAUFEN
MU S I K S C H U L E
EIN GRIGORY-SOKOLOV-RECITAL UND
DIE FACEBOOK-GENERATION
D I E N E U E CD
RAFAL BLECHACZ
ZU SEINER NEUEN CD MIT
CHOPINS POLONAISEN
ERWACHSENE AM KLAVIER
HAUSMITTELCHEN ZUR HEIZPERIODE
P R O F I - T I P P S
VOM UMGANG MIT
HISTORISCHEN INSTRUMENTEN (2)
J A Z Z-WO R K S H O P
MIT RAINER BRÜNINGHAUS (40)
KONTRAPUNKTISCHE ARBEIT
N O T E N
NEUE KLAVIERWERKE AUF DEM PULT
E D I T I O N E N
HOROWITZ IN DER CARNEGIE HALL
B E S O N D E R E N O T E N
VIENNA SYMPHONY PLAY ALONG
A L T E A U F N A H M E N
TEXTTREUE MIT PERSÖNLICHER NOTE
H Ö R E I N D R U C K
NEUE CDS
VORSCHAU/IMPRESSUM
www.pianonews.de
060516201300006
- published: 01 Nov 2013
- views: 114
Interview of Dr. Roy Howat by Prof. Rainer Schulte
- Order: Reorder
- Duration: 57:21
- Updated: 12 Mar 2015
- views: 137
Center for Translation Studies and School of Arts and Humanities present:
"Baudelaire, Fauré, Debussy, and the flowering of French mélodie"
Interview with
...
Center for Translation Studies and School of Arts and Humanities present:
"Baudelaire, Fauré, Debussy, and the flowering of French mélodie"
Interview with
Dr. Roy Howat, musicologist and pianist
http://www.royhowat.com/
Keyboard Research Fellow, Royal Academy of Music, London
Research Fellow, Royal Conservatoire of Scotland, Glasgow
wn.com/Interview Of Dr. Roy Howat By Prof. Rainer Schulte
Center for Translation Studies and School of Arts and Humanities present:
"Baudelaire, Fauré, Debussy, and the flowering of French mélodie"
Interview with
Dr. Roy Howat, musicologist and pianist
http://www.royhowat.com/
Keyboard Research Fellow, Royal Academy of Music, London
Research Fellow, Royal Conservatoire of Scotland, Glasgow
- published: 12 Mar 2015
- views: 137
Hanging out with Timothy Andres | Hang #3
- Order: Reorder
- Duration: 20:17
- Updated: 22 Feb 2012
- views: 2833
Listen to Timothy Andres play "At the River" (2011) here: http://youtu.be/XHg3ofLLtok
Timothy Andres (b. 1985, Palo Alto, CA) is a composer and pianist. He g...
Listen to Timothy Andres play "At the River" (2011) here: http://youtu.be/XHg3ofLLtok
Timothy Andres (b. 1985, Palo Alto, CA) is a composer and pianist. He grew up in rural Connecticut and lives in Brooklyn, NY. His compositions meld a classical-music upbringing with diverse interests in the natural world, graphic arts, technology, cooking, and photography. He has been praised for his "acute ear" by the New York Times's Anthony Tommasini and "stubborn nose" by the New Yorker's Alex Ross.
http://www.andres.com
——————
I Care If You Listen is a blog about Contemporary Classical Music (some people also say New Music), design, architecture, technology, and the idea of craftsmanship. It is curated by Thomas Deneuville, a French-born composer living in New York City, with the help of wonderful contributors in the US and the UK ■ http://www.icareifyoulisten.com
Twitter: http://www.twitter.com/icareifulisten
Facebook: http://www.facebook.com/icareifyoulisten
tumblr: http://icareifyoulisten.tumblr.com
Google+: http://tinyurl.com/icaregplus
Video + Editing + French accent: Thomas Deneuville
Opening animation: Daniel Thompson at DTWebart (http://www.dtwebart.com)
© 2012 I Care if You Listen
wn.com/Hanging Out With Timothy Andres | Hang 3
Listen to Timothy Andres play "At the River" (2011) here: http://youtu.be/XHg3ofLLtok
Timothy Andres (b. 1985, Palo Alto, CA) is a composer and pianist. He grew up in rural Connecticut and lives in Brooklyn, NY. His compositions meld a classical-music upbringing with diverse interests in the natural world, graphic arts, technology, cooking, and photography. He has been praised for his "acute ear" by the New York Times's Anthony Tommasini and "stubborn nose" by the New Yorker's Alex Ross.
