- published: 20 Sep 2012
- views: 3580054
"Turn" is the fourth single from Indie band Travis' second studio album, The Man Who. The single peaked at the number eight position on the UK Singles Chart.
Two music videos were shot for the single. The first video, included on the group's Singles DVD, features Healy engaged in a push-up contest. This video was filmed in Hackney on a dis-used council estate. The estate has since been demolished. The second featured a staged performance by the band.
The British release of the single was accompanied by a cover of Britney Spears's hit single "...Baby One More Time". Spears herself heard the Travis version while shopping, and commented by saying it was 'a total shock' and was 'a very good cover'.
Turn is an album by American jazz saxophonist Roscoe Mitchell which was recorded in 2005 and released on the French RogueArt label. He leads a new quintet with longtime rhythm section Jaribu Shahid on bass and Tani Tabbal on drums, pianist Craig Taborn and new Art Ensemble of Chicago trumpeter Corey Wilkes.
In his review for AllMusic, Alain Drouot states "This is a remarkably focused and concise date featuring Mitchell's brand of atonal jazz mixed with his interests in other musical forms."
The All About Jazz review by Kurt Gottschalk says "As a whole, the group is comfortable together, ready to let the compositions stand and while Shahid and Tabal haven't been the most exciting parts of Mitchell's groups, here they sound better than ever."
A turn is a unit of plane angle measurement equal to 2π radians, 360° or 400 gon. A turn is also referred to as a revolution or complete rotation or full circle or cycle or rev or rot.
A turn can be subdivided in many different ways: into half turns, quarter turns, centiturns, milliturns, binary angles, points etc.
A turn can be divided in 100 centiturns or 1000 milliturns, with each milliturn corresponding to an angle of 0.36°, which can also be written as 21′ 36″. A protractor divided in centiturns is normally called a percentage protractor.
Binary fractions of a turn are also used. Sailors have traditionally divided a turn into 32 compass points. The binary degree, also known as the binary radian (or brad), is 1⁄256 turn. The binary degree is used in computing so that an angle can be represented to the maximum possible precision in a single byte. Other measures of angle used in computing may be based on dividing one whole turn into 2n equal parts for other values of n.
Vulgar (stylized VULGAR) is the fourth studio album released by Dir en grey on September 10, 2003 in Japan and on February 21, 2006 in Europe. A limited edition containing an additional DVD was also released. It featured the video of the song "Obscure", albeit a censored version (the uncensored clip was later released on the Average Psycho DVD, and has since become notorious and earned the song huge popularity). Vulgar is the first Dir en grey release not to feature individual credits for the music, though the accompanying singles featured individual credits.
All lyrics written by Kyo, all music composed by Dir en grey, except where noted.
ObsCure II is a survival horror video game developed by Hydravision Entertainment and published by Playlogic in PAL regions and Ignition in North America for Microsoft Windows, PlayStation 2 and Wii. It is the sequel to the 2004 video game ObsCure. The game was released on September 7, 2007 in Europe, March 25, 2008 in North America (under the name ObsCure: The Aftermath), and June 12, 2008 in Australia. A PlayStation Portable version was released on September 29, 2009. The game was later released on Steam in 2014.
Two years after the events of ObsCure, Shannon and Kenny are now enrolled in the nearby Fallcreek University, while Stan is making ends meet as a pizza delivery boy. Stan and Kenny have to take medication to prevent the effects of the plant from infecting their bodies, while Shannon has been able to adapt to the changes.
As the story begins, a new drug created from a strange flower is quickly spreading its influence over the University's populace. Soon enough, a small group of students along with the Leafmore High survivors have to face a horde of mutants and stop the spread of contagion before the situation becomes critical.
Bass (/ˈbeɪs/ BAYSS; Italian: basso, deep, low) describes tones of low frequency or range from 16-256 Hz (C0 to middle C4). In musical compositions, these are the lowest parts of the harmony. In choral music without instrumental accompaniment, the bass is supplied by adult male bass singers. In an orchestra, the bass lines are played by the double bass and cellos, bassoon and/or contrabassoon, low brass such as the tuba and bass trombone and the timpani (kettledrums). In many styles of traditional music such as Bluegrass, folk, and in styles such as Rockabilly and jazz, the bass role is filled by the upright bass. In most rock and pop bands and in jazz fusion groups, the bass role is filled by the electric bass. In some 20th and 21st century pop genres, such as 1980s pop and Electronic Dance Music, the bass role may be filled with a bass synthesizer.
Played in a musical ensemble such an orchestra, such notes are frequently used to provide a counterpoint or counter-melody, in a harmonic context either to outline or juxtapose the progression of the chords, or with percussion to underline the rhythm. In popular music the bass part most often provides harmonic and rhythmic support, usually playing the root or fifth of the chord and stressing the strong beats. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a entire work."
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. Its roots are directly linked to the electro-funk sound of the early 1980s.
The use of the Roland TR-808 sustained kick drum, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City and Overtown".
Miami bass has never found consistent mainstream acceptance, though it has had a profound impact on the development of Baltimore club, West Coast hip hop, funk carioca, and other genres.
During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Records and Skyywalker Records released much material of the genre. Unterberger has referred to James (Maggotron) McCauley (also known as DXJ, Maggozulu 2, Planet Detroit and Bass Master Khan) as the "father of Miami bass", a distinction McCauley himself denies, choosing rather to confer that status on producer Amos Larkins.
Official video for "Turn" by Travis, taken from their 1999 album "The Man Who". THE INVISIBLE BAND TURNS 20! #shorts To celebrate the 20th Anniversary today we announce a very special Deluxe Edition boxset and North American + UK tour dates in April and May 2022! Click here to pre-order and get your tickets! https://found.ee/travis-theinvisibleband Lyrics: I want to see what people saw, I want to feel like I felt before I'd like to see the kingdom come I want to feel forever young I want to sing To sing my song I want to live in a world where I belong I want to live I will survive And I believe that it won't be very long If we turn, turn, Turn, turn, turn Turn, turn, turn If we turn, turn, Turn, turn, turn Then we might learn, learn So where's the stars Up in the sky And what's ...
Turn by Travis taken from their album "The Man Who" Lyrics: I want to see what people saw I want to feel like I felt before I'd like to see the kingdom come I want to feel forever young I want to sing To sing my song I want to live in a world where I belong I want to live I will survive And I believe that it won't be very long If we turn, turn, turn, turn, turn Then we might learn So where's the stars? Up in the sky And what's the moon? A big balloon We'll never know unless we grow There's so much world outside the door I want to sing To sing my song I want to live in a world where I'll be strong I want to live I will survive And I believe that it won't be very long If we turn, turn, turn, turn, turn And if we turn, turn, turn, turn Then we might learn Turn, turn, turn, turn Turn, turn, ...
Taken From THE MAN WHO ALBUM.
Now In HQ. One Of My Favourite Songs.
travis - turn enjoy and comment+vote P L E A S E SUBSCRIBE TO ME FOR MORE AWSOME VIDS...NOW LETING U TELL ME WHAT U WANT NEXT! people please sub if u want more music like this. thank you.
►SUBSCRIBE: http://bit.ly/SoccerAMMusic Travis perform an acoustic version of Turn live on Soccer AM. ►MAIN CHANNEL: http://bit.ly/SoccerAMSub ►PODCAST: http://bit.ly/SoccerAMPodcast ►FACEBOOK: http://www.facebook.com/SoccerAM ►SNAPCHAT: 'SoccerAM' ►INSTAGRAM: http://www.instagram.com/SoccerAM ►TWITTER: https://www.twitter.com/SoccerAM MORE FROM SKY SPORTS ON YOUTUBE: ►SKY SPORTS FOOTBALL: http://bit.ly/SSFootballSub ►SKY SPORTS BOXING: http://bit.ly/SSBoxingSub ►SOCCER AM: http://bit.ly/SoccerAMSub ►SKY SPORTS F1: http://bit.ly/SubscribeSkyF1
Travis - Turn (Live @ Glastonbury 2000)
Travis Live In Glasgow 2001 - More Than Us
[Intro: Ice Spice] Grrah Grrah (Stop playin' with 'em, RIOT) Like [Chorus: Ice Spice & Travis Scott] Oh shit, she turn up the spot (She turn up the spot) Oh shit, she totin' the knock (She totin' the knock, grrah) Oh shit, she doin' her dance (She doin' her dance, like) Oh shit, she countin' her bands (She countin' her bands; ooh, shit) Oh shit, she turn up the spot (She turn up the spot, grrah) Oh shit, she totin' the knock (She totin' the knock, grrah) Oh shit, she doin' her dance (She doin' her dance, like) Oh shit, she's showin' her thong (She's showin' her thong, like; ooh, shit) [Verse 1: Ice Spice] Bitch, I'm petty, you know I bе on that (Grrah) Standin' on shit like a floor mat They keep tryin' to reach mе (Huh) 'Cause they know that I never call back (Grrah) Throw it back on her...
Official HD video for "Side", taken from Travis' third studio album, 'The Invisible Band'. Directed by Jonathan Dayton & Valerie Faris Stream and buy 'The Invisible Band': https://found.ee/travis-theinvisibleband Listen to Travis: https://linktr.ee/travisband Watch more: https://bit.ly/TravisWatch The brand new album 'L.A. Times' is out 12.07.24. Available to pre-order / pre-save now 🌃 Listen to the tracks Gaslight and Raze The Bar out now! Pre-order/Pre-save L.A. Times: https://Travis.lnk.to/LATimesID Official Website: https://travisonline.com Subscribe to the official Travis YouTube channel: https://bit.ly/TravisYTsub Official Store: https://travis.tmstor.es/ Travis on Instagram: https://www.instagram.com/travistheband Travis on Facebook: https://www.facebook.com/travistheband ...
"Turn" is the fourth single from Indie band Travis' second studio album, The Man Who. The single peaked at the number eight position on the UK Singles Chart.
Two music videos were shot for the single. The first video, included on the group's Singles DVD, features Healy engaged in a push-up contest. This video was filmed in Hackney on a dis-used council estate. The estate has since been demolished. The second featured a staged performance by the band.
The British release of the single was accompanied by a cover of Britney Spears's hit single "...Baby One More Time". Spears herself heard the Travis version while shopping, and commented by saying it was 'a total shock' and was 'a very good cover'.
Text me but you need a call
I text you back but what is that?
You text me back but hold on
I'm about to relay what's going on
Text me but you missed the call
I call you back but why is that?
You call me back but hold on
I had a bud of mine, I say what's going on
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high
To let the temperature from the very heart of the sun
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high
To let the temperature from the very heart of the sun
You call me to play me the sound
I text you back but where is that?
You call me back but hold on
I'll put the phone right up to the PA
The speaker's distorted through the phone
You call me back but why is that?
I call you back but what's that?
I can't hear a single word you say
The day is turning to night
I'll never forget what you said
I text you again, again
You need to send it to me again
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high
To let the temperature from the very heart of the sun
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high
To let the temperature from the very heart of the sun
Text me but you need a call
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high
To let the temperature from the very heart of the sun
The volume's turned up too loud but we don't cover our ears
Because they're already numb from damage already done
And then the temperature goes from unbelievably high