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Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 29 Aug 2016
- views: 630
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 21 May 2014
- views: 8692
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 29 Aug 2016
- views: 54
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
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- published: 05 Dec 2015
- views: 1194
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 828
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
- published: 20 Jun 2014
- views: 1011
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 28
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 29 Aug 2016
- views: 353
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 1222
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- published: 06 Feb 2017
- views: 1
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 43
Toru Dutt
Toru Dutt (Bengali: তরু দত্ত) (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
Early life
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Toru_Dutt
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Romesh Chunder Dutt
Romesh Chunder Dutt, CIE (Bengali: রমেশচন্দ্র দত্ত) was an Indian civil servant, economic historian, writer, and translator of Ramayana and Mahabharata.
Formative years
Dutt was born into a distinguished Bengali Kayastha family well known for its members' literary and academic achievements. His parents were Thakamani and Isam Chunder Dutt. His father, Isam Dutt, was a Deputy Collector of Bengal, whom Romesh often accompanied on official duties. Romesh was educated in various Bengali District schools, then at Hare School, Calcutta, founded by the philanthropist, David Hare. After his father's untimely death in a boat accident in eastern Bengal, Romesh's uncle, Shoshee Chunder Dutt, an accomplished writer, became his guardian in 1861. Romesh wrote about his uncle, "He used to sit at night with us and our favorite study used to be pieces from the works of the English poets." He was a relative of Toru Dutt, one of nineteenth century Bengal's most prominent poets.
He entered the University of Calcutta, Presidency College in 1864, then passed the First Arts examination in 1866, second in order of merit, and won a scholarship. While still a student in the B.A. class, without his family's permission, he and two friends, Behari Lal Gupta and Surendranath Banerjee, left for England in 1868. Only one other Indian, Satyendra Nath Tagore, had ever before qualified for the Indian Civil Service. Romesh aimed to emulate Satyendranath Tagore's feat. For a long time, before and after 1853, the year the ICS examination was introduced in England, only British officers were appointed to covenanted posts. The 1860s saw the first attempts, largely successful, on the part of the Indians, and especially members of the Bengali intelligentsia, to occupy the superior official posts in India, until then completely dominated by the British.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Romesh_Chunder_Dutt
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
French Fields
French Fields is a British sitcom. It is a sequel/continuation of the series Fresh Fields and ran for 19 episodes from 5 September 1989 to 8 October 1991. It was written by John T. Chapman (who created and wrote all the episodes of Fresh Fields) and Ian Davidson and was produced by Thames Television for ITV.
Cast
The series starred Anton Rodgers and Julia McKenzie as middle-aged, middle-class husband and wife William and Hester Fields and followed the series Fresh Fields, which ran from 1984 to 1986. French Fields resumes the story three years later as William accepts a position with a French company and the series follows Hester and William as they move from London to Calais. The pair were regularly visited by their daughter Emma (Sally Baxter) and son-in-law Peter (Philip Bird), with Bird the only other actor from Fresh Fields to appear regularly (Emma having only appeared in voiceover in the original show, played by Debby Cummings).
Other regular cast members included their French real estate agent Chantal (Pamela Salem), who was also the Fields' neighbour to the left, and snobbish English couple the Trendles (Robin Kermode and Liz Crowther) (the neighbours to the right). Hester and William also coped with Madame Remoleux (Valerie Lush), the unintelligible, ancient and generally useless (but unsackable) French cleaner who lived on and cared for the estate — called Les Hirondelles (The Swallows) — where they all lived. Also popping in on a regular basis, were local farmer and mayor Monsieur Dax (Olivier Pierre in series 1 and 2 and Philip McGough in series 3) and his cheeky daughter Marie-Christine (Victoria Baker), to whom Hester did her best to teach English. Nicholas Courtney also appeared frequently as the Marquis, the owner of the estate.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/French_Fields
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
French
French may refer to:
- French language, a Romance language which originated in France, and its various dialects
- French people, a nation and ethnic group identified with France
- French nationality law
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/French
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Edmund Gosse
Sir Edmund William Gosse CB (21 September 1849 – 16 May 1928) was an English poet, author and critic. He was strictly brought up in a small Protestant sect, the Plymouth Brethren, but broke away sharply from that faith. His account of his childhood in the book Father and Son has been described as the first psychological biography.
His friendship with the sculptor Hamo Thornycroft inspired a successful career as a historian of late-Victorian sculpture. His translations of Ibsen helped to promote that playwright in England, and he encouraged the careers of W.B. Yeats and James Joyce. He also lectured in English literature at Cambridge.
Early life
Gosse was the son of Philip Henry Gosse and Emily Bowes. His father was a naturalist and his mother an illustrator who published a number of books of poetry. Both were deeply committed to a small Protestant sect, the Plymouth Brethren. His childhood was initially happy as they spent their summers in Devon where his father was developing the ideas which gave rise to the craze for the marine aquarium. After his mother died of breast cancer when he was eight and they moved to Devon, his life with his father became increasingly strained by his father's expectations that he should follow in his religious tradition. Gosse was sent to a boarding school where he began to develop his own interests in literature. His father married in 1860 the deeply religious Quaker spinster Eliza Brightwen (1813–1900), whose brother Thomas tried to encourage Edmund to become a banker. He later gave an account of his childhood in the book Father and Son which has been described as the first psychological biography. At the age of 18 and working in the British Museum in London, he broke away from his father's influence in a dramatic coming of age.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Edmund_Gosse
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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3:39paper no.4 .sem -1 TORU DUTT AS POET.
paper no.4 .sem -1 TORU DUTT AS POET.paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan -
16:51Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt - Ancient Ballads And Legends Of Hindustan, ButtooToru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
27:50Laksmanopadesham | Sampoorna Adhyathma Ramayanam
Laksmanopadesham | Sampoorna Adhyathma RamayanamLaksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4] Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia. There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale. Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9] According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10] In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14] There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16] Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam. For More Movies Please Subscribe http://www.youtube.com/channel/UCVgAX4cKkI3VhYtVmHUBASg?sub_confirmation=1 Join us : https://www.facebook.com/musiczonemoviez -
2:04Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of ErckmanToru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
6:45Surendranath Banerjee
Surendranath BanerjeeSurendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
2:06Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt - Ancient Ballads And Legends Of Hindustan, SitaToru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
0:30Dheeraj Dharam Mitra | Ramayan
Dheeraj Dharam Mitra | RamayanDheeraj Dharam Mitra | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga. In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind." There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book. -
17:21Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt - Ancient Ballads And Legends Of Hindustan, PrehladToru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
11:40Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt - Ancient Ballads And Legends Of Hindustan, LakshmanToru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
3:55Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina TreeToru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
6:25:49The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut... -
8:40Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of DhruvaToru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
1:24Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For BaugmareeToru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
11:17Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya UmaToru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
1:23Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For LotusToru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
14:45Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
Toru Dutt - Ancient Ballads And Legends Of Hindustan, SinduToru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
32:15Balivadham | Sampoorna Adhyathma Ramayanam
Balivadham | Sampoorna Adhyathma RamayanamBalivadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4] Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia. There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale. Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9] According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10] In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14] There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16] Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam. For More Movies Please Subscribe http://www.youtube.com/channel/UCVgAX4cKkI3VhYtVmHUBASg?sub_confirmation=1 Join us : https://www.facebook.com/musiczonemoviez -
0:55Ram Rakhi Rakkha | Ramayan
Ram Rakhi Rakkha | RamayanRam Rakhi Rakkha | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga. In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind." There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book. -
2:51Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of LifeToru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
14:45Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part OneToru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. -------------------------------------------------------------------------------- -
3:39
paper no.4 .sem -1 TORU DUTT AS POET.
paper no.4 .sem -1 TORU DUTT AS POET.paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan -
2:49Ramayana Unknown Interesting Facts | Telugu
Ramayana Unknown Interesting Facts | TeluguRamayana Unknown Interesting Facts | Telugu
Ramayanam Unknown Interesting Facts | Telugu Subscribe to Video Makers Youtube Channel Here:https://www.youtube.com/channel/UCqpSRXDTl5BJKgMi6ME83Og Video Makers Channel brings you the Top Amazing and Interesting facts about the world,Along With Best Health Tips and Natural Remedies,And Most unsolved mysteries of the world and mysterious, funny Videos,Latest and Random Unknown weird and mind-blowing mystery facts in telugu.Stay tuned to Video Makers for all the updates about Tollywood News, Gossips, Latest telugu Movie trailer Reviews and many more. According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata. The definition of itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, Ramayana takes place during a period of time known as Treta Yuga.[citation needed]In its extant form, Valmiki's Ramayana is an epic poem of some 24,000 verses. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. A Times of India report dated 18 December 2015 informs about discovery of a 6th-century manuscript of the Ramayana at the Asiatic Society library, Kolkata.[2] The Ramayana text has several regional renderings, recensions and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind. -
2:28Aaj Ka Itihas 13 August 2017 Janiye in Hindi
Aaj Ka Itihas 13 August 2017 Janiye in HindiAaj Ka Itihas 13 August 2017 Janiye in Hindi
Today's Divas in The History Aaj Ka Divas Organ Donation Day Today's Birth in The History Date Of Birth Vyjayanthimala August 13, 1936 Romesh Chunder Dutt August 13, 1848 – November 30, 1909 Today's Death in The History Dead Maharani Ahilya Bai Holkar 31 May 1725 – 13 August 1795 Bhikaiji Rustom Cama September 24, 1861 - August 13, 1936 Today's Major events in The History Aaj Ki Pramukh Ghatnaye 1956 : Aaj Ke Din National Highway Bill Lok Sabha Me Parit Hua Tha 2004 : Aaj Ke Din Athens Me 28th Olympic games Ki Shuruat Hui Thi 2012 : Aaj Ke Din London Me 30th Olympic games Ka Samapan Hua Tha Source : bharatdiscovery.org And hi.wikipedia.org Subscribe On Facebook https://www.facebook.com/vikaskumarsharmanardiya Subscribe On Twitter https://twitter.com/maiVikas Subscribe On Google+ https://plus.google.com/u/0/collection/wh1VGE Subscribe On Reddit https://www.reddit.com/user/maivikas/ Subcribed Me Blogger http://vikaskumarsharmanardiya.blogspot.in/ -
6:45
Surendranath Banerjee
Surendranath BanerjeeSurendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke. This video is targeted to blind users. Attribution: Article text available under CC-BY-SA Creative Commons image source in video -
3:55
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina TreeToru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India. Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature. A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous. fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more. --------------------------------------------------------------------------------
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paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
published: 12 Jan 2017 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 21 May 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Surendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. ...