http://www.andres.com
——————
I Care If You Listen is a blog about Contemporary Classical Music (some people also say New Music), design, architecture, technology, and the idea of craftsmanship. It is curated by Thomas Deneuville, a French-born composer living in New York City, with the help of wonderful contributors in the US and the UK ■ http://www.icareifyoulisten.com
Twitter: http://www.twitter.com/icareifulisten
Facebook: http://www.facebook.com/icareifyoulisten
tumblr: http://icareifyoulisten.tumblr.com
Google+: http://tinyurl.com/icaregplus
Video + Editing + French accent: Thomas Deneuville
Opening animation: Daniel Thompson at DTWebart (http://www.dtwebart.com)
© 2012 I Care if You Listen
- published: 22 Feb 2012
- views: 2833
Giorgi Latso-Latsabidze plays Debussy - Estampes
- Order: Reorder
- Duration: 13:57
- Updated: 29 Apr 2014
- views: 18
LIVE RECORDING PALM DESERT CALIFORNIA 03.06.2014 (sound quality is not the very best but still descent and recognizable considering that this was recorded from ...
LIVE RECORDING PALM DESERT CALIFORNIA 03.06.2014 (sound quality is not the very best but still descent and recognizable considering that this was recorded from a camcorder which was set not on the podium. You can ever hear some coughing in the audience)
***Estampes est une œuvre pour piano composée par Claude Debussy en 1903. Sa création eut lieu le 9 janvier 1904 par le pianiste Ricardo Viñes à la Salle Érard de la Société nationale de musique. Il s'agit d'un triptyque de trois pièces assez courtes intitulées Pagodes, La soirée dans Grenade et Jardins sous la pluie.
Giorgi Latso-Latsabidze, piano
wn.com/Giorgi Latso Latsabidze Plays Debussy Estampes
LIVE RECORDING PALM DESERT CALIFORNIA 03.06.2014 (sound quality is not the very best but still descent and recognizable considering that this was recorded from a camcorder which was set not on the podium. You can ever hear some coughing in the audience)
***Estampes est une œuvre pour piano composée par Claude Debussy en 1903. Sa création eut lieu le 9 janvier 1904 par le pianiste Ricardo Viñes à la Salle Érard de la Société nationale de musique. Il s'agit d'un triptyque de trois pièces assez courtes intitulées Pagodes, La soirée dans Grenade et Jardins sous la pluie.
Giorgi Latso-Latsabidze, piano
- published: 29 Apr 2014
- views: 18
Martha Argerich - Ravel Jeux d'eau
- Order: Reorder
- Duration: 5:01
- Updated: 29 Feb 2012
- views: 10004
Martha Argerich
Jeux d'eau
Ravel
Joseph-Maurice Ravel (March 7, 1875 -- December 28, 1937) was a French composer known especially for his melodies, orchest...
Martha Argerich
Jeux d'eau
Ravel
Joseph-Maurice Ravel (March 7, 1875 -- December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects.
Jeux d'eau is a piece for solo piano by Maurice Ravel. The title is often translated as "Fountains", "Water Games", or "Playing water". At the time of writing Jeux d'eau, Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. Pianist Ricardo Viñes was the first to publicly perform the work in 1902, although it had been privately performed for Les Apaches previously.
The piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este (from the 3ème année of his Années de pèlerinage), and Ravel explained its origins in this way:
Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays water, the cascades, and the brooks, is based on two motives in the manner of the movement of a sonata—without, however, subjecting itself to the classical tonal plan.
wn.com/Martha Argerich Ravel Jeux D'Eau
Martha Argerich
Jeux d'eau
Ravel
Joseph-Maurice Ravel (March 7, 1875 -- December 28, 1937) was a French composer known especially for his melodies, orchestral and instrumental textures and effects.
Jeux d'eau is a piece for solo piano by Maurice Ravel. The title is often translated as "Fountains", "Water Games", or "Playing water". At the time of writing Jeux d'eau, Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. Pianist Ricardo Viñes was the first to publicly perform the work in 1902, although it had been privately performed for Les Apaches previously.
The piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este (from the 3ème année of his Années de pèlerinage), and Ravel explained its origins in this way:
Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays water, the cascades, and the brooks, is based on two motives in the manner of the movement of a sonata—without, however, subjecting itself to the classical tonal plan.
- published: 29 Feb 2012
- views: 10004
Marguerite Long parle 1 partie
- Order: Reorder
- Duration: 7:26
- Updated: 15 Feb 2012
- views: 2209
Marguerite Long parle 1 partie
Marguerite Long parle 1 partie
wn.com/Marguerite Long Parle 1 Partie
Préludes, Debussy - performed by Jeremy Denk - full version in HD!
- Order: Reorder
- Duration: 18:31
- Updated: 11 May 2014
- views: 562
Jeremy Denk gives a stunning performance of Debussy's Préludes! Full version in HD.
Claude Debussy's Préludes are two sets of pieces for solo piano. They are d...
Jeremy Denk gives a stunning performance of Debussy's Préludes! Full version in HD.
Claude Debussy's Préludes are two sets of pieces for solo piano. They are divided into two separate livres, or books, of twelve preludes each. Unlike previous collections of preludes, such as those of J.S. Bach and Chopin, Debussy's do not follow a strict pattern of key signatures.
Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.
Performance practice
There is no proof that Debussy necessarily intended the preludes to be performed as a cycle, although the musical language throughout each book is so consistent that performers often do so.
An important precedent was set on 3 May 1911 by the pianist Jane Mortier (to whom works were dedicated by Bohuslav Martinů[1] and Erik Satie) who played the entire first book of preludes at the Salle Pleyel in Paris. The German-English pianist Walter Morse Rummel, a student of Leopold Godowsky, gave the premiere of the entire second book of preludes in 1913 in London.
Initially, Debussy and other pianists who gave early performances of the works (including Ricardo Viñes) played them in groups of three or four preludes, which remains a popular approach today. This allows performers to choose preludes with which they have the strongest affinity, or those to which their individual interpretive gifts are most suited.
There is a strong tonal relationship between the preludes that suggests that the published order of the preludes is not arbitrary. For example, the first three preludes in the first book (Danseuses de Delphes, Voiles, and Le Vent dans la Plaine) revolve around the key of B♭. In these first three preludes, allusions to the key of B♭ disappear and reappear, yet a strong sense of fluidity and connection between the preludes is still maintained.
However, the order of the preludes is not considered imperative, as is the case with Chopin's preludes, for example. Several pianists have performed the set out of order, and at least one recording, by Ivan Ilić, changes the order of the set entirely.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Performed by: Jeremy Denk
Music by courtesy and under copyright of: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
We have done extensive research for each of the pictures and songs used on our channel. To the best of our knowledge, the copyright licenses of this picture and this song allow for their use in these circumstances. If we have made a mistake, and that is not the case, please contact us at hdclassicalmusic@outlook.com, and we will take immediate measures. Also, if you want to make any suggestions, just contact us at the same address.
wn.com/Préludes, Debussy Performed By Jeremy Denk Full Version In Hd
Jeremy Denk gives a stunning performance of Debussy's Préludes! Full version in HD.
