- published: 21 Jun 2013
- views: 427984
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Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No. 1 "Titán" de Gustav Mahler.
Great presentation of american conductor Leonard Bernstein with the Vienna Philharmonic Orchestra, playing an amazing version of Mahler's 1st Symphony "The Titan".
http://www.deutschegrammophon.com/cat/single?sort=newest&PRODUCT;_NR=0734089&javascript;=1&start;=10&UNBUYABLE;=1&per;_page=10&ADD;_OTHER=1&presentation;=list&SET;_LANGUAGE=es
(C) ALL their respective owners. No personal work here.
2nd movement: 16:23
3rd movement: 25:20
4th movement: 35:37
(Thanks to user "osmsm" for movements times ;D
- published: 24 Jan 2011
- views: 1022848
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
- published: 06 Nov 2014
- views: 54070
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
- published: 23 May 2013
- views: 82966
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010.
Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010.
http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033
(C) BBC and ALL their respective owners. No personal work here.
- published: 25 Mar 2012
- views: 1284313
Gustav Mahler
Symphony No 4
1 Bedächtig, nicht eilen
2 In gemächlicher Bewegung, ohne Hast
3 Ruhevoll, poco adagio
4 Sehr behaglich
Magdalena Kožená, mezzo-soprano
Lucerne Festival Orchestra
Claudio Abbado, conductor
Live recording. Lucerne, August 2009
- published: 02 Mar 2014
- views: 24350
Gustav Mahler
Symphony No 9
1 Andante comodo
2 Im Tempo eines gemächlichen Ländlers.
3 Rondo-Burleske. Allegro assai.
4 Adagio. Sehr langsam und noch zurückhaltend
Lucerne Festival Orchestra
Claudio Abbado, conductor
Lucerne, August 2010
- published: 26 May 2014
- views: 315345
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973.
Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973.
0:01:13 - 1. Kräftig entschieden
0:34:03 - 2. Tempo di Menuetto. Sehr mäßig
0:44:54 - 3. Commodo, Scherzando. Ohne Hast
1:02:14 - 4. Sehr langsam. Misterioso
1:12:46 - 5. Lustig im Tempo und keck im Ausdruck
1:16:56 - 6. Langsam, ruhevoll, empfunden
(Thanks to user "Glypo3000" for tempos at symphony)
(C) ALL their respective owners. No personal work here.
- published: 08 Apr 2012
- views: 724513
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienna Boys Choir, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritone) and Jose Van Dam (bass) [uff!], playing one of the greatest versions of 8th Symphony of Gustav Mahler of all time.
Gran presentación del legendario conductor americano Leonard Bernstein conduciendo a la Orquesta Filarmónica de Viena, el Coro de la Ópera Estatal de Viena, el Coro de Niños de Viena, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritono) y Jose Van Dam (bajo) interpretando una de las más grandes versiones de la Sinfonía No. 8 de Gustav Mahler.
(C) ALL their respective owners. No personal work here.
- published: 19 Apr 2012
- views: 380682
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
- published: 02 Feb 2015
- views: 295868
Royal Concertgebouw Orchestra -
Mariss Jansons, chief-conductor
Ricarda Merbeth, soprano
Bernarda Fink, mezzo soprano
Netherlands Radio Choir, chief-conductor Celso Antunes
- published: 02 Feb 2011
- views: 1460582
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
- published: 24 Jan 2010
- views: 1161032
Mahler is a 1974 biographical film based on the life of composer Gustav Mahler. It was written and directed by Ken Russell for Goodtimes Enterprises, and starred Robert Powell as Gustav Mahler and Georgina Hale as Alma Mahler. The film was entered into the 1974 Cannes Film Festival, where it won the Technical Grand Prize.
The film begins on a train journey with Gustav Mahler (Robert Powell) and his wife Alma (Georgina Hale) confronting their failing marriage. The story is then recounted in a series of flashbacks (some of which are surrealistic and nightmarish), taking one through Mahler's childhood, his brother's suicide, his experience with anti-semitism, his conversion from Judaism to Catholicism, his marital problems, and the death of his young daughter. The film also contains a surreal fantasy sequence involving the anti-Semitic Cosima Wagner (Antonia Ellis), widow of Richard Wagner, whose objections to his taking control of the Court Opera were supposedly removed by his conversion to Catholicism. In the process, the film explores Mahler's music and its relationship to his life.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Mahler_(film)
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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118:48Mahler - Symphony No. 1 and Symphony No. 5
Mahler - Symphony No. 1 and Symphony No. 5Mahler - Symphony No. 1 and Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon PLAYLIST The Best of Classical Music http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V visit our page on facebook ▶ http://on.fb.me/1bzVvBp Symphony No. 1 Titan - Symphony No. 5 Symphony No. 1 in D major Titan I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31 III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24 IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40 Symphony No. 5 I. Trauermarsch (Funeral March) C# minor 48:18 II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20 III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41 IV. Adagietto. Sehr langsam F major 1:34:08 V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46 -
55:22Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic OrchestraMahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No. 1 "Titán" de Gustav Mahler. Great presentation of american conductor Leonard Bernstein with the Vienna Philharmonic Orchestra, playing an amazing version of Mahler's 1st Symphony "The Titan". http://www.deutschegrammophon.com/cat/single?sort=newest&PRODUCT;_NR=0734089&javascript;=1&start;=10&UNBUYABLE;=1&per;_page=10&ADD;_OTHER=1&presentation;=list&SET;_LANGUAGE=es (C) ALL their respective owners. No personal work here. 2nd movement: 16:23 3rd movement: 25:20 4th movement: 35:37 (Thanks to user "osmsm" for movements times ;D -
117:46The Best of Mahler
The Best of MahlerThe Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911) Georg Solti Chicago Symphony Orchestra As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century. Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic. Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work. (0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell (6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso (13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (21:07) Symphony No.3 in D minor - IV: Sehr langsam. (29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck (33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden" (42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt (57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam (1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato (1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio (1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus (1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche (1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers (1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I -
56:47The Best of Mahler
The Best of MahlerThe Best of Mahler
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: Sinfonia Nº 1 Em Ré Maior, "Titã" 1. Langsam, Schleppend 2. Kraftig, Bewegt 3. Feierlich Und Gemessen, Ohne Zu Schleppend 4. Sturmisch Bewegt Royal Philharmonic Orchestra For more: http://www.melhoresmusicasclassicas.blogspot.com.br -
70:14Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010. Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010. http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033 (C) BBC and ALL their respective owners. No personal work here. -
57:38Mahler - Symphony No 4 - Abbado
Mahler - Symphony No 4 - AbbadoMahler - Symphony No 4 - Abbado
Gustav Mahler Symphony No 4 1 Bedächtig, nicht eilen 2 In gemächlicher Bewegung, ohne Hast 3 Ruhevoll, poco adagio 4 Sehr behaglich Magdalena Kožená, mezzo-soprano Lucerne Festival Orchestra Claudio Abbado, conductor Live recording. Lucerne, August 2009 -
87:02Mahler - Symphony No 9 - Abbado
Mahler - Symphony No 9 - AbbadoMahler - Symphony No 9 - Abbado
Gustav Mahler Symphony No 9 1 Andante comodo 2 Im Tempo eines gemächlichen Ländlers. 3 Rondo-Burleske. Allegro assai. 4 Adagio. Sehr langsam und noch zurückhaltend Lucerne Festival Orchestra Claudio Abbado, conductor Lucerne, August 2010 -
105:37Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic OrchestraMahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973. Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973. 0:01:13 - 1. Kräftig entschieden 0:34:03 - 2. Tempo di Menuetto. Sehr mäßig 0:44:54 - 3. Commodo, Scherzando. Ohne Hast 1:02:14 - 4. Sehr langsam. Misterioso 1:12:46 - 5. Lustig im Tempo und keck im Ausdruck 1:16:56 - 6. Langsam, ruhevoll, empfunden (Thanks to user "Glypo3000" for tempos at symphony) (C) ALL their respective owners. No personal work here. -
84:39Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic OrchestraMahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienna Boys Choir, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritone) and Jose Van Dam (bass) [uff!], playing one of the greatest versions of 8th Symphony of Gustav Mahler of all time. Gran presentación del legendario conductor americano Leonard Bernstein conduciendo a la Orquesta Filarmónica de Viena, el Coro de la Ópera Estatal de Viena, el Coro de Niños de Viena, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritono) y Jose Van Dam (bajo) interpretando una de las más grandes versiones de la Sinfonía No. 8 de Gustav Mahler. (C) ALL their respective owners. No personal work here. -
86:28Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor 1:18 I. Allegro maestoso (21:10) 22:26 II. Andante moderato (9:24) 32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18) 43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05) 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25) Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola). Lucerne en fête What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else." The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city. -
89:18Mahler -- Symphony No. 2 'Auferstehung'
Mahler -- Symphony No. 2 'Auferstehung'Mahler -- Symphony No. 2 'Auferstehung'
Royal Concertgebouw Orchestra - Mariss Jansons, chief-conductor Ricarda Merbeth, soprano Bernarda Fink, mezzo soprano Netherlands Radio Choir, chief-conductor Celso Antunes -
9:46Gustav Mahler - Adagietto from Symphony no. 5
Gustav Mahler - Adagietto from Symphony no. 5Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor. -
93:52Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of VenezuelaMahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , el Coro Juvenil Nacional de Gran Bretaña junto a Gustavo Dudamel, Miah Persson y Anna Larsson, interpretando la Segunda Sinfonía de Gustav Mahler "La Resurrección" en el festival de los Proms de la BBC 2011. From Chile, I have the pleasure of present you the Great Simon Bolivar Symphony Orchestra with The National Youth Choir of Great Britain, Miah Persson, Anna Larsson and Gustavo Dudamel playing the Full version of Mahler 2nd Symphony "Resurrection" at BBC Proms 2011. (C) BBC, Music Publishing Rights Collecting Society y sus respectivos dueños, todos los derechos reservados. (C) BBC, Music Publishing Rights Collecting Society and their respective owners, al rights reserved. (C) BBC, Music Publishing Rights Collecting Society et de leurs propriétaires respectifs, tous droits réservés. -
11:54Mahler: Adagietto Symphony 5 - Karajan*
Mahler: Adagietto Symphony 5 - Karajan*Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
- A British Picture
- Alma Mahler-Werfel
- Altered States
- Always on Sunday
- Andrew Faulds
- Angela Down
- Anna Mahler
- Anna von Mildenburg
- Anti-semitism
- Antonia Ellis
- Aria (film)
- Arnold Yarrow
- Bartok (film)
- Belgium
- Benny Lee
- Bernard Haitink
- Billion Dollar Brain
- Biographical film
- Catholicism
- Claire McClellan
- Composer
- Cosima Wagner
- Dana Gillespie
- David Collings
- David Trevena
- Dick Bush
- Dogboys
- Elaine Delmar
- Elgar (film)
- Faust (opera)
- Gary Rich
- George Coulouris
- Georgina Hale
- Gothic (film)
- Gustav Mahler
- Hugo Wolf
- Judaism
- Ken Russell
- Kenneth Colley
- Lake District
- Lee Montague
- Lisztomania (film)
- Mahler (film)
- Mefistofele
- Michael Southgate
- Mindbender (film)
- Miriam Karlin
- Otto Diamant
- Otto Mahler
- Peter Eyre
- Prisoner of Honor
- Richard Morant
- Richard Wagner
- Robert Powell
- Ronald Pickup
- Rosalie Crutchley
- Roy Baird
- Salome's Last Dance
- Sarah McClellan
- Savage Messiah
- Song of Summer
- Template Ken Russell
- The Debussy Film
- The Devils (film)
- The Music Lovers
- The Rainbow (film)
- Tommy (film)
- United Kingdom
- United States
- Whore (1991 film)
- Women in Love (film)
- Andrew Faulds
- Anna Mahler
- Anna von Mildenburg
- Benny Lee
- Bernard Haitink
- Cosima Wagner
- Dana Gillespie
- David Collings
- Dick Bush
- Elaine Delmar
- George Coulouris
- Georgina Hale
- Gustav Mahler
- Hugo Wolf
- Ken Russell
- Kenneth Colley
- Lee Montague
- Miriam Karlin
- Otto Mahler
- Peter Eyre
- Richard Morant
- Richard Wagner
- Robert Powell
- Ronald Pickup
- Rosalie Crutchley
Mahler Filmography
-
2013, role: actor , character name: Larry The Dog
Gustav Mahler
ALBUMS
- Symphonie Nr.6 released: 2014
- Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler released: 2014
- Symphony No. 2 released: 2013
- Symphony no. 1 Including "Blumine" released: 2013
- Big Mahler Box released: 2012
- Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei) released: 2012
- Symphony no. 8 released: 2011
- Symphony no. 9 released: 2011
- Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht) released: 2011
- Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2011
- BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles) released: 2011
- Symphony No. 5 released: 2011
- Songs With Orchestra released: 2010
- Symphony No. 8 released: 2010
- The Complete Symphonies released: 2010
- Symphony no. 2 "Resurrection" released: 2010
- Delta Music & Entertainment released: 2010
- Symphony No. 4 in G Major (Royal Liverpool Philharmonic) released: 2010
- Mahler: The People’s Edition released: 2010
- Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
- Symphony no. 9 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2010
- Symphony no. 7 released: 2010
- Symphony no. 4 released: 2010
- Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze) released: 2010
- The Complete Works released: 2010
- Gustav Mahler: Complete Edition released: 2010
- Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend) released: 2010
- 9. Symphonie released: 2010
- Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber) released: 2010
- The Complete Mahler Symphonies released: 2009
- Das Lied von der Erde released: 2009
- Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman) released: 2009
- Symphony no. 8 in E-flat major / Adagio from Symphony no. 10 released: 2009
- Symphonie No. 9 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2009
- The Complete Symphonies released: 2009
- 4 Movements released: 2009
- Das Lied von der Erde released: 2008
- Symphony no. 7 released: 2008
- Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert) released: 2008
- Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman) released: 2008
- Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra) released: 2008
- Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips) released: 2008
- Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott) released: 2008
- Invitation au Voyage released: 2006
- Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim) released: 2006
- Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna) released: 2006
- Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 2006
- Symphony No. 1 / Blumine released: 2006
- Symphony No. 2 released: 2006
- Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde released: 2005
- Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder released: 2005
- Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn released: 2005
- Symphony No. 2 in C minor released: 2004
- Symphony no. 1 released: 2004
- Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik) released: 2003
- Symphony no. 3 in D minor / Kindertotenlieder released: 2003
- Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel) released: 2002
- Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson) released: 2002
- Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970) released: 2002
- The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel) released: 2002
- Symphony No. 4 released: 2001
- Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967) released: 2001
- Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire released: 1999
- Symphony no. 3 released: 1999
- Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder released: 1999
- The Klemperer Legacy released: 1999
- Kindertotenlieder / Rückert Lieder / Das Lied von der Erde released: 1997
- Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno released: 1997
- Mahler/Sinopoli: The Complete Recordings released: 1997
- Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis) released: 1997
- Symphonies 1 & 2 released: 1996
- Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal) released: 1996
- Symphony no. 8 released: 1995
- Symphony no. 3 / Symphony no. 10 (Adagio) released: 1995
- Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta) released: 1994
- Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter) released: 1994
- Symphony no. 2 in C minor "Resurrection" released: 1993
- Symphony no. 5 released: 1992
- Symphony No. 1 / Blumine released: 1992
- Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks) released: 1992
- Symphonien 5, 9 & 10: Adagio released: 1992
- Symphonie No. 5 released: 1991
- Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta) released: 1991
- Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt) released: 1991
- Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli) released: 1990
- Des Knaben Wunderhorn released: 1989
- Symphony No. 4 released: 1989
- Symphony No. 2 in C Minor, "Resurrection" released: 1987
- Symphony No. 2 in C minor released: 1987
- Symphonie no. 9 released: 1986
- Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied) released: 1986
- Symphony No. 1 released: 1985
- Symphony No. 5 & 10 released: 1985
- Symphony No. 2 in C minor "Resurrection" released: 1982
- Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio) released:
- Symphony no. 7 released:
- Symphony no. 1 "Titan" / Symphony no. 5 released:
- Symphony no. 9 in D major released:
- Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung) released:
- Symphony No. 5 (Radio Symphony Orchestra, Glasgow) released:
Coleção Folha Mestres da música clássica, volume 22: Gustav Mahler
Released 2014- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": a. "Veni creator spiritus"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": b. "Imple superna gratia"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": c. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": d. Tempo I. (Allegro, etwas hastig)
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": e. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": f. "Accende lumen sensibus"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": g. "Qui Paraclitus diceris"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": I. "Vem, Espírito criador": h. "Gloria sit Patri Domino"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": a. Poco adagio
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": b. Piu mosso (Allegro moderato)