published: 05 Dec 2015 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Dheeraj Dharam Mitra | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Maha...
published: 20 Jun 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
published: 06 Feb 2017 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Balivadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 12 Jun 2014 -
Ram Rakhi Rakkha | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Maha...
published: 20 Jun 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
published: 12 Jan 2017 -
Ramayana Unknown Interesting Facts | Telugu
Ramayanam Unknown Interesting Facts | Telugu Subscribe to Video Makers Youtube Channel Here:https://www.youtube.com/channel/UCqpSRXDTl5BJKgMi6ME83Og Video Makers Channel brings you the Top Amazing and Interesting facts about the world,Along With Best Health Tips and Natural Remedies,And Most unsolved mysteries of the world and mysterious, funny Videos,Latest and Random Unknown weird and mind-blowing mystery facts in telugu.Stay tuned to Video Makers for all the updates about Tollywood News, Gossips, Latest telugu Movie trailer Reviews and many more. According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata. The definition of itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human li...
published: 23 Dec 2016 -
Aaj Ka Itihas 13 August 2017 Janiye in Hindi
Today's Divas in The History Aaj Ka Divas Organ Donation Day Today's Birth in The History Date Of Birth Vyjayanthimala August 13, 1936 Romesh Chunder Dutt August 13, 1848 – November 30, 1909 Today's Death in The History Dead Maharani Ahilya Bai Holkar 31 May 1725 – 13 August 1795 Bhikaiji Rustom Cama September 24, 1861 - August 13, 1936 Today's Major events in The History Aaj Ki Pramukh Ghatnaye 1956 : Aaj Ke Din National Highway Bill Lok Sabha Me Parit Hua Tha 2004 : Aaj Ke Din Athens Me 28th Olympic games Ki Shuruat Hui Thi 2012 : Aaj Ke Din London Me 30th Olympic games Ka Samapan Hua Tha Source : bharatdiscovery.org And hi.wikipedia.org Subscribe On Facebook https://www.facebook.com/vikaskumarsharmanardiya Subscribe On Twitter https://twitter.com/maiVikas Subscrib...
published: 13 Aug 2017 -
Surendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. ...
published: 05 Dec 2015 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016
paper no.4 .sem -1 TORU DUTT AS POET.
- Order: Reorder
- Duration: 3:39
- Updated: 12 Jan 2017
- views: 173
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru...
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
https://wn.com/Paper_No.4_.Sem_1_Toru_Dutt_As_Poet.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
- published: 12 Jan 2017
- views: 173
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
- Order: Reorder
- Duration: 16:51
- Updated: 29 Aug 2016
- views: 630
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 29 Aug 2016
- views: 630
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 27:50
- Updated: 21 May 2014
- views: 8692
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Laksmanopadesham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 21 May 2014
- views: 8692
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
- Order: Reorder
- Duration: 2:04
- Updated: 29 Aug 2016
- views: 54
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_On_The_Fly_Leaf_Of_Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 54
Surendranath Banerjee
- Order: Reorder
- Duration: 6:45
- Updated: 05 Dec 2015
- views: 1194
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, o...
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
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https://wn.com/Surendranath_Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 05 Dec 2015
- views: 1194
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
- Order: Reorder
- Duration: 2:06
- Updated: 28 Aug 2016
- views: 828
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 828
Dheeraj Dharam Mitra | Ramayan
- Order: Reorder
- Duration: 0:30
- Updated: 20 Jun 2014
- views: 1011
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Val...
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
https://wn.com/Dheeraj_Dharam_Mitra_|_Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
- published: 20 Jun 2014
- views: 1011
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
- Order: Reorder
- Duration: 17:21
- Updated: 28 Aug 2016
- views: 28
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 28
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
- Order: Reorder
- Duration: 11:40
- Updated: 29 Aug 2016
- views: 353
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 353
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
- Order: Reorder
- Duration: 3:55
- Updated: 28 Aug 2016
- views: 1222
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Our_Casuarina_Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 1222
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- Order: Reorder
- Duration: 6:25:49
- Updated: 06 Feb 2017
- views: 1
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- published: 06 Feb 2017
- views: 1
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
- Order: Reorder
- Duration: 8:40
- Updated: 28 Aug 2016
- views: 43
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_The_Legend_Of_Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 43
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
- Order: Reorder
- Duration: 1:24
- Updated: 28 Aug 2016
- views: 35
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sonett_For_Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 35
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
- Order: Reorder
- Duration: 11:17
- Updated: 29 Aug 2016
- views: 24
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Jogadhya_Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 24
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
- Order: Reorder
- Duration: 1:23
- Updated: 28 Aug 2016
- views: 162
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sonett_For_Lotus
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 162
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
- Order: Reorder
- Duration: 14:45
- Updated: 28 Aug 2016
- views: 80
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sindu
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 80
Balivadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 32:15
- Updated: 12 Jun 2014
- views: 687
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Balivadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 12 Jun 2014
- views: 687
Ram Rakhi Rakkha | Ramayan
- Order: Reorder
- Duration: 0:55
- Updated: 20 Jun 2014
- views: 160
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Val...
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
https://wn.com/Ram_Rakhi_Rakkha_|_Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
- published: 20 Jun 2014
- views: 160
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
- Order: Reorder
- Duration: 2:51
- Updated: 28 Aug 2016
- views: 50
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_The_Tree_Of_Life
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 50
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
- Order: Reorder
- Duration: 14:45
- Updated: 28 Aug 2016
- views: 55
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Savitri_Part_One
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 55
paper no.4 .sem -1 TORU DUTT AS POET.
- Order: Reorder
- Duration: 3:39
- Updated: 12 Jan 2017
- views: 165
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru...
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
https://wn.com/Paper_No.4_.Sem_1_Toru_Dutt_As_Poet.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
- published: 12 Jan 2017
- views: 165
Ramayana Unknown Interesting Facts | Telugu
- Order: Reorder
- Duration: 2:49
- Updated: 23 Dec 2016
- views: 17722
Ramayanam Unknown Interesting Facts | Telugu
Subscribe to Video Makers Youtube Channel
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Video Make...
Ramayanam Unknown Interesting Facts | Telugu
Subscribe to Video Makers Youtube Channel
Here:https://www.youtube.com/channel/UCqpSRXDTl5BJKgMi6ME83Og
Video Makers Channel brings you the Top Amazing and Interesting facts about the world,Along With Best Health Tips and Natural Remedies,And Most unsolved mysteries of the world and mysterious, funny Videos,Latest and Random Unknown weird and mind-blowing mystery facts in telugu.Stay tuned to Video Makers for all the updates about Tollywood News, Gossips, Latest telugu Movie trailer Reviews and many more.
According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata. The definition of itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, Ramayana takes place during a period of time known as Treta Yuga.[citation needed]In its extant form, Valmiki's Ramayana is an epic poem of some 24,000 verses. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. A Times of India report dated 18 December 2015 informs about discovery of a 6th-century manuscript of the Ramayana at the Asiatic Society library, Kolkata.[2] The Ramayana text has several regional renderings, recensions and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind.
https://wn.com/Ramayana_Unknown_Interesting_Facts_|_Telugu
Ramayanam Unknown Interesting Facts | Telugu
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Video Makers Channel brings you the Top Amazing and Interesting facts about the world,Along With Best Health Tips and Natural Remedies,And Most unsolved mysteries of the world and mysterious, funny Videos,Latest and Random Unknown weird and mind-blowing mystery facts in telugu.Stay tuned to Video Makers for all the updates about Tollywood News, Gossips, Latest telugu Movie trailer Reviews and many more.
According to Hindu tradition—and according to the Ramayana itself—the epic belongs to the genre of itihasa like Mahabharata. The definition of itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, Ramayana takes place during a period of time known as Treta Yuga.[citation needed]In its extant form, Valmiki's Ramayana is an epic poem of some 24,000 verses. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. A Times of India report dated 18 December 2015 informs about discovery of a 6th-century manuscript of the Ramayana at the Asiatic Society library, Kolkata.[2] The Ramayana text has several regional renderings, recensions and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s). Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind.
- published: 23 Dec 2016
- views: 17722
Aaj Ka Itihas 13 August 2017 Janiye in Hindi
- Order: Reorder
- Duration: 2:28
- Updated: 13 Aug 2017
- views: 18
Today's Divas in The History
Aaj Ka Divas
Organ Donation Day
Today's Birth in The History
Date Of Birth
Vyjayanthimala
August 13, 1936
Romesh Chunder Dutt...
Today's Divas in The History
Aaj Ka Divas
Organ Donation Day
Today's Birth in The History
Date Of Birth
Vyjayanthimala
August 13, 1936
Romesh Chunder Dutt
August 13, 1848 – November 30, 1909
Today's Death in The History
Dead
Maharani Ahilya Bai Holkar
31 May 1725 – 13 August 1795
Bhikaiji Rustom Cama
September 24, 1861 - August 13, 1936
Today's Major events in The History
Aaj Ki Pramukh Ghatnaye
1956 : Aaj Ke Din National Highway Bill Lok Sabha Me Parit Hua Tha
2004 : Aaj Ke Din Athens Me 28th Olympic games Ki Shuruat Hui Thi
2012 : Aaj Ke Din London Me 30th Olympic games Ka Samapan Hua Tha
Source : bharatdiscovery.org And hi.wikipedia.org
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https://wn.com/Aaj_Ka_Itihas_13_August_2017_Janiye_In_Hindi
Today's Divas in The History
Aaj Ka Divas
Organ Donation Day
Today's Birth in The History
Date Of Birth
Vyjayanthimala
August 13, 1936
Romesh Chunder Dutt
August 13, 1848 – November 30, 1909
Today's Death in The History
Dead
Maharani Ahilya Bai Holkar
31 May 1725 – 13 August 1795
Bhikaiji Rustom Cama
September 24, 1861 - August 13, 1936
Today's Major events in The History
Aaj Ki Pramukh Ghatnaye
1956 : Aaj Ke Din National Highway Bill Lok Sabha Me Parit Hua Tha
2004 : Aaj Ke Din Athens Me 28th Olympic games Ki Shuruat Hui Thi
2012 : Aaj Ke Din London Me 30th Olympic games Ka Samapan Hua Tha
Source : bharatdiscovery.org And hi.wikipedia.org
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- published: 13 Aug 2017
- views: 18
Surendranath Banerjee
- Order: Reorder
- Duration: 6:45
- Updated: 05 Dec 2015
- views: 1194
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, o...