Claude Debussy's Préludes are two sets of pieces for solo piano. They are divided into two separate livres, or books, of twelve preludes each. Unlike previous collections of preludes, such as those of J.S. Bach and Chopin, Debussy's do not follow a strict pattern of key signatures.
Each book was written in a matter of months, at an unusually fast pace for Debussy. Book I was written between December 1909 and February 1910, and Book II between the last months of 1912 and early April 1913.
Performance practice
There is no proof that Debussy necessarily intended the preludes to be performed as a cycle, although the musical language throughout each book is so consistent that performers often do so.
An important precedent was set on 3 May 1911 by the pianist Jane Mortier (to whom works were dedicated by Bohuslav Martinů[1] and Erik Satie) who played the entire first book of preludes at the Salle Pleyel in Paris. The German-English pianist Walter Morse Rummel, a student of Leopold Godowsky, gave the premiere of the entire second book of preludes in 1913 in London.
Initially, Debussy and other pianists who gave early performances of the works (including Ricardo Viñes) played them in groups of three or four preludes, which remains a popular approach today. This allows performers to choose preludes with which they have the strongest affinity, or those to which their individual interpretive gifts are most suited.
There is a strong tonal relationship between the preludes that suggests that the published order of the preludes is not arbitrary. For example, the first three preludes in the first book (Danseuses de Delphes, Voiles, and Le Vent dans la Plaine) revolve around the key of B♭. In these first three preludes, allusions to the key of B♭ disappear and reappear, yet a strong sense of fluidity and connection between the preludes is still maintained.
However, the order of the preludes is not considered imperative, as is the case with Chopin's preludes, for example. Several pianists have performed the set out of order, and at least one recording, by Ivan Ilić, changes the order of the set entirely.
-----------------------------------------------------
The text above is offered by courtesy of Wikipedia, under a Creative Commons Attribution-ShareAlike License.
Performed by: Jeremy Denk
Music by courtesy and under copyright of: Isabella Stewart Gardner Museum, Boston
Music license: CC BY-NC-ND 2.0
Website: www.gardnermuseum.org
We have done extensive research for each of the pictures and songs used on our channel. To the best of our knowledge, the copyright licenses of this picture and this song allow for their use in these circumstances. If we have made a mistake, and that is not the case, please contact us at hdclassicalmusic@outlook.com, and we will take immediate measures. Also, if you want to make any suggestions, just contact us at the same address.
- published: 11 May 2014
- views: 562
Alicia de Larrocha plays Rodrigo - A l' ombre de Torre Bermeja
- Order: Reorder
- Duration: 4:36
- Updated: 27 Apr 2012
- views: 3753
JOAQUIN RODRIGO (1901-1999)
A l' ombre de Torre Bermeja
(In the Shadow of the Crimson Tower)
Alicia de Larrocha (piano)
Recorded: 1962, France
This famous pi...
JOAQUIN RODRIGO (1901-1999)
A l' ombre de Torre Bermeja
(In the Shadow of the Crimson Tower)
Alicia de Larrocha (piano)
Recorded: 1962, France
This famous piece never recorded commercially by Alicia de Larrocha, this recording was broadcast by the Radio France.
______________________________________________________
A l' ombre de Torre Bermeja (In the Shadow of the Crimson Tower) was written in tribute on the death of the great Spanish pianist Ricardo Viñes (1875-1943), and first published in a memorial album in Madrid. Rodrigo commented that 'it was a kind of paraphrase of Albéniz's work, of his first phase, entitled Torre Bermeja'. Albéniz's music is reflected throughout in rapid arpeggios and the tolling bell of the old tower.
***************************************************************************************************
More Joquin Rodrigo from Alicia de Larrocha:
Tres Danzas de España (Three Spanish Dances)
https://www.youtube.com/watch?v=gzZTJ_HbBWM
***************************************************************************************************
ALICIA DE LARROCHA
Official website: http://www.aliciadelarrocha.com/international-pianist
Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts
***************************************************************************************************
wn.com/Alicia De Larrocha Plays Rodrigo A L' Ombre De Torre Bermeja
JOAQUIN RODRIGO (1901-1999)
A l' ombre de Torre Bermeja
(In the Shadow of the Crimson Tower)
Alicia de Larrocha (piano)
Recorded: 1962, France
This famous piece never recorded commercially by Alicia de Larrocha, this recording was broadcast by the Radio France.