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": c. "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": d. "Ewiger Wonnebrand"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": e. "Wie Felsenabgrund mir zu Füßen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": f. "Gerettet ist das edle Glied"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": g. "Jene Rosen aus den Händen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": h. "Uns bleibt ein Erdenrest"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": i. "Ich spür' soeben nebelnd um Felsenhöh"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": j. "Dir, der Unberührbaren"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": k. "Bei der Liebe, die den Füßen"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": l. "Er überwächst uns schon"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": m. "Blicket auf zum Retterblick"
- add to main playlist Play in Full Screen Sinfonia no. 8 "Sinfonia dos mil": II. "Cena final do Fausto, de Goethe": n. "Alles Vergängliche ist nur ein Gleichnis"
Symphony No. 2
Released 2013- add to main playlist Play in Full Screen Symphony No. 2: I. Allegro Maestoso
- add to main playlist Play in Full Screen Symphony No. 2: II. Andante Moderato
- add to main playlist Play in Full Screen Symphony No. 2: III. In Ruhig Fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2: IV. 'Urlicht': Sehr Feierlich, Aber Schlicht
- add to main playlist Play in Full Screen Symphony No. 2: V. Im Tempo Des Scherzo
Symphony no. 1 Including "Blumine"
Released 2013- add to main playlist Play in Full Screen Symphony no. 1 in D major: Langsam - Immer sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: "Blumine": Andante allegretto
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise
- add to main playlist Play in Full Screen Symphony no. 1 in D major: Stürmich bewegt - Sehr gesangvoll
Big Mahler Box
Released 2012- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): i. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): ii. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): iii. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D Major ('Titan'): iv. Stürmisch bewegt
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): i. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): ii. Andante moderato. Sehr gemächlich. Nie Eilen
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): iii. Scherzo. In ruhig fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): iv. Urlicht: Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony No. 2 in C Minor ('Resurrection'): v. Im Tempo des Scherzos. Wild herausfahrend
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: i. Kraftig Entschieden
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: ii. Tempo di Menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: iii. Comodo. Scherzando. Ohne Hast Symphony No. 3 in D Minor: iv. Sehr langsam. Misterioso. Durchaus ppp
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: iv.Sehr langsam. Misterioso. Durchaus ppp
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: v. Lustig im Tempo und keck im Ausdruck
- add to main playlist Play in Full Screen Symphony No. 3 in D Minor: vi. Langsam. Ruhevoll. Empfunden
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: i. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: ii. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: iii. Ruhevoll
- add to main playlist Play in Full Screen Symphony No. 4 in G Major: vi. Sehr behaglich: Wir genießen die himmlischen Freuden
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: i. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: ii. Stürmisch bewegt. Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: iii. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: iv. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp Minor: v. Rondo-Finale: Allegro
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): i. Allegro energico, ma non troppo
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): ii. Scherzo: Wuchtig
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): iii. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 6 in A Minor ('Tragic'): iv. Finale: Allegro moderato. Allegro energico
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): i. Langsam (Adagio). Allegro con fuoco
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): ii. Nachtmusik. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): iii. Scherzo: Schattenhaft, fließend, aber nicht schnell
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): iv. Nachtmusik. Andante amoroso
- add to main playlist Play in Full Screen Symphony No. 7 in E Minor ('Song of the Night'): v. Rondo-Finale: Allegro ordinario
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): i. Veni, Creator Spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ii. Imple superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iii. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): iv. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): v. Veni, Creator Spiritus 2
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vi. Gloria Patri Domino
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): vii. Poco adagio: Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): viii. Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): ix.. Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): x. Gerettet ist das edle Glied
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xi. Uns bleibt ein Erdenrest. Hier ist die Aussicht
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xii. Höchste Herrscherin der Welt. Dir, der Unberührbar
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiii.. Bei der Liebe, die den Füßen
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xiv. Neige, neige, Du Ohnegleiche
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xv. Blicket auf zum Retterblick
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat Major ('Symphony of a Thousand'): xvi. Alles Vergängliche
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: i. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: ii. Im Tempo Eines Gemachlichen Landlers. Etwas Tappisch Und Sehr Derb
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: iii. Rondo-Burleske. Allegro Assai. Sehr Trotzig
- add to main playlist Play in Full Screen Symphony No. 9 in D Major: iv. Adagio. Sehr Langsam Und Noch Zuruckhaltend
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Minor (unfinished): i. Adagio
- add to main playlist Play in Full Screen Ruckert Lieder: i. Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Ruckert Lieder: 56 ii. Ich atmet' einen linden Duft
- add to main playlist Play in Full Screen Ruckert Lieder: iii. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Ruckert Lieder: iv. Um Mitternacht
- add to main playlist Play in Full Screen Ruckert Lieder: v. Liebst du um Schönheit
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 12 - Scheiden und Meiden
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 3 - Hans und Grethe
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 1 - Frühlingsmorgen
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 11 - Es Sungen drei Engle
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 10 - Zu Straßburg auf der Schanz'
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 11 - Ablösung im Sommer
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 4 - Serenade aus Don Juan
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 5 - Phantasie aus Don Juan
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 1 - Frühlingsmorgen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 12 - Scheiden und Meiden
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 7 Rheinlegendchen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 8 - Aus! Aus!
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 6 - Um schlimme Kinder artig zu machen
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 14 - Selbstgefühl
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 2 - Erinnerung
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 13 - Nicht wiedersehen!
- add to main playlist Play in Full Screen Des knaben Wunderhorn, No. 4 - Wed hat dies Liedlein Erdacht
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 7 - Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Aus der Jugendzeit, No. 9 - Starke Einbildungskraft
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lob des hohen Verstandes
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der schildwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Verlorne Müh'
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Urlicht
Kindertotenlieder / Lieder eines fahrenden Gesellen (contralto: Sara Mingardo; cello and conductor: Luigi Piovano; Musici Aurei)
Released 2012- add to main playlist Play in Full Screen Kindertotenlieder: I. "Nun will die Sonn' so hell aufgeh'n"
- add to main playlist Play in Full Screen Kindertotenlieder: II. "Nun seh' ich wohl, warum so dunkle Flammen"
- add to main playlist Play in Full Screen Kindertotenlieder: III. "Wenn dein Mütterlein"
- add to main playlist Play in Full Screen Kindertotenlieder: IV. "Oft denk' ich, sie sind nur ausgegangen"
- add to main playlist Play in Full Screen Kindertotenlieder: V. "In diesem Wetter"
- add to main playlist Play in Full Screen Quartettsatz
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
- add to main playlist Play in Full Screen Berceuse élégiaque
Symphony no. 8
Released 2011- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Poco adagio
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Piu mosso: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Gerettet ist das edle Glied - Hände verschlinget euch
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Jene Rosen, aus den Händen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Uns bleibt ein Erdenrest
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Ich spür' soeben nebelnd um Felsenhöh' - Hier ist die Aussicht frei - Freudig empfangen wir
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Höchste Herrscherin der Welt!
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Dir, der Unberührbaren - Du schwebst zu Höhen der ewigen Reiche
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei der Liebe, die den Füßen
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem Bronn, zu dem schon weiland
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Bei dem hochgeweihten Orte
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Neige, neige, du Ohnegleiche
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Er überwächst uns schon - Vom edlen Geisterchor umgeben
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Komm! Hebe dich zu höhern Sphären! - Blicket auf zum Retterblick, alle reuig Zarten
- add to main playlist Play in Full Screen Symphony no. 8: Part II. Final Scene from Goethe's Faust: Alles Vergängliche ist nur ein Gleichnis
Symphony no. 9
Released 2011- add to main playlist Play in Full Screen Symphony no. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig
- add to main playlist Play in Full Screen Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend
Das Lied von der Erde (Münchener Bach-Orchester feat. conductor: Hansjörg Albrecht)
Released 2011- add to main playlist Play in Full Screen Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Der Abschied
Symphony no. 10 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2011- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; I. Adagio: Andante - Adagio
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; II. Scherzo I: In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; III. Purgatorio: Unheimlich bewegt
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; IV. Scherzo II: Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp Major; V. Finale. Langsam - Allegro moderato - Andante comodo, aber nicht schleppend
BBC Music, Volume 19, Number 7: Symphony No. 8 (BBC Scottish Symphony Orchestra feat. conductor: Donald Runnicles)
Released 2011- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Imple superna gratia”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Infirma nostri corporis”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Accende lumen sensibus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Veni, Creator Spiritus”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part I. “Gloria Patri Domino”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Poco adagio “Waldung, sie schwankt heran”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Ewiger Wonnebrand”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Wie Felsenabgrund mir zu Füssen”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Gerettet ist das edle Glied”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Uns bleibt ein Erdenrest”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Hier ist die Aussicht frei”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Höchste Herrscherin der Welt”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Dir, der Unberürbaren”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Bei der Liebe, die den Füssen”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Neige, neige, du Ohnegleiche”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Blicket auf zem Retterblick”
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. “Alles Vergängliche”
Symphony No. 5
Released 2011- add to main playlist Play in Full Screen Symphony no. 5: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Kondukt (Cis-Moll)
- add to main playlist Play in Full Screen Symphony no. 5: II. Stürmisch bewegt, Mit größter Vehemenz (A-Moll)
- add to main playlist Play in Full Screen Symphony no. 5: III. Scherzo, Kräftig, nicht zu schnell (D-Dur)
- add to main playlist Play in Full Screen Symphony no. 5: IV. Adagietto, Sehr langsam (F-Dur)
- add to main playlist Play in Full Screen Symphony no. 5: V. Rondo-Finale, Allegro - Allegro giocoso, Frisch (D-Dur)
Songs With Orchestra
Released 2010- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Wenn mein Schatz Hochseit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Ging heut Morgen übers Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Ich hab ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen; Die zwei blauen Augen von meinem Schatz
- add to main playlist Play in Full Screen Rückert Lieder; Ich atmet einen linden Duft
- add to main playlist Play in Full Screen Rückert Lieder; Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Rückert Lieder; Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert Lieder; Um Mitternacht
- add to main playlist Play in Full Screen Rückert Lieder; Ich bin ger Welt abhanden gekommen
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Der Tamboursgsell
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Revelge
- add to main playlist Play in Full Screen Selections from Des Knaben Wunderhorn; Urlicht
Symphony No. 8
Released 2010- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Imple, superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Tempo I (Allegro, etwas hastig)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Sehr fließend
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Veni, creator spiritus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major: Teil Hymnus: Veni, creator spiritus. Gloria sit Patri Domino
The Complete Symphonies
Released 2010- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam, schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Blumine (original 2nd movement)
Delta Music & Entertainment
Released 2010- add to main playlist Play in Full Screen Adagietto - Sehr langsam (aus "Symphonie Nr. 5 cis-Moll")
- add to main playlist Play in Full Screen Misterioso - Sehr langsam (aus "Symphonie Nr. 3 d-Moll" - Text: Friedrich Nietsche)
- add to main playlist Play in Full Screen Feierlich und gemessen (aus "Symphonie Nr. 1 D-Dur" - "Der Titan")
- add to main playlist Play in Full Screen "Urlicht" - Sehr feierlich aber schlicht (aus "Symphonie Nr. 2 c-Moll" - "Auferstehung" - Worte aus "Des Knaben Wunderhorn")
- add to main playlist Play in Full Screen Nachtmusik - Andante amoroso (aus "Symphonie Nr. 7")
- add to main playlist Play in Full Screen Adagio - Langsam - Ruhevoll - Empfunden (Schlußsatz aus "Symphonie Nr. 3 d-Moll")
Symphony No. 4 in G Major (Royal Liverpool Philharmonic)
Released 2010- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Heiter Bedachtig, nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemachlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Mahler: The People’s Edition
Released 2010- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (a). Kräftig. Entschieden
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (b). Kräftig. Entschieden: Immer das gleiche Tempo
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (c). Kräftig. Entschieden: Tempo I
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (d). Kräftig. Entschieden: Zeit lassen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (e). Kräftig. Entschieden: Zeit lassen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (f). Kräftig. Entschieden: Immer dasselbe Tempo. (Marsch.) Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (g). Kräftig. Entschieden: Im alten Marschtempo (Allegro moderato)
- add to main playlist Play in Full Screen Symphony No. 3 in D minor: Part 1, I (h). Kräftig. Entschieden: Tempo I
Symphony No. 7 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2010- add to main playlist Play in Full Screen Symphony No. 7: I. Langsam (Adagio) - Allegro Risoluto, Ma Non Troppo
- add to main playlist Play in Full Screen Symphony No. 7: II. Nachtmusik I. Allegro Moderato
- add to main playlist Play in Full Screen Symphony No. 7: III. Scherzo. Schattenhaft
- add to main playlist Play in Full Screen Symphony No. 7: IV. Nachtmusik II. Andante Amoroso
- add to main playlist Play in Full Screen Symphony No. 7: V. Rondo, Finale. Allegro Ordinario
Symphony no. 7
Released 2010- add to main playlist Play in Full Screen Symphony no. 7 in E minor: I. Langsam - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: III. Scherzo: Schattenhaft
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: V. Rondo - Finale
Symphony no. 4
Released 2010- add to main playlist Play in Full Screen Symphony no. 4 in G major: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4 in G major: III. Ruhevoll (Poco adagio - Allegretto subito - Allegretto subito)
- add to main playlist Play in Full Screen Symphony no. 4 in G major: IV. Sehr behaglich ('Wir genießen die himmlischen Freuden')
Symphony No. 4 in G major (Gürzenich-Orchester Köln feat. conductor: Markus Stenz, soprano: Christiane Oelze)
Released 2010- add to main playlist Play in Full Screen Symphony no. 4: Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony no. 4: Sehr behaglich (Das himmlische Leben)
The Complete Works
Released 2010- add to main playlist Play in Full Screen Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
- add to main playlist Play in Full Screen Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder - Wenn dein Mütterlein tritt zur Tür herein
- add to main playlist Play in Full Screen Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
- add to main playlist Play in Full Screen Kindertotenlieder: In diesem Wetter, in diesem Braus
- add to main playlist Play in Full Screen Rückert-Lieder: Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Rückert-Lieder: Ich atmet' einen linden Duft!
- add to main playlist Play in Full Screen Rückert-Lieder: Um Mitternacht
- add to main playlist Play in Full Screen Rückert-Lieder: Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert-Lieder: Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig aber Markig
Gustav Mahler: Complete Edition
Released 2010- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: I. Frülingsmorgen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: II. Erinnerung
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: III. Hans und Grete
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: IV. Serenade aus Don Juan
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: V. Phantasie aus Don Juan
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VI. Um schlimme Kinder artig zu machen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VII. Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: VIII. Aus! Aus!
