Bala, India

Bala is a village in Allahabad, Uttar Pradesh, India.

References

Coordinates: 32°59′N 74°45′E / 32.983°N 74.750°E / 32.983; 74.750

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Bala (director)

Bala (Tamil: பாலா); born 11 July 1966 is an Indian film director, screenwriter, and producer, working in Tamil cinema. Bala is widely acclaimed for "revolutionizing Tamil cinema" through his realistic, dark and disturbing depiction of the working class on celluloid screen. He has received several awards and recognition for his work, including the National Film Award for Best Director for his fourth feature film Naan Kadavul (2009).

Background

Bala was born on 11 July 1966 in Narayanathevanpatty, Theni district, Tamil Nadu, India. He studied Tamil Literature at The American College in Madurai. He admitted, that, as a youngster, he was not interested in studies and had doped in his college days and was considered by many as he won't come up in life. At certain point he determined to prove himself to the society. After a struggling period he came to Chennai and entered the film industry.

Film career

He started his film career as an Assistant Director to National Film Award winning director and cinematographer Balu Mahendra. He made his directorial debut with Sethu in 1999, that gave a break to Vikram, the film's lead actor, who was also struggling in the Tamil film industry for almost a decade without a hit and recognition. More than 60 distributors saw the film and hesistated to screen it because of its tragic ending. The film was released on a low profile without any advertisement but after the first days the film started running to packed houses just through 'word of mouth'. The film was said to have initiated a 'new wave' as it received critical acclaim and became a hit. Its success led to remakes in Kannada (Huchcha), Telugu (Seshu) and Hindi (Tere Naam) languages.

Bala (Forgotten Realms)

Bala is a fictional god in the Dungeons & Dragons roleplaying game. She is part of the Al-Qadim campaign setting that is set within the Forgotten Realms campaign setting.

Publication history

Advanced Dungeons & Dragons 2nd edition (1989-1999)

Bala was introduced in the Al-Qadim: Land of Fate set (1992).

Description

Bala is a goddess of music of Zakhara and emphasizes the importance of music to lift the spirit and mitigate suffering. She is a local goddess who was worshipped in the city of Mahabba, but her faith was outlawed and driven underground by the Pantheists. In this persecution her followers have spread to other cities. Their sometimes violent resistance against their oppressors has brought the goddess the epithet "of Ill Tidings".

Bala's symbol is a zither.

The goddess has been described as colorfully but modestly dressed, middle-aged woman who plays her zither in a way that enchants gods and genies.

References

Dub

Dub, Dubs, Dubí, or dubbing may refer to:

Places

Many places in Slavic countries, where "dub" means "oak tree":

Music

Wheel sizing

The wheel size for a motor vehicle or similar wheel has a number of parameters.

Bolt pattern

The bolt pattern determines the number and position of the mounting holes to allow the wheel to be bolted to the hub. As the bolts are evenly spaced, the number of bolts determines the pattern. For example: smaller cars have three (Citroën 2CV, Renault 4, some Peugeot 106s and Citroën Saxos, and the Tata Nano). Compact cars may have four bolts. Most United States passenger cars have five bolts. Pickup trucks, large SUVs, and armored vehicles may have as many as six, eight, or ten. It is not unheard of to find vehicles with even more, such as enormous coal mining transporters that may have twelve.

Bolt circle

The bolt circle is the notional circle determined by the positions of the bolts. The center of every bolt lies on the circumference of the bolt circle. The important measurement is the bolt circle diameter (BCD), also called the pitch circle diameter (PCD).

Bolt pattern guide by manufacturer

Dubbing (filmmaking)

Dubbing, mixing, or re-recording is a post-production process used in filmmaking and video production in which additional or supplementary recordings are "mixed" with original production sound to create the finished soundtrack.

The process usually takes place on a dub stage. After sound editors edit and prepare all necessary tracks (dialogue, automated dialogue replacement (ADR), effects, Foley, and music), the dubbing mixer or mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADR, also known as "additional dialogue replacement", "additional dialogue recording", and "looping", in which the original actors re-record and synchronize audio segments.

Outside the film industry, the term "dubbing" most commonly refers to the replacement of the voices of the actors shown on the screen with those of different performers speaking another language, which is called "revoicing" in the film industry.

Origins

In the past, dubbing was practiced primarily in musicals when the actor had an unsatisfactory singing voice. Today, dubbing enables the screening of audiovisual material to a mass audience in countries where viewers do not speak the same language as the performers in the original production.

Evel Rabbati

Ebel Rabbati (Hebrew: אבל רבתי) is one of the later or minor tractates which in the editions of the Babylonian Talmud are placed after the fourth order, Neziḳin; it treats of mourning for the dead. It is known also under the euphemistic name Semachot (שמחות), meaning "festive occasions" or "joys".

References in the Talmud

A collection of baraitot entitled "Ebel Rabbati" is cited in the Talmud (M. Ḳ. 24a, 26b; Ket. 28a), sentences therefrom being quoted; but it is not identical with the treatise now under consideration, since only one of the three sentences in question, namely, that cited in Ket. 28a, is found even in an approximate form in Semaḥot (ii. 13-14).

The designation "Ebel Rabbati" in the Talmud seems indeed to presuppose that a shorter treatise of like content was in existence at the time of the Amoraim, although it is probable that the term "Rabbati" (the Large) was used merely because the collection of mourning regulations to which it was applied was more copious than that contained in the Mishnah (M. Ḳ. iii.). So much, however, is certain, that besides the treatise which is now known as Semaḥot or Ebel Rabbati there was an older collection of baraitot concerning funeral ordinances, and that the former was designated "Rabbati" to distinguish between the two.