Yuri Simonov

Yuri Ivanovich Simonov (Russian: Ю́рий Ива́нович Си́монов; born March 4, 1941 in Saratov, Soviet Union) is a Russian conductor. He studied at the Leningrad Conservatory under Nikolai Rabinovich, and was later an assistant conductor to Yevgeny Mravinsky with the Leningrad Philharmonic Orchestra.

Simonov first conducted at the Bolshoi Theatre in 1969, and was named chief conductor of the company in February 1970, the youngest chief conductor in the company's history at that time. He held the post until 1985. In 1986, he established the USSR Maly State Orchestra, and subsequently made several commercial recordings with the ensemble. He became music director of the Moscow Philharmonic Orchestra in 1998.

Outside of Russia, Simonov was music director of the Belgian National Orchestra from 1994 to 2002.

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Moscow Philharmonic Orchestra

The Moscow Philharmonic Orchestra is an orchestra based in Moscow, Russia. It was founded in 1951 by Samuil Samosud, as the Moscow Youth Orchestra for young and inexperienced musicians, acquiring its current name in 1953. It is most associated with longtime conductor Kiril Kondrashin under whom it premiered Shostakovich's Fourth and Thirteenth symphonies as well as other works. The Orchestra undertook a major tour of Japan with Kondrashin in April 1967 and CDs of the Japanese radio recordings have been made available on the Altus label.

The orchestra has also flourished under Yuri Simonov, the orchestra's principal conductor since 1998. In recent years it has performed in Britain, France, Germany, Slovenia, Croatia, Poland, Lithuania, and Spain, as well as Hong Kong, Japan and South Korea.

Music directors

Orchestra

An orchestra (/ˈɔːrkᵻstrə/ or US /ˈɔːrˌkɛstrə/; Italian: [orˈkɛstra]) is a large instrumental ensemble used in classical music that contains sections of string (violin, viola, cello and double bass), brass, woodwind, and percussion instruments. Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and, for 20th and 21st century compositions, electric and electronic instruments. The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus. The orchestra grew by accretion throughout the 18th and 19th centuries, but changed very little in composition during the course of the 20th century.

Yuri

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