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: IX. Starke Einbildungskraft
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: X. Zu Straßburg auf der Schanz
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XI. Ablösung im Sommer
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XII. Scheiden und Meiden
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XIII. Nicht wiedersehen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XIV. Selbstgefühl
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XV. Im Lenz
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XVI. Winterlied
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: XVII. Maitanz im Grünen
- add to main playlist Play in Full Screen Klavierquartettsatz: Nicht zu schnell. Entschlossen
- add to main playlist Play in Full Screen Die drei Pintos: Entr'acte
Symphonic Poem in Two Parts "Titan" (Netherlands Symphony Orchestra feat. conductor: Jan Willem de Vriend)
Released 2010- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": I. Frühling und kein Ende "Langsam, schleppend - Immer sehr gemächlich"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": II. Blumine (Andante - allegretto)
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part I "Aus den Tagen der Jugend / Blumen-, Frucht- und Dornstücke": III. Mit vollen Segeln "Kräftig bewegt - Langsames Walzertempo"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": IV. Gestrandet! (ein Todtenmarsch in Callots Manier) "Feierlich und gemessen, ohne zu schleppen sehr einfach und schlicht wie eine Volksweise"
- add to main playlist Play in Full Screen Symphonic Poem in Two Parts "Titan", Part II "Commedia umana": V. Dall' Inferno al Paradiso - "Stürmisch bewegt - Energisch"
9. Symphonie
Released 2010- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: I. Allegro ma non troppo, un poco maestoso
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: II. Molto vivace
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: III. Adagio molto e cantabile
- add to main playlist Play in Full Screen 9. Symphonie, Op. 125: IV. Finale: Presto - Allegro assai
Mahler - Lieder (baritone: Christian Gerhaher, piano: Gerold Huber)
Released 2010- add to main playlist Play in Full Screen Rheinlegendchen
- add to main playlist Play in Full Screen Ich ging mit Lust
- add to main playlist Play in Full Screen Frühlingsmorgen
- add to main playlist Play in Full Screen Ablösung im Sommer
- add to main playlist Play in Full Screen Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. Ging heut Morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen
- add to main playlist Play in Full Screen Zu Straßburg auf der Schanz
- add to main playlist Play in Full Screen Das irdische Leben
- add to main playlist Play in Full Screen Nicht wiedersehen
- add to main playlist Play in Full Screen Phantasie
- add to main playlist Play in Full Screen Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: I. Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: II. Ich atmet' einen Lindenduft
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: III. Um Mitternacht
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: IV. Liebst Du um Schönheit
- add to main playlist Play in Full Screen Fünf Lieder nach Texten von Friedrich Rückert: V. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Urlicht
The Complete Mahler Symphonies
Released 2009- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
- add to main playlist Play in Full Screen Symphony No. 10: Adagio
Das Lied von der Erde
Released 2009- add to main playlist Play in Full Screen Das Lied von der Erde: Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: Der Abschied
Symphony No. 5 (Tonhalle Orchestra Zurich feat. conductor David Zinman)
Released 2009- add to main playlist Play in Full Screen Symphony No. 5: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5: II. Stuermisch Bewegt, Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5: III. Scherzo
- add to main playlist Play in Full Screen Symphony No. 5: IV. Adagietto
- add to main playlist Play in Full Screen Symphony No. 5: V. Rondo - Finale
Symphony no. 8 in E-flat major / Adagio from Symphony no. 10
Released 2009- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: I. Poco Adagio
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: II. Waldung, sie schwankt heran
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: III. Ewiger Wonnebrand
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major; Part II: IV. Wie Felsenabgrund mir zu Füßen
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: V. Gerettet ist das edle Glied
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VI. Hier ist die Aussicht frei
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VII. Dir, der Unberührbaren
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: VIII. Du schwebst zu Höhen
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: IX. Bei dem Bronn, zu dem schon weiland
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: X. Komm! Hebe dich zu höhern Sphären!
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: XI. Blicket auf
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major: Part II: XII. Alles Vergängliche
The Complete Symphonies
Released 2009- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch
- add to main playlist Play in Full Screen Adagio from Symphony no. 10
Das Lied von der Erde
Released 2008- add to main playlist Play in Full Screen Das Lied von der Erde - I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde - II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde - III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde - IV. Von der Schoenheit
- add to main playlist Play in Full Screen Das Lied von der Erde - V. Der Trunkene im Fruehling
- add to main playlist Play in Full Screen Das Lied von der Erde - VI. Der Abschied
Symphony no. 7
Released 2008- add to main playlist Play in Full Screen Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: II. Nachtmusik: Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: III. Scherzo: Schattenahft
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IV. Nachtmusik: Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: V. Rondo-Finale: Allegro ordinario - Allegro moderato ma energico
Symphony No. 2 in C minor "Resurrection" (University of Chicago Symphony Orchestra, Chorus and Motet Choir; conductor: Barbara Schubert; soprano: Kimberly Jones; mezzo-soprano: Stacy Eckert)
Released 2008- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend
Symphony No. 6 in A Minor "The Tragic Symphony" (Tonhalle Orchestra Zurich feat. Conductor David Zinman)
Released 2008Symphony No. 1 in D major / Symphony No. 9 in D major (Royal Liverpool Philharmonic Orchestra)
Released 2008- add to main playlist Play in Full Screen Symphony No. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D major: II. Im Tempo eines gemachlichen Landlers - Etwas tappisch und sehr derb
- add to main playlist Play in Full Screen Symphony No. 9 in D major: III. Rondo - Burleske: Allegro assai
Symphony No. 6 in A minor, "Tragic" (Brown University Orchestra feat. conductor: Paul Phillips)
Released 2008Symphonie No. 1 (Bamberger Symphoniker feat. conductor: Jonathan Nott)
Released 2008- add to main playlist Play in Full Screen Symphonie No. 1 in D major: I. Langsam. Schleppend. Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell. Trio. Recht gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphonie No. 1 in D major: IV. Stürmisch bewegt
Invitation au Voyage
Released 2006- add to main playlist Play in Full Screen Songs of Travel: The Vagabond
- add to main playlist Play in Full Screen Songs of Travel: Let Beauty Awake
- add to main playlist Play in Full Screen Songs of Travel: The Roadside Fire
- add to main playlist Play in Full Screen Songs of Travel: Youth and Love
- add to main playlist Play in Full Screen Songs of Travel: In Dreams
- add to main playlist Play in Full Screen Songs of Travel: The Infinite Shining Heavens
- add to main playlist Play in Full Screen Songs of Travel: Whither must I wander?
- add to main playlist Play in Full Screen Songs of Travel: Bright is the ring of words
- add to main playlist Play in Full Screen Songs of Travel: I have trod the upward and the downward slope
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 2. Ging heut' morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 3. Ich hab' ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen
- add to main playlist Play in Full Screen La vita fugge e non s'arresta un'ora
- add to main playlist Play in Full Screen Quel rosigniuol che sì soave piagne
- add to main playlist Play in Full Screen Levommi il moi pensier in parte ov'era
- add to main playlist Play in Full Screen L'invitation au voyage
- add to main playlist Play in Full Screen La vague et la cloche
- add to main playlist Play in Full Screen Extase
- add to main playlist Play in Full Screen Phidylé
- add to main playlist Play in Full Screen Le manoir de Rosemonde
- add to main playlist Play in Full Screen Soupir
Symphony No. 7 (Staatskapelle Berlin feat. conductor: Daniel Barenboim)
Released 2006- add to main playlist Play in Full Screen Symphony No. 7: I. Langsam - Allegro con fuoco
- add to main playlist Play in Full Screen Symphony No. 7: II. Nachtmusik I. Allegro moderato
- add to main playlist Play in Full Screen Symphony No. 7: III. Scherzo. Schattenhaft
- add to main playlist Play in Full Screen Symphony No. 7: IV. Nachtmusik II. Andante amoroso
- add to main playlist Play in Full Screen Symphony No. 7: V. Rondo-Finale. Allegro ordinario - Allegro moderato, ma energico
Symphony No. 9 (BBC Symphony Orchestra feat. conductor: Bruno Maderna)
Released 2006- add to main playlist Play in Full Screen Symphony No. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers - Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphony No. 9 in D major: III. Rondo-Burleske: Allegro assai - Sehr trotzig
- add to main playlist Play in Full Screen Symphony No. 9 in D major: IV. Adagio - Sehr langsam und noch zurückhaltend
Symphony No. 6 "Tragic" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)
Released 2006- add to main playlist Play in Full Screen Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: II. Scherzo: Wuchtig
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: III. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 6 in A minor: IV. Finale: Sostento - Allegro moderato
Symphony No. 1 / Blumine
Released 2006- add to main playlist Play in Full Screen Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut.-Immer sehr gemählich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Blumine (Andante allegretto)
Complete Recordings on Deutsche Grammophon, Volume III: Symphonies 8-10 / Das Lied von der Erde
Released 2005- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, I. Poco adagio
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, II. Più mosso. (Allegro moderato)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, III. Wieder langsam "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IV. Moderato "Ewiger Wonnebrand"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, V. Allegro - (Allegro appassionato) "Wie Felsenabgrund mir zu füßen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VI. Allegro deciso. (Im Anfang noch nicht eilen) "Gerettet ist das edle Glied der Geisterwelt vom Bösen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VII. Molto leggiero "Jene Rosen aus den Händen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, VIII. Schon etwas langsamer und immer noch mäßiger "Uns bleibt ein Erdenrest"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, IX. Im Anfang (die ersten vier Takte) noch etwas gehalten "Ich spür' soeben, nebelnd um Felsenhöh"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, X. Sempre l'istesso tempo "Höchste Herrscherin der Welt"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XI. "Äußerst langsam. Adagissimo "Dir, der Unberührbaren"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XII. Fließend "Bei der Liebe, die den Füßen"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIII. Una poenitentium "Neige, neige, du Ohnegleiche"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XIV. Unmerklich frischer "Er überwächst uns schon"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XV. Sehr langsam. "Komm! hebe dich zu höhern Sphären"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVI. Hymnenartig (Ungefähr im selben Zeitmaß weiter) "Blicket auf zum Retterblick, alle reuig Zarten"
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major "Symphony of a Thousand": Part II, XVII. Sehr langsam beginnend "Alles Vergängliche ist nur Gleichnis"
Complete Recordings on Deutsche Grammophon, Volume II: Symphonies 5-7 / Ruckert-Lieder / Kindertotenlieder
Released 2005- add to main playlist Play in Full Screen Symphony No. 7 E-moll: V. Rondo-Finale: Tempo I (Allegro ordinario)
- add to main playlist Play in Full Screen Rückert Lieder No. 1: Liebst du um Schönheit
- add to main playlist Play in Full Screen Rückert Lieder No. 3: Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Rückert Lieder No. 2: Ich atmet' ein linden Duft
- add to main playlist Play in Full Screen Rückert Lieder No. 4: Um Mitternacht
- add to main playlist Play in Full Screen Rückert Lieder No. 5: Ich bin der Welt abhanden gekommen
Complete Recordings on Deutsche Grammophon, Volume I: Symphonies 1-4 / Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn
Released 2005- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony, No. 1 in, D major "Titan": IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: I. "Wenn mein schatz hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: II. "Ging heut morgen übers feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: III. "Ich hab' ein glühend messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden gesellen: IV. "Die zwei blauen augen von meinem schatz"
Symphony No. 4 in G major (arr. Erwin Stein) / Lieder eines fahrenden Gesellen (arr. Arnold Schönberg) (Smithsonian Chamber Players feat. conductor: Kenneth Slowik)
Released 2003- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. "Ging heut' Morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer in meiner Brust"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"
Symphony no. 3 in D minor / Kindertotenlieder
Released 2003- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I: I. Kräftig, entschieden
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II: II. Tempo di menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast
Kindertotenlieder / Lieder nach Texten von Friedrich Rückert / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal, mezzo soprano: Doris Soffel)
Released 2002- add to main playlist Play in Full Screen Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n"
- add to main playlist Play in Full Screen Kindertotenlieder: "Nun seh' ich wohl, warum so dunkle Flammen"
- add to main playlist Play in Full Screen Kindertotenlieder: "Wenn dein Mütterlein"
- add to main playlist Play in Full Screen Kindertotenlieder: "Oft denk' ich, sie sind nur ausgegangen"
- add to main playlist Play in Full Screen Kindertotenlieder: "In diesem Wetter"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Wenn mein Schatz Hochzeit macht"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Ging heut' morgen übers Feld"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Ich hab' ein glühend Messer"
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: "Die zwei blauen Augen von meinem Schatz"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Der Engel"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Stehe still"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Im Treibhaus"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Schmerzen"
- add to main playlist Play in Full Screen Wesendonk Lieder (Five Poems for Female Voice): "Träume"
- add to main playlist Play in Full Screen Lohengrin: Act I. "Einsam in trüben Tagen"
- add to main playlist Play in Full Screen Parsifal: Act II. "Ich sah das Kind an seiner Mutter Brust"
- add to main playlist Play in Full Screen Die Walküre: "Erster Aufzug" - "Du bist der Lenz"
Symphony No. 10 (Wheeler, 1966 version) (Polish National Radio Symphony Orchestra feat. conductor: Robert Olson)
Released 2002- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): I. Adagio
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): II. First Scherzo
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): III. Purgatorio oder Inferno
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): IV. Second Scherzo
- add to main playlist Play in Full Screen Symphony No. 10 in F-sharp minor (Wheeler, 1966 version): V. Finale
Das Lied von der Erde (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1970)
Released 2002- add to main playlist Play in Full Screen Das Lied von der Erde: I. Allegro pesante "Das Trinklied vom jammer der Erde"
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Etwas scheichend. Ermüdet "Der Einsame im Herbst"
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Behaglich heiter "Von der Jugend"
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Comodo. Dolcissimo "Von der Schönheit"
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Allegro. Keck, aber nicht zu schnell "Der Trunkene im Frühung"
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Schwer "Der Abschied"
The Symphonies: Symphony No. 8 in E flat major ''Symphony of a Thousand'' (Wiener Philharmoniker feat. conductor: Lorin Maazel)
Released 2002- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: I. Veni Creatur Spiritus!
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: II. Imple superna gratia
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: III. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: IV. Tempo I. (Allegra, etwas hastig)
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: V. Infirma nostri corporis
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VI. Accende lumen sensibus
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VII. Qui Paraclitus diceris
- add to main playlist Play in Full Screen Symphony No. 8 in E-flat major, "Symphony of a Thousand" Part I: VIII. Gloria Patri Domino
Symphony No. 4
Released 2001- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig. Nicht teilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Symphony No. 3 (Bavarian Radio Symphony Orchestra feat. conductor: Rafael Kubelík, 1967)
Released 2001Mahler: Symphony no. 4 / Berlioz: Overture Le Corsaire
Released 1999- add to main playlist Play in Full Screen Symphony no. 4 in G major: I. Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony no. 4 in G major: IV. Sehr behaglich
- add to main playlist Play in Full Screen Overture Le Corsaire
Symphony no. 3
Released 1999- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Zeit lassen - a tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Immer dasselbe Tempo (Marsch). Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo primo. Wie zu anfang
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part I. I. Tempo
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Sehr gemächlich. Frei vorgetragen. (Wie die Weise eines Posthorns)
- add to main playlist Play in Full Screen Symphony no. 3 in D minor: Part II. III. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast
Lieder eines fahrenden Gesellen / Kindertotenlieder / Ruckert-Lieder
Released 1999- add to main playlist Play in Full Screen Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
- add to main playlist Play in Full Screen Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder: Wenn dein Mutterlein
- add to main playlist Play in Full Screen Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!
- add to main playlist Play in Full Screen Kindertotenlieder: In diesem Wetter
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Ging heut' morgens ubers Feld
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Ich hab' ein gluhend Messer
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: Die zwei blauen Augen
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 1. Blicke mir nicht in die Lieder!
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 2. Ich atmet' einen linden Duft
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 3. Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Ruckert-Lieder (excerpts): No. 4. Um Mitternacht
Kindertotenlieder / Rückert Lieder / Das Lied von der Erde
Released 1997- add to main playlist Play in Full Screen Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n
- add to main playlist Play in Full Screen Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen
- add to main playlist Play in Full Screen Kindertotenlieder: III. Wenn dein Mütterlein
- add to main playlist Play in Full Screen Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen
- add to main playlist Play in Full Screen Kindertotenlieder: V. In diesem Wetter
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Ich atmet’ einen linden Duft
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Liebst du um Schönheit
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Um Mitternacht
- add to main playlist Play in Full Screen Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
Mahler: Kindertotenlieder / Lieder eines fahrenden Gesellen / Strauss: Notturno
Released 1997- add to main playlist Play in Full Screen Kindertotenlieder: I. Nun will die Sonn’ so hell aufgeh’n…
- add to main playlist Play in Full Screen Kindertotenlieder: II. Nun seh’ ich wohl, warum so dunkle Flammen…
- add to main playlist Play in Full Screen Kindertotenlieder: III. Wenn dein Mütterlein…
- add to main playlist Play in Full Screen Kindertotenlieder: IV. Oft denk’ ich, sie sind nur ausgegangen!