______________________________________________________
A l' ombre de Torre Bermeja (In the Shadow of the Crimson Tower) was written in tribute on the death of the great Spanish pianist Ricardo Viñes (1875-1943), and first published in a memorial album in Madrid. Rodrigo commented that 'it was a kind of paraphrase of Albéniz's work, of his first phase, entitled Torre Bermeja'. Albéniz's music is reflected throughout in rapid arpeggios and the tolling bell of the old tower.
***************************************************************************************************
More Joquin Rodrigo from Alicia de Larrocha:
Tres Danzas de España (Three Spanish Dances)
https://www.youtube.com/watch?v=gzZTJ_HbBWM
***************************************************************************************************
ALICIA DE LARROCHA
Official website: http://www.aliciadelarrocha.com/international-pianist
Facebook official page: https://www.facebook.com/COOPERALIA?fref=ts
***************************************************************************************************
- published: 27 Apr 2012
- views: 3753
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10:07
Ricardo Viñes plays Albéniz
Ricardo Viñes (1875-1943) plays Isaac Albéniz (1860-1909)
Serenata española (Sérénade E...
published: 24 Jul 2011
Ricardo Viñes plays Albéniz
Ricardo Viñes plays Albéniz
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- published: 24 Jul 2011
- views: 5562
3:21
Ricardo Viñes plays Debussy Poissons d'Or
Claude Debussy (1862-1918):
From Images, 2e Livre:
3. Poissons d'or, dedicated to Ricard...
published: 24 Jul 2011
Ricardo Viñes plays Debussy Poissons d'Or
Ricardo Viñes plays Debussy Poissons d'Or
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- published: 24 Jul 2011
- views: 6537
15:27
Ricard Vines - Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924).
1.A la memoire de Maurice Ravel
2.A la memoire de ...
published: 14 Jun 2012
Ricard Vines - Cuatro Homenajes(1924).
Ricard Vines - Cuatro Homenajes(1924).
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- published: 14 Jun 2012
- views: 1999
3:37
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He fi...
published: 02 Nov 2010
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
Ricardo Viñes plays Albéniz "Granada" (Serenata) Op. 47 No. 1
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- published: 02 Nov 2010
- views: 8946
2:44
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He fi...
published: 02 Nov 2010
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
Ricardo Viñes plays Albeniz "Seguidillas" Op. 232 No. 5
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- published: 02 Nov 2010
- views: 6986
13:38
richiesgenial Vines **ALL VINES** Ricardo O'farrill
published: 13 May 2015
richiesgenial Vines **ALL VINES** Ricardo O'farrill
richiesgenial Vines **ALL VINES** Ricardo O'farrill
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- published: 13 May 2015
- views: 208696
4:16
Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
Rec. 1930
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He fi...
published: 02 Nov 2010
Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
Ricardo Viñes plays De Falla Introduction and Ritual Fire Dance
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- published: 02 Nov 2010
- views: 2485
3:37
Ricardo Viñes speaks on Claude Debussy (1938)
Ricardo Viñes (1875-1943) studied piano first at the Municipal School of Music in Barcelon...
published: 15 Aug 2011
Ricardo Viñes speaks on Claude Debussy (1938)
Ricardo Viñes speaks on Claude Debussy (1938)
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- published: 15 Aug 2011
- views: 2833
2:38
Ricardo Viñes plays Scarlatti Sonata in D major K 29
published: 04 Sep 2011
Ricardo Viñes plays Scarlatti Sonata in D major K 29
Ricardo Viñes plays Scarlatti Sonata in D major K 29
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- published: 04 Sep 2011
- views: 873
4:04
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
Claude Debussy (1862-1918):
From Estampes (1903:
2. La Soirée dans Grenade - Mouvement d...
published: 14 Aug 2011
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
Ricardo Viñes plays Debussy La Soirée dans Grenade (Estampe no. II)
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- published: 14 Aug 2011
- views: 2985
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3:25
Ricardo Viñes plays Albeniz Tango in A minor Op. 164 No. 3
Rec. 1936
Ricardo Viñes (5 February 1875 -- 29 April 1943) was a Spanish pianist. He fi...