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
This video is targeted to blind users.
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Article text available under CC-BY-SA
Creative Commons image source in video
https://wn.com/Surendranath_Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 05 Dec 2015
- views: 1194
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
- Order: Reorder
- Duration: 3:55
- Updated: 28 Aug 2016
- views: 1222
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Our_Casuarina_Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 1222
-
TNA: An Interview With Junior Fatu
See TNA's Bound For Glory live this Sunday on Pay-Per-View
published: 11 Oct 2007 -
Arvind Krishna Mehrotra-Translating the Indian Past: The Poets’ Experience
Arvind Mehrotra, one of India’s most celebrated contemporary poets and an acclaimed translator of Indian literature, will talk about how three important Indian poets (Toru Dutt, AK Ramanujan, and Arun Kolatkar) translated the Indian classics. Toru’s translation of a Purana story would be unthinkable without her Christianity; Ramanujan’s without Modernism; and Kolatkar’s without the American idiom. These translations bring past and present together in the ongoing construction of India’s literary heritage.
published: 17 Oct 2014 -
Biography of Sunil Dutt
Sunil Dutt was born Balraj Dutt on 6 June 1929 in the village of Khurd in the Jalandhar District now in Pakistan, in a Mohyal Brahmin family. Later he moved to lucknow and spent a long time in Aminabad Galli during graduation and to fulfill his dreams he moved to Mumbai. In Mumbai, he joined Jai Hind College as an undergraduate and took up a job. Starting out in radio, Sunil Dutt was a hugely popular on the Hindi Service of Radio Ceylon, the oldest radio station in South Asia. He moved to acting in Hindi films and got introduced to the film industry in the 1955 film Railway Platform. He shot to the stardom in the 1957 film Mother India in which he co-starred with Nargis, whom he married on 11 March 1958. In the film, Dutt played a short-tempered, angry son of Nargis. During the making of ...
published: 12 Jun 2012 -
Charles Lamb's essay: "A Complaint of the Decay of Beggars in the Metropolis"
In this video, Dr Susan Oliver, an authority on romantic period literature discusses Charles Lamb's essay "A Complaint of the Decay of Beggars in the Metropolis". Charles Lamb saw London as a city which should celebrate diversity and not one which should simply remove undesirable. He also wrote about his opposition to institutionalised care for those who did not conform. He chose to keep his own sister, who would have been put into psychiatric care, at home with him in Enfield so that she had freedom in life and in mind. This session comes from the module 'Dangerous Ideas: Essays and Manifestos as Social Criticism". To find out more go to: http://www.essex.ac.uk/modules/default.aspx?coursecode=CS301&level;=6.=FY
published: 25 Nov 2013 -
Girish Karnad as Dramatist
This Lecture talks about Girish Karnad as Dramatist
published: 28 Dec 2016 -
Devdutt Vlogs: Olympus
Devdutt talks about his book, "Olympus: An Indian Retelling of Greek Myths". Follow Devdutt on: Facebook: https://www.facebook.com/devduttmyth/ Twitter: https://twitter.com/devduttmyth Youtube: https://www.youtube.com/devduttpattan... LinkedIn: https://www.linkedin.com/in/devduttmyth Website: https://www.devdutt.com
published: 16 May 2017 -
PROSE introduction
published: 03 Nov 2010 -
Classic Memphis Jerry Lawler vs Toru Tanaka Wrestling 1979
published: 07 Apr 2013 -
-
The House of A Thousand Doors :: Episode One
Do you believe in ghosts? Don't say no. _____________________________________ Because you've just been invited to: The House of A Thousand Doors. An interactive, choose-your-own-path story. Dedicated to ItsTheWonderfulAmy. For everything..and more. There will be 5 parts in total. At the end of each episode, YOU as a viewer vote on which direction the story takes. Prequel: Dean&Elena :: 21 Days http://www.youtube.com/watch?v=YRQsIQDljng Episode Two: http://www.youtube.com/watch?v=jINEVv1oTuE Episode Three: https://www.youtube.com/watch?v=klL3GICIIYM Episode Four: https://www.youtube.com/watch?v=K2TJl_A_sFc __________________________________ After the planet is destroyed by a comet, all of Earth's souls end up in a veil between alternate timelines, where the heroes of our past meand...
published: 05 Aug 2013 -
The Lotus by Jeremy Mayer
published: 31 Aug 2015 -
MA Journalism Final Project: England Their England: 2013
In 1933, the satirical novel 'England Their England' was written by author A.G. Macdonell. The book detailed the culture and society of 1920s England. One of its most popular and enduring chapters is the village cricket match. Upon reading this chapter, its humour and description instantly appealed to me and it was clear to see why it so fondly remembered. Subsequently, I decided to use this chapter as the basis of my Final Project for the award winning MA Journalism course at the University of Winchester. My project therefore, is a modern adaptation of the cricket match on its 80th anniversary in 2013. Including an interview with legendary cricket writer John Woodcock OBE and a complete recreation of the game, it is a touching tribute to sport and writing in 1920s England. Hope you e...
published: 23 Sep 2013 -
Romesh Gunesekera: On Memory and Time
This is an interview with Romesh Gunesekera, the British Srilankan writer of novels such as Reef and Heaven's Edge. This interview was produced by Kitaab International. for Writing the City (British Council Singapore) in 2014. Interviewed by Melissa de Villiers, the video was shot and edited by Zafar Anjum. In this interview, the writer talks about memory and time in is his past works and discusses aspects of his soon-to-be released book, Noontide Toll.
published: 16 Jan 2014 -
Devdutt Vlogs: "Sita: An Illustrated Retelling of the Ramayana"
Devdutt talks about his book, "Sita: An Illustrated Retelling of the Ramayana". Follow Devdutt on: Facebook: https://www.facebook.com/devduttmyth/ Twitter: https://twitter.com/devduttmyth Youtube: https://www.youtube.com/c/devduttpattanaikofficial LinkedIn: https://www.linkedin.com/in/devduttmyth Website: https://www.devdutt.com
published: 25 May 2017 -
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Kamala Markandaya : Nectar in a Sieve
This Lecture talks about Kamala Markandaya : Nectar in a Sieve
published: 02 Mar 2017 -
MEHJABEEN QAZALBASH AN INTERVIEW {HD} PTV LIVE
published: 12 Jun 2015 -
The Story Telling Podcast #63: Religion, Spirituality and Mythology in Storytelling
published: 24 Sep 2014 -
Verger Meaning
Video shows what verger means. One who carries a verge, or emblem of office.. A lay person who takes care of the interior of a church and acts as an attendant during services, where he or she carries the verge (or virge). An usher; in major ecclesiastical landmarks, a tour guide. In the United States, the office is generally combined with that of sexton.. An attendant upon a dignitary, such as a bishop or dean, a justice, etc.. Verger Meaning. How to pronounce, definition audio dictionary. How to say verger. Powered by MaryTTS, Wiktionary
published: 19 Apr 2015
TNA: An Interview With Junior Fatu
- Order: Reorder
- Duration: 1:05
- Updated: 11 Oct 2007
- views: 168772
See TNA's Bound For Glory live this Sunday on Pay-Per-View
See TNA's Bound For Glory live this Sunday on Pay-Per-View
https://wn.com/Tna_An_Interview_With_Junior_Fatu
Arvind Krishna Mehrotra-Translating the Indian Past: The Poets’ Experience
- Order: Reorder
- Duration: 1:03:10
- Updated: 17 Oct 2014
- views: 1469
Arvind Mehrotra, one of India’s most celebrated contemporary poets and an acclaimed translator of Indian literature, will talk about how three important Indian ...
Arvind Mehrotra, one of India’s most celebrated contemporary poets and an acclaimed translator of Indian literature, will talk about how three important Indian poets (Toru Dutt, AK Ramanujan, and Arun Kolatkar) translated the Indian classics. Toru’s translation of a Purana story would be unthinkable without her Christianity; Ramanujan’s without Modernism; and Kolatkar’s without the American idiom. These translations bring past and present together in the ongoing construction of India’s literary heritage.
https://wn.com/Arvind_Krishna_Mehrotra_Translating_The_Indian_Past_The_Poets’_Experience
Arvind Mehrotra, one of India’s most celebrated contemporary poets and an acclaimed translator of Indian literature, will talk about how three important Indian poets (Toru Dutt, AK Ramanujan, and Arun Kolatkar) translated the Indian classics. Toru’s translation of a Purana story would be unthinkable without her Christianity; Ramanujan’s without Modernism; and Kolatkar’s without the American idiom. These translations bring past and present together in the ongoing construction of India’s literary heritage.
- published: 17 Oct 2014
- views: 1469
Biography of Sunil Dutt
- Order: Reorder
- Duration: 9:10
- Updated: 12 Jun 2012
- views: 155224
Sunil Dutt was born Balraj Dutt on 6 June 1929 in the village of Khurd in the Jalandhar District now in Pakistan, in a Mohyal Brahmin family. Later he moved to ...
Sunil Dutt was born Balraj Dutt on 6 June 1929 in the village of Khurd in the Jalandhar District now in Pakistan, in a Mohyal Brahmin family. Later he moved to lucknow and spent a long time in Aminabad Galli during graduation and to fulfill his dreams he moved to Mumbai. In Mumbai, he joined Jai Hind College as an undergraduate and took up a job.
Starting out in radio, Sunil Dutt was a hugely popular on the Hindi Service of Radio Ceylon, the oldest radio station in South Asia. He moved to acting in Hindi films and got introduced to the film industry in the 1955 film Railway Platform. He shot to the stardom in the 1957 film Mother India in which he co-starred with Nargis, whom he married on 11 March 1958. In the film, Dutt played a short-tempered, angry son of Nargis. During the making of this film a fire accident happened on the sets. It is believed that Dutt braved the raging fire to save Nargis and thereby won her love. Dutt was one of the major stars of Hindi Cinema in the late 1950s and 1960s and continued to star in many successful films which included Sadhna (1958), Sujata (1959), Mujhe Jeene Do (1963), Khandaan (1965) and Padosan (1967). His collaboration with B.R. Chopra proved to be successful in films such as Gumraah (1963), Waqt (1965) and Hamraaz (1967).