- add to main playlist Play in Full Screen Kindertotenlieder: V. In diesem Wetter, in diesem Braus…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer…
- add to main playlist Play in Full Screen Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen von meinem Schatz…
- add to main playlist Play in Full Screen Notturno, op. 44 no. 1
Mahler/Sinopoli: The Complete Recordings
Released 1997- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. Scherzo. In ruhig fliessender Bewegung
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!"
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": Va. Im Tempo des Scherzos. Wild herausfahrend
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": Vb. Wieder zurückhaltend. Langsam. Misterioso
Das Lied von der Erde (Staatskapelle Dresden feat. conductor: Giuseppe Sinopoli, alto: Iris Vermillion, tenor: Keith Lewis)
Released 1997- add to main playlist Play in Full Screen Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde
- add to main playlist Play in Full Screen Das Lied von der Erde: II. Der Einsame im Herbst
- add to main playlist Play in Full Screen Das Lied von der Erde: III. Von der Jugend
- add to main playlist Play in Full Screen Das Lied von der Erde: IV. Von der Schönheit
- add to main playlist Play in Full Screen Das Lied von der Erde: V. Der Trunkene im Frühling
- add to main playlist Play in Full Screen Das Lied von der Erde: VI. Der Abschied
Symphonies 1 & 2
Released 1996- add to main playlist Play in Full Screen Symphony no. 1 in D major: I. Langsam, Schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major: II. II Kraftig Bewegt, Doch Nich Zu Schnell
- add to main playlist Play in Full Screen Symphony no. 1 in D major: III. Feierlich Und Gemessen, Ohne Zu Schleppen - Sehr Einfach Und Schlicht Wie Eine Volksweise
- add to main playlist Play in Full Screen Symphony no. 1 in D major: IV. Sturmisch Bewegt
- add to main playlist Play in Full Screen Symphony no. 2 in C minor: I. Allegro Maestoso. Mit Durchaus Ernstem Und Feierlichem Ausdruck
Lieder aus Des Knaben Wunderhorn / Lieder eines fahrenden Gesellen (Wiener Symphoniker feat. conductor: Eliahu Inbal)
Released 1996- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Schilwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Urlicht
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Verolene Muh
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: Lob des hohen Verstandes.
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: I. Wenn mein Schtz Hochzeit macht
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: II. Ging heut'morgen über's Feld
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: III. Ich hab'ein glühend Messer
- add to main playlist Play in Full Screen Lieder eines Fahrenden Gesellen: IV. Die zwei blauen Augen
Symphony no. 8
Released 1995- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 1. "Veni, creator spiritus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 46. "Imple superna gratia"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 122. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 169. Tempo I. Allegro impetuoso
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 211. "Infirma nostri corporis"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 258. "Accende lumen sensibus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 408. "Veni, creator spiritus"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil I, Bar 488. "Gloria sit Patri Domino"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1. Poco adagio
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 97. Pìu mosso
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 167. Chor und Echo: "Waldung, sie schwankt heran"
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 219. "Ewiger Wonnenbrand" (Pater scstaticus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 261. "Wie Felsenabgrund mir zu Füssen" (Pater profundus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar Bar 384/385. "Gerettet ist das edle Glied" (Chor der Engel) - "Hände verschlinget euch" (Chor seliger Knaben)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 436. "Jene Rosen aus den Händen" (Chor der jüngeren Engel)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 540. "Uns bleibt ein Erdenrest" (Chor vollendeteren Engel)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 580. "Ich spür' soeben, nebelnd um Felsenhöhe'" (Die jüngeren Engel) - "Freudig empfangen frei" (Chor seliger Knaben) - "Hier ist die Aussicht frei" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 639. "Höchste Herrscherin in der Welt" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 780. "Dir, der Unberührbaren" (Chor I/II) - "Du schwebst zu Höhen" (Chor der Büsserinnen und Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 868. "Bei der Liebe, die den Füssen" (Magna Peccatrix) - "Bei dem Bronn, zu dem schon weiland" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1093. "Neige, neige" (Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1138. "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1249. "Komm! hebe dich zu höhern Sphären" (Mater gloriosa) - "Blicket auf zum Retterblick alle reuig Zarten" (Doctor Marianus)
- add to main playlist Play in Full Screen Symphony no. 8 in E-flat major "Symphony of a Thousand": Teil II, Bar 1449. Chorus mysticus: Alles Vergängliche ist nur ein Gleichnis
- add to main playlist Play in Full Screen [applause]
Symphony No. 2 "Resurrection" (Israel Philharmonic Orchestra feat. conductor: Zubin Mehta)
Released 1994- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : I. Allegro maestoso
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : II. Andante moderato
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : III. (Scherzo) In ruhig fließender Bewegung
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : IV. Urlicht. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Sinfonie Nr. 2 in c-Moll : V. Im Tempo des Scherzo
Mahler Symphony No. 4, 8 Songs (Desi Halban, New York Philharmonic cond. Bruno Walter)
Released 1994- add to main playlist Play in Full Screen Symphony no. 4: I. Bedachtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: II. In gemachlicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony no. 4: IV. Sehr behaglich - Soprano Solo: »Wir genießen die himmlischen Freuden«
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Erinnerung
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Scheiden und Meiden
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Nicht wiedersehen!
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Ich ging mit Lust durch einen grünen Wald
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Ablösung im Sommer
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Hans und Grete
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Frühlingsmorgen
- add to main playlist Play in Full Screen Lieder und Gesänge aus der Jugendzeit: Starke Einbildungskraft
Symphony no. 2 in C minor "Resurrection"
Released 1993- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": III. In ruhig flieẞender Bewegung
- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": IV. Sehr feierlich, aber schlicht
- add to main playlist Play in Full Screen Symphony no. 2 in C Minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend
Symphony no. 5
Released 1992- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt, plötzlich schneller. Leidenschaftlich. Wild, a tempo
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Symphony No. 1 / Blumine
Released 1992- add to main playlist Play in Full Screen Symphony No. 1: I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony No. 1: II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony No. 1: III. Feierlich und gemessen
- add to main playlist Play in Full Screen Symphony No. 1: IV. Stürmisch bewegt
- add to main playlist Play in Full Screen Blumine
Symphony No. 4 (Los Angeles Philharmonic feat. conductor: Esa-Pekka Salonen, Soprano: Barbara Hendricks)
Released 1992- add to main playlist Play in Full Screen Symphony no. 4: I. Bedächtig. Nicht eilen
- add to main playlist Play in Full Screen Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast
- add to main playlist Play in Full Screen Symphony no. 4: III. Ruhevoll
- add to main playlist Play in Full Screen Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)
Symphonien 5, 9 & 10: Adagio
Released 1992- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto: Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale: Allegro
Symphonie No. 5
Released 1991- add to main playlist Play in Full Screen Symphony No. 5: I. Trauermarsch
- add to main playlist Play in Full Screen Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 5: IV. Adagietto. Sehr langsam
- add to main playlist Play in Full Screen Symphony No. 5: V. Rondo-Finale. Allegro
Symphony No. 5 in C-sharp minor (New York Philharmonic feat. conductor: Zubin Mehta)
Released 1991- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)
Symphonie No. 1 (Chicago Symphony Orchestra feat. conductor: Klaus Tennstedt)
Released 1991- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": I. Langsam. Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": II. Kräftig bewegt, doch nocht zu schnell
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": III. Feierlich und bemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphonie No. 1 D-dur "Titan": IV. Stürmisch bewegt
Symphony No. 1 in D major (Philharmonia Orchestra feat. conductor: Giuseppe Sinopoli)
Released 1990- add to main playlist Play in Full Screen Symphony No. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell
- add to main playlist Play in Full Screen Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major: IV. Stürmisch bewegt
Des Knaben Wunderhorn
Released 1989- add to main playlist Play in Full Screen Des Knaben Wunderhorn: I. Der Schildwache Nachtlied
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht?
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: III. Der Tamboursg'sell
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: IV. Das irdische Leben
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: V. Verlor'ne Müh'
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VII. Revelge
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: VIII. Rheinlegendchen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: IX. Lob des hohen Verstandes
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XII. Trost im Unglück
- add to main playlist Play in Full Screen Des Knaben Wunderhorn: XIII. Urlicht
Symphony No. 4
Released 1989- add to main playlist Play in Full Screen Symphony No. 4 in G major: I. Bedächtig, nicht eilen
- add to main playlist Play in Full Screen Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast
- add to main playlist Play in Full Screen Symphony No. 4 in G major: III. Ruhevoll, poco adagio
- add to main playlist Play in Full Screen Symphony No. 4 in G major: IV. Sehr behaglich
Symphonie no. 9
Released 1986- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ia. Andante comodo
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ib. (Horneinsatz)
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ic. Bewegter
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Id.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: Ie. Wie von Anfang
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: If. Plötzlich bedeutend langsamer (Lento) und leise
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIa. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II.)
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIc. Tempo III.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IId. Tempo II.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIe. Tempo I.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIf. Tempo II.
- add to main playlist Play in Full Screen Symphonie No. 9 D-dur: IIg. Tempo I. subito
Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied)
Released 1986- add to main playlist Play in Full Screen Der Tod und das Mädchen, D. 531
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : I. Allegro
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : II. Andante con moto
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : III. Scherzo (allegro molto)
- add to main playlist Play in Full Screen Quartet in D minor, D. 810 "Der Tod und das Mädchen" : IV. Presto
Symphony No. 1
Released 1985- add to main playlist Play in Full Screen Symphony No. 1 in D major I. Langsam Schleppend - Im Anfang sehr gemächlich
- add to main playlist Play in Full Screen Symphony No. 1 in D major II. Kräftig bewegt, doch nicht zu schell
- add to main playlist Play in Full Screen Symphony No. 1 in D major III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony No. 1 in D major IV. Stürmisch bewegt
Symphony No. 5 & 10
Released 1985- add to main playlist Play in Full Screen Symphony No.5 - I: Trauermarsch (Im gemessenem Schritt - Streng - Wie ein Kondukt)
- add to main playlist Play in Full Screen Symphony No.5 - II: Stürmisch bewegt, mit grösster Vehemenz
- add to main playlist Play in Full Screen Symphony No.5 - III: Scherzo (Kräftig, nicht zu schnell)
Symphony No. 2 in C minor "Resurrection"
Released 1982- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": II. Andante moderato
- add to main playlist Play in Full Screen Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung
Bernstein Century: Symphony no.1 "Titan" / Symphony no.10 (Adagio)
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ia. Langsam. Schleppend. Wie ein Naturlaut -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ib. Immer sehr gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Ic. Sehr Gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": Id. Vorwarts drängend
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIa. Kräftig bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIb. Trio. Recht gemächlich -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIc. Tempo primo
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIa. Feierlich und gemessen, ohne zu schleppen -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIb. A tempo. Ziemlich langsam -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIIc. Sehr einfach und schlicht wie eine Volksweise -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IIId. Wieder etwas bewegter, wie im Anfang
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVa. Stürmisch bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVb. Sehr gesangvoll -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVc. Wieder wie zu Anfang. Stürmisch bewegt -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVd. Sehr langsam -
- add to main playlist Play in Full Screen Symphony No. 1 in D major "Titan": IVe. Wieder vorwärts drängend
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: a. Andante -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: b. Andante come prima -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: c. A tempo (fließend) -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: d. Measure 104 -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: e. Measure 194 -
- add to main playlist Play in Full Screen Adagio from Symphony No. 10: f. A tempo
Symphony no. 7
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ia. Langsam (Adagio)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ib. Nicht schleppen
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Id. A tempo (sempre läistesso)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ie. Subito Allegro I. Ziemlich ruhig
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Ig. Maestoso. Allegro come prima
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIa. Nachtmusik I. Allegro moderato
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo. Nicht eilen, sehr gemächlich
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIc. Tempo
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft, fließend, aber nicht zu schnell
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIb. Trio
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang (nicht eilen)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IVa. Nachtmusik II. Andante amoroso
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: IVb. [Figure 197]
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Va. Rondo-Final. Tempo I (Allegro ordinario)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vb. Gemessen! Nicht schnell! Tempo II (Allegro moderato ma energico)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vc. Tempo I (Halbe wie die Viertel des Tempo I)
- add to main playlist Play in Full Screen Symphony no. 7 in E minor: Vd. Sempre l'istesso tempo
Symphony no. 1 "Titan" / Symphony no. 5
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": I. Langsam. Schleppend
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": II. Kräftig bewegt
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
- add to main playlist Play in Full Screen Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
Symphony no. 9 in D major
- add to main playlist Play in Full Screen Symphony no. 9 in D major: I. Andante comodo
- add to main playlist Play in Full Screen Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb)
- add to main playlist Play in Full Screen Symphony no. 9 in D major: III. Rondo - Burlesque
- add to main playlist Play in Full Screen Symphony no. 9 in D major: IV. Adagio
Symphony No. 3 (Chicago Symphony Orchestra, conductor: Bernard Haitink, mezzo-soprano: Michelle DeYoung)
- add to main playlist Play in Full Screen Symphony No.3: II. Tempo di Menuetto. Sehr mässig
- add to main playlist Play in Full Screen Symphony No.3: III. Comodo. Scherzando. Ohne Hast
- add to main playlist Play in Full Screen Symphony No.3: IV. Sehr langsam. Misterioso
- add to main playlist Play in Full Screen Symphony No.3: V. Lustig im Tempo und keck im Ausdruck
- add to main playlist Play in Full Screen Symphony No.3: VI. Langsam. Ruhevoll. Empfunden
Symphony No. 5 (Radio Symphony Orchestra, Glasgow)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt, streng)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)
- add to main playlist Play in Full Screen Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro
Born: 1860-07-07
Died: 1911-05-18