published: 02 Nov 2010
Ricardo Viñes plays Albeniz Tango in A minor Op. 164 No. 3
Ricardo Viñes plays Albeniz Tango in A minor Op. 164 No. 3
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- published: 02 Nov 2010
- views: 4736
35:42
NEW RUDY MANCUSO Vine Compilations 2015 (ALL VINES) | Best Rudy Mancuso Vines
Hope You Enjoyed This Video! Remember To Like It & Share The Video With ALL Of Your Friend...
published: 10 May 2015
NEW RUDY MANCUSO Vine Compilations 2015 (ALL VINES) | Best Rudy Mancuso Vines
NEW RUDY MANCUSO Vine Compilations 2015 (ALL VINES) | Best Rudy Mancuso Vines
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- published: 10 May 2015
- views: 2668747
2:35
Ricardo Viñes (1875-1943): Debussy - Étude no.10
Ricardo Viñes worked closely with Debussy, who he idolised, premiering many of Debussy's p...
published: 17 Feb 2008
Ricardo Viñes (1875-1943): Debussy - Étude no.10
Ricardo Viñes (1875-1943): Debussy - Étude no.10
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- published: 17 Feb 2008
- views: 7498
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28:38
Maurice Ravel - Miroirs
"Miroirs" (Reflections) is a suite for solo piano written by French impressionist composer...
published: 04 Sep 2012
Maurice Ravel - Miroirs
Maurice Ravel - Miroirs
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- published: 04 Sep 2012
- views: 401732
22:23
Manuel de Falla,Nights in the Gardens of Spain.
Falla began this work as a set of nocturnes for solo piano in 1909, but on the suggestion ...
published: 07 Jan 2014
Manuel de Falla,Nights in the Gardens of Spain.
Manuel de Falla,Nights in the Gardens of Spain.
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- published: 07 Jan 2014
- views: 9782
23:26
Maurice Ravel - Gaspard de la nuit
"Gaspard de la nuit: Trois poèmes pour piano d'après Aloysius Bertrand" is a suite of piec...
published: 01 Sep 2012
Maurice Ravel - Gaspard de la nuit
Maurice Ravel - Gaspard de la nuit
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- published: 01 Sep 2012
- views: 106269
64:57
10 pianists in comparison - Spanish pianists on Spanish piano répertoire !
Dédié à Julia
Paintings : José de Ribera
0:00 :
3:36 :
9:24 :
15:28 :
19:46 :
28:29 ...
published: 15 Apr 2016
10 pianists in comparison - Spanish pianists on Spanish piano répertoire !
10 pianists in comparison - Spanish pianists on Spanish piano répertoire !
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- published: 15 Apr 2016
- views: 11
24:42
Manuel de Falla ‒ Noches en los jardines de España
Manuel de Falla (1876 - 1946), Nights in the Gardens of Spain (Noches en los jardines de E...
published: 09 Jan 2016
Manuel de Falla ‒ Noches en los jardines de España
Manuel de Falla ‒ Noches en los jardines de España
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- published: 09 Jan 2016
- views: 361
24:27
Manuel de Falla: Noches en los jardines de España (1915)
Manuel de Falla: Noches en los jardines de España (1915).