He created a record of sorts by directing and starring in the unique film Yaadein (1964) in which he was the only actor in the cast. He later turned producer of the 1968 film Man Ka Meet which introduced his brother Som Dutt who was unsuccessful in films. In 1971 he produced, directed and starred in the big-budget period romantic film Reshma Aur Shera (1971) which was a huge failure at the box office. He bounced back when he continued to star in hit films which included Pran Jaye Par Vachan Na Jaye (1974), Nagin (1976), Jaani Dushman (1979) and Shaan (1980). He launched his son Sanjay's career with the film Rocky in 1981 which was a success.
He retired from the film industry in the early 1990s to turn to politics after his last few film releases including Parampara (1992) and Kshatriya (1993). He returned to films shortly before his death in the 2003 film Munna Bhai M.B.B.S.. In this film he shared the screen with son Sanjay for the first time although they had both appeared earlier in Rocky (1981) and Kshatriya (1993) but did not appear in any scenes together.
Sunil Dutt died of a heart attack . He has one son Sanjay Dutt, also a successful film actor and two daughters, Priya Dutt and Namrata Dutt(Anju). His daughter Namrata married Kumar Gaurav, son of Rajendra Kumar.
https://wn.com/Biography_Of_Sunil_Dutt
Sunil Dutt was born Balraj Dutt on 6 June 1929 in the village of Khurd in the Jalandhar District now in Pakistan, in a Mohyal Brahmin family. Later he moved to lucknow and spent a long time in Aminabad Galli during graduation and to fulfill his dreams he moved to Mumbai. In Mumbai, he joined Jai Hind College as an undergraduate and took up a job.
Starting out in radio, Sunil Dutt was a hugely popular on the Hindi Service of Radio Ceylon, the oldest radio station in South Asia. He moved to acting in Hindi films and got introduced to the film industry in the 1955 film Railway Platform. He shot to the stardom in the 1957 film Mother India in which he co-starred with Nargis, whom he married on 11 March 1958. In the film, Dutt played a short-tempered, angry son of Nargis. During the making of this film a fire accident happened on the sets. It is believed that Dutt braved the raging fire to save Nargis and thereby won her love. Dutt was one of the major stars of Hindi Cinema in the late 1950s and 1960s and continued to star in many successful films which included Sadhna (1958), Sujata (1959), Mujhe Jeene Do (1963), Khandaan (1965) and Padosan (1967). His collaboration with B.R. Chopra proved to be successful in films such as Gumraah (1963), Waqt (1965) and Hamraaz (1967).
He created a record of sorts by directing and starring in the unique film Yaadein (1964) in which he was the only actor in the cast. He later turned producer of the 1968 film Man Ka Meet which introduced his brother Som Dutt who was unsuccessful in films. In 1971 he produced, directed and starred in the big-budget period romantic film Reshma Aur Shera (1971) which was a huge failure at the box office. He bounced back when he continued to star in hit films which included Pran Jaye Par Vachan Na Jaye (1974), Nagin (1976), Jaani Dushman (1979) and Shaan (1980). He launched his son Sanjay's career with the film Rocky in 1981 which was a success.
He retired from the film industry in the early 1990s to turn to politics after his last few film releases including Parampara (1992) and Kshatriya (1993). He returned to films shortly before his death in the 2003 film Munna Bhai M.B.B.S.. In this film he shared the screen with son Sanjay for the first time although they had both appeared earlier in Rocky (1981) and Kshatriya (1993) but did not appear in any scenes together.
Sunil Dutt died of a heart attack . He has one son Sanjay Dutt, also a successful film actor and two daughters, Priya Dutt and Namrata Dutt(Anju). His daughter Namrata married Kumar Gaurav, son of Rajendra Kumar.
- published: 12 Jun 2012
- views: 155224
Charles Lamb's essay: "A Complaint of the Decay of Beggars in the Metropolis"
- Order: Reorder
- Duration: 48:25
- Updated: 25 Nov 2013
- views: 2055
In this video, Dr Susan Oliver, an authority on romantic period literature discusses Charles Lamb's essay "A Complaint of the Decay of Beggars in the Metropolis...
In this video, Dr Susan Oliver, an authority on romantic period literature discusses Charles Lamb's essay "A Complaint of the Decay of Beggars in the Metropolis". Charles Lamb saw London as a city which should celebrate diversity and not one which should simply remove undesirable. He also wrote about his opposition to institutionalised care for those who did not conform. He chose to keep his own sister, who would have been put into psychiatric care, at home with him in Enfield so that she had freedom in life and in mind.
This session comes from the module 'Dangerous Ideas: Essays and Manifestos as Social Criticism". To find out more go to: http://www.essex.ac.uk/modules/default.aspx?coursecode=CS301&level;=6.=FY
https://wn.com/Charles_Lamb's_Essay_A_Complaint_Of_The_Decay_Of_Beggars_In_The_Metropolis
In this video, Dr Susan Oliver, an authority on romantic period literature discusses Charles Lamb's essay "A Complaint of the Decay of Beggars in the Metropolis". Charles Lamb saw London as a city which should celebrate diversity and not one which should simply remove undesirable. He also wrote about his opposition to institutionalised care for those who did not conform. He chose to keep his own sister, who would have been put into psychiatric care, at home with him in Enfield so that she had freedom in life and in mind.
This session comes from the module 'Dangerous Ideas: Essays and Manifestos as Social Criticism". To find out more go to: http://www.essex.ac.uk/modules/default.aspx?coursecode=CS301&level;=6.=FY
- published: 25 Nov 2013
- views: 2055
Girish Karnad as Dramatist
- Order: Reorder
- Duration: 1:00:31
- Updated: 28 Dec 2016
- views: 591
This Lecture talks about Girish Karnad as Dramatist
This Lecture talks about Girish Karnad as Dramatist
https://wn.com/Girish_Karnad_As_Dramatist
Devdutt Vlogs: Olympus
- Order: Reorder
- Duration: 1:46
- Updated: 16 May 2017
- views: 419
Devdutt talks about his book, "Olympus: An Indian Retelling of Greek Myths".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: https...
Devdutt talks about his book, "Olympus: An Indian Retelling of Greek Myths".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: https://twitter.com/devduttmyth
Youtube: https://www.youtube.com/devduttpattan...
LinkedIn: https://www.linkedin.com/in/devduttmyth
Website: https://www.devdutt.com
https://wn.com/Devdutt_Vlogs_Olympus
Devdutt talks about his book, "Olympus: An Indian Retelling of Greek Myths".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: https://twitter.com/devduttmyth
Youtube: https://www.youtube.com/devduttpattan...
LinkedIn: https://www.linkedin.com/in/devduttmyth
Website: https://www.devdutt.com
- published: 16 May 2017
- views: 419
PROSE introduction
- Order: Reorder
- Duration: 1:32
- Updated: 03 Nov 2010
- views: 152
- published: 03 Nov 2010
- views: 152
Classic Memphis Jerry Lawler vs Toru Tanaka Wrestling 1979
- Order: Reorder
- Duration: 5:34
- Updated: 07 Apr 2013
- views: 437
Will Durant---The Story of India
- Order: Reorder
- Duration: 9:26:52
- Updated: 31 Mar 2015
- views: 30540
Will Durant---The Story of India
Will Durant---The Story of India
https://wn.com/Will_Durant_The_Story_Of_India
The House of A Thousand Doors :: Episode One
- Order: Reorder
- Duration: 4:31
- Updated: 05 Aug 2013
- views: 1490
Do you believe in ghosts? Don't say no.
_____________________________________
Because you've just been invited to:
The House of A Thousand Doors.
An interacti...
Do you believe in ghosts? Don't say no.
_____________________________________
Because you've just been invited to:
The House of A Thousand Doors.
An interactive, choose-your-own-path story.
Dedicated to ItsTheWonderfulAmy. For everything..and more.
There will be 5 parts in total.
At the end of each episode, YOU as a viewer vote on which direction the story takes.
Prequel: Dean&Elena :: 21 Days
http://www.youtube.com/watch?v=YRQsIQDljng
Episode Two:
http://www.youtube.com/watch?v=jINEVv1oTuE
Episode Three:
https://www.youtube.com/watch?v=klL3GICIIYM
Episode Four:
https://www.youtube.com/watch?v=K2TJl_A_sFc
__________________________________
After the planet is destroyed by a comet, all of Earth's souls end up in a veil between alternate timelines, where the heroes of our past meander within one giant verse known to them only as purgatory; a house with no sense, a collage of doors and hallways with no end.
While some retain their memories, others become lost in trying to understand what has happened and struggle to keep what is left of their shattered memories.
But the dangers of where they are has its effects, ripping up the friendships, families and soul mates of the past, and transcending new "soul stars" across time and space.
_____________________________________
||Editor's Notes||
(My) Definition of Soul Stars: A soul mate, hidden within a parallel universe, never meant to be recognized or sought out due to a past or present punishment. Soul Stars can be siblings we were meant to have but were withheld from us, friendships that never quite came to be, or even twin-flames lost to an alternate reality.
Fetches: A fetch is a supernatural double or apparition of a living person. It is akin to the doppelgänger, and sightings are regarded as omens, usually for impending death.
Here's your first prompt...
Dean makes a great sacrifice in an attempt to save everyone within the "House".
OR
Elena teams up with an unlikely ally to figure out how to save all their worlds. [Viewer's pick!]
Episode Two:
http://www.youtube.com/watch?v=jINEVv1oTuE
LOVE,
Jane
https://wn.com/The_House_Of_A_Thousand_Doors_Episode_One
Do you believe in ghosts? Don't say no.
_____________________________________
Because you've just been invited to:
The House of A Thousand Doors.
An interactive, choose-your-own-path story.
Dedicated to ItsTheWonderfulAmy. For everything..and more.
There will be 5 parts in total.
At the end of each episode, YOU as a viewer vote on which direction the story takes.