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Mahler - Symphony No. 1 and Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon PLAYLIST The Best of Classical Music http://open.spotify.com/user/halidon/playlist/5E4CbUOCiUXw2Fh8Foq51V visit our page on facebook ▶ http://on.fb.me/1bzVvBp Symphony No. 1 Titan - Symphony No. 5 Symphony No. 1 in D major Titan I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout) II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31 III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24 IV. Stürmisch bewegt -- Energisch (... -
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No. 1 "Titán" de Gustav Mahler. Great presentation of american conductor Leonard Bernstein with the Vienna Philharmonic Orchestra, playing an amazing version of Mahler's 1st Symphony "The Titan". http://www.deutschegrammophon.com/cat/single?sort=newest&PRODUCT;_NR=0734089&javascript;=1&start;=10&UNBUYABLE;=1&per;_page=10&ADD;_OTHER=1&presentation;=list&SET;_LANGUAGE=es (C) ALL their respective owners. No personal work here. 2nd movement: 16:23 3rd movement: 25:20 4th movement: 35:37 (Thanks to user "osmsm" for movements times ;D -
The Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911) Georg Solti Chicago Symphony Orchestra As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century. Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in ... -
The Best of Mahler
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic Tracklist: Sinfonia Nº 1 Em Ré Maior, "Titã" 1. Langsam, Schleppend 2. Kraftig, Bewegt 3. Feierlich Und Gemessen, Ohne Zu Schleppend 4. Sturmisch Bewegt Royal Philharmonic Orchestra For more: http://www.melhoresmusicasclassicas.blogspot.com.br -
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010. Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010. http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033 (C) BBC and ALL their respective owners. No personal work here. -
Mahler - Symphony No 4 - Abbado
Gustav Mahler Symphony No 4 1 Bedächtig, nicht eilen 2 In gemächlicher Bewegung, ohne Hast 3 Ruhevoll, poco adagio 4 Sehr behaglich Magdalena Kožená, mezzo-soprano Lucerne Festival Orchestra Claudio Abbado, conductor Live recording. Lucerne, August 2009 -
Mahler - Symphony No 9 - Abbado
Gustav Mahler Symphony No 9 1 Andante comodo 2 Im Tempo eines gemächlichen Ländlers. 3 Rondo-Burleske. Allegro assai. 4 Adagio. Sehr langsam und noch zurückhaltend Lucerne Festival Orchestra Claudio Abbado, conductor Lucerne, August 2010 -
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973. Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973. 0:01:13 - 1. Kräftig entschieden 0:34:03 - 2. Tempo di Menuetto. Sehr mäßig 0:44:54 - 3. Commodo, Scherzando. Ohne Hast 1:02:14 - 4. Sehr langsam. Misterioso 1:12:46 - 5. Lustig im Tempo und keck im Ausdruck 1:16:56 - 6. Langsam, ruhevoll, empfunden (Thanks to user "Glypo3000" f... -
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienna Boys Choir, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritone) and Jose Van Dam (bass) [uff!], playing one of the greatest versions of 8th Symphony of Gustav Mahler of all time. Gran presentación del legendario conductor americano Leonard Bernstein conduciendo a la Orquesta Filarmónica de Viena, el Coro de la Ópera Estatal de Viena, el Coro de Niños de Viena, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Pr... -
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003 Culture and Convention Centre Lucerne, 21 August 2003 Eteri Gvazava - soprano Anna Larsson - mezzo-soprano Orfeón Donostiarra José Antonio Sainz Alfaro - chorus master Lucerne Festival Orchestra Claudio Abbado - conductor 1:18 I. Allegro maestoso (21:10) 22:26 II. Andante moderato (9:24) 32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18) 43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05) 48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25) Resurrection in Lucerne Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The e... -
Mahler -- Symphony No. 2 'Auferstehung'
Royal Concertgebouw Orchestra - Mariss Jansons, chief-conductor Ricarda Merbeth, soprano Bernarda Fink, mezzo soprano Netherlands Radio Choir, chief-conductor Celso Antunes -
Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor. -
Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , el Coro Juvenil Nacional de Gran Bretaña junto a Gustavo Dudamel, Miah Persson y Anna Larsson, interpretando la Segunda Sinfonía de Gustav Mahler "La Resurrección" en el festival de los Proms de la BBC 2011. From Chile, I have the pleasure of present you the Great Simon Bolivar Symphony Orchestra with The National Youth Choir of Great Britain, Miah Persson, Anna Larsson and Gustavo Dudamel playing the Full version of Mahler 2nd Symphony "Resurrection" at BBC Proms 2011. (C) BBC, Music Publishing Rights Collecting Society y sus respectivos dueños, todos los derechos reservados. (C) BBC, Music Publishing Rights Collecting Society and their respective owners, al rights reserved. (C) BBC, Music Publis... -
Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9: https://www.youtube.com/watch?v=4kTXstgF20E https://www.youtube.com/watch?v=jvUego50gVg https://www.youtube.com/watch?v=NwwhZGtcnSM https://www.youtube.com/watch?v=KnjnwVS53ko Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI -
Claudio Abbado Mahler Symphony 7
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Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009 Concert Hall of the KKL Luzern, August 2009 Lucerne Festival Orchestra Claudio Abbado - conductor 0:30 I. Langsam, schleppend (16:38) 17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32) 24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29) 36:19 IV. Stürmisch bewegt (22:09) Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally reno... -
Gustav Mahler - MAHLER SYMPHONY NO. 2 "RESURRECTION"
MAHLER SYMPHONY NO. 2 “RESURRECTION” Interpreted by Philharmonia Orchestra, Otto Klemperer, Hilde Ròssl-Majdan 1. Symphony No. 2 in C Minor - Resurrection: I. Allegro maestoso 00:00 2. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 19:03 3. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 29:33 4. Symphony No. 2 in C Minor - Resurrection: IV. Urlicht 41:13 5. Symphony No. 2 in C Minor - Resurrection: V. In Tempo des Scherzos 45:14 6. Symphony No. 2 in C Minor - Resurrection: Wieder sehr breit 52:13 7. Symphony No. 2 in C Minor - Resurrection: Ritardando…Maestoso 55:14 8. Symphony No. 2 in C Minor - Resurrection: Wieder zurùckhaltend 1:00:13 9. Symphony No. 2 in C Minor - Resurrection: Langsam – Misterioso 1:06:39 10. Symphony No. 2 in C Minor - Re... -
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, 19 August 2007 KKL Luzern, 19 August 2007 Lucerne Festival Orchestra Women of the Arnold Schönberg Choir, Vienna Tölz Boys Choir Anna Larsson - contralto PART I / 0:50 I. Kräftig, Entschieden (34:06) PART II 34:00 II. Tempi di Menuetto. Sehr mäßig (8:20) 43:26 III. Comodo. Scherzando. Ohne Hast (16:25) 59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19) "O Mensch! Gib Acht!" Text by Nietzsche: Also sprach Zarathustra 1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24) "Es sungen drei Engel einen süßen Gesang" Text: Des Knaben Wunderhorn 1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41) *** "Blissful trust" Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especiall... -
Gustav Mahler-Piano Quartet in A minor
Gustav Mahler's Piano Quartet in A minor For Piano and Strings Trio. Hope you Enjoy =] -
Mahler - Complete Symphonies pt.1 №1-5 (Tennstedt)
Part 1 №6-10 - https://www.youtube.com/watch?v=FmGnZf8Xj7M Symphonie Nr.1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemachlich - 00:00 II. Kraftig bewegt, doch nicht zu schnell - 16:00 III. Feierlich und gemessen, ohne zu schleppen - 23:51 IV. Sturmisch bewegt - 34:41 Symphony No.2 in C minor 'Resurrection': I. Allegro maestoso - 54:09 II. Andante moderato - 01:18:57 III. In ruhig fliessender Bewegung - 01:30:19 IV. Urlicht (Sehr feierlich, aber schlicht) - 01:40:51 V. Im Tempo des Scherzos - 01:48:02 Symphonie Nr. 3 in D Minor: I. Kraftig. Entschieden - 02:23:01 II. Tempo de Menuetto - 02:56:13 III. Comodo. Scherzand - 03:06:55 IV. Sehr langsam. Misterioso - 03:25:52 V. Lustig im Tempo und keck im Ausdruck - 03:35:45 VI. Langsam. Ruhevol. Empfunden - 03:39:59 Symphonie Nr. 4 in ... -
Mahler: Symphony nº 6 - Dima Slobodeniouk - Sinfónica de Galicia
GUSTAV MAHLER (1860-1911) Sinfonía nº 6 Allegro energico, ma non troppo. Heftig, aber markig (24:47) Andante moderato (41:22) Scherzo. Wuchtig (55:16) Finale. Allegro moderato Orquesta Sinfónica de Galicia Dima Slobodeniouk, director Grabación realizada en el Palacio de la Ópera de A Coruña el 5 de enero de 2016 Realización: Antonio Cid / RDC Producciones Sonido: Pablo Barreiro / CRTVG -
（《BBC Great Composer》：Mahler
Welcome to visit Classical Museum to enjoy the Classical Music: https://itunes.apple.com/us/app/classical-museum-lite/id871121647?l=zh&ls;=1&mt;=8 Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 -- 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. A Jew, he was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. His family later moved to nearby Iglau (now Jihlava), where Mahler grew up. As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative negle... -
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein Part One 00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt 13:25 II Stürmisch bewegt. Mit größter Vehemenz Part Two 27:00 III Scherzo. Kräftig, nicht zu schnell Part Three 45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY 57:29 V Rondo-Finale. Allegro Other Recordings: Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q Symphony No. 5 http://youtu.be/Ipte0gDlSr4 Adagietto http://youtu.be/15WQNKhaCHY Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0 Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horn...
Mahler - Symphony No. 1 and Symphony No. 5
- Order: Reorder
- Duration: 118:48
- Updated: 21 Jun 2013
- views: 427984
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FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
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Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
wn.com/Mahler Symphony No. 1 And Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
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visit our page on facebook
▶ http://on.fb.me/1bzVvBp
Symphony No. 1 Titan - Symphony No. 5
Symphony No. 1 in D major Titan
I. Langsam, schleppend (Slowly, dragging) Immer sehr gemächlich (very restrained throughout)
II. Kräftig bewegt, doch nicht zu schnell (Moving strongly, but not too quickly), Recht gemächlich (restrained), a Trio 12:31
III. Feierlich und gemessen, ohne zu schleppen (Solemnly and measured, without dragging), Sehr einfach und schlicht wie eine Volksweise (very simple, like a folk-tune), and Wieder etwas bewegter, wie im Anfang (something stronger, as at the start) 19:24
IV. Stürmisch bewegt -- Energisch (Stormily agitated -- Energetic) 29:40
Symphony No. 5
I. Trauermarsch (Funeral March) C# minor 48:18
II. Moving stormily, with the greatest vehemence (Stürmisch bewegt, mit größter Vehemenz) A minor 1:01:20
III. Scherzo. Kräftig, nicht zu schnell D major 1:15:41
IV. Adagietto. Sehr langsam F major 1:34:08
V. Rondo-Finale. Allegro - Allegro giocoso. Frisch D major 1:41:46
- published: 21 Jun 2013
- views: 427984
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
- Order: Reorder
- Duration: 55:22
- Updated: 24 Jan 2011
- views: 1022848
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No....
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No. 1 "Titán" de Gustav Mahler.
Great presentation of american conductor Leonard Bernstein with the Vienna Philharmonic Orchestra, playing an amazing version of Mahler's 1st Symphony "The Titan".
http://www.deutschegrammophon.com/cat/single?sort=newest&PRODUCT;_NR=0734089&javascript;=1&start;=10&UNBUYABLE;=1&per;_page=10&ADD;_OTHER=1&presentation;=list&SET;_LANGUAGE=es
(C) ALL their respective owners. No personal work here.
2nd movement: 16:23
3rd movement: 25:20
4th movement: 35:37
(Thanks to user "osmsm" for movements times ;D
wn.com/Mahler Symphony No. 1 The Titan Bernstein · Vienna Philharmonic Orchestra
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarmónica de Viena, interpretando una excitante versión de la Sinfonía No. 1 "Titán" de Gustav Mahler.
Great presentation of american conductor Leonard Bernstein with the Vienna Philharmonic Orchestra, playing an amazing version of Mahler's 1st Symphony "The Titan".
http://www.deutschegrammophon.com/cat/single?sort=newest&PRODUCT;_NR=0734089&javascript;=1&start;=10&UNBUYABLE;=1&per;_page=10&ADD;_OTHER=1&presentation;=list&SET;_LANGUAGE=es
(C) ALL their respective owners. No personal work here.
2nd movement: 16:23
3rd movement: 25:20
4th movement: 35:37
(Thanks to user "osmsm" for movements times ;D
- published: 24 Jan 2011
- views: 1022848
The Best of Mahler
- Order: Reorder
- Duration: 117:46
- Updated: 06 Nov 2014
- views: 54070
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-centur...
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
wn.com/The Best Of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orchestra
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
Born in humble circumstances, Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner and Mozart. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively small; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are designed for large orchestral forces, symphonic choruses and operatic soloists. Most of his twelve symphonic scores are very large-scale works, often employing vocal soloists and choruses in addition to augmented orchestral forces. These works were often controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Symphony No. 2, Symphony No. 3, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Institute was established in 1955, to honour the composer's life and work.
(0:00) Symphony No.1 in D major - II: Kraftig Bewegt, Doch Nicht Zu Schnell
(6:47) Symphony No.2 in C minor "Resurrection" 5d: Langsam. Misterioso
(13:27) Symphony No.2 in C minor "Resurrection" - 5e. "O glaube, mein Herz, o glaube"
(21:07) Symphony No.3 in D minor - IV: Sehr langsam.
(29:50) Symphony No.3 in D minor - V: Lustig im Tempo und keck im Ausdruck
(33:54) Symphony No.4 in G major - IV: Sehr behaglich "Wir genießen die himmlischen Freuden"
(42:49) Symphony No.5 in C sharp minor - I: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
(57:21) Symphony No.5 in C sharp minor - IV: Adagietto. Sehr langsam
(1:08:34) Symphony No.6 in A minor "Tragic" - II: Andante moderato
(1:22:31) Symphony No.7 in E minor - III: Scherzo. Schattenhaft - Trio
(1:32:24) Symphony No.8 in E flat major "Symphony of a Thousand" - Part 1. Hymnus "Veni creator spiritus" - Veni, creator spiritus
(1:36:14) Symphony No.8 in E flat major - Part 2: Final scene from Goethe's Faust - Alles Vergängliche
(1:42:58) Symphony No.9 in D major - 2a. Im Tempo eines gemächlichen Ländlers
(1:45:46) Symphony No.10 in F sharp minor - II: Scherzo I
- published: 06 Nov 2014
- views: 54070
The Best of Mahler
- Order: Reorder
- Duration: 56:47
- Updated: 23 May 2013
- views: 82966
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Fei...
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
wn.com/The Best Of Mahler
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Sinfonia Nº 1 Em Ré Maior, "Titã"
1. Langsam, Schleppend
2. Kraftig, Bewegt
3. Feierlich Und Gemessen, Ohne Zu Schleppend
4. Sturmisch Bewegt
Royal Philharmonic Orchestra
For more:
http://www.melhoresmusicasclassicas.blogspot.com.br
- published: 23 May 2013
- views: 82966
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
- Order: Reorder
- Duration: 70:14
- Updated: 25 Mar 2012
- views: 1284313
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los P...
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010.
Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010.
http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033
(C) BBC and ALL their respective owners. No personal work here.
wn.com/Mahler Symphony No. 5 Gergiev · World Orchestra For Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial para la Paz interpretando la Sinfonía No. 5 de Gustav Mahler, en los Proms de la BBC 2010.
Great feature of russian Maestro Valery Gergiev with the World Orchestra for Peace, conducting Mahler's 5th Symphony at BBC Proms 2010.
http://www.bbc.co.uk/proms/archive/search/2010s/2010/agosto-05/14033
(C) BBC and ALL their respective owners. No personal work here.
- published: 25 Mar 2012
- views: 1284313
Mahler - Symphony No 4 - Abbado
- Order: Reorder
- Duration: 57:38
- Updated: 02 Mar 2014
- views: 24350
Gustav Mahler
Symphony No 4
1 Bedächtig, nicht eilen
2 In gemächlicher Bewegung, ohne Hast
3 Ruhevoll, poco adagio
4 Sehr behaglich
Magdalena Kožená, mezzo-so...
Gustav Mahler
Symphony No 4
1 Bedächtig, nicht eilen
2 In gemächlicher Bewegung, ohne Hast
3 Ruhevoll, poco adagio
4 Sehr behaglich
Magdalena Kožená, mezzo-soprano
Lucerne Festival Orchestra
Claudio Abbado, conductor
Live recording. Lucerne, August 2009
wn.com/Mahler Symphony No 4 Abbado
Gustav Mahler
Symphony No 4
1 Bedächtig, nicht eilen
2 In gemächlicher Bewegung, ohne Hast
3 Ruhevoll, poco adagio
4 Sehr behaglich
Magdalena Kožená, mezzo-soprano
Lucerne Festival Orchestra
Claudio Abbado, conductor
Live recording. Lucerne, August 2009
- published: 02 Mar 2014
- views: 24350
Mahler - Symphony No 9 - Abbado
- Order: Reorder
- Duration: 87:02
- Updated: 26 May 2014
- views: 315345
Gustav Mahler
Symphony No 9
1 Andante comodo
2 Im Tempo eines gemächlichen Ländlers.
3 Rondo-Burleske. Allegro assai.
4 Adagio. Sehr langsam und noch zurückhal...
Gustav Mahler
Symphony No 9
1 Andante comodo
2 Im Tempo eines gemächlichen Ländlers.
3 Rondo-Burleske. Allegro assai.
4 Adagio. Sehr langsam und noch zurückhaltend
Lucerne Festival Orchestra
Claudio Abbado, conductor
Lucerne, August 2010
wn.com/Mahler Symphony No 9 Abbado
Gustav Mahler
Symphony No 9
1 Andante comodo
2 Im Tempo eines gemächlichen Ländlers.
3 Rondo-Burleske. Allegro assai.
4 Adagio. Sehr langsam und noch zurückhaltend
Lucerne Festival Orchestra
Claudio Abbado, conductor
Lucerne, August 2010
- published: 26 May 2014
- views: 315345
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
- Order: Reorder
- Duration: 105:37
- Updated: 08 Apr 2012
- views: 724513
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Op...
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973.
Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973.