Alicia de Larrocha, piano. Orch...
published: 08 Nov 2015
Manuel de Falla: Noches en los jardines de España (1915)
Manuel de Falla: Noches en los jardines de España (1915)
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- published: 08 Nov 2015
- views: 1918
57:56
De cabezón a Haydn, por Miquel Villalba
Concierto de Miquel Villalba en el ciclo de miércoles "París 1905. Viñes, una historia del...
published: 27 Jan 2016
De cabezón a Haydn, por Miquel Villalba
De cabezón a Haydn, por Miquel Villalba
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- published: 27 Jan 2016
- views: 140
32:05
Gluck-Brahms: Gavotte from "Iphigénie en Aulide" - 10 Historical Pianists in Comparison
1. Francis Planté (00:00)*
2. Ricardo Viñes (02:50)
3. Josef Hofmann (05:35)
4. Harold Sam...
published: 28 May 2013
Gluck-Brahms: Gavotte from "Iphigénie en Aulide" - 10 Historical Pianists in Comparison
Gluck-Brahms: Gavotte from "Iphigénie en Aulide" - 10 Historical Pianists in Comparison
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- published: 28 May 2013
- views: 1074
29:35
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful music to relax...
published: 11 Jan 2015
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
Beautiful Classical Music: Maurice Ravel - Miroirs (Reflections)
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- published: 11 Jan 2015
- views: 429
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4:33
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Konzerte Richard Goode
Neu im Zeitschriftenhandel: http://bit.ly/Piano-News-mykiosk
oder direkt hier bestellen: h...
published: 01 Nov 2013
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Konzerte Richard Goode
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Konzerte Richard Goode
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- published: 01 Nov 2013
- views: 114
57:21
Interview of Dr. Roy Howat by Prof. Rainer Schulte
Center for Translation Studies and School of Arts and Humanities present:
"Baudelaire, Fa...
published: 12 Mar 2015
Interview of Dr. Roy Howat by Prof. Rainer Schulte
Interview of Dr. Roy Howat by Prof. Rainer Schulte
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- published: 12 Mar 2015
- views: 137
20:17
Hanging out with Timothy Andres | Hang #3
Listen to Timothy Andres play "At the River" (2011) here: http://youtu.be/XHg3ofLLtok
T...
published: 22 Feb 2012
Hanging out with Timothy Andres | Hang #3
Hanging out with Timothy Andres | Hang #3
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- published: 22 Feb 2012
- views: 2833
13:57
Giorgi Latso-Latsabidze plays Debussy - Estampes
LIVE RECORDING PALM DESERT CALIFORNIA 03.06.2014 (sound quality is not the very best but s...
published: 29 Apr 2014
Giorgi Latso-Latsabidze plays Debussy - Estampes
Giorgi Latso-Latsabidze plays Debussy - Estampes
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- published: 29 Apr 2014
- views: 18
5:01
Martha Argerich - Ravel Jeux d'eau
Martha Argerich
Jeux d'eau
Ravel
Joseph-Maurice Ravel (March 7, 1875 -- December 28, ...
published: 29 Feb 2012
Martha Argerich - Ravel Jeux d'eau
Martha Argerich - Ravel Jeux d'eau
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- published: 29 Feb 2012
- views: 10004
7:26
Marguerite Long parle 1 partie
Marguerite Long parle 1 partie
published: 15 Feb 2012
Marguerite Long parle 1 partie
Marguerite Long parle 1 partie
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- published: 15 Feb 2012
- views: 2209
18:31
Préludes, Debussy - performed by Jeremy Denk - full version in HD!
Jeremy Denk gives a stunning performance of Debussy's Préludes! Full version in HD.
Claud...
published: 11 May 2014
Préludes, Debussy - performed by Jeremy Denk - full version in HD!
Préludes, Debussy - performed by Jeremy Denk - full version in HD!
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- published: 11 May 2014
- views: 562
4:36
Alicia de Larrocha plays Rodrigo - A l' ombre de Torre Bermeja
JOAQUIN RODRIGO (1901-1999)
A l' ombre de Torre Bermeja
(In the Shadow of the Crimson Tow...
published: 27 Apr 2012
Alicia de Larrocha plays Rodrigo - A l' ombre de Torre Bermeja
Alicia de Larrocha plays Rodrigo - A l' ombre de Torre Bermeja
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- published: 27 Apr 2012
- views: 3753
Musik Klavier Magazin Piano NEWS 6 2013 CD DVD Ko...