Prequel: Dean&Elena :: 21 Days
http://www.youtube.com/watch?v=YRQsIQDljng
Episode Two:
http://www.youtube.com/watch?v=jINEVv1oTuE
Episode Three:
https://www.youtube.com/watch?v=klL3GICIIYM
Episode Four:
https://www.youtube.com/watch?v=K2TJl_A_sFc
__________________________________
After the planet is destroyed by a comet, all of Earth's souls end up in a veil between alternate timelines, where the heroes of our past meander within one giant verse known to them only as purgatory; a house with no sense, a collage of doors and hallways with no end.
While some retain their memories, others become lost in trying to understand what has happened and struggle to keep what is left of their shattered memories.
But the dangers of where they are has its effects, ripping up the friendships, families and soul mates of the past, and transcending new "soul stars" across time and space.
_____________________________________
||Editor's Notes||
(My) Definition of Soul Stars: A soul mate, hidden within a parallel universe, never meant to be recognized or sought out due to a past or present punishment. Soul Stars can be siblings we were meant to have but were withheld from us, friendships that never quite came to be, or even twin-flames lost to an alternate reality.
Fetches: A fetch is a supernatural double or apparition of a living person. It is akin to the doppelgänger, and sightings are regarded as omens, usually for impending death.
Here's your first prompt...
Dean makes a great sacrifice in an attempt to save everyone within the "House".
OR
Elena teams up with an unlikely ally to figure out how to save all their worlds. [Viewer's pick!]
Episode Two:
http://www.youtube.com/watch?v=jINEVv1oTuE
LOVE,
Jane
- published: 05 Aug 2013
- views: 1490
The Lotus by Jeremy Mayer
- Order: Reorder
- Duration: 8:58
- Updated: 31 Aug 2015
- views: 619
- published: 31 Aug 2015
- views: 619
MA Journalism Final Project: England Their England: 2013
- Order: Reorder
- Duration: 13:44
- Updated: 23 Sep 2013
- views: 928
In 1933, the satirical novel 'England Their England' was written by author A.G. Macdonell. The book detailed the culture and society of 1920s England. One of it...
In 1933, the satirical novel 'England Their England' was written by author A.G. Macdonell. The book detailed the culture and society of 1920s England. One of its most popular and enduring chapters is the village cricket match.
Upon reading this chapter, its humour and description instantly appealed to me and it was clear to see why it so fondly remembered.
Subsequently, I decided to use this chapter as the basis of my Final Project for the award winning MA Journalism course at the University of Winchester.
My project therefore, is a modern adaptation of the cricket match on its 80th anniversary in 2013. Including an interview with legendary cricket writer John Woodcock OBE and a complete recreation of the game, it is a touching tribute to sport and writing in 1920s England.
Hope you enjoy!
Jack
https://wn.com/Ma_Journalism_Final_Project_England_Their_England_2013
In 1933, the satirical novel 'England Their England' was written by author A.G. Macdonell. The book detailed the culture and society of 1920s England. One of its most popular and enduring chapters is the village cricket match.
Upon reading this chapter, its humour and description instantly appealed to me and it was clear to see why it so fondly remembered.
Subsequently, I decided to use this chapter as the basis of my Final Project for the award winning MA Journalism course at the University of Winchester.
My project therefore, is a modern adaptation of the cricket match on its 80th anniversary in 2013. Including an interview with legendary cricket writer John Woodcock OBE and a complete recreation of the game, it is a touching tribute to sport and writing in 1920s England.
Hope you enjoy!
Jack
- published: 23 Sep 2013
- views: 928
Romesh Gunesekera: On Memory and Time
- Order: Reorder
- Duration: 7:50
- Updated: 16 Jan 2014
- views: 1381
This is an interview with Romesh Gunesekera, the British Srilankan writer of novels such as Reef and Heaven's Edge. This interview was produced by Kitaab Intern...
This is an interview with Romesh Gunesekera, the British Srilankan writer of novels such as Reef and Heaven's Edge. This interview was produced by Kitaab International. for Writing the City (British Council Singapore) in 2014. Interviewed by Melissa de Villiers, the video was shot and edited by Zafar Anjum. In this interview, the writer talks about memory and time in is his past works and discusses aspects of his soon-to-be released book, Noontide Toll.
https://wn.com/Romesh_Gunesekera_On_Memory_And_Time
This is an interview with Romesh Gunesekera, the British Srilankan writer of novels such as Reef and Heaven's Edge. This interview was produced by Kitaab International. for Writing the City (British Council Singapore) in 2014. Interviewed by Melissa de Villiers, the video was shot and edited by Zafar Anjum. In this interview, the writer talks about memory and time in is his past works and discusses aspects of his soon-to-be released book, Noontide Toll.
- published: 16 Jan 2014
- views: 1381
Devdutt Vlogs: "Sita: An Illustrated Retelling of the Ramayana"
- Order: Reorder
- Duration: 1:22
- Updated: 25 May 2017
- views: 550
Devdutt talks about his book, "Sita: An Illustrated Retelling of the Ramayana".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: ht...
Devdutt talks about his book, "Sita: An Illustrated Retelling of the Ramayana".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: https://twitter.com/devduttmyth
Youtube: https://www.youtube.com/c/devduttpattanaikofficial
LinkedIn: https://www.linkedin.com/in/devduttmyth
Website: https://www.devdutt.com
https://wn.com/Devdutt_Vlogs_Sita_An_Illustrated_Retelling_Of_The_Ramayana
Devdutt talks about his book, "Sita: An Illustrated Retelling of the Ramayana".
Follow Devdutt on:
Facebook: https://www.facebook.com/devduttmyth/
Twitter: https://twitter.com/devduttmyth
Youtube: https://www.youtube.com/c/devduttpattanaikofficial
LinkedIn: https://www.linkedin.com/in/devduttmyth
Website: https://www.devdutt.com
- published: 25 May 2017
- views: 550
A River by A K Ramanujan(CH_01)
- Order: Reorder
- Duration: 30:24
- Updated: 05 Jul 2017
- views: 40
Subject : UG General English
Cources name : 1st Year POETRY
Name of Presanter :Prof. Mohan Ramanan
Keyword : Swayam Prabha
Subject : UG General English
Cources name : 1st Year POETRY
Name of Presanter :Prof. Mohan Ramanan
Keyword : Swayam Prabha
https://wn.com/A_River_By_A_K_Ramanujan(Ch_01)
Sarojini Naidu : The Poet
- Order: Reorder
- Duration: 58:40
- Updated: 21 Nov 2016
- views: 1304
This Lecture talks about Sarojini Naidu : The Poet
This Lecture talks about Sarojini Naidu : The Poet
https://wn.com/Sarojini_Naidu_The_Poet
Kamala Markandaya : Nectar in a Sieve
- Order: Reorder
- Duration: 59:57
- Updated: 02 Mar 2017
- views: 814
This Lecture talks about Kamala Markandaya : Nectar in a Sieve
This Lecture talks about Kamala Markandaya : Nectar in a Sieve
https://wn.com/Kamala_Markandaya_Nectar_In_A_Sieve
MEHJABEEN QAZALBASH AN INTERVIEW {HD} PTV LIVE
- Order: Reorder
- Duration: 6:03
- Updated: 12 Jun 2015
- views: 250
- published: 12 Jun 2015
- views: 250
The Story Telling Podcast #63: Religion, Spirituality and Mythology in Storytelling
- Order: Reorder
- Duration: 1:11:07
- Updated: 24 Sep 2014
- views: 571
- published: 24 Sep 2014
- views: 571
Verger Meaning
- Order: Reorder
- Duration: 0:40
- Updated: 19 Apr 2015
- views: 186
Video shows what verger means. One who carries a verge, or emblem of office.. A lay person who takes care of the interior of a church and acts as an attendant d...
Video shows what verger means. One who carries a verge, or emblem of office.. A lay person who takes care of the interior of a church and acts as an attendant during services, where he or she carries the verge (or virge). An usher; in major ecclesiastical landmarks, a tour guide. In the United States, the office is generally combined with that of sexton.. An attendant upon a dignitary, such as a bishop or dean, a justice, etc.. Verger Meaning. How to pronounce, definition audio dictionary. How to say verger. Powered by MaryTTS, Wiktionary
https://wn.com/Verger_Meaning
Video shows what verger means. One who carries a verge, or emblem of office.. A lay person who takes care of the interior of a church and acts as an attendant during services, where he or she carries the verge (or virge). An usher; in major ecclesiastical landmarks, a tour guide. In the United States, the office is generally combined with that of sexton.. An attendant upon a dignitary, such as a bishop or dean, a justice, etc.. Verger Meaning. How to pronounce, definition audio dictionary. How to say verger. Powered by MaryTTS, Wiktionary
- published: 19 Apr 2015
- views: 186
-
paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
published: 12 Jan 2017 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 21 May 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Surendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. ...
published: 05 Dec 2015 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Dheeraj Dharam Mitra | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Maha...
published: 20 Jun 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
published: 06 Feb 2017 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Balivadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 12 Jun 2014 -
Ram Rakhi Rakkha | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text. According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Maha...
published: 20 Jun 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 28 Aug 2016
paper no.4 .sem -1 TORU DUTT AS POET.
- Order: Reorder
- Duration: 3:39
- Updated: 12 Jan 2017
- views: 173
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru...
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
https://wn.com/Paper_No.4_.Sem_1_Toru_Dutt_As_Poet.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. . Romesh Chunder Dutt, writer and Indian civil servant, was their cousin.
Books: A Sheaf Gleaned in French Fields, Ancient Ballads and Legends of Hindustan
- published: 12 Jan 2017
- views: 173
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
- Order: Reorder
- Duration: 16:51
- Updated: 29 Aug 2016
- views: 630
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 630
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 27:50
- Updated: 21 May 2014
- views: 8692
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Laksmanopadesham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 21 May 2014
- views: 8692
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
- Order: Reorder
- Duration: 2:04
- Updated: 29 Aug 2016
- views: 54
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_On_The_Fly_Leaf_Of_Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 54
Surendranath Banerjee
- Order: Reorder
- Duration: 6:45
- Updated: 05 Dec 2015
- views: 1194
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, o...
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
This video is targeted to blind users.