0:01:13 - 1. Kräftig entschieden
0:34:03 - 2. Tempo di Menuetto. Sehr mäßig
0:44:54 - 3. Commodo, Scherzando. Ohne Hast
1:02:14 - 4. Sehr langsam. Misterioso
1:12:46 - 5. Lustig im Tempo und keck im Ausdruck
1:16:56 - 6. Langsam, ruhevoll, empfunden
(Thanks to user "Glypo3000" for tempos at symphony)
(C) ALL their respective owners. No personal work here.
wn.com/Mahler Symphony No. 3 Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philharmonic Orchestra, Christa Ludwig (contralto solo), the Viena State Opera Chorus and the Vienna Boys Choir playing the Symphony No. 3 of Gustav Mahler, at 1973.
Gran presentación del legendario maestro norteamericano Leonard Bernstein, la Orquesta Flarmónica de Viena, Christa Ludwig (contralto solo), el Coro de la Ópera Estatal de Vienna y el Coro de Niños de Viena interpretando la Sinfonía No. 3 de Gustav Mahler, en 1973.
0:01:13 - 1. Kräftig entschieden
0:34:03 - 2. Tempo di Menuetto. Sehr mäßig
0:44:54 - 3. Commodo, Scherzando. Ohne Hast
1:02:14 - 4. Sehr langsam. Misterioso
1:12:46 - 5. Lustig im Tempo und keck im Ausdruck
1:16:56 - 6. Langsam, ruhevoll, empfunden
(Thanks to user "Glypo3000" for tempos at symphony)
(C) ALL their respective owners. No personal work here.
- published: 08 Apr 2012
- views: 724513
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
- Order: Reorder
- Duration: 84:39
- Updated: 19 Apr 2012
- views: 380682
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienn...
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienna Boys Choir, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritone) and Jose Van Dam (bass) [uff!], playing one of the greatest versions of 8th Symphony of Gustav Mahler of all time.
Gran presentación del legendario conductor americano Leonard Bernstein conduciendo a la Orquesta Filarmónica de Viena, el Coro de la Ópera Estatal de Viena, el Coro de Niños de Viena, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritono) y Jose Van Dam (bajo) interpretando una de las más grandes versiones de la Sinfonía No. 8 de Gustav Mahler.
(C) ALL their respective owners. No personal work here.
wn.com/Mahler Symphony No. 8 Bernstein · Vienna Philharmonic Orchestra
Great presentation of the legendary american conductor Leonard Bernstein, conducting the Vienna Philharmonic Orchestra, the Vienna State Opera Chrous, the Vienna Boys Choir, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritone) and Jose Van Dam (bass) [uff!], playing one of the greatest versions of 8th Symphony of Gustav Mahler of all time.
Gran presentación del legendario conductor americano Leonard Bernstein conduciendo a la Orquesta Filarmónica de Viena, el Coro de la Ópera Estatal de Viena, el Coro de Niños de Viena, Edda Moser (soprano), Judith Blegen (soprano), Gerti Zeumer (soprano), Ingrid Mayr (contralto), Agnes Baltsa (contralto), Kenneth Riegel (tenor), Hermann Prey (baritono) y Jose Van Dam (bajo) interpretando una de las más grandes versiones de la Sinfonía No. 8 de Gustav Mahler.
(C) ALL their respective owners. No personal work here.
- published: 19 Apr 2012
- views: 380682
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
- Order: Reorder
- Duration: 86:28
- Updated: 02 Feb 2015
- views: 295868
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
O...
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
wn.com/Gustav Mahler Symphony No. 2 Resurrection (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, 21 August 2003
Eteri Gvazava - soprano
Anna Larsson - mezzo-soprano
Orfeón Donostiarra
José Antonio Sainz Alfaro - chorus master
Lucerne Festival Orchestra
Claudio Abbado - conductor
1:18 I. Allegro maestoso (21:10)
22:26 II. Andante moderato (9:24)
32:18 III. [Scherzo] In ruhig fließender Bewegung (11:18)
43:48 IV. Urllicht. Sehr feierlich, aber schlicht (5:05)
48:42 V. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn" (37:25)
Resurrection in Lucerne
Lucerne Festival. 21 August 2003, 7.30 pm. The atmosphere in the large concert hall in the spectacular, steel and glass Culture and Convention Centre built on the shore of Lake Lucerne by the French star architect Jean Nouvel is electric. The event was sold out months ago. Here and there a throat is softly cleared, people settle in their seats, their faces alert and expectant. At last, doors open and the members of the newly founded Lucerne Festival Orchestra come on to the platform. There are many very well-known faces: the clarinettist Sabine Meyer and Emmanuel Pahud, the fleet-fingered first flute from the Berliner Philharmoniker, Natalie Gutman among the cellists, members of the Hagen and Alban Berg Quartets among the rank and file of strings, and other players include Albrecht Mayer (oboe), Kolya Blacher (violin) and Wolfram Christ (viola).
Lucerne en fête
What kind of orchestra is this, formed of the most famous instrumentalists, the most celebrated chamber-music players, the most experienced soloists from the world's best orchestras? With Claudio Abbado to conduct it, chief conductor of the Berliner Philharmoniker up until the previous year, for whom the Lucerne Festival Orchestra is the realization of a wholly personal dream? One answer, at least, is obvious: lt is an orchestra of superlatives. "After this first appearance", the press agreed, "there can be no argument: orchestral cultivation of this calibre is scarcely to be heard anywhere else."
The Lucerne Festival has a long tradition of generating its own orchestras. The best remembered is probably the Swiss Festival Orchestra, which assembled "the best orchestral musicians of Switzerland" (to quote the Original memorandum of association) to give the concerts that formed the festival's backbone every year from 1943 to 1993. But the idea of an elite orchestra goes back further, to the summer of 1938. This was the year in which Arturo Toscanini dissociated himself from the Salzburg Festival for political reasons; a handpicked orchestra was formed for him to conduct in Lucerne (the members of the legendary Busch Quartet, banned frorn playing in Germany, sat at the first desks of the string section) and his "concert de gala" marked the moment when Lucerne was new-born as a festival city.
- published: 02 Feb 2015
- views: 295868
Mahler -- Symphony No. 2 'Auferstehung'
- Order: Reorder
- Duration: 89:18
- Updated: 02 Feb 2011
- views: 1460582
Royal Concertgebouw Orchestra -
Mariss Jansons, chief-conductor
Ricarda Merbeth, soprano
Bernarda Fink, mezzo soprano
Netherlands Radio Choir, chief-cond...
Royal Concertgebouw Orchestra -
Mariss Jansons, chief-conductor
Ricarda Merbeth, soprano
Bernarda Fink, mezzo soprano
Netherlands Radio Choir, chief-conductor Celso Antunes
wn.com/Mahler Symphony No. 2 'Auferstehung'
Royal Concertgebouw Orchestra -
Mariss Jansons, chief-conductor
Ricarda Merbeth, soprano
Bernarda Fink, mezzo soprano
Netherlands Radio Choir, chief-conductor Celso Antunes
- published: 02 Feb 2011
- views: 1460582
Gustav Mahler - Adagietto from Symphony no. 5
- Order: Reorder
- Duration: 9:46
- Updated: 24 Jan 2010
- views: 1161032
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
wn.com/Gustav Mahler Adagietto From Symphony No. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto from his 5th Symphony in C sharp minor.
- published: 24 Jan 2010
- views: 1161032
Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
- Order: Reorder
- Duration: 93:52
- Updated: 16 Aug 2011
- views: 831044
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , el Coro Juvenil Nacional de Gran Bretaña junto a Gustavo Dudamel, Miah...
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , el Coro Juvenil Nacional de Gran Bretaña junto a Gustavo Dudamel, Miah Persson y Anna Larsson, interpretando la Segunda Sinfonía de Gustav Mahler "La Resurrección" en el festival de los Proms de la BBC 2011.
From Chile, I have the pleasure of present you the Great Simon Bolivar Symphony Orchestra with The National Youth Choir of Great Britain, Miah Persson, Anna Larsson and Gustavo Dudamel playing the Full version of Mahler 2nd Symphony "Resurrection" at BBC Proms 2011.
(C) BBC, Music Publishing Rights Collecting Society y sus respectivos dueños, todos los derechos reservados.
(C) BBC, Music Publishing Rights Collecting Society and their respective owners, al rights reserved.
(C) BBC, Music Publishing Rights Collecting Society et de leurs propriétaires respectifs, tous droits réservés.
wn.com/Mahler Symphony No. 2 Dudamel · Simón Bolivar Symphony Orchestra Of Venezuela
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , el Coro Juvenil Nacional de Gran Bretaña junto a Gustavo Dudamel, Miah Persson y Anna Larsson, interpretando la Segunda Sinfonía de Gustav Mahler "La Resurrección" en el festival de los Proms de la BBC 2011.
From Chile, I have the pleasure of present you the Great Simon Bolivar Symphony Orchestra with The National Youth Choir of Great Britain, Miah Persson, Anna Larsson and Gustavo Dudamel playing the Full version of Mahler 2nd Symphony "Resurrection" at BBC Proms 2011.
(C) BBC, Music Publishing Rights Collecting Society y sus respectivos dueños, todos los derechos reservados.
(C) BBC, Music Publishing Rights Collecting Society and their respective owners, al rights reserved.
(C) BBC, Music Publishing Rights Collecting Society et de leurs propriétaires respectifs, tous droits réservés.
- published: 16 Aug 2011
- views: 831044
Mahler: Adagietto Symphony 5 - Karajan*
- Order: Reorder
- Duration: 11:54
- Updated: 10 Jul 2012
- views: 311314
Karajan's Mahler is unsurpassed
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch...
Karajan's Mahler is unsurpassed
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
wn.com/Mahler Adagietto Symphony 5 Karajan
Karajan's Mahler is unsurpassed
See also the adagio's from symphony 4 & 6 by Karajan on this channel & Part 1 & 4 of symphony 9:
https://www.youtube.com/watch?v=4kTXstgF20E
https://www.youtube.com/watch?v=jvUego50gVg
https://www.youtube.com/watch?v=NwwhZGtcnSM
https://www.youtube.com/watch?v=KnjnwVS53ko
Symphony 5 part 1 :https://www.youtube.com/watch?v=XUGPzud8rJk
Symphony 5 part 2 :https://www.youtube.com/watch?v=4cyGKsfGXoI
- published: 10 Jul 2012
- views: 311314
Claudio Abbado Mahler Symphony 7
- Order: Reorder
- Duration: 77:47
- Updated: 10 Dec 2013
- views: 235311
- published: 10 Dec 2013
- views: 235311
Gustav Mahler: Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
- Order: Reorder
- Duration: 62:14
- Updated: 14 Mar 2015
- views: 106450
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. L...
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. Langsam, schleppend (16:38)
17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32)
24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29)
36:19 IV. Stürmisch bewegt (22:09)
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
wn.com/Gustav Mahler Symphony No. 1 (Lucerne Festival Orchestra, Abbado)
Recorded live at the Lucerne Festival, Summer 2009
Concert Hall of the KKL Luzern, August 2009
Lucerne Festival Orchestra
Claudio Abbado - conductor
0:30 I. Langsam, schleppend (16:38)
17:16 II. Kräftig bewegt, doch nicht zu schnell (7:32)
24:50 III. Feierlich und gemessen, ohne zu schleppen (11:29)
36:19 IV. Stürmisch bewegt (22:09)
Whenever Claudio Abbado conducts the LUCERNE FESTIVAL ORCHESTRA, music lovers are in for a very special event. Such was the case in the summer of 2009, when the charismatic Italian conductor opened Lucerne's tradition-rich Festival with a concert featuring Mahler's First Symphony and Prokofiev's Third Piano Concerto. In 2003 Abbado, together with Artistic and Executive Director Michael Haefliger, founded the orchestra, which consists of internationally renowned soloists and chamber musicians - just as did its model, the elite body of musicians that Arturo Toscanini gathered around hirn at the Festival's founding in 1938. lt was with this first-class ensemble that Abbado offered a vividly inspired interpretation of the Mahler. In truth - as the audience's response demonstrated - it left nothing to be desired. The twenty-two-year-old Chinese Pianist Yuja Wang likewise earned enthusiastic applause for her account of the Prokofiev Concerto, which she played with character and nuanced expression.
The theme of nature served es the guiding thread for all the programming choices during the summer of 2009 - a theme with obvious relevance for the LUCERNE FESTIVAL, which is held amid one of the most beautitul landscapes of Europe: its concerts incIude unforgettable views of Lake Lucerne and Alpine panoramas. This theme, es it happens, has eminent musical significance es well: 'Like a sound of nature' is the direction Mahler inscribed at the very beginning of the First Symphony.
- published: 14 Mar 2015
- views: 106450
Gustav Mahler - MAHLER SYMPHONY NO. 2 "RESURRECTION"
- Order: Reorder
- Duration: 79:21
- Updated: 10 Mar 2014
- views: 8919
MAHLER SYMPHONY NO. 2 “RESURRECTION”
Interpreted by Philharmonia Orchestra, Otto Klemperer, Hilde Ròssl-Majdan
1. Symphony No. 2 in C Minor - Resurrection: ...
MAHLER SYMPHONY NO. 2 “RESURRECTION”
Interpreted by Philharmonia Orchestra, Otto Klemperer, Hilde Ròssl-Majdan
1. Symphony No. 2 in C Minor - Resurrection: I. Allegro maestoso 00:00
2. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 19:03
3. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 29:33
4. Symphony No. 2 in C Minor - Resurrection: IV. Urlicht 41:13
5. Symphony No. 2 in C Minor - Resurrection: V. In Tempo des Scherzos 45:14
6. Symphony No. 2 in C Minor - Resurrection: Wieder sehr breit 52:13
7. Symphony No. 2 in C Minor - Resurrection: Ritardando…Maestoso 55:14
8. Symphony No. 2 in C Minor - Resurrection: Wieder zurùckhaltend 1:00:13
9. Symphony No. 2 in C Minor - Resurrection: Langsam – Misterioso 1:06:39
10. Symphony No. 2 in C Minor - Resurrection: Etwas bewegter 1:12:17
11. Symphony No. 2 in C Minor - Resurrection: Mit Aufschwung aber nicht eilen. Finale 1:15:22
wn.com/Gustav Mahler Mahler Symphony No. 2 Resurrection
MAHLER SYMPHONY NO. 2 “RESURRECTION”
Interpreted by Philharmonia Orchestra, Otto Klemperer, Hilde Ròssl-Majdan
1. Symphony No. 2 in C Minor - Resurrection: I. Allegro maestoso 00:00
2. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 19:03
3. Symphony No. 2 in C Minor - Resurrection: II. Andante moderato 29:33
4. Symphony No. 2 in C Minor - Resurrection: IV. Urlicht 41:13
5. Symphony No. 2 in C Minor - Resurrection: V. In Tempo des Scherzos 45:14
6. Symphony No. 2 in C Minor - Resurrection: Wieder sehr breit 52:13
7. Symphony No. 2 in C Minor - Resurrection: Ritardando…Maestoso 55:14
8. Symphony No. 2 in C Minor - Resurrection: Wieder zurùckhaltend 1:00:13
9. Symphony No. 2 in C Minor - Resurrection: Langsam – Misterioso 1:06:39
10. Symphony No. 2 in C Minor - Resurrection: Etwas bewegter 1:12:17
11. Symphony No. 2 in C Minor - Resurrection: Mit Aufschwung aber nicht eilen. Finale 1:15:22
- published: 10 Mar 2014
- views: 8919
Gustav Mahler: Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
- Order: Reorder
- Duration: 101:41
- Updated: 10 Feb 2015
- views: 170760
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Bo...
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Boys Choir
Anna Larsson - contralto
PART I /
0:50 I. Kräftig, Entschieden (34:06)
PART II
34:00 II. Tempi di Menuetto. Sehr mäßig (8:20)
43:26 III. Comodo. Scherzando. Ohne Hast (16:25)
59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19)
"O Mensch! Gib Acht!"