Interview of Dr. Roy Howat by Prof. Rainer Schulte...
Hanging out with Timothy Andres | Hang #3...
Giorgi Latso-Latsabidze plays Debussy - Estampes...
Martha Argerich - Ravel Jeux d'eau...
Marguerite Long parle 1 partie...
Préludes, Debussy - performed by Jeremy Denk - ful...
Alicia de Larrocha plays Rodrigo - A l' ombre de T...
photo: AP / Peter Macdiarmid
France trolls the UK over Brexit result: 'Don't trust a nation that can't behead its Queen'
Edit The Independent 25 Jun 2016photo: Creative Commons / Qfl
Archaeologists Find Skeletons, Gold Coins In Buried Pompeii Shop
Edit WorldNews.com 24 Jun 2016
In the workshop was an oven that archaeologists think might have been used to make bronze objects.The excavation of that and a second ancient shop started in May near a necropolis in the Herculaneum port area. Archaeologists are puzzling over what kind of business the second shop did ... tomb of an adult, complete with funerary vases ... Pompeii and nearby Herculaneum were ancient Roman towns....
photo: AP / Richard Drew
NSFW: Kanye West's Famous video features nude Kim, Taylor Swift, Donald Trump
Edit Deccan Chronicle 25 Jun 2016
Los Angeles. Kanye West has unveiled a video on a subject he knows something about. fame ... The celebrities, who appear to be naked in a huge bed with West, are his wife, Kim Kardashian West; former President George W ... I could have been his O.J ... . ....
photo: AP / Matt Dunham
Why the Brexit result should not surprise us
Edit The Irish Times 25 Jun 2016
We should not be that surprised at the vote in favour of Brexit. For all the warnings from the Remain side about a giant leap into the unknown in relation to the economy, the sentiments fuelling the desire to exit were emotional and deep-rooted and warnings of economic Armageddon could not outdo those feelings and the weight of history sustaining them ... An Awkward Partner ... Britain could not continue to have it both ways ... Battles ... . ....
photo: AP / Jacques Brinon
Naked Taylor Swift, Kim Kardashian star in Kayne West music video
Edit Toronto Sun 25 Jun 2016
Kanye West has released one of the most controversial videos ever. The promo for the rapper's Famous song, in which he boasts about sleeping with Taylor Swift, actually features what appears to be a naked Taylor sleeping next to him in a large bed surrounded by other dozing 'stars' totally naked, including Donald Trump, Bill Cosby, Kanye, his wife Kim Kardashian and even her transgender stepfather, Caitlyn Jenner ... Warning....
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Trifonov plays Chopin with MTT & San Francisco Symphony
Edit The Examiner 24 Sep 2015
Following what promises to be a glittering Gala Opening tomorrow evening, Michael Tilson Thomas and the San Francisco Symphony round off the opening week of the new season with two concerts featuring guest artist Daniil Trifonov ... At the Tchaikovsky Competition, Marta Argerich said ... Written originally for solo piano, it premiered at the Salle Erard in Paris on April 18, 1898, with pianist Ricardo Viñes ... Sources.. Daniil Trifonov....
Charles Dutoit brings the music of Spain to San Francisco
Edit The Examiner 05 Jun 2015
Swiss conductor Charles Dutoit brings the music of Spain to Davies Symphony Hall this week, leading the San Francisco Symphony in two works by Ravel - his Alborado del gracioso, and the comic opera L’Heure espagnole - and Manuel de Falla’s Nights in the Gardens of Spain (Symphonic Impressions for Piano and Orchestra). The guest soloist is Javier Perianes ... The work is dedicated to Catalan pianist Ricardo Viñes ... Note ... Sources. ... Wikipedia....
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