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Article text available under CC-BY-SA
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Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders during the British Raj. He founded the Indian National Association, one of the earliest Indian political organizations, and later became a senior leader of the Indian National Congress. He was also known by the sobriquet, Rashtragur
Surendranath Banerjee was born in Kolkata, in the province of Bengal to a Bengali Brahmin family. He was deeply influenced in liberal, progressive thinking by his father Durga Charan Banerjee, a doctor. Banerjee was educated at the Parental Academic Institution and at the Hindu College. After graduating from the University of Calcutta, he traveled to England in 1868, along with Romesh Chunder Dutt and Behari Lal Gupta, to compete in the Indian Civil Service examinations. He cleared the competitive examination in 1869, but was barred owing to a dispute over his exact age. After clearing the matter in the courts, Banerjee cleared the exam again in 1871 and was posted as assistant magistrate in Sylhet. However, Banerjee was dismissed soon from his job owing to racial discrimination. Banerjee went to England to protest this decision, but was unsuccessful. During his stay in England, he studied the works of Edmund Burke and other liberal philosophers. These works guided him in his protests against the British. He was known as the Indian Burke.
This video is targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Creative Commons image source in video
- published: 05 Dec 2015
- views: 1194
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
- Order: Reorder
- Duration: 2:06
- Updated: 28 Aug 2016
- views: 828
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 828
Dheeraj Dharam Mitra | Ramayan
- Order: Reorder
- Duration: 0:30
- Updated: 20 Jun 2014
- views: 1011
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Val...
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
https://wn.com/Dheeraj_Dharam_Mitra_|_Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
- published: 20 Jun 2014
- views: 1011
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
- Order: Reorder
- Duration: 17:21
- Updated: 28 Aug 2016
- views: 28
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 28
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
- Order: Reorder
- Duration: 11:40
- Updated: 29 Aug 2016
- views: 353
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 29 Aug 2016
- views: 353
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
- Order: Reorder
- Duration: 3:55
- Updated: 28 Aug 2016
- views: 1222
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Our_Casuarina_Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 1222
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- Order: Reorder
- Duration: 6:25:49
- Updated: 06 Feb 2017
- views: 1
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- published: 06 Feb 2017
- views: 1
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
- Order: Reorder
- Duration: 8:40
- Updated: 28 Aug 2016
- views: 43
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_The_Legend_Of_Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 43
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
- Order: Reorder
- Duration: 1:24
- Updated: 28 Aug 2016
- views: 35
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sonett_For_Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 35
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
- Order: Reorder
- Duration: 11:17
- Updated: 29 Aug 2016
- views: 24
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Jogadhya_Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 24
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Lotus
- Order: Reorder
- Duration: 1:23
- Updated: 28 Aug 2016
- views: 162
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sonett_For_Lotus
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 162
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sindu
- Order: Reorder
- Duration: 14:45
- Updated: 28 Aug 2016
- views: 80
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Sindu
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 80
Balivadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 32:15
- Updated: 12 Jun 2014
- views: 687
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Balivadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 12 Jun 2014
- views: 687
Ram Rakhi Rakkha | Ramayan
- Order: Reorder
- Duration: 0:55
- Updated: 20 Jun 2014
- views: 160
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Val...
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
https://wn.com/Ram_Rakhi_Rakkha_|_Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama. The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life. According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE. The text has several regional renderings,recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern and the southern Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.
- published: 20 Jun 2014
- views: 160
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Tree Of Life
- Order: Reorder
- Duration: 2:51
- Updated: 28 Aug 2016
- views: 50
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_The_Tree_Of_Life
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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- published: 28 Aug 2016
- views: 50
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Savitri Part One
- Order: Reorder
- Duration: 14:45
- Updated: 28 Aug 2016
- views: 55
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
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https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Savitri_Part_One
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 28 Aug 2016
- views: 55
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The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
published: 06 Feb 2017 -
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 21 May 2014 -
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Introduction by Edmond W Goss
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862. In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence in...
published: 29 Aug 2016 -
Balivadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 12 Jun 2014 -
Umamaheshwara Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 22 May 2014 -
Agasthya Sandarshanam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 03 Jun 2014 -
Ramayana
The Ramayana is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature , considered to be itihāasa. The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata. It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana , translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books and 500 cantos , and tells the story of Rama , whose wife Sita is abducted by Ravana, the king of Lanka . Thematically, the Ramayana explores human values and the concept of dharma. This video targeted to blind users. Attrib...
published: 06 May 2014 -
Ravanashuka Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 06 Jul 2014 -
Kabandhagathi | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 06 Jun 2014 -
Seethaswayamvaram | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 25 May 2014 -
Ravana Mareecha Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 04 Jun 2014 -
Naradharaghava Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 26 May 2014 -
Shoorpanagha Vrithandam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 07 Jun 2014 -
Ramabhishekavignam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 27 May 2014 -
Ravanante Ichabangam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 28 Jun 2014 -
Vishwamithrante Yaagaraksha | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 24 May 2014 -
Lankadahanam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 03 Jul 2014 -
Ramasannidhiyilekku Bharathante Yathra | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 01 Jun 2014 -
Hanumal Sangamam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 11 Jun 2014 -
Ramaseetha Rahasyam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abduct...
published: 29 May 2014
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- Order: Reorder
- Duration: 6:25:49
- Updated: 06 Feb 2017
- views: 1
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
- published: 06 Feb 2017
- views: 1
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 27:50
- Updated: 21 May 2014
- views: 8692
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Laksmanopadesham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 21 May 2014
- views: 8692
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Introduction by Edmond W Goss
- Order: Reorder
- Duration: 23:58
- Updated: 29 Aug 2016
- views: 22
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni...
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
https://wn.com/Toru_Dutt_Ancient_Ballads_And_Legends_Of_Hindustan,_Introduction_By_Edmond_W_Goss
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and French. She was born to father Govin Chunder Dutt and mother Kshetramoni of the Rambagan Dutt family. Toru was the youngest child after sister Aru and brother Abju. Romesh Chunder Dutt, writer and Indian civil servant, was their cousin. Their family became Christians in 1862.
In England she continued her higher French Studies. While living in Cambridge between 1871-3 she attended the Higher Lectures for Women at the University. Toru Dutt met and befriended Mary Martin, the daughter of Reverend John Martin of Sidney Sussex College. The friendship that developed between the two girls at this time continued in their correspondence after Toru’s return to India. A collection of Toru Dutt’s correspondence includes her letters written from England to her cousins in India.
Toru Dutt was a natural linguist and in her short life became proficient in Bengali, English, French and, later on, Sanskrit. She left behind an impressive collection of prose and poetry. Her two novels, the unfinished Bianca or The Young Spanish Maiden written in English and Le Journal de Mademoiselle d’Arvers, written in French, were based outside India with non-Indian protagonists. Her poetry comprises A Sheaf Gleaned in French Fields consisting of her translations into English of French poetry, and Ancient Ballads and Legends of Hindustan which compiles her translations and adaptations from Sanskrit literature.
A Sheaf Gleaned in French Fields was published in 1876 without preface or introduction. At first this collection attracted little attention. When her collection of Sanskrit translations Ancient Ballads and Legends of Hindustan was published posthumously in 1882 Edmund Gosse wrote an introductory memoir for it. In this he wrote of Toru Dutt: "She brought with her from Europe a store of knowledge that would have sufficed to make an English or French girl seem learned, but which in her case was simply miraculous.
fter publication of several translations and literary discussions, she published A Sheaf Gleaned in French Fields, a volume of French poems she had translated into English, with Saptahiksambad Press of Bhowanipore, India in 1876. Eight of the poems had been translated by her elder sister Aru. This volume came to the attention of Edmund Gosse in 1877, who reviewed it quite favorably in the Examiner that year. Sheaf would see a second Indian edition in 1878 and a third edition by Kegan Paul of London in 1880, but Dutt lived to see neither of these triumphs. She wrote poems such as Sîta, Lotus and many more.
--------------------------------------------------------------------------------
- published: 29 Aug 2016
- views: 22
Balivadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 32:15
- Updated: 12 Jun 2014
- views: 687
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Balivadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 12 Jun 2014
- views: 687
Umamaheshwara Samvadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 36:47
- Updated: 22 May 2014
- views: 667
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Umamaheshwara_Samvadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 22 May 2014
- views: 667
Agasthya Sandarshanam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 31:59
- Updated: 03 Jun 2014
- views: 1037
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Agasthya_Sandarshanam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 03 Jun 2014
- views: 1037
Ramayana
- Order: Reorder
- Duration: 54:48
- Updated: 06 May 2014
- views: 465
The Ramayana is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature , considered to be i...
The Ramayana is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature , considered to be itihāasa. The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata. It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana , translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books and 500 cantos , and tells the story of Rama , whose wife Sita is abducted by Ravana, the king of Lanka . Thematically, the Ramayana explores human values and the concept of dharma.
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https://wn.com/Ramayana
The Ramayana is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature , considered to be itihāasa. The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata. It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana , translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books and 500 cantos , and tells the story of Rama , whose wife Sita is abducted by Ravana, the king of Lanka . Thematically, the Ramayana explores human values and the concept of dharma.
This video targeted to blind users.
Attribution:
Article text available under CC-BY-SA
Public domain image source in video
- published: 06 May 2014
- views: 465
Ravanashuka Samvadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 21:32
- Updated: 06 Jul 2014
- views: 126
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Ravanashuka_Samvadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 06 Jul 2014
- views: 126
Kabandhagathi | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 28:38
- Updated: 06 Jun 2014
- views: 551
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Kabandhagathi_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 06 Jun 2014
- views: 551
Seethaswayamvaram | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 41:12
- Updated: 25 May 2014
- views: 1816
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Seethaswayamvaram_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 25 May 2014
- views: 1816
Ravana Mareecha Samvadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 29:43
- Updated: 04 Jun 2014
- views: 437
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Ravana_Mareecha_Samvadham_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 04 Jun 2014
- views: 437
Naradharaghava Samvadham | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 31:00
- Updated: 26 May 2014
- views: 1724
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 26 May 2014
- views: 1724
Shoorpanagha Vrithandam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 33:59
- Updated: 07 Jun 2014
- views: 228
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Shoorpanagha_Vrithandam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 07 Jun 2014
- views: 228
Ramabhishekavignam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 23:58
- Updated: 27 May 2014
- views: 507
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Ramabhishekavignam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 27 May 2014
- views: 507
Ravanante Ichabangam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 29:06
- Updated: 28 Jun 2014
- views: 176
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Ravanante_Ichabangam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 28 Jun 2014
- views: 176
Vishwamithrante Yaagaraksha | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 37:16
- Updated: 24 May 2014
- views: 1274
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Vishwamithrante_Yaagaraksha_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 24 May 2014
- views: 1274
Lankadahanam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 25:36
- Updated: 03 Jul 2014
- views: 646
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Lankadahanam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 03 Jul 2014
- views: 646
Ramasannidhiyilekku Bharathante Yathra | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 34:40
- Updated: 01 Jun 2014
- views: 449
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 01 Jun 2014
- views: 449
Hanumal Sangamam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 35:03
- Updated: 11 Jun 2014
- views: 389
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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https://wn.com/Hanumal_Sangamam_|_Sampoorna_Adhyathma_Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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- published: 11 Jun 2014
- views: 389
Ramaseetha Rahasyam | Sampoorna Adhyathma Ramayanam
- Order: Reorder
- Duration: 28:31
- Updated: 29 May 2014
- views: 420
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an ...
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki and forms an important part of the Hindu literature (smṛti), considered to be itihāasa.[1] The Ramayana is one of the two great epics of Hinduism, the other being the Mahabharata.[2] It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of Rāma and ayana ("going, advancing"), translating to "Rama's Journey". The Ramayana consists of 24,000 verses in seven books (kāṇḍas) and 500 cantos (sargas),[3] and tells the story of Rama (an avatar of the Hindu supreme-god Vishnu), whose wife Sita is abducted by Ravana, the king of Lanka (current day Sri Lanka). Incidentally the first letter of every 1000 verses (total 24) make the Gayatri mantra. Thematically, the Ramayana explores human values and the concept of dharma.[4]
Verses in the Ramayana are written in a 32-syllable meter called anuṣṭubh. The Ramayana was an important influence on later Sanskrit poetry and Hindu life and culture. Like the Mahabharata, the Ramayana is not just a story: it presents the teachings of ancient Hindu sages (Vedas) in narrative allegory, interspersing philosophical and devotional elements. The characters Rama, Sita, Lakshman, Bharata, Hanuman, and Ravana are all fundamental to the cultural consciousness of India, Nepal, and many south-east Asian countries such as Thailand and Indonesia.
There are other versions of the Ramayana, notably the Tamil Ramavataram; the Telugu Sri Ranganatha Ramayanam; Buddhist (Dasaratha Jataka No. 461) and Jain adaptations; and also Cambodian, Indonesian, Filipino, Thai, Lao, Burmese, and Malaysian versions of the tale.
Traditionally, the Ramayana is attributed to Valmiki.[5] The Hindu tradition is unanimous in its agreement that the poem is the work of a single poet; the sage Valmiki, a contemporary of Rama and a peripheral actor in the drama.[6] The story's original version in Sanskrit is known as Valmiki Ramayana, dating to approximately the 5th to 4th century BCE.[7][8] While it is often viewed as a primarily devotional text, the Vaishnava elements appear to be later accretions, possibly dating to the 2nd century BCE or later. The main body of the narrative lacks statements of Rama's divinity, and identifications of Rama with Vishnu are rare and subdued even in the later parts of the text.[9]
According to Hindu tradition—and according to the Ramayana itself—the Ramayana belongs to the genre of itihāasa, like the Mahabharata. The definition of itihāasa has varied over time, with one definition being that itihāsa is a narrative of past events (purāvṛtta) which includes teachings on the goals of human life.[1] According to Hindu tradition, the Ramayana takes place during a period of time known as Treta Yuga.[10]
In its extant form, Valmiki's Ramayana is an epic poem of some 50,000 lines. The text survives in several thousand partial and complete manuscripts, the oldest of which is a palm-leaf manuscript found in Nepal and dated to the 11th century CE.[11] The text has several regional renderings,[12] recensions, and subrecensions. Textual scholar Robert P. Goldman differentiates two major regional recensions: the northern (n) and the southern (s).[13] Scholar Romesh Chunder Dutt writes that "the Ramayana, like the Mahabharata, is a growth of centuries, but the main story is more distinctly the creation of one mind."[14]
There has been discussion as to whether the first and the last chapters of Valmiki's Ramayana were composed by the original author. Most Hindus still believe they are integral parts of the book, in spite of some style differences and narrative contradictions between these two chapters and the rest of the book.[15][16]
Famous retellings include Gona Budda Reddy's Ramayanam in Telugu, Kamban's Ramavataram in Tamil (c. 11th--12th century), Madhava Kandali's Saptakanda Ramayana in Assamese (c. 14th century), Krittibas Ojha's Krittivasi Ramayan (also known as Shri Rama panchali) in Bengali (c. 15th century), sant Eknath's Bhavarth Ramayan (c. 16th century) in Marathi (which is spoken in Maharashtra), Balaram Das' Dandi Ramayana (also known as the Jagamohan Ramayana) (c. 16th century) in Oriya, Tulsidas' Ramcharitamanas (c. 16th century) in Awadhi (which is an eastern form of Hindi),[12] and Thunchaththu Ezhuthachan's Adhyathmaramayanam in Malayalam.
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paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin...
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paper no.4 .sem -1 TORU DUTT AS POET.
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
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Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 21 May 2014
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
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Surendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders...
published: 05 Dec 2015
Surendranath Banerjee
Surendranath Banerjee
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
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0:30
Dheeraj Dharam Mitra | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in ...
published: 20 Jun 2014
Dheeraj Dharam Mitra | Ramayan
Dheeraj Dharam Mitra | Ramayan
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
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6:25:49
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh...
published: 06 Feb 2017
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
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TNA: An Interview With Junior Fatu
See TNA's Bound For Glory live this Sunday on Pay-Per-View
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TNA: An Interview With Junior Fatu
TNA: An Interview With Junior Fatu
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Arvind Krishna Mehrotra-Translating the Indian Past: The Poets’ Experience
Arvind Mehrotra, one of India’s most celebrated contemporary poets and an acclaimed transl...
published: 17 Oct 2014
Arvind Krishna Mehrotra-Translating the Indian Past: The Poets’ Experience
Arvind Krishna Mehrotra-Translating the Indian Past: The Poets’ Experience
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Biography of Sunil Dutt
Sunil Dutt was born Balraj Dutt on 6 June 1929 in the village of Khurd in the Jalandhar Di...
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Biography of Sunil Dutt
Biography of Sunil Dutt
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48:25
Charles Lamb's essay: "A Complaint of the Decay of Beggars in the Metropolis"
In this video, Dr Susan Oliver, an authority on romantic period literature discusses Charl...
published: 25 Nov 2013
Charles Lamb's essay: "A Complaint of the Decay of Beggars in the Metropolis"
Charles Lamb's essay: "A Complaint of the Decay of Beggars in the Metropolis"
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Girish Karnad as Dramatist
This Lecture talks about Girish Karnad as Dramatist
published: 28 Dec 2016
Girish Karnad as Dramatist
Girish Karnad as Dramatist
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Devdutt Vlogs: Olympus
Devdutt talks about his book, "Olympus: An Indian Retelling of Greek Myths".
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published: 16 May 2017
Devdutt Vlogs: Olympus
Devdutt Vlogs: Olympus
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PROSE introduction
published: 03 Nov 2010
PROSE introduction
PROSE introduction
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Classic Memphis Jerry Lawler vs Toru Tanaka Wrestling 1979
CWA Memphis Wrestling
published: 07 Apr 2013
Classic Memphis Jerry Lawler vs Toru Tanaka Wrestling 1979
Classic Memphis Jerry Lawler vs Toru Tanaka Wrestling 1979
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Will Durant---The Story of India
Will Durant---The Story of India
published: 31 Mar 2015
Will Durant---The Story of India
Will Durant---The Story of India
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The House of A Thousand Doors :: Episode One
Do you believe in ghosts? Don't say no.
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Because you...
published: 05 Aug 2013
The House of A Thousand Doors :: Episode One
The House of A Thousand Doors :: Episode One
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The Lotus by Jeremy Mayer
published: 31 Aug 2015
The Lotus by Jeremy Mayer
The Lotus by Jeremy Mayer
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MA Journalism Final Project: England Their England: 2013
In 1933, the satirical novel 'England Their England' was written by author A.G. Macdonell....
published: 23 Sep 2013
MA Journalism Final Project: England Their England: 2013
MA Journalism Final Project: England Their England: 2013
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7:50
Romesh Gunesekera: On Memory and Time
This is an interview with Romesh Gunesekera, the British Srilankan writer of novels such a...
published: 16 Jan 2014
Romesh Gunesekera: On Memory and Time
Romesh Gunesekera: On Memory and Time
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1:22
Devdutt Vlogs: "Sita: An Illustrated Retelling of the Ramayana"
Devdutt talks about his book, "Sita: An Illustrated Retelling of the Ramayana".
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published: 25 May 2017
Devdutt Vlogs: "Sita: An Illustrated Retelling of the Ramayana"
Devdutt Vlogs: "Sita: An Illustrated Retelling of the Ramayana"
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3:39
paper no.4 .sem -1 TORU DUTT AS POET.
Toru Dutt was an Indian poet who wrote in English and French. She was born to father Govin...
published: 12 Jan 2017
paper no.4 .sem -1 TORU DUTT AS POET.
paper no.4 .sem -1 TORU DUTT AS POET.
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16:51
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Buttoo
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27:50
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 21 May 2014
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
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2:04
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
Toru Dutt - Ancient Ballads And Legends Of Hindustan, On The Fly Leaf Of Erckman
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6:45
Surendranath Banerjee
Sir Surendranath Banerjee pronunciation was one of the earliest Indian political leaders...
published: 05 Dec 2015
Surendranath Banerjee
Surendranath Banerjee
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2:06
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sita
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0:30
Dheeraj Dharam Mitra | Ramayan
Traditionally, the Ramayana is attributed to Valmiki. The Hindu tradition is unanimous in ...
published: 20 Jun 2014
Dheeraj Dharam Mitra | Ramayan
Dheeraj Dharam Mitra | Ramayan
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17:21
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Prehlad
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11:40
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Lakshman
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Our Casuarina Tree
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6:25:49
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh...
published: 06 Feb 2017
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
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Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
Toru Dutt - Ancient Ballads And Legends Of Hindustan, The Legend Of Dhruva
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1:24
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 28 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Sonett For Baugmaree
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11:17
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Jogadhya Uma
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6:25:49
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh...
published: 06 Feb 2017
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
The Mahabharata by Vyasa The epic of ancient India condensed into English verse by Romesh C. Dut...
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27:50
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 21 May 2014
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
Laksmanopadesham | Sampoorna Adhyathma Ramayanam
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23:58
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Introduction by Edmond W Goss
Toru Dutt (March 4, 1856 – August 30, 1877) was an Indian poet who wrote in English and Fr...
published: 29 Aug 2016
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Introduction by Edmond W Goss
Toru Dutt - Ancient Ballads And Legends Of Hindustan, Introduction by Edmond W Goss
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32:15
Balivadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 12 Jun 2014
Balivadham | Sampoorna Adhyathma Ramayanam
Balivadham | Sampoorna Adhyathma Ramayanam
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36:47
Umamaheshwara Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 22 May 2014
Umamaheshwara Samvadham | Sampoorna Adhyathma Ramayanam
Umamaheshwara Samvadham | Sampoorna Adhyathma Ramayanam
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31:59
Agasthya Sandarshanam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 03 Jun 2014
Agasthya Sandarshanam | Sampoorna Adhyathma Ramayanam
Agasthya Sandarshanam | Sampoorna Adhyathma Ramayanam
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54:48
Ramayana
The Ramayana is one of the great Hindu epics. It is ascribed to the Hindu sage Valmiki an...
published: 06 May 2014
Ramayana
Ramayana
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21:32
Ravanashuka Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 06 Jul 2014
Ravanashuka Samvadham | Sampoorna Adhyathma Ramayanam
Ravanashuka Samvadham | Sampoorna Adhyathma Ramayanam
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28:38
Kabandhagathi | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 06 Jun 2014
Kabandhagathi | Sampoorna Adhyathma Ramayanam
Kabandhagathi | Sampoorna Adhyathma Ramayanam
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41:12
Seethaswayamvaram | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 25 May 2014
Seethaswayamvaram | Sampoorna Adhyathma Ramayanam
Seethaswayamvaram | Sampoorna Adhyathma Ramayanam
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29:43
Ravana Mareecha Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 04 Jun 2014
Ravana Mareecha Samvadham | Sampoorna Adhyathma Ramayanam
Ravana Mareecha Samvadham | Sampoorna Adhyathma Ramayanam
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31:00
Naradharaghava Samvadham | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 26 May 2014
Naradharaghava Samvadham | Sampoorna Adhyathma Ramayanam
Naradharaghava Samvadham | Sampoorna Adhyathma Ramayanam
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33:59
Shoorpanagha Vrithandam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 07 Jun 2014
Shoorpanagha Vrithandam | Sampoorna Adhyathma Ramayanam
Shoorpanagha Vrithandam | Sampoorna Adhyathma Ramayanam
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Ramabhishekavignam | Sampoorna Adhyathma Ramayanam
The Ramayana (Sanskrit: रामायणम्।, Rāmāyaṇam, pronounced [rɑːˈmɑːjəɳəm]) is one of the gre...
published: 27 May 2014
Ramabhishekavignam | Sampoorna Adhyathma Ramayanam
Ramabhishekavignam | Sampoorna Adhyathma Ramayanam
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- published: 27 May 2014
- views: 507
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Will Cryptocurrency (Bitcoin) Put The Final Nail In The Petrodollar Coffin Or Ignite A War
Edit WorldNews.com 20 Sep 2017
Article by WN.com Correspondent Dallas DarlingNot only does money talk, but it kills. To be sure, and regarding Russia’s finance ministry working on a draft bill to legalize cryptocurrencies including bitcoins, whoever controls currency supply and rates can either enrich their own financial system and economies, or force other ones to commit financial suicide ... The U.S. has signaled a widening crackdown on the virtual money too ... ....
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U.S. Military Strikes on N.Korea Get More Likely by the Day
Edit Chosun Ilbo 20 Sep 2017
U.S. Defense Secretary James Mattis said Monday that the Pentagon has military options for North Korea that do not put Seoul at grave risk. He declined to elaborate what those options may be. The reason the U.S. has so far refrained from launching a military strike against North Korea is because suc... ....
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Hurricane Maria hits Puerto Rico after slamming Dominica
Edit The Malta Independent 20 Sep 2017
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Reuters Study Shows Ships Leaving Russian Ports Ending Up In N. Korea Despite Sanctions
Edit WorldNews.com 20 Sep 2017
Using a ploy often used to undermine sanctions, at least eight North Korean ships left Russia with their holds filled with fuel headed for their homeland despite declaring other destinations, a Reuters investigation shows. Reuters has no evidence of wrongdoing by the vessels whose movements were recorded in Reuters ship-tracking data ... Assistant Secretary of the Treasury Marshall S ... None went on to China and most went back to Russia....
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Dozens Of Countries Sign Nuclear Weapons Treaty At United Nations
Edit WorldNews.com 20 Sep 2017
Dozens of countries endorsed a nuclear weapons ban treaty on Wednesday amid concerns over North Korea’s missile tests, however, countries such as the United States, Britain and France boycotted the event at the annual United Nations meeting of world leaders, according to Reuters. The treaty banning nuclear weapons will be implemented 90 days after 50 countries approve it, the report said ... Secretary-Gen ... U.S ... ....
Sanjay Dutt reveals wife Maanayata hits him with shoes!
Edit Mid Day 20 Sep 2017
Sanjay Dutt with wife Maanayata Dutt ... Actor Sanjay Dutt, who is looking forward to his comeback film 'Bhoomi', has joked that his wife Maanayata uses his shoes to hit him ... Sanjay Dutt takes day off work to perform 'shradh' for father Sunil Dutt ... Aww! This photo of Sanjay Dutt and Maanayata Dutt is giving marriage goals....
Why Sanju Baba didn't invite his Bhaijaan Salman Khan for Bhoomi screening?
Edit International Business Times 20 Sep 2017
Sanjay Dutt and Salman KhanVarinder Chawla. Sanjay Dutt is leaving no stone unturned to promote his comeback film Bhoomi which is just a couple of days away from its release. And to keep the buzz going, Dutt has organised two special screenings for his B-Town friends two days ahead of its release which he will co-host along with his sister Priya Dutt ... Sanjay Dutt calls Salman Khan arrogant....
Box office prediction: Bhoomi to beat Newton and Haseena Parkar on opening day
Edit International Business Times 20 Sep 2017
While Sanjay Dutt's Bhoomi is expected to have a big opening, the other two flicks ride on a lot of hype too ... Sanjay Dutt's Bhoomi is likely to dominate the box office ... Sanjay Dutt's Bhoomi teaser posterTwitter. Sanjay Dutt plays a ... Sanjay Dutt reveals why Munna Bhai Chale America won't happen....
Salman Khan NOT invited for Sanjay Dutt’s Bhoomi screening; is the cold war still on?
Edit Yahoo Daily News 20 Sep 2017
Salman Khan and Sanjay Dutt hugged it out at Mukesh Ambani’s Ganpati Celebrations and had put all rumours about their clash to rest ... Apparently, Sanjay Dutt is holding screenings of his upcoming release Bhoomi for big stars of Bollywood and Salman Khan‘s name has no place on that list ... But it seems Dutt is good at holding grudges. Also read. Sanjay Dutt ... That made Dutt remove her which apparently upset Salman....
Don’t know about patching up with Salman Khan but Sanjay Dutt is having whale of a time with Ajay Devgn – view HQ pics
Edit Bollywood Life 20 Sep 2017
Sanjay Dutt and Maanyata head out for a dinner date with their children – View pics. Only a few hours back we told you how Sanjay Dutt, it seems, still holds grudges against Salman Khan for not visiting him post his release from jail ... We hope Dutt will soon forgive Salman Khan and bond with him too, because the Tubelight actor has always spoken very fondly about the Bhoomi star....
Sanjay Dutt promotes Bhoomi despite being unwell
Edit Hindustan Times 20 Sep 2017
Bollywood actor Sanjay Dutt is clearly working hard for his onscreen comeback with Bhoomi ... Dutt was stuck in the ......
Sanjay Dutt: I've many shoes which my wife hits me with
Edit Pinkvilla 20 Sep 2017
Actor Sanjay Dutt, who is looking forward to his comeback film "Bhoomi", has joked that his wife Maanayata uses his shoes to hit him. The actor quipped about his personal life during an episode of "Yaar Mera Superstar Season 2". The episode will go on air on Sunday on Zoom channel, read a statement.� He also said that some of his shoes are custom-made in Mexico.� Entertainment. News EntertainmentTags. Sanjay Dutt Maanayata Dutt ... ....
Sanjay Dutt did not invite Salman Khan for Bhoomi's screening; is the cold war between ...
Edit Pinkvilla 20 Sep 2017
Sanjay Dutt and Salman Khan have a long history when it comes to their friendship. There were reports that the two are not on good terms. But, this year at the Ambani's Ganesh Chaturthi bash, the two superstars hugged it out. Now, the reports have come that Sanjay didn't invite Salman for Bhoomi's screening.� Entertainment. News EntertainmentTags. Sanjay Dutt salman khan Bhoomi ... ....
Ranveer Singh, Sanjay Dutt, Aamir Khan – 5 actors who went bald for their roles before Tiger Shroff will for Baaghi 2
Edit Yahoo Daily News 20 Sep 2017
According to the latest reports, Tiger Shroff is all set to be seen in a bald look in his upcoming action film, Baaghi 2. As per a report in Mumbai Mirror, the actor has gone bald for the film. This is a drastic look change for the handsome hunk, who is known for his long curly wavy locks ... 01 Aamir Khan ... Sanjay Dutt (Agneepath). 02-Sanjay-Dutt ... Sanjay Dutt played a menacing villain for the first time in his career and nailed it ... ....
From Arth to Aashiqui: 7 timeless films of Mahesh Bhatt that are must watch
Edit International Business Times 20 Sep 2017
Released in 1986, Naam is considered as one of the biggest milestones in the careers of Bhatt, Paresh Rawal and Sanjay Dutt. The film, tells the story of a mother (Nuthan) and her two sons – played by Kumar Gaurav and Sanjay Dutt – who are trying to make ends meet ... The film is about a taxi driver (Sanjay Dutt), who falls in love with a woman (Pooja Bhatt) who was forced into prostitution....
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