Text by Nietzsche: Also sprach Zarathustra
1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24)
"Es sungen drei Engel einen süßen Gesang"
Text: Des Knaben Wunderhorn
1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41)
***
"Blissful trust"
Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especially when he is at the head of his own Lucerne Festival Orchestra, the whole is more than just the sum of its parts thanks to a process that one is tempted to call magical. The present live recording of an acclaimed performance of Mahler's Third Symphony at Lucerne's Culture and Convention Centre on 19 August 2007 provides lasting proof of this and allows us to see that with Abbado ecstasy is never achieved at the expense of musical and rhetorical clarity: a powerful emotional charge is held in check by calm contemplation. Never for a moment does Abbado give undue emphasis to subjective mawkishness or an overtly theatrical sense of worldweariness: Abbado's Mahler is precisely calculated and at the same time intuitively felt.
The musicians of the Lucerne Festival Orchestra were meeting for the Orth time when they assembled in Lucerne in the summer of 2007. Among them were not only a number of distinguished soloists but also experienced principals from the world's foremost orchestras: the leaders were Kolja Blacher and Sebastian Breuninger, while the rank-and-file violin sec-tion behind them included players of the eminence of Mirijam Contzen and llya Gringolts. The cellos ware led by Jens Peter Maintz and Natalia Gutman sitting alongside Valentin Erben of the Alban Berg Quartett and Clemens Hagen, whose sister, Veronika, was a member of the viola section under Wolfram Christ and Diemut Poppen. The woodwind section in-cluded the flautist Jacques Zoon and the ciarinettist Sabine Meyer, while prominent among the brass was the trumpeter Reinhold Friedrich.
All the plavers are friendly with one another es weil as sharing a special affinity for chamber music, which famously makes the greatest demands in terms ofthe need to listen closely to one's colleagues. And it is here thatthis orchestra is unique, a uniqueness clear from the present performance. The large concert hell seerned literally to vibrate with psychic energy, and the intensity with which the musicians responded to even the tiniest fluctuations in the music reached the point where all the players seemed to surpass themselves. "The goal is clear and is shared by all the participants," wrote the critic ofthe Neue ZürcherZeitung; "it seems that in advancing towards this goal, the players achieve a high degree of individual responsibility, while the conductor encourages each and every one ofthem ... to realize his or her potential in orderto benefitthe collective— an example of successful leadership in a highly specialized context. As such, this is more or less the opposite of what people normally assume to be the job of a conductor. What we saw here was emphatically not self-promotion ata stroke butthe experience that something special arises only when people have space in which to develop."
Abbado first recorded Mahler's Third Symphony in 1980, following it up with a second recording in 1999, both of them demonstrating the conductor's particular affinity with the work. His unerring feel tor the narrative structures of this rich and varied score finds expression in an extraordinary sensitivity, aliowing hirn to respond with particular vividnessto a workthat deals with nothing lass than the origins ofthe universe. [...]
wn.com/Gustav Mahler Symphony No. 3 (Lucerne Festival Orcherstra, Claudio Abbado)
Recorded live at the Lucerne Festival, 19 August 2007
KKL Luzern, 19 August 2007
Lucerne Festival Orchestra
Women of the Arnold Schönberg Choir, Vienna
Tölz Boys Choir
Anna Larsson - contralto
PART I /
0:50 I. Kräftig, Entschieden (34:06)
PART II
34:00 II. Tempi di Menuetto. Sehr mäßig (8:20)
43:26 III. Comodo. Scherzando. Ohne Hast (16:25)
59:44 IV. Sehr langsam. Misterioso. Durchaus ppp (9:19)
"O Mensch! Gib Acht!"
Text by Nietzsche: Also sprach Zarathustra
1:09:14 V. Lustig im Tempo und keck im Ausdruck (4:24)
"Es sungen drei Engel einen süßen Gesang"
Text: Des Knaben Wunderhorn
1:13:37 VI. Langsam. Ruhevoll. Empfunden (23:41)
***
"Blissful trust"
Those who were able to be there in person are unlikely ever to forget the occasion. Whenever Claudia Abbado conducts Mahler, especially when he is at the head of his own Lucerne Festival Orchestra, the whole is more than just the sum of its parts thanks to a process that one is tempted to call magical. The present live recording of an acclaimed performance of Mahler's Third Symphony at Lucerne's Culture and Convention Centre on 19 August 2007 provides lasting proof of this and allows us to see that with Abbado ecstasy is never achieved at the expense of musical and rhetorical clarity: a powerful emotional charge is held in check by calm contemplation. Never for a moment does Abbado give undue emphasis to subjective mawkishness or an overtly theatrical sense of worldweariness: Abbado's Mahler is precisely calculated and at the same time intuitively felt.
The musicians of the Lucerne Festival Orchestra were meeting for the Orth time when they assembled in Lucerne in the summer of 2007. Among them were not only a number of distinguished soloists but also experienced principals from the world's foremost orchestras: the leaders were Kolja Blacher and Sebastian Breuninger, while the rank-and-file violin sec-tion behind them included players of the eminence of Mirijam Contzen and llya Gringolts. The cellos ware led by Jens Peter Maintz and Natalia Gutman sitting alongside Valentin Erben of the Alban Berg Quartett and Clemens Hagen, whose sister, Veronika, was a member of the viola section under Wolfram Christ and Diemut Poppen. The woodwind section in-cluded the flautist Jacques Zoon and the ciarinettist Sabine Meyer, while prominent among the brass was the trumpeter Reinhold Friedrich.
All the plavers are friendly with one another es weil as sharing a special affinity for chamber music, which famously makes the greatest demands in terms ofthe need to listen closely to one's colleagues. And it is here thatthis orchestra is unique, a uniqueness clear from the present performance. The large concert hell seerned literally to vibrate with psychic energy, and the intensity with which the musicians responded to even the tiniest fluctuations in the music reached the point where all the players seemed to surpass themselves. "The goal is clear and is shared by all the participants," wrote the critic ofthe Neue ZürcherZeitung; "it seems that in advancing towards this goal, the players achieve a high degree of individual responsibility, while the conductor encourages each and every one ofthem ... to realize his or her potential in orderto benefitthe collective— an example of successful leadership in a highly specialized context. As such, this is more or less the opposite of what people normally assume to be the job of a conductor. What we saw here was emphatically not self-promotion ata stroke butthe experience that something special arises only when people have space in which to develop."
Abbado first recorded Mahler's Third Symphony in 1980, following it up with a second recording in 1999, both of them demonstrating the conductor's particular affinity with the work. His unerring feel tor the narrative structures of this rich and varied score finds expression in an extraordinary sensitivity, aliowing hirn to respond with particular vividnessto a workthat deals with nothing lass than the origins ofthe universe. [...]
- published: 10 Feb 2015
- views: 170760
Gustav Mahler-Piano Quartet in A minor
- Order: Reorder
- Duration: 9:54
- Updated: 21 Mar 2010
- views: 601445
Gustav Mahler's Piano Quartet in A minor
For Piano and Strings Trio.
Hope you Enjoy =]
- published: 21 Mar 2010
- views: 601445
Mahler - Complete Symphonies pt.1 №1-5 (Tennstedt)
- Order: Reorder
- Duration: 371:19
- Updated: 01 Mar 2015
- views: 8010
Part 1 №6-10 - https://www.youtube.com/watch?v=FmGnZf8Xj7M
Symphonie Nr.1 in D major:
I. Langsam. Schleppend - Im Anfang sehr gemachlich - 00:00
II. Kraftig bew...
Part 1 №6-10 - https://www.youtube.com/watch?v=FmGnZf8Xj7M
Symphonie Nr.1 in D major:
I. Langsam. Schleppend - Im Anfang sehr gemachlich - 00:00
II. Kraftig bewegt, doch nicht zu schnell - 16:00
III. Feierlich und gemessen, ohne zu schleppen - 23:51
IV. Sturmisch bewegt - 34:41
Symphony No.2 in C minor 'Resurrection':
I. Allegro maestoso - 54:09
II. Andante moderato - 01:18:57
III. In ruhig fliessender Bewegung - 01:30:19
IV. Urlicht (Sehr feierlich, aber schlicht) - 01:40:51
V. Im Tempo des Scherzos - 01:48:02
Symphonie Nr. 3 in D Minor:
I. Kraftig. Entschieden - 02:23:01
II. Tempo de Menuetto - 02:56:13
III. Comodo. Scherzand - 03:06:55
IV. Sehr langsam. Misterioso - 03:25:52
V. Lustig im Tempo und keck im Ausdruck - 03:35:45
VI. Langsam. Ruhevol. Empfunden - 03:39:59
Symphonie Nr. 4 in G:
I. Bedaechtig. Nicht Eilen - 04:00:50
II. In gemaechlicher Bewegung. Ohne Hast - 04:16:37
III. Ruhevoll - 04:25:27
IV. Sehr Behaglich - 04:46:38
Symphony No. 5 in C Sharp Minor:
I. Trauermarsch - 04:55:47
II. Sturmisch Bewegt, Mit Grosster Vehemenz - 05:09:36
III. Scherzo - Kraftig, Nicht Zu Schnell - 05:24:50
IV. Adagietto - Sehr Langsam - 05:43:04
V. Rondo-Finale - Allegro - 05:55:00
Part 2 № 6-10 -
Performers:
Edith Mathis, Doris Soffel (Symphony №2)
Ortrum Wenkel, SouthendBoys' Chor (Symphony №3)
Lucia Popp (Symphony №4)
Elizabeth Connel, Edith Wiens, Felicity Lott, Trudeliese Schmidt, Nadine Denize, Richard Versalle, Jorma Hynninen, Hans Sotin, Tiffin School Boys' Choir (Symphony №8)
London Philharmonic Choir (Symphonies №2, 3 & 8)
London Philharmonic Orchestra
conductor - Klaus Tennstedt
wn.com/Mahler Complete Symphonies Pt.1 №1 5 (Tennstedt)
Part 1 №6-10 - https://www.youtube.com/watch?v=FmGnZf8Xj7M
Symphonie Nr.1 in D major:
I. Langsam. Schleppend - Im Anfang sehr gemachlich - 00:00
II. Kraftig bewegt, doch nicht zu schnell - 16:00
III. Feierlich und gemessen, ohne zu schleppen - 23:51
IV. Sturmisch bewegt - 34:41
Symphony No.2 in C minor 'Resurrection':
I. Allegro maestoso - 54:09
II. Andante moderato - 01:18:57
III. In ruhig fliessender Bewegung - 01:30:19
IV. Urlicht (Sehr feierlich, aber schlicht) - 01:40:51
V. Im Tempo des Scherzos - 01:48:02
Symphonie Nr. 3 in D Minor:
I. Kraftig. Entschieden - 02:23:01
II. Tempo de Menuetto - 02:56:13
III. Comodo. Scherzand - 03:06:55
IV. Sehr langsam. Misterioso - 03:25:52
V. Lustig im Tempo und keck im Ausdruck - 03:35:45
VI. Langsam. Ruhevol. Empfunden - 03:39:59
Symphonie Nr. 4 in G:
I. Bedaechtig. Nicht Eilen - 04:00:50
II. In gemaechlicher Bewegung. Ohne Hast - 04:16:37
III. Ruhevoll - 04:25:27
IV. Sehr Behaglich - 04:46:38
Symphony No. 5 in C Sharp Minor:
I. Trauermarsch - 04:55:47
II. Sturmisch Bewegt, Mit Grosster Vehemenz - 05:09:36
III. Scherzo - Kraftig, Nicht Zu Schnell - 05:24:50
IV. Adagietto - Sehr Langsam - 05:43:04
V. Rondo-Finale - Allegro - 05:55:00
Part 2 № 6-10 -
Performers:
Edith Mathis, Doris Soffel (Symphony №2)
Ortrum Wenkel, SouthendBoys' Chor (Symphony №3)
Lucia Popp (Symphony №4)
Elizabeth Connel, Edith Wiens, Felicity Lott, Trudeliese Schmidt, Nadine Denize, Richard Versalle, Jorma Hynninen, Hans Sotin, Tiffin School Boys' Choir (Symphony №8)
London Philharmonic Choir (Symphonies №2, 3 & 8)
London Philharmonic Orchestra
conductor - Klaus Tennstedt
- published: 01 Mar 2015
- views: 8010
Mahler: Symphony nº 6 - Dima Slobodeniouk - Sinfónica de Galicia
- Order: Reorder
- Duration: 93:24
- Updated: 19 Jan 2016
- views: 3996
GUSTAV MAHLER (1860-1911)
Sinfonía nº 6
Allegro energico, ma non troppo. Heftig, aber markig
(24:47) Andante moderato
(41:22) Scherzo. Wuchtig
(55:16) Finale. A...
GUSTAV MAHLER (1860-1911)
Sinfonía nº 6
Allegro energico, ma non troppo. Heftig, aber markig
(24:47) Andante moderato
(41:22) Scherzo. Wuchtig
(55:16) Finale. Allegro moderato
Orquesta Sinfónica de Galicia
Dima Slobodeniouk, director
Grabación realizada en el Palacio de la Ópera de A Coruña el 5 de enero de 2016
Realización: Antonio Cid / RDC Producciones
Sonido: Pablo Barreiro / CRTVG
wn.com/Mahler Symphony Nº 6 Dima Slobodeniouk Sinfónica De Galicia
GUSTAV MAHLER (1860-1911)
Sinfonía nº 6
Allegro energico, ma non troppo. Heftig, aber markig
(24:47) Andante moderato
(41:22) Scherzo. Wuchtig
(55:16) Finale. Allegro moderato
Orquesta Sinfónica de Galicia
Dima Slobodeniouk, director
Grabación realizada en el Palacio de la Ópera de A Coruña el 5 de enero de 2016
Realización: Antonio Cid / RDC Producciones
Sonido: Pablo Barreiro / CRTVG
- published: 19 Jan 2016
- views: 3996
（《BBC Great Composer》：Mahler
- Order: Reorder
- Duration: 59:07
- Updated: 08 May 2014
- views: 35984
Welcome to visit Classical Museum to enjoy the Classical Music: https://itunes.apple.com/us/app/classical-museum-lite/id871121647?l=zh&ls;=1&mt;=8
Gustav Mahler ...
Welcome to visit Classical Museum to enjoy the Classical Music: https://itunes.apple.com/us/app/classical-museum-lite/id871121647?l=zh&ls;=1&mt;=8
Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 -- 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. A Jew, he was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. His family later moved to nearby Iglau (now Jihlava), where Mahler grew up.
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
wn.com/（《Bbc Great Composer》：Mahler
Welcome to visit Classical Museum to enjoy the Classical Music: https://itunes.apple.com/us/app/classical-museum-lite/id871121647?l=zh&ls;=1&mt;=8
Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ]; 7 July 1860 -- 18 May 1911) was a late-Romantic Austrian composer and one of the leading conductors of his generation. A Jew, he was born in the village of Kalischt, Bohemia, in what was then the Austrian Empire, now Kaliště in the Czech Republic. His family later moved to nearby Iglau (now Jihlava), where Mahler grew up.
As a composer, Mahler acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect which included a ban on its performance in much of Europe during the Nazi era. After 1945 the music was discovered and championed by a new generation of listeners; Mahler then became a frequently performed and recorded composer, a position he has sustained into the 21st century.
- published: 08 May 2014
- views: 35984
Gustav Mahler - Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein [HD]
- Order: Reorder
- Duration: 71:44
- Updated: 21 Nov 2014
- views: 37367
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Stren...
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:25 II Stürmisch bewegt. Mit größter Vehemenz
Part Two
27:00 III Scherzo. Kräftig, nicht zu schnell
Part Three
45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY
57:29 V Rondo-Finale. Allegro
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir.
He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach.
A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto.
Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
wn.com/Gustav Mahler Symphony No. 5 | Vienna Philharmonic, Leonard Bernstein Hd
Gustav Mahler - Symphony No. 5 in C sharp minor, 1901-1902 | Vienna Philharmonic, Leonard Bernstein
Part One
00:47 I Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
13:25 II Stürmisch bewegt. Mit größter Vehemenz
Part Two
27:00 III Scherzo. Kräftig, nicht zu schnell
Part Three
45:14 IV Adagietto. Sehr langsam http://youtu.be/15WQNKhaCHY
57:29 V Rondo-Finale. Allegro
Other Recordings:
Symphony No. 1 "Titan" http://youtu.be/dP1Ndx2p14Q
Symphony No. 5 http://youtu.be/Ipte0gDlSr4
Adagietto http://youtu.be/15WQNKhaCHY
Symphony No. 10 "Adagio" http://youtu.be/vHyV8noUXC0
Mahler kept revising the orchestration of this work until his death. He conducted the first performance with the Gürzenich Orchestra in Cologne on October 18, 1904. It is scored for quadruple winds, six horns, four trumpets, three trombones, tuba, tympani, three other drums, metal and wood percussion, harp, and string choir.
He'd begun the Fifth Symphony at Maiernegg in 1901 - writing the third, first and second movements in that order, after a death -obsessed song, "Der Tamboursg'sell," and the Kindertotenlieder cycle ("on the death of children"). After nearly bleeding to death the previous winter (from an intestinal hemorrhage), Mahler's symphonic orientation underwent a profound change. During his recovery he immersed himself in the complete works of Bach.
A new appreciation of counterpoint was born, but not yet a mastery of orchestral balances or effects - as subsequent events were to prove. Beginning with No. 5, he applied this new passion (which he called "intensive counterpoint") to five purely instrumental symphonies without Wunderhorn associations. Like the Resurrection Second and the first version of No. 1 (with the Blumine slow movement later abandoned) Mahler cast his Fifth Symphony in five movements that fall naturally into three parts.
The FIRST PART begins in C sharp minor with a funeral march, of measured tread and austere (Movement I). A sonata-form movement follows, marked "Stormily, with greatest vehemence" (Movement II), which shares themes as well as mood with the opening.
The SECOND PART (which Mahler composed first) is a scherzo: "Vigorously, not too fast" (Movement III) - the symphony's shortest large section, but its longest single movement. This emphatically joyous, albeit manic movement puts forward D major as the work's focal key. Although its form has remained a topic of debate since 1904, rondo and sonata-form elements are both present.
PART THREE begins with a seraphic Adagietto: "Very slowly" (Movement IV). This is indubitably related to the Rückert song Mahler composed in August 1901, "Ich bin der Welt abhanden gekommen" (I have become lost to the world...I live alone in my heaven, in my loving, in my song). A Rondo-Finale: "Allegro giocoso, lively" (Movement V) concludes the symphony, although Mahler devised a form far removed from classic models. While sectional, in truth episodic, this too has elements of sonata form. To weld its diverse components into a unity he wrote four "fugal episodes," with a D major chorale just before the final Allegro molto.
Mahler's search for a new vocabulary caused him no end of orchestration problems. Before his death in 1911 he had made several versions, the original of which was published in 1904. C.F. Peters failed, however, to emend either mistakes or revisions in the first pocket score, although they re-engraved orchestral parts (at Mahler's expense) to include his first set of corrections. Not even Erwin Ratz's "first critical edition" of 1964 was the last word. Revisions Mahler made just before his terminal illness didn't come to light until the "second critical edition," by Karl Heinz Füssl, published just around 1989.
- published: 21 Nov 2014
- views: 37367
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118:48
Mahler - Symphony No. 1 and Symphony No. 5
FOLLOW US ON SPOTIFY http://open.spotify.com/user/halidon
PLAYLIST The Best of Classical M...
published: 21 Jun 2013
Mahler - Symphony No. 1 and Symphony No. 5
Mahler - Symphony No. 1 and Symphony No. 5
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- published: 21 Jun 2013
- views: 427984
55:22
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
Gran presentación del director norteamericano Leonard Bernstein junto a la Orquesta Filarm...
published: 24 Jan 2011
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 1 "The Titan" / Bernstein · Vienna Philharmonic Orchestra
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- published: 24 Jan 2011
- views: 1022848
117:46
The Best of Mahler
The Best of Gustav Mahler (7 July 1860 – 18 May 1911)
Georg Solti
Chicago Symphony Orche...
published: 06 Nov 2014
The Best of Mahler
The Best of Mahler
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- published: 06 Nov 2014
- views: 54070
56:47
The Best of Mahler
Gustav Mahler -- Patreon - https://www.patreon.com/ClassicalMusic
Tracklist:
Sinfonia Nº ...
published: 23 May 2013
The Best of Mahler
The Best of Mahler
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- published: 23 May 2013
- views: 82966
70:14
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Nuevamente, gran presentación del Maestro ruso Valery Gergiev junto a la Orquesta Mundial ...
published: 25 Mar 2012
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
Mahler: Symphony No. 5 / Gergiev · World Orchestra for Peace · BBC Proms 2010
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- published: 25 Mar 2012
- views: 1284313
57:38
Mahler - Symphony No 4 - Abbado
Gustav Mahler
Symphony No 4
1 Bedächtig, nicht eilen
2 In gemächlicher Bewegung, ohne Has...
published: 02 Mar 2014
Mahler - Symphony No 4 - Abbado
Mahler - Symphony No 4 - Abbado
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- published: 02 Mar 2014
- views: 24350
87:02
Mahler - Symphony No 9 - Abbado
Gustav Mahler
Symphony No 9
1 Andante comodo
2 Im Tempo eines gemächlichen Ländlers.
3 Ro...
published: 26 May 2014
Mahler - Symphony No 9 - Abbado
Mahler - Symphony No 9 - Abbado
- Report rights infringement
- published: 26 May 2014
- views: 315345
105:37
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Great presentarion of the legendary american conductor Leonard Bernstein, the Vienna Philh...
published: 08 Apr 2012
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 3 / Bernstein · Vienna Philharmonic Orchestra
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- published: 08 Apr 2012
- views: 724513
84:39
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
Great presentation of the legendary american conductor Leonard Bernstein, conducting the V...
published: 19 Apr 2012
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
Mahler: Symphony No. 8 / Bernstein · Vienna Philharmonic Orchestra
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- published: 19 Apr 2012
- views: 380682
86:28
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Recorded live at the Lucerne Festival, Summer 2003
Culture and Convention Centre Lucerne, ...
published: 02 Feb 2015
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
Gustav Mahler: Symphony No. 2 "Resurrection" (Lucerne Festival Orchestra, Claudio Abbado)
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- published: 02 Feb 2015
- views: 295868
89:18
Mahler -- Symphony No. 2 'Auferstehung'
Royal Concertgebouw Orchestra -
Mariss Jansons, chief-conductor
Ricarda Merbeth, sopr...
published: 02 Feb 2011
Mahler -- Symphony No. 2 'Auferstehung'
Mahler -- Symphony No. 2 'Auferstehung'
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- published: 02 Feb 2011
- views: 1460582
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Gustav Mahler - Adagietto from Symphony no. 5
The Chicago Symphony Orchestra conducted by Daniel Barenboim. Gustav Mahler's Adagietto fr...
published: 24 Jan 2010
Gustav Mahler - Adagietto from Symphony no. 5
Gustav Mahler - Adagietto from Symphony no. 5
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- published: 24 Jan 2010
- views: 1161032
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Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
Desde Chile, tengo el placer de presentarles a la Gran Orquesta Sinfónica Simón Bolívar , ...
published: 16 Aug 2011
Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
Mahler: Symphony No. 2 / Dudamel · Simón Bolivar Symphony Orchestra of Venezuela
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- published: 16 Aug 2011
- views: 831044
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Mahler: Adagietto Symphony 5 - Karajan*
Karajan's Mahler is unsurpassed
See also the adagio's from symphony 4 & 6 by Karajan on ...
published: 10 Jul 2012
Mahler: Adagietto Symphony 5 - Karajan*
Mahler: Adagietto Symphony 5 - Karajan*
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- published: 10 Jul 2012
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photo: USAF / Staff Sgt. Corey Hook
Anti-Isis coalition 'preparing to launch final assault on Raqqa stronghold', US official says
Edit The Independent 17 Apr 2016photo: AP / Dolores Ochoa
Earthquake kills 238 in Ecuador; emergency workers rush in
Edit The Oklahoman 17 Apr 2016
PEDERNALES, Ecuador (AP) — Rescuers pulled survivors from rubble Sunday after the strongest earthquake to hit Ecuador in decades flattened buildings and buckled highways along its Pacific coast. Officials said the quake had killed at least 238 people and injured more than 1,500 ... Vice President Jorge Glas reported the death toll at a somber news conference, while President Rafael Correa flew back from Rome to deal with the crisis ... ___ ... ....
photo: AP / Money Sharma
24 Years after Lady Diana, William and Kate Visit Taj Mahal
Edit Community news 17 Apr 2016photo: GFDL / Ardfern
British Airways flight hits UFO during landing at Heathrow
Edit Ars Technica 18 Apr 2016
(credit. British Airways). Police at London's Heathrow Airport are investigating a possible drone collision with a British Airways jet while the airliner was landing ... Any damage done to the aircraft was apparently superficial ... Read 2 remaining paragraphs . Comments ....
photo: AP / Dan Goodman
Netflix drops tech-bomb on Canadian VPN users
Edit Toronto Sun 17 Apr 2016
It appears Netflix has dropped a tech-bomb on millions of Canadians who use VPNs to stream its U.S. service — rescuing Mary Ann Turcke’s daughter, and many of the rest of us, from a life of crime. Turcke is the Bell Media president who last year publicly snitched on her 15-year-old daughter for using a virtual private network (VPN) to access U.S. Netflix for movies and TV shows not available on Canadian Netflix....
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Rusalka; OAE/Jurowski – review
Edit The Guardian 17 Apr 2016
Scottish Opera’s Rusalka is a gripping triumph, the OAE make Mahler their own, and the new Proms programme causes a stir… ... Playing instruments familiar to late 19th-century ears, the OAE and conductor Vladimir Jurowski cast Mahler’s “Resurrection” Symphony No 2 (1895) in an invigorating and lambent new light. The orchestra has toyed with Mahler before ... Now a complete Mahler cycle?....
A renowned American orchestra shows its refinement
Edit The Washington Post 17 Apr 2016
Michael Tilson Thomas and the San Francisco Symphony offer gorgeous Schubert and too-contained Mahler ... ....
A Mahler Mini-Festival in New York
Edit New York Times 17 Apr 2016
The San Francisco Symphony, the New York Philharmonic and the Baltimore Symphony Orchestra take on Mahler works in New York performances ... ....
CSO suggests Shakespearean grandeur of Mahler’s Symphony No. 4
Edit Chicago Sun-Times 15 Apr 2016
The second half of the program is devoted to Mahler’s exquisite Symphony No ... Mahler certainly didn’t set out to be “Shakespearean,” but his impulses – and his genius – conspired to make him so ... Mahler’s “Fourth Symphony” opens with a rapturous dance-like theme (as always in Mahler, one laced with ......
Stratford Upon the East River
Edit Huffington Post 15 Apr 2016
I was lucky enough to live in London, where I gave myself a crash course in Shakespeare ... In fact, one of my favorite memories is seeing a two-character Richard III performed by a drummer and his girlfriend. (I kid you not, and it was sensational.) ... Seeing a Shakespeare play directed by Trevor Nunn is like watching Stravinsky choreographed by Balanchine or Mahler conducted by Bernstein. a great artist paired with his favorite muse ... ....
Shifting passions for Dawn Upshaw find love for modern pieces
Edit The Columbus Dispatch 14 Apr 2016
Dawn Upshaw made her name by singing the staples of opera ... More recently, though, she has turned her attention to contemporary works ... 4 by Gustav Mahler ... On Oct ... The symphony by Mahler will feature Upshaw on “Das Himmlische Leben” (“The Heavenly Life”) during the concluding movement ... Upshaw hasn’t previously paired the Golijov and Mahler offerings ... “So, when the Mahler was chosen, it was a delight to think about putting the two together.”....
The Philadelphia Orchestra, Lang Lang International Music Foundation™, and Temple University’s Office of Community Relations Present 101 Pianists™ read more (Philadelphia Orchestra)
Edit Public Technologies 14 Apr 2016
(Source. Philadelphia Orchestra). Unique PlayIN Comes to Temple Performing Arts Center, May 10 ... Paired on 50 Roland pianos, participants will perform Brahms's Hungarian Dance No. 5 in F-sharp minor and Schubert's Marche militaire No. 1 in D major ... 1; Mahler's Symphony No ... Mahler/Cooke ... We end with Mahler's last symphony, No ... Yannick's passion for this realization of Mahler's final work summons a Philadelphia Sound you'll feel as well as hear....
BERNARD HAITINK RETURNS TO SYMPHONY CENTER TO LEAD THE CSO IN RICHARD STRAUSS’ AN ALPINE SYMPHONY (Chicago Symphony Orchestra)
Edit Public Technologies 14 Apr 2016
Haitink, who was Principal Conductor of the CSO from 2006-2010, has returned to Symphony Center regularly since 2010, having led the Orchestra most recently in critically acclaimed performances of Mahler's Symphony No ... season with the Academy of St Martin in the Fields, the Mahler Chamber Orchestra, and in his debut with the Berlin Philharmonic....
MATHIAS HEYMANN OF THE PARIS OPERA BALLET TO APPEAR AS EXCHANGE ARTIST WITH AMERICAN BALLET THEATRE DURING 2016 SPRING SEASON AT THE METROPOLITAN OPERA HOUSE (Ballet Theatre Foundation Inc)
Edit Public Technologies 14 Apr 2016
... Paquita, Mercutio in Romeo and Juliet, Rubies in Jewels, Prince Désiré in The Sleeping Beauty, Zaël in La Source, the Rose in Le Spectre de la Rose, Prince Siegfried in Swan Lake, James in La Sylphide and roles in The Anatomy of Sensation, Genus, In The Night, Kaguyahime, Manfred, Suite en Blanc, Symphony in C and Third Symphony of Gustav Mahler....
World Voice Day Events (University of Prince Edward Island)
Edit Public Technologies 14 Apr 2016
(Source. University of Prince Edward Island). April 16, 2016 is World Voice Day. More than 500 events around the world are drawing attention to the importance of the speaking and singing voice in everyday life. Two of these events will take place, back to back, on the campus of the University of Prince Edward Island (UPEI) in Charlottetown ... Dr ... Three of Dr ... Steel Recital Hall ... Works by Handel, Mahler, and Mozart will also be featured ... (noodl....
Billy Joel ‘Piano Man’ To Be Inducted In Library Of Congress National Recording Registry (Billy Joel)
Edit Public Technologies 14 Apr 2016
(Source. Billy Joel). Billy Joel 'Piano Man' To Be Inducted In Library Of Congress National Recording Registry. Billy Joel's single 'Piano Man' has been selected as one of 25 sound recordings this year to be preserved by the Library of Congress National Recording Registry for being 'culturally, historically, or aesthetically significant.' ... 'Piano Man' (single) - Billy Joel (1973) ... 1 ... 2 ... 3 ... 4. 'Bonaparte's Retreat'-W.H ... 5. Mahler Symphony No ... 6....
CMSC Press Release: new data from three Phase III studies of the medicine OCREVUS™ (ocrelizumab) » (CMSC - Consortium of Multiple Sclerosis Centers)
Edit Public Technologies 14 Apr 2016
(Source. CMSC - Consortium of Multiple Sclerosis Centers) Tuesday, April 12, 2016. Posted by. Elizabeth Porco. GENENTECH TO PRESENT NEW DATA AT AAN SHOWING SUPERIOR EFFICACY OF NVESTIGATIONAL MEDICINE OCRELIZUMAB VERSUS COMPARATORS ON DISEASE ACTIVITY AND PROGRESSION IN TWO FORMS OF MULTIPLE SCLEROSIS ... SOUTH SAN FRANCISCO, Calif. - April 12, 2016 -- Genentech, a member of the Roche group (SIX. RO, ROG. PTCQX ... F ... Karl Mahler 011 41 61 687 8503....
OAE Jurowski review – gentle fascination of period-instrument Mahler
Edit The Guardian 13 Apr 2016
Vladimir Jurowski’s unshowy reading of Mahler’s Second Symphony as the composer might have heard it offered a wealth of detail ... Next week, Simon Rattle will conduct Bruckner’s Sixth, but first, Vladimir Jurowski took on Mahler’s Second, the Resurrection Symphony, with an orchestra of well over 100 players, the Philharmonia Chorus, and soloists Adriana Kučerová and Sarah Connolly